Those who read a lot of movie reviewers know that it is part of the job to rank the best movies of the year once that year is over. Not being one of those critics who gets to see all the big movies well in advance of their release date, I have to make do with getting out to see them as soon as I can, which leads to delays in publishing my top 10.
As with most things, any top 10 for any critic is a moment in time captured. This is how I feel these movies belong to be ranked at this moment, right now. I can guarantee you that I’ll look back on this next year and wonder how in the hell I ranked one movie ahead of another, or how I missed this movie or that one.
Here you’ll see plenty of movies that are already on a lot of year end lists, but there’s one you won’t see that is – Her. That’s not because I didn’t love the movie – in fact, I think that it would be near the top if not the top movie of 2013. However, while it did get released in New York and L.A. in 2013 for Academy consideration, most people in the country didn’t get a chance to see it until January of this year. That is why I decided to put the film in as part of my 2014 films. Normally I go by the release date of the movie to qualify it as a top ten film, but in all honesty these days we’re getting so many quality foreign films that were released in their own countries a year, two or even three years prior to their American release that I am going with a general “when did it get its widest release” in order to determine what year I rank the film with. You can bitch and moan if you want to but it’s my playground and my rules and I reserve the right to change them tomorrow.
I think that the quality for movies overall in 2013 was pretty high compared to recent years. Many of the honorable mentions would have made the top 10 lists in years past. This one was a bit harder to put together; there were several I had a hard time relegating to the purgatory of Honorable Mention but at the end of the day, this is my list and I’m sticking to it.
So this is the list as I see it. Feel free to leave your comments and opinions here on the site or elsewhere. I’m always happy to defend my choices. However, if you haven’t seen some of them, do seek them out; I’ll do my best to provide information as to how to go watch them right now, whether it be in your local multiplex, through an online streaming service, on your cable or satellite subscription service or at your local DVD store.
HONORABLE MENTION
There are a number of movies that didn’t quite make the cut of the top ten. I thought I’d add them here so you can get an idea of which ones came close, were considered and ultimately not chosen. Again, I will stress that all of these are quality films worth seeking out if you’re looking for entertainment, enlightenment or insight. I didn’t include links here but if you want to read my reviews of any of these, simply type in the title into the search field and have at it. So, in no particular order;
Dallas Buyers Club, Aftermath, Saving Mr. Banks, Mud, Starbuck, A.C.O.D., Unfinished Song, Nebraska, The Book Thief, John Dies at the End, The World’s End, Stories We Tell, The Attack, Good Ol’ Freda, Big Star: Nothing Can Hurt Me, Sightseers, Captain Phillips, Pieta, Philomena, The History of Future Folk, About Time, I Declare War, Year of the Living Dead, Quartet
(Bluff City) Tobias Segal, Marc Menchaca, Barry Corbin, Frankie Shaw, C.K. McFarland, Ron Hayden, Katherine Willis, Marco Perella, Brent Smiga, Brian Orr, Christine Bruno, Carolyn Gilroy. Directed by Josh Barrett and Marc Menchaca
Released April 7, 2013 A Texas hill country family has a tough go of it, with the adult son having a severe form of cerebral palsy and the father in the beginning stages of dementia. The mother is also battling high blood pressure and the sister is bitter at the hand life has dealt her. Into this volatile mix comes a rough and tumble handyman who at first builds a wheelchair ramp for the front porch but eventually becomes the son’s caretaker and friend. However his shortcomings may tear the family apart.
WHY IT IS HERE: Beautifully photographed and written with sympathy and sensitivity, this is a movie for people who love movies about people and by people, I mean real people, the sort you might run into at the grocery store or sit next to in the bar. It could have easily been a manipulative Lifetime movie but instead chooses honesty over treacle. An amazing debut by the directing team.
HIGHLIGHT SCENE: Tobias Segal as August expresses his frustration at trying to communicate with a body that doesn’t co-operate with him – ever.
BOX OFFICE RESULTS: Not available.
BUDGET: Not available.
STATUS: Is trying to secure distributorship for some sort of theatrical release. Until then, look for it on the Festival circuit.
(Cinedigm) Brie Larson, John Gallagher Jr., Kaitlyn Dever, Rami Malek, Keith Stanfield, Frantz Turner, Stephanie Beatriz, Melora Walters. Directed by Destin Daniel Cretton
Released August 23, 2013 In an era of austerity where social service funding is under fire from the fiscal conservatives, this is a look at just what that wasteful spending is actually spent on. A young woman is the caretaker of at-risk youths in a care facility in Los Angeles in an eventful few days in the facility. A girl is admitted, one who reminds the caretaker strikingly of herself. A long-time resident prepares to get released to live on his own. And the caretaker discovers that she is pregnant, which triggers her own long-held emotional issues.
WHY IT IS HERE: As authentic a movie as was released in 2013. A warts-and-all portrayal of troubled kids and of the young people who care for them. Larson’s performance would certainly have been in the mix for the Best Actress Oscar had this been released by a major studio; suffice to say she has what it takes to get the gold somewhere down the line. Surrounded by a great young cast, Larson shines and elevates this film to the next level.
HIGHLIGHT SCENE: Larson “rescues” Dever from the home of her abusive father and in doing so the inner pain of both women comes to the surface.
BOX OFFICE RESULTS: $1 million domestic (as of 1/14/14), $1 million total.
BUDGET: Not available.
STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix. Stream from Amazon.
(Paramount) Leonardo di Caprio, Jonah Hill, Margot Robbie, Matthew McConaughey, Kyle Chandler, Rob Reiner, Jon Favreau, Jean Dujardin, Kenneth Choi, PJ Byrne, Jon Bernthal, Joanna Lumley. Directed by Martin Scorsese
Released December 25, 2013 It seems only fitting that Scorsese would in this day and age make a film about amoral Wall Street capitalists – after all, they are the new mob of the 21st century. Still, there is a fascination to the rise and fall of Jordan Belfort from ambitious penny stock trader to criminal on an epic scale. All the drugs, all the language, the greed and the women – it’s a morality tale like none other.
WHY IT IS HERE: Di Caprio delivers one of the defining performances of his career to date and Hill proves he’s more than a one-shot wonder with an Oscar-nominated performance. While some have complained about the indulgences and the f-bombs, nonetheless there’s authenticity about what you see onscreen. If absolute power corrupts absolutely, then money corrupts inevitably. One of the critical hits of the year and judging on the box office returns this may well being one of Scorsese’s biggest hits ever.
HIGHLIGHT SCENE: Delayed-reaction Quaaludes. That’s all you need to know.
BOX OFFICE RESULTS: $82.8 million domestic (as of 1/17/14), $120.9M total.
BUDGET: $100M
STATUS: Still out in wide release.
(Magnolia) Mads Mikkelsen, Thomas Bo Larsen, Annika Wedderkoop, Lasse Fogelstrom, Susse Wold, Anne Louise Hassing, Lars Ranthe, Alexandra Rapaport, Ole Dupont, Rikke Bergmann, Allan Wilbor Christensen. Directed by Thomas Vinterberg
Released July 12, 2013 We were one of the first in the country to see this here in Orlando at the Florida Film Festival. Recently this was announced to be one of the final nominees for the Oscar for Best Foreign Film. Given it’s wrenching story about a substitute teacher who is just trying to get his life together after a bitter divorce accused of molesting a little girl, it’s hardly unsurprising but there is more to this than simply a terrific story.
WHY IT IS HERE: The storyline, as well-told as it is, is brought to life by an Oscar-worthy performance by Mikkelsen. In a year in which we’ve been treated to a wealth of fine performances, this is as good as any as you’ll witness, Only the fact that this is a mid-major distributor and a foreign film kept Mikkelsen from being in the Oscar mix. This is the kind of movie that leaves you feeling emotionally drained after seeing it.
HIGHLIGHT SCENE: The Christmas eve church confrontation.
BOX OFFICE RESULTS: $613,308 domestic (as of 1/21/14), $16.76M total..
BUDGET: $3.45M.
STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Amazon/Blockbuster/Netflix/iTunes.
(Weinstein) Michael B. Jordan, Melonie Diaz, Octavia Spencer, Kevin Durand, Chad Michael Murray, Ariana Neal, Ahna O’Reilly, Keenan Coogler, Trestin George, Joey Oglesby, Michael James, Marjorie Shears, Destiny Ekwueme. Directed by Ryan Coogler
Released July 12, 2013 Based on true events that happened on the last day of 2008 (and on the first day of 2009), the shooting of Oscar Grant III at an East Bay BART station galvanized the Bay Area and the nation as to the training of transit police and their use of firearms. Taking place on the last day of his life, the film shows the story of a man who’s made some terrible mistakes trying to get his life together only to lose it in a senseless confrontation
WHY IT IS HERE: Some talk about Oscar snubs to Redford and Hanks but this entire movie has gotten snubbed this entire awards season and it just isn’t right. Part of he problem was that the movie was released back in July but frankly the studio hasn’t really supported it as much as it deserves either. The movie certainly should have received Oscar nominations for Best Picture, Best Director, Best Actor (Jordan), Best Supporting Actress (Spencer) and Best Original Screenplay. Hopefully the justice will be in big boosts to the careers of Coogler and Jordan.
HIGHLIGHT SCENE: When a mother is informed that her son is dead.
BOX OFFICE RESULTS: $16.1 million domestic (as of 1/21/14), $16.7 million total.
BUDGET: Not available.
STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix. Stream from Amazon/ iTunes.
(Radius) Darlene Love, Merry Clayton, Lisa Fisher, Judith Hill, Tata Vega, Sting, Bruce Springsteen, Stevie Wonder, Mick Jagger, Bette Midler, Chris Botti, Lynn Mabry, Claudia Lennear, Sheryl Crow, Patti Austin. Directed by Morgan Neville
Released June 14, 2013 Most of us know the stars out front belting out the hits but few of us are all that aware of the back-up singers who often sing the parts of the song we sing along to. Some of them are the most talented and powerful voices in the business bar none – including the stars, who would be the first to tell you so. These are the anti-American Idols – women content to remain in the background, who sing for the love of singing rather than in pursuit of fame.
WHY IT IS HERE: This Oscar-nominated documentary shines a light on those who have shunned the spotlight, some for nearly 50 years and still going strong. This was the opening night film for the 2013 Florida Film Festival and an auspicious kick-off to that event it was, with Merry Clayton a special guest gracing opening night filmgoers with a song.
HIGHLIGHT SCENE: A deconstruction of the Rolling Stones’ classic “Gimme Shelter” with the various tracks stripped away until only Clayton’s powerful voice remains.
BOX OFFICE RESULTS: $4.8M domestic (as of 1/22/14), $5.2M worldwide.
BUDGET: Not available
STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix. Stream from Amazon/ iTunes.
(Warner Brothers) Sandra Bullock, George Clooney, Ed Harris (voice), Phaldut Sharma (voice), Orto Ignatiussen (voice), Amy Warren (voice), Basher Savage (voice). Directed by Alfonso Cuaron
Released October 3, 2013 Perhaps the worst possible fear of an astronaut is a disaster in space, crippling their spacecraft and robbing them of a ride home. For all our well-trained, cool-as-a-cucumber-under-pressure NASA heroes, there’s no doubt that each one of them are human inside and in a situation like that would be absolutely terrified. This comes as close as we can to making that situation real for a general audience.
WHY IT IS HERE: Stunning special effects that duplicate weightlessness so perfectly, and a bravura Oscar-nominated performance by Bullock (and justifiably so). This has been getting rabid kudos from critics and audiences alike since it opened and it is no surprise that it is one of the finalists for the Best Picture Oscar.
HIGHLIGHT SCENE: The initial collision with the debris field that leaves Bullock’s character spinning out of control and headed for deep space – all against eerie silence.
BOX OFFICE RESULTS: $258.9 million domestic (as of 1/21/14), $677.7 million total.
BUDGET: $100 million.
STATUS: Still in wide release; scheduled for home video release on February 25.
(Black Kettle) Zenzo Ngqobe, Nozipho Nkelemba, Jerry Mofokeng, Lebohang Ntsane, Moshoshoe Chabeli, Lillian Dube, Sam Phillips. Directed by Andrew Mudge
Released April 5, 2013 This is yet another movie on this list that I first caught at the Florida Film Festival – in this case, the best film I caught at the FFF this year. In it a South African man, living a life of drinking and womanizing, is charged with taking his father – from whom he was estranged – back to Lesotho to be buried. Along the way he rekindles an old flame, learns something about his dad and of himself – and of Africa.
WHY IT IS HERE: An amazing film that drills down father-son relationships and forces you to explore your own relationships with your parents and/or your children. Beautifully shot in gorgeous African vistas, this is a movie so compelling and beautiful that I was thinking about it for days. I’m still thinking about it now.
HIGHLIGHT SCENE: Atang’s confrontation with Dineo’s father.
BOX OFFICE RESULTS: Not available.
BUDGET: Not available.
STATUS: Still appearing on the festival circuit. At this time there are no concrete plans for home video release but at some point hopefully that will change.
(Fox Searchlight) Chiwetel Ejiofor, Michael Fassbender, Benedict Cumberbatch, Paul Dano, Lupita Nyong’o, Brad Pitt, Paul Giamatti, Alfre Woodard. Directed by Steve McQueen
Released October 18, 2013 Solomon Northup, a free American of African descent, is betrayed, kidnapped and sold into slavery. Sent to the deep South of the plantations of Louisiana, he is taken away from his wife and children and must learn to survive in the brutal world of the cotton fields, maintaining the hope that one day he will be free once again.
WHY IT IS HERE: Just a magnificently gripping film, one which can show the depths of human depravity one moment and the heights of the strength of the human spirit the next. Ejiofor comes out as a legitimate star here while McQueen who for years has been labeled as a director of enormous promise, fulfills it here.
HIGHLIGHT SCENE: Solomon Northup sobbing as he is being carted away in a wagon as he is at last set free.
BOX OFFICE RESULTS: $43.9M (as of 1/2913), $79.0M total.
BUDGET: $20 million.
STATUS: Still in wide release. Expected to be released on home video this spring.
(Drafthouse) Anwars Congo, Herman Koto, Safit Pardede, Adi Zulkadry, Haji Anif, Jusuf Kalla, Ibrahim Sinik, Syamsul Arfin. Directed by Joshua Oppenheimer
Released July 19, 2013 During the Indonesian military takeover in the mid-1960s, thousands upon thousands of Indonesians were murdered by death squad, often led by members of organized crime. In an effort to rid the country of leftists and communists, the net was expanded to include executions of ethnic Chinese and as time went on, basically anyone they wanted. Some of the more notorious death squad leaders were interviewed here and invited to re-enact their crimes in any style they wished; being to a man big fans of Hollywood movies, they would choose some fairly inventive means.
WHY IT IS HERE: I can’t say I enjoyed this movie but the experience of it really changed my perceptions on the notions of forgiveness and humanity. Anwars Congo, one of the most blood-soaked of the death squad leaders (and one of the most revered in Indonesia), is today a grandfatherly sort whose gentle onscreen demeanor is at odds with the horrors of his vicious, cruel and bloodthirsty acts. Is there redemption for men like that? Can one feel sympathy for the devil?
HIGHLIGHT SCENE: The scene on the roof when the horror of his actions catches up with Anwar and he has a violently physical reaction.
BOX OFFICE RESULTS: $469, 214 domestic (as of 1/29/13), $469,214 total.
BUDGET: $1 million.
STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix. Stream from Amazon/iTunes/Netflix.
BLOODSHOT
Cinema365 