Top 10 of 2011


The annual ritual of choosing the movies that thrilled, chilled, affected and otherwise dug into the critical consciousness with hooks of steel during 2011 is upon Cinema365 and while our list is posted a bit later than most others, think of it as being a labor of love rather than a necessary evil, a particularly unliked chore.

This is the part where I mention that like any other list, this one is completely arbitrary. There’s no scientific basis, nothing quantitative that I can point to and say “this movie deserved to be on this list because of this.” No, it’s completely from the gut my friends and like any gut this big change is constant. The list you see here today is not the list I would make tomorrow. That’s why it always takes me so long; I hem, I haw, I prevaricate. At last, I assign.

Generally speaking, this list reflects my tastes as I saw the movie. I take all the movies I gave an 8 or greater score to, put the 10s at the top, the 9s below and so on. The half points I generally don’t take into consideration. Therefore you might see an 8 ranked above an 8.5. See what I mean about arbitrary?

So this is all about whether I liked the movie or not. 2011 didn’t see any real game changers in terms of movies that will rank as all-time bests. It is somewhat telling that perhaps the most critically acclaimed movie of the year was a silent movie whose style harkened back to the films of that era. Still, even if none of them may end up as classics that withstand the test of time (and I think a few of them will), all ten of these and the honorable mentions as well, should provide at least a good starting point if you want to take a cinematic  year in review viewing party and stock it up with really good movies instead of just really popular ones.

Some of these movies remain in general release even as we speak; you can head right out to a theater and see them the way they were meant to be seen. Some are already out on DVD/Blu-Ray and you can enjoy them in the comfort of your own home – or they soon will be. Lag time between theatrical release and home video release has been shrinking of late. There are two films on this list that you may find difficult to find either in home video or theaters. Check your local film festival to see if they will be around, or the websites that I have included with the original reviews – you can access those by clicking on the movie title and you can read what I wrote about them way back when.

This is meant to invite discussion or perhaps a heated argument or two. Feel free to submit your own top ten, or harangue me about mine. My skin is thick and I don’t bruise easily. I welcome hearing why my list is full of crap and yours is so much better. That’s why lists are fun.  

HONORABLE MENTION

There are a number of movies that didn’t quite make the cut of the top ten. I thought I’d add them here so you can get an idea of which ones came close, were considered and ultimately not chosen. Again, I will stress that all of these are quality films worth seeking out if you’re looking for entertainment, enlightenment or insight. I didn’t include links here but if you want to read my reviews of any of these, simply type in the title into the search field and have at it. So,  in no particular order;

In a Better World, Hugo, War Horse, Midnight in Paris, Moneyball, The Company Men, The Descendants, Margin Call, Snow Flower and the Secret Fan, I Saw the Devil, Thor, J. Edgar, The Cave of Forgotten Dreams, Holy Wars, Captain America: The First Avenger, The Double Hour, Win Win, Bridesmaids, Young Goethe in Love, The Girl with the Dragon Tattoo, The Adventures of Tintin, The Happy Poet, The Whistleblower, In Time, Apollo 18, Submarine, Drive.

And with no further ado, let us get on with the countdown:

10.  HARRY POTTER AND THE DEATHLY HALLOWS PART 2

(Warner Brothers) Daniel Radcliffe, Emma Watson, Rupert Grint, Ralph Fiennes, Helena Bonham Carter, Tom Felton, Alan Rickman, David Thewlis, Everyone in England. Directed by David Yates

Released July 15, 2011 The end of an era finally came to pass as nearly a decade of Pottermania had its final moments and the series went out with a glorious bang. Harry and his friends Hermione and Ron would take on the forces of evil in an epic battle that would shake the very foundations of magic itself as Harry and Lord Voldemort finally had the face-off that everyone had been waiting for.

WHY IT IS HERE: There are those who proclaimed it the best film in the series and in many ways they weren’t wrong. This was an emotional rollercoaster that had heroism, villainy, pathos and even a hint of comedy here and there. After the first part of the last book seemed to be all exposition and no action, this movie made for a wonderful payoff. Not everyone would survive but this was a more than satisfactory ending to a series many people grew up with. There were a lot of misty eyes in the theater when the final credits rolled, not the least of which were the Warner Brothers accountants who would see their biggest moneymaking series ever fade into history.

HIGHLIGHT SCENE: Harry prepares for certain death as he goes into the black forest to compose himself. There he meets the shades of his parents as well as those in the series who had passed on. It was remarkably moving and I for one had tears literally streaming down my face when I saw it. In fact, I’m a bit misty right now just writing about it.

BOX OFFICE RESULTS: $381 million domestic (as of 1/17/12), $1.3 billion total.

BUDGET: Not available.

STATUS: Currently available on home video. Available on HBO/Cinemax. Download/stream from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Blockbuster.

9. INCENDIES

(Sony Classics) Lubna Azabal, Melissa Desormeaux-Poulim, Maxim Gaudette, Remy Girard, Abdelghafour Elaaziz, Allan Altman, Mohamed Majd, Nabil Sawalha, Baya Belal, Yousef Shweihat. Directed by Denis Villanueve

Released April 22, 2011 This was nominated for a Foreign Language Film Oscar, representing Canada but very little of it was set in the Great White North. It didn’t win but many thought it should have. A woman follows the path of her mother as she makes a search for the man who is her father, starting in the small village her mother came from in the Middle East. The more she looks the deeper the mystery becomes as she discovers her mother was caught in a vicious civil war between Christian and Muslim factions in that country, leading to a shocking revelation that turns her daughter’s life upside down.

WHY IT IS HERE: There is no movie on this list that will grab your guts quite as much as this one does. While many explore the depths of man’s cruelty to man, here is a movie that takes that cruelty head-on and exposes the ugliness for all to see. Yet even with all this ugliness, there is still lingering hope that tinges the entire film and makes it ultimately an uplifting experience, despite the horror. Forgiveness trumps hatred every time.

HIGHLIGHT SCENE: A scene in which a busload of Muslim women meet a horrible end is one that will stay with you for a very long time.

BOX OFFICE RESULTS: $2.1 million domestic (as of 1/17/12), $3.6M total.

BUDGET: $6.8 million.

STATUS:Currently available on home video. Available on Starz. Download from iTunes/Amazon/Blockbuster. Rent DVD/Blu-Ray from Netflix/Blockbuster. Streaming unavailable.

8. BUCK

(Sundance Selects) Buck Brannaman, Mary Brannaman, Reata Brannaman, Betsy Shirley, Robert Redford, Bibb Frazier, Betty Staley, Ali Cornish, Shayne Jackson, Smokie Brannaman, Ray Hunt. Directed by Cindy Meehl

Released June 17, 2011 Buck Brannaman is an archetype, a modern day cowboy who is equal parts Roy Rogers and Dr. Phil. His journey from being a trick roper for an abusive father to one of the top consultants to ranchers about horse behavior and horse training (the character of The Horse Whisperer is largely based on him) is a moving one. One look at the trailer which preceded it convinced me that this was going to be a special film and when I got to see it in San Francisco with Da Queen, I found it to exceed those expectations and Da Queen agreed – if you were to ask her, this would undoubtedly be one of her favorite movies of the year as well.

WHY IT IS HERE: This documentary won the Audience Award at the 2011 Sundance Film Festival last January and it’s easy to see why. Few films – and even fewer documentaries – have as much heart and compassion as this movie does and the reason for it is Brannaman. He is self-effacing, quiet and has a connection to horses that is rare as it is beautiful. He has challenged traditional methods of training for one that is more effective and less traumatic for the horse. These days it can be difficult to be proud to be an American but this movie will allow you to do so, at least for a few hours.

HIGHLIGHT SCENE: Buck comforts a rancher who realizes that her inexperience and poor decisions regarding her horse have led to the injury of one of her hands and the eventual termination of the horse.

BOX OFFICE RESULTS: $4 million domestic (as of 1/18/12), $4M total.

BUDGET: Not available.

STATUS:Currently available on home video. Available on Showtime. Download from Amazon/iTunes. Stream on Netflix. Rent DVD/Blu-Ray from Blockbuster/Netflix.

7. FANNY, ANNIE AND DANNY

(Self-Released) Jill Pixley, Carlye Pollack, Jonathan Leveck, Colette Keen, George Killingsworth, Nick Frangione, Anne Darragh, Suzanna Aguayo, Nancy Carlin, Don Schwantz. Directed by Chris Brown

Released April 16, 2010 There are some movies that you will not see outside of a film festival. They are labors of love, made on shoestring budget by filmmakers who are often just learning their craft. Sometimes those movies are learning experiences for the filmmakers; they will go on to bigger and better things eventually but sometimes, you run into quality that stands on its own merit and doesn’t need any sort of qualifier, be it low-budget or inexperience. These films stand proudly with movies that have studio backing and/or indie distribution to be among the year’s best.  

WHY IT IS HERE: Brown’s third feature is an often poignant, generally funny and entirely too human portrayal of a dysfunctional family imploding over the course of a Christmas dinner. On paper it sounds awkward and uncomfortable and there are a few moments where those emotions are present but for the most part you just saw the damage done by years of digging, disappointment and disability. Well-acted (particularly Pixley, Keen and Killingsworth) and droll when it needs to be, this movie should be sent to every studio mogul and director as a primer in how great films can be done on microscopic budgets.

HIGHLIGHT SCENE: The scene near the end of the film when Danny’s departure brings down the facade from his mother and shows her to be what she truly is. It’s a marvelous piece of acting by Keen.

BOX OFFICE RESULTS: Not available.

BUDGET: Not available.

STATUS:The movie worked the film festival circuit last year, culminating in a brief run at New York’s ReRun Gastropub Theater in December. The film’s website doesn’t mention any plans for the movie to be released on DVD; hopefully someday it will be available in that formula or for digital download somewhere. Check the movie’s website for updates.

6. THE HELP

(DreamWorks/Disney) Emma Stone, Viola Davis, Bryce Dallas Howard, Octavia Spencer, Jessica Chastain, Ahna O’Reilly, Allison Janney, Sissy Spacek, Cicely Tyson, Mike Vogel, Anna Camp, Brian Kerwin, Mary Steenburgen, David Oyelowo, Aunjanue Ellis, Nelsan Ellis. Directed by Tate Taylor

Released August 10, 2011 Based on a bestselling novel by Kathryn Stockett, this movie shot to big box office after its release. The amount of success was a bit of a surprise given the subject matter but the quality wasn’t, given the excellent cast. Spencer has already won a Golden Globe for her performance and has received an Oscar nomination, along with Davis. The movie is also up for Best Picture.

WHY IT IS HERE: Some of the strongest ensemble work of any casts this year, for one thing. The writers and director Taylor could have taken the route in which Emma Stone’s Skeeter character was the brave white girl standing up for the oppressed minority (which has been done in other films) but that isn’t the case here; Stone is portrayed as much a cog in the wheel as the axel turning it. This is clearly Davis’ and Spencer’s movie. It’s funny, heartbreaking in places and insightful throughout.

HIGHLIGHT SCENE: The scene in which Hilly discovers the truth about the “terrible awful.”

BOX OFFICE RESULTS: $169.6 million domestic (as of 1/23/12), $205.3 million total.

BUDGET: $25 million

STATUS: Currently available on home video. Download from Amazon/iTunes. Rent DVD/Blu-Ray from Blockbuster/Netflix.

5. BARNEY’S VERSION

(Sony Classics) Paul Giamatti, Dustin Hoffman, Rosamund Pike, Scott Speedman, Minnie Driver, Bruce Greenwood, Rachelle Lefevre, Saul Rubinek, Mark Addy, Macha Grenon, Paul Gross, Anna Hopkins, Jake Hoffman, Thomas Trabacchi, Cle Bennett. Directed by Richard J. Lewis

Released January 14, 2011 While it’s true Giamatti would win a Golden Globe for his portrayal of the title character, it was at last year’s Golden Globes. This Canadian film was based on a Mordechai Richler, author of The Apprenticeship of Duddy Kravitz. For whatever reason it was released in early January instead of late December, effectively ending any shot it had at Oscar contention.

WHY IT IS HERE: Amazing performances from an amazing cast, to be blunt. Giamatti as I mentioned won a Golden Globe and the rest of the cast, from the irrepressible Dustin Hoffman to the breezy Speedman to the gruff Addy to the lustrous Pike all did bang-up jobs. Barney’s journey isn’t an easy one and at times the movie is so heartbreaking you want to run out of the theater – or as the case may be your living room – but staying until the final credits roll is so very worth your while.

HIGHLIGHT SCENE: Basically, the last 20 minutes of the movie is something special. I was very, very moved.

BOX OFFICE RESULTS: $4.4 million domestic (as of 1/23/12), $8.5 million worldwide.

BUDGET: $30 million

STATUS: Currently available on home video. Available on Starz. Download from Amazon/Blockbuster/iTunes. Rent DVD/Blu-Ray from Blockbuster/Netflix.

4. TROLL HUNTER (TROLLJEGEREN)

(Magnet) Otto Jespersen, Hans Morten Hansen, Tomas Alf Larsen, Johanna Morck, Knut Naerum, Robert Stoltenberg, Glenn Erland Tosterud. Directed by Andre Ovredal

Released June 10, 2011 We saw this at the Florida Film Festival and have been a huge fan ever since. While this is one of the “found footage” films subgenre that has been getting overused over the past couple years, it may very well be the best of them, better even than the one that started it – The Blair Witch Project.  

WHY IT IS HERE: Irreverent and fun, this is a theme park ride disguised as a movie. The trolls themselves are obviously CGI but they look exactly how you’d expect them to. Definitely the humor is low-key which some might have trouble with. This is one of those hidden treasures that nobody knows about, but when you get a friend to see it they become instant fans.

HIGHLIGHT SCENE: Hans filling out paperwork after his latest successful troll hunt.

BOX OFFICE RESULTS: $253,444 domestic (as of 1/25/11), $4.2 million total.

BUDGET: Not available.

STATUS: Currently available on home video. Available on Showtime starting February 23rd. Download from Amazon/Blockbuster/iTunes. Rent DVD/Blu-Ray from Blockbuster/Netflix. Stream on Amazon/Netflix.

3. THE ARTIST

(Weinstein) Jean Dujardin, Berenice Bejo, John Goodman, James Cromwell, Malcolm McDowell, Missi Pyle, Penelope Ann Miller, Beth Grant, Ed Lauter, Bitsie Tulloch, Joel Murray, Ken Davitian, Basil Hoffman. Directed by Michael Hazanavicius

Released November 25, 2011 After a good showing at the Golden Globes, The Artist is an odds-on favorite at the Oscars, with ten nominations including Best Picture (which it won at the Globes) and Best Actor for Dujardin (which he also won). This is probably the most critically acclaimed film of the year.

WHY IT IS HERE: This isn’t just an homage to silent cinema but an excellent example of the style of silent films. The humor is a bit broad and the pathos a bit maudlin but the movie works on every level. Even though there is almost no dialogue (there is music on the soundtrack and some sound effects) the acting gets across every nuance of the screenplay without fail. Dujardin, a French comic actor and Bejo, an Argentine actress, make a great team. This is the kind of movie that those who ordinarily wouldn’t choose to go see it are made believers after they’ve given it a shot.

HIGHLIGHT SCENE: George’s suicide attempt is a heartbreaker.

BOX OFFICE RESULTS: $12.4 million domestic (as of 1/25/11), $33.4 million total.

BUDGET: $15 million.

STATUS: Still in wide release.

2.  THE WAY

(ARC Entertainment) Martin Sheen, Yorick von Wageningen, Deborah Kara Unger, James Nesbitt, Emilio Estevez, Tcheky Karyo, Spencer Garrett, Angelina Molina, Carlos Leal, Antonio Gil, Simon Andreu, David Alexanian, Eusebio Lazaro. Directed by Emilio Estevez

Released October 7, 2011 Walking the Camino de Santiago has always held a fascination to me. I’m way too out of shape to do it myself; this is as close as I’m going to come to doing it myself. I wasn’t impressed by the trailer or the concept originally but was blown away when I saw the film. It is insightful, emotionally authentic and yes it will make you laugh and cry.

WHY IT IS HERE: I am not the most Catholic of Catholics, but this movie gave me a nostalgic twinge in my ecumenical muscle. I also must admit that James Michener’s travelogue Iberia is a book that I’ve read and re-read a dozen times in my life; the chapter about the Camino always sung to me. No movie released this year afforded the opportunity for self-discovery as this one did and much of the responsibility for that goes to Martin Sheen’s dignified but realistic performance, making me realize how much I miss President Josiah Bartlett. Movies this powerfully moving should get as much praise as can be heaped on them.

HIGHLIGHT SCENE: The scene where Sara confesses to Tom about her abusive background.

BOX OFFICE RESULTS: $4.4 million domestic (as of 1/26/12), $4.4 million total.

BUDGET: Not available.

STATUS: Scheduled for home video release on February 21.

1. KINYARWANDA

(AFFRM) Edouard Bamporiki, Cassandra Freeman, Marc Gwamaka, Zaninka Hadidja, Mursari Jean, Cleophas Kabasita, Hassan Kabera, Mazimpaka Kennedy, Assumpta Micho, Kena Onyenjekwe, Edouard B. Uwayo. Directed by Alrick Brown

Released December 2, 2011 Some movies aren’t seen so much as experienced. This film tells several stories about the Rwandan genocide, from a teenager girl who comes home after sneaking out to attend a party to find her parents murdered, to a courageous priest who tries to save as many of his Tutsi flock as he can, to a pair of soldiers who have varying reasons to want to put themselves at risk in Rwanda. Each story has an enormous emotional resonance and is based on a survivor’s actual experiences.

WHY IT IS HERE: This is a movie that doesn’t seem like a first feature. Indeed, I have not seen a better film this year. Few films will affect you as deeply as this one; but while it is set during one of the darkest moments in human history, it is not a story of darkness. Rather it is a film about reconciliation and hope, of the extraordinary ability of the human spirit to give the divine gift of forgiveness no matter how heinous the crime, how egregious the transgression. If the Tutsi can forgive the Hutu and move to becoming a single nation after what happened in Rwanda, there is hope for us as a species if we can, as the Rwandans are doing, appeal to our own higher natures. When a movie can provide that for its audience, it is an extraordinary film indeed.

HIGHLIGHT SCENE: A scene where one of the soldiers who committed murder in the genocide realizes what he has participated in and what it has cost his soul – with tragic results.

BOX OFFICE RESULTS: $21,097 domestic (as of 12/4/11), $21,097 total.

BUDGET: Not available.

STATUS: Kinyarwanda has had a limited release mostly in large cities. It is listed on the Netflix site with an as-yet unscheduled DVD release date, indicating that there are plans to release it in that format.

Advertisements

The Descendants


The Descendants

George Clooney may not get the joke but Shailene Woodley does.

(2011) Dramedy (Fox Searchlight) George Clooney, Shailene Woodley, Beau Bridges, Robert Forster, Judy Greer, Matthew Lillard, Nick Krause, Amara Miller, Mary Birdsong, Rob Huebel, Patricia Hastie, Barbara L. Southern, Celia Kenney, Scott Michael Morgan. Directed by Alexander Payne

 

Most of us aspire to live in paradise. The problem with that is that we still have to live in paradise and living is a messy, complicated business.

Matt King (Clooney) is a wealthy lawyer descended from King Kamehameha I. His family was one of the first non-Hawaiian landowners in the islands, and the family trust, for which Matt is the sole trustee, owns 25,000 acres of virgin land in Kauai. The trust will expire in seven years and the family is eager to sell the land which is worth billions. For some family members who are experiencing financial hardships, the sale of this land will be a windfall that will allow them to live comfortably for the rest of their lives.

However, Matt’s focus is no longer on the sale. His wife Elizabeth (Hastie) has been in a serious boating accident, leaving her in a coma. Matt has always been more married to his work than to his wife; he is the self-described “back-up parent,” leaving Elizabeth to raise his two daughters – 10-year-old Scottie (Miller) and 17-year-old Alex (Woodley). Scottie has taken to bullying, using profanities and flipping her father the bird when she doesn’t get her way.

Alex is also a mess, having quarreled with her mother shortly before leaving for boarding school and taking to using drugs and alcohol to salve her pain. She’s just getting her life back on track when Matt comes to fetch her to let her know the dire news the doctor has just given him; Elizabeth is not responding to treatment and the coma will be permanent. As per her living will, she will be unhooked from her life support and allowed to die with dignity. Matt chooses to keep Scottie in the dark about this for the time being.

Matt also learns unexpectedly that Elizabeth was having an affair at the time of the accident and was thinking about getting a divorce. The object of her affections was a realtor named Brian Speer (Lillard) who is currently on vacation in Kauai. Matt decides to confront Brian and with his daughters in tow, as well as Alex’s not-quite-boyfriend Sid (Krause) along for the ride, Matt goes about the business of getting closure, and allowing family members – such as Elizabeth’s crotchety dad (Forster) the same.

While there are some comedic elements, there is almost always something darker about them. For example, Matt’s awkward flip-flop run, oft-repeated in the trailer, to his neighbor’s house to confront them about what they know about Elizabeth’s affair – it’s certainly silly to watch out of context but when you know what prompted the ungainly sprint it is a different matter entirely. Sid’s near-epic insensitivity also prompts some guilty laughter, not to mention groans of dismay.

This is very much one of Clooney’s outstanding performances, destined to be one of the defining moments of his career I think. He is most certainly the Oscar frontrunner at this point, giving Matt a good deal of humanity yet never letting us forget that this is a man enduring some incredible pain at the moment – not only living with the knowledge that his wife was about to die, but having his world crumble further in that she no longer loved him and wanted another man. There is also unspoken guilt (which I would have loved to hear spoken) that he felt some kind of guilt in driving her to that place. That aspect of his pain is never explored and I think it might have added something had it been.

Woodley also is terrific as the daughter who has her own issues but as time goes by finally begins to understand her dad and even like him a little bit. That’s a big step for Alex, and Woodley gives the character depth. It doesn’t hurt that the character was written with some to begin with, instead of making her a typical Hollywood screen teen who knows better than her parents. Alex certainly doesn’t; she’s more like the teenagers I met than the ones I’ve seen onscreen.

Forster and Greer, both veteran character actors, have also elicited some supporting actor/actress Oscar buzz; Forster for the dad who is crusty and curmudgeonly, but at the center is deeply wounded and in despair that he is going to outlive his daughter. Greer has a very emotionally complex role that leads to an amazing scene with Clooney in Elizabeth’s hospital room near the end of the movie. It’s devastating and maybe the best single scene you’ll see in a movie this year.

I can’t imagine going through what Matt King goes through here. To be in a situation where one must not only mourn for someone he loves, but to feel acute betrayal as well at the same time – how horrible is that? I loved where the movie took us, and appreciated the journey that got us there. Some are going to look at this from the trailers as a comedy along the lines of the Coen Brothers movies, but this is definitely far from a feel-good kind of film. It has its quirks, but at the end of the day it is a very human film which is going to be making quite a few appearances on Academy ballots when all is said and done.

REASONS TO GO: Oscar-worthy performance by Clooney. A very moving and painful journey.

REASONS TO STAY: May be too painful and intense for some.

FAMILY VALUES: There is quite a bit of swearing and some sexual references.

TRIVIAL PURSUIT: Woodley is best known for the TV show “The Secret Life of an American Teenager.” This is her first big screen role.

HOME OR THEATER: Although most of the film translates well to more intimate screens, the Hawaiian vistas are another matter and besides, it deserves some box office support.

FINAL RATING: 8.5/10

TOMORROW: The Infidel

New Releases for the Week of November 25, 2011


November 25, 2011

THE MUPPETS

(Disney) Jason Segel, Amy Adams, Chris Cooper, Rashida Jones, Alan Arkin, Jack Black, Billy Crystal, Zach Galifianakis, Kermit the Frog, Miss Piggy. Directed by James Bobin

It’s been awhile since we’ve seen the Muppets onscreen and quite frankly, the lot of them have gone their separate ways. Some of their fans still carry the torch however, and one of them learns that the Muppets Theater, where their show took place, is about to be bulldozed to the ground by a greedy oilman who wants to drill into the oil deposit below the theater. Energized to save his beloved Muppets, he enlists the help of a whole lot of celebrities to help save the day – but can he get the Muppets back together again?

See the trailer, clips and web-only content here.

For more on the movie this is the website.

Release formats: Standard

Genre: Family

Rating: PG (for some mild rude humor)

Arthur Christmas

(Columbia/Sony Animation) Starring the voices of James McAvoy, Jim Broadbent, Hugh Laurie, Bill Nighy. Santa Claus has gone high tech. The increasing world population has meant that the North Pole’s gift-delivering operation has had to make some changes, much to the chagrin of several generations of Santas including the ne’er-do-well younger son, Arthur. When it appears a child has been overlooked, it will be up to Arthur to deliver it old-school, and in the process restore everyone’s faith in Christmas. This is the latest from the wonderfully warped minds at Aardman animation.

See the trailer here.

For more on the movie this is the website

Release formats: Standard, 3D

Genre: Animated Feature

Rating: PG (for some mild rude humor)

The Descendants

(Fox Searchlight) George Clooney, Beau Bridges, Robert Forster, Judy Greer. A somewhat indifferent husband and father is forced to face his responsibilities and come to terms with his past when his wife is involved in a boating accident in Hawaii. He discovers that his view of the world is not necessarily what reality is, and that there are things that are worth fighting for.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Dramedy

Rating: R (for language including some sexual references)

Hugo

(Paramount) Asa Butterfield, Chloe Grace Moretz, Sacha Baron Cohen, Jude Law. A young boy finds a home in a Paris train station after a series of tragic circumstances. He finds that his father has left him an automaton with an odd heart-shaped lock. The search for the key that fits that lock will lead to an adventure of magic and mystery unlike any other you’ve ever seen – and this was directed by Martin Scorsese, so that alone should whet your appetite.

See the trailer, clips, featurettes and an interview here.

For more on the movie this is the website.

Release formats: Standard, 3D

Genre: Family

Rating: PG (for mild thematic material, some action/peril and smoking)

Melancholia

(Magnolia) Kirsten Dunst, Charlotte Gainsbourg, Alexander Skarsgard, Kiefer Sutherland. As a planetoid approaches the Earth on a collision course, a young newlywed awaits the end of the world with her friends and family. This film became infamous for director Lars von Trier’s meltdown at the Cannes Film Festival where Dunst won the best actress award at the prestigious festival.

See the trailer, clips, an interview and a link to view the full-length film here.

For more on the movie this is the website

Release formats: Standard

Genre: Sci-Fi Thriller

Rating: R (for some graphic nudity, sexual content and languge)

My Week With Marilyn

(Weinstein) Eddie Redmayne, Michelle Williams, Kenneth Branagh, Judi Dench. A 23-year-old assistant on the film set of the 1956 classic The Prince and the Showgirl becomes attracted to Marilyn Monroe, starring in the film with Sir Laurence Olivier and simultaneously on her honeymoon with playwright Arthur Miller. When Marilyn yearns to get away from the pressures of the film and of being Marilyn Monroe, he takes her away for a week to show her the pleasures of idyllic British country life.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Biographical Drama

Rating: R (for some language)