(2018) Adventure (Summit) Taron Egerton, Jamie Foxx, Ben Mendelsohn, Eve Hewson, Jamie Dornan, Tim Minchin, Paul Anderson, F. Murray Abraham, Ian Peck, Cornelius Booth, Kane Headley-Cummings, Scott Greenan, Lara Rossi, Kevin Griffiths, Catriona Temple, Bjorn Bengtsson, Nicholas Whitman, Nick Wittman, Yasen Atour, Josh Herdman, Amélina Limousin. Directed by Otto Bathurst
One of the things that I absolutely hate in a movie are anachronisms; you know, like having cheering throngs of medieval peasants singing Queen’s “We Will Rock You” at a joust, or a Victorian character shrugging “It is what it is” when painfully it certainly isn’t. So along comes this monstrosity and you know that I’m going to give it a wide berth, which is why it isn’t getting reviewed until two years after the fact.
Robin of Loxley (Egerton) is sent home from the Crusades in disgrace after refusing to murder a young Moorish boy in cold blood. The boy is executed anyway and his father Yahya (Foxx) stows away on the boat in gratitude, meaning to protect Robin who tried to protect his son. Robin finds the England he comes home not the same one he left. For one thing, the dastardly Sheriff of Nottingham (Mendelsohn) has seized his home, explaining to his long-time girlfriend Marian (Hewson) that Robin had been killed in action two years prior. Now she has taken up with Will (Dornan), an Irish labor leader.
It becomes clear that the Sheriff is in bed with the greedy and rapacious Cardinal (Abraham) who conspires with the Sheriff to keep the peasants down and taxed into starvation. Robin, seeing the injustice in this, is determined to liberate the downtrodden by a little redistribution of wealth. No doubt the Republican party thinks him an evil socialist.
The production design is fairly complex and a mish mash of styles, but I found it intriguing. Bathurst, a veteran of such streaming binge-worthy shows as Peaky Blinders and Black Mirror knows his way around an action sequence. And that, ladies and germs, is about the extent of what the movie has going for it. Oh, and Jamie Foxx has the decency to look embarrassed that an actor of his caliber is involved in this mess.
Egerton has had at best a checkered career. He does okay in the Kingsmen films but then he pulls out groaners like this one. He’s flailing around like a drowning man and to his credit he at least tries; the script does him no favors and Bathurst’s curious directorial choices sink the ship for good. This was clearly meant to be a franchise for Lionsgate/Summit, but fortunately it doesn’t appear that it’s going to happen. The critical scores here are no accident folks; this is one to avoid.
REASONS TO SEE: Nice production design.
REASONS TO AVOID: Egerton’s performance is less than scintillating. 15 yards for unnecessary anachronisms.
FAMILY VALUES: There is a fair amount of action and violence as well as some sexually suggestive situations.
TRIVIAL PURSUIT: The first film to feature the character of Robin Hood was a silent film called Robin Hood and His Merry Men filmed in 1908, 110 years before this one.
BEYOND THE THEATERS: Amazon, AMC On Demand, AppleTV, Fandango Now, Google Play, Microsoft, Redbox, Vudu, YouTube
CRITICAL MASS: As of 4/5/20: Rotten Tomatoes: 15% positive reviews, Metacritic: 32/100
COMPARISON SHOPPING: Robin Hood, Prince of Thieves
FINAL RATING: 4/10
NEXT: The Other Lamb