Top 10 of 2014


Top 10 of 2014For most of the year, I asserted that this was kind of a down year for movies in terms of quality and to a lesser degree, of box office as well. Although there have been some really good movies that would be contenders for the best movie of the year in any year, I still think that overall there were fewer movies that had the slam dunk quality overall of years past.

Still, the movies on this top 10 list were all of very high quality and you won’t go wrong in watching any of them. I was pleased to see that there were a number of indie movies that really stepped up the game; in fact, I think it’s a safe bet to call this the Year of the Indie. While some of these are indies in name only, distributed by major studios who have developed distribution arm for foreign films and smaller scale American films produced outside of the studios (i.e. Fox Searchlight, Sony Classics and Paramount Vantage), plenty are true indies with no financing or distribution from a major.

We continue to see a migration of traditional distribution in which movies received a theatrical release, followed about six months later by a home video release and ending up with a premium cable release about a year after the initial theatrical release. That is no longer the case as people are more and more watching films at home rather than in theaters. Some of the major indie distributors like Magnolia and IFC are releasing their films in On-Demand format concurrently with their theatrical release (and often ahead of it) which makes good fiscal sense for them. Mid-majors like Weinstein and Lionsgate have begun to follow suit. Universal even decided to release the acclaimed Joe Carnahan film Stretch into on-demand without a theatrical release which is a bit disturbing but sensible as well. We might see marginal studio films going that route more often in the future.

As with previous years, you can learn more about each movie on the top 10 list by clicking on the title to access my initial review, or clicking on the photo of the movie to go to the movie’s website or Facebook page when available. The information given should be self-explanatory. This year we’re also adding the top 10 films’ Rotten Tomatoes and Metacritic scores as of the date I write the blurbs.

As always, the list is entirely arbitrary. How I rank these movies today isn’t necessarily how I would rank them tomorrow. I am also ignoring half-points from the initial ratings so you might see a 9.0 ranked ahead of a 9.5. It’s my list. Deal with it. In any case, at the end of the day the order the films are ranked in is unimportant save for the number one movie of the year. The thing to remember is that all of these films including the honorable mention films are all of the highest quality and you can’t go wrong seeing any of them. Hopefully this list will suggest a few to you that you might have missed during the year or didn’t get distribution in your home town. Many of them will be already out on home video or VOD, while a few may still be in your local theaters. Do yourself a favor and try and see as many of these as you can. You won’t regret it.

HONORABLE MENTION

There are a number of movies that didn’t quite make the cut of the top ten. I thought I’d add them here so you can get an idea of which ones came close, were considered and ultimately not chosen. Again, I will stress that all of these are quality films worth seeking out if you’re looking for entertainment, enlightenment or insight. I didn’t include links here but if you want to read my reviews of any of these, simply type in the title into the search field and have at it. So, in no particular order;

The Grand Budapest Hotel, The Wind Rises, The Babadook, Before I Disappear, Ida, The Trip to Italy, Doomsdays, Tim’s Vermeer, Copenhagen, Chef, Bad Words, The Final Member, The Zero Theorem, The Devil’s Knot, The Railway Man, Cold in July, Blue Ruin, The Fluffy Movie, The Hundred-Foot Journey, Interstellar, The Boxtrolls, The Good Lie, Birdman, Foxchaser, Wild, Slingshot, Ernest and Celestine, The Lunchbox, Jodorowsky’s Dune, The LEGO Movie, Locke, Force Majeure, Life Itself.

Captain America: The Winter Soldier10. CAPTAIN AMERICA: THE WINTER SOLDIER

(Disney/Marvel) Chris Evans, Samuel L. Jackson, Scarlett Johansson, Robert Redford, Anthony Mackie, Toby Jones, Cobie Smulders, Frank Grillo, Hayley Atwell. Directed by Anthony Russo and Joe Russo

Released April 3, 2014 Steve Rogers, a.k.a. Captain America fresh from saving New York City from an alien invasion is an integral part of SHIELD, protecting the world and particularly the United States, from threats too powerful for local law enforcement to handle. But something is attacking SHIELD from within and Rogers, who knows nobody from this era after having been frozen in the Arctic for nearly half a century, doesn’t know who to trust or what to believe. He’s a black and white kind of guy in a shades of grey world.
WHY IT IS HERE: Hearkens back to the political thrillers of the 1970s coupled with a modern special effects-laden action film. Was the box office champion for much of 2014 until a Marvel mate came to take the crown from Cap. But more importantly, people began to see that Marvel movies could be a lot more than superhero films.
HIGHLIGHT SCENE: Cap takes out an elevator full of would-be assassins.
CRITICAL MASS: Rotten Tomatoes: 89% positive reviews. Metacritic: 70/100.
BOX OFFICE RESULTS: $259.8 million domestic, $714.1M total (as of 1/13/15).
BUDGET: $170 million
STATUS: Currently available on home video. Download from iTunes/Vudu/Amazon. Stream on Vudu/iTunes. Rent DVD/Blu-Ray on Netflix.

Whiplash9. WHIPLASH

(Sony Classics) Miles Teller, J.K. Simmons, Paul Reiser, Melissa Benoist, Austin Stowell, Nate Lang, Chris Mulkey, Damon Gupton, Suanne Spoke, Max Kasch, Charlie Ian, Jayson Blair, Kofi Siriboe, Kavita Patil. Directed by Damien Chazelle

Released October 10, 2014 A driven young jazz drummer attending a prestigious music conservatory in New York City yearns to be the best, and in order to do that will have to make sacrifices. Taken under the wing of a stern taskmaster of an instructor, the two strong wills meet head on as Chazelle asks us to consider at what point the price of greatness becomes too dear.
WHY IT IS HERE: Newcomer Chazelle has delivered a taut, engaging movie in which two performances take front and center. Teller proves that he can be a compelling lead actor, while veteran character actor Simmons delivers the performance of his career for which he has already won a Golden Globe and is the odds-on favorite for the Best Supporting Actor Oscar next month.
HIGHLIGHT SCENE: Andrew’s drum solo in a situation in which he had been set up to fail, yet ends up triumphing despite the adversity.
CRITICAL MASS: Rotten Tomatoes: 95% positive reviews. Metacritic: 88/100.
BOX OFFICE RESULTS: $6.2 million domestic, $7.1M total (as of 1/13/15),.
BUDGET: $3.3 million
STATUS: Scheduled for home video release on February 24. Digital download pre-order available on Vudu.

Gone Girl8. GONE GIRL

(20th Century Fox) Ben Affleck, Rosamund Pike, Neil Patrick Harris, Tyler Perry, Patrick Fugit, Carrie Coon, David Clennon, Lisa Barnes, Missi Pyle, Emily Ratajkowski, Casey Wilson, Lola Kirke, Boyd Holbrook, Sela Ward. Directed by David Fincher

Released October 2, 2014 When his wife disappears, Nick Dunne fears the worst – maybe she’s been kidnapped or possibly, given the blood at the scene of the crime – murdered. But when signs point to Nick being the killer, suddenly the sympathy he’d been receiving turns to something else. Almost nobody believes him. However, even Nick doesn’t suspect what’s going on and who’s behind it.
WHY IT IS HERE: One of the big box office hits of 2014 took a lot of people by surprise. Fox did a masterful job of marketing the film without revealing its twists and turns. Fincher directs it masterfully, making sure that everything that happens onscreen has a reason for it. Pike got a Golden Globe nomination for her star-making performance and may well net an Oscar nom as well.
HIGHLIGHT SCENE: I can’t reveal too much about the scene without spoiling the surprises but let’s just call it “NPH gets lucky…or does he?”
CRITICAL MASS: Rotten Tomatoes: 89% positive reviews. Metacritic: 79/100.
BOX OFFICE RESULTS: $167.2 million domestic (as of 1/14/15), $365.4M total.
BUDGET: $61 million
STATUS: Currently available on home video. Download from iTunes/Amazon/Vudu/Target Ticket. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Amazon/Vudu/iTunes/Target Ticket.

The Imitation Game7. THE IMITATION GAME

(Weinstein) Benedict Cumberbatch, Keira Knightley, Matthew Goode, Rory Kinnear, Alan Leech, Matthew Beard, Charles Dance, Mark Strong, James Northcote, Tom Goodman-Hill, Steven Waddington, Ilan Goodman, Jack Tarlton. Directed by Morten Tyldum

Released November 28, 2014 The story of Alan Turing wasn’t a particularly happy one. A brilliant mathematician with a lifelong passion for cyphers, he was enlisted by the British Army during the Second World War to crack what was then thought to be an unbreakable code – Enigma. The Germans used it for all their communication and the Allies were losing the war largely because of it. The socially awkward Alan has a secret of his own – and that secret might just lose the war for the Allies altogether.
WHY IT IS HERE: Well-acted throughout, with an Oscar-worthy performance by Cumberbatch in the lead role, with Knightley giving some fine support. The movie is told as something of a wartime thriller, but it’s so much more. The agonizing decisions that Turing had to make in order to make his machine work and then on keeping their progress hidden from the Germans is truly heart-wrenching.
HIGHLIGHT SCENE: An a-ha moment that leads to a breakthrough.
CRITICAL MASS: Rotten Tomatoes: 90% positive reviews. Metacritic: 72/100.
BOX OFFICE RESULTS: $41.0 million domestic (as of 1/14/15), $81.9M total..
BUDGET: $14 million.
STATUS: Still in wide release.

Mission Congo6. MISSION CONGO

(C-Colony) Pat Robertson, Robert Hinkle, Jessie Pott. Directed by David Turner and Laura Zizic

Released April 5, 2014 A compelling documentary that looks at televangelist Pat Robertson and his humanitarian aid program Operation Blessing. Ostensibly sending medical supplies and personnel to the Democratic Republic of the Congo (then known as Zaire) to help aid the hundreds of thousands of refugees from Rwanda which was then in the throes of a civil war and genocide, the filmmakers contend that Robertson’s prime focus was mining diamonds and not saving lives.
WHY IT IS HERE: While decidedly one-sided (Robertson was invited to be interviewed but declined – he’s steadfastly denied the charges) the evidence is presented in an organized and thoughtful manner. Using tax returns, archival footage and eyewitness accounts, the filmmakers put together a pretty damning case against the preacher.
HIGHLIGHT SCENE: The footage showing the real places supposedly helped by Operation Blessing and how the reality differs greatly from how Operation Blessing portrays things.
CRITICAL MASS: Rotten Tomatoes: No score yet. Metacritic: No score yet.
BOX OFFICE RESULTS: No information available.
BUDGET: Not available.
STATUS: Not available. May still be playing the festival circuit.

The Kill Team5. THE KILL TEAM

(Oscilloscope Laboratories) Adam Winfield, Jeremy Morlock, Justin Stoner, Andrew Holmes, Chris Winfield, Emma Winfield, Eric Montalvo. Directed by Dan Krauss

Released April 6, 2014 Some may remember a few years back a squadron of soldiers that was brought up on charges of unjustifiably murdering Afghan civilians and keeping human remains as souvenirs of their misdeeds. This is a documentary about the men in that squadron, how they were hung out to dry by the Army who denied the atrocities that they were later to have proven that they committed had actually happened.
WHY IT IS HERE: A very gripping look at one of the less savory incidents of the war. We focus mainly on Winfield, who tried to blow the whistle on what was happening but instead ended up in prison. This illustrates how officers are treated differently than enlisted men, how CYA is a military code in and of itself and how innocents get caught in the middle. The very best documentary of 2014, a year in which great documentaries were the norm and a Florida Film Festival favorite.
HIGHLIGHT SCENE: The aftermath of the sentencing of Adam Winfield.
CRITICAL MASS: Rotten Tomatoes: 90% positive reviews. Metacritic: 72/100.
BOX OFFICE RESULTS: $18,983 domestic (as of 1/16/14), $18,983 worldwide.
BUDGET: Not available
STATUS: Currently available on home video. Download from iTunes/Vudu/Amazon. Rent DVD from Netflix. Stream from iTunes/Vudu/Amazon.

Guardians of the Galaxy4, GUARDIANS OF THE GALAXY

(Disney/Marvel) Chris Pratt, Zoe Saldana, Lee Pace, Dave Bautista, Vin Diesel (voice), Bradley Cooper (voice), Glenn Close, John C. Reilly, Djimon Hounsou, Michael Rooker, Benicio del Toro, Karen Gillan, Josh Brolin. Directed by James Gunn

Released August 1, 2014 A group of misfits, criminals and genetic mistakes are all that stands between the universe and a power-mad fanatic who has hold of one of the most powerful artifacts in reality. Led by the displaced human Peter Quill – who prefers to be called Star Lord – the beautiful and deadly assassin Gamora, the sentient tree Groot, the genetically enhanced Rocket Raccoon and the vengeful strong man Drax the Destroyer, these five will stand against Ronan the Accuser and the machinations of the evil Thanos – and the Infinity Gem.
WHY IT IS HERE: Spectacle, action, comedy, pathos – this film has it all. The box office champion of 2014 (although that will have likely changed by the time this is published, or at least shortly thereafter), this proves that Marvel can take some of their most obscure properties and make huge box office hits out of them. Some have said this will end up being the Star Wars for this generation. Okay, well, that was me that said it. In any case, Da Queen would kill me if this didn’t at least make my Top 5.
HIGHLIGHT SCENE: One of the Guardians mourns a fallen comrade.
CRITICAL MASS: Rotten Tomatoes: 91% positive reviews. Metacritic: 76/100.
BOX OFFICE RESULTS: $333.2 million domestic (as of 1/20/15), $772.8 million total.
BUDGET: $170 million.
STATUS: Available on home video. Download from Amazon/iTunes/Vudu/Target Ticket. Rent DVD/Blu-Ray from Netflix. Stream from Amazon/iTunes/Vudu/Target Ticket.

Her3, HER

(Warner Brothers) Joaquin Phoenix, Amy Adams, Scarlett Johansson (voice), Olivia Wilde, Chris Pratt, Rooney Mara, Kristen Wiig (voice), Bill Hader (voice). Directed by Spike Jonze

Released January 10, 2014 In the near future, we rely on computers more than ever and it takes a powerful operating system to keep up with demand. When a new OS with the capacity for learning debuts, it hits some people like a ton of bricks. For Theodore Twombly is in love – with his operating system.
WHY IT IS HERE: Although it came out for an Oscar qualifying run in December 2013, most of the country didn’t get to see it until January. Shaply funny in places with a wit and an eye for our modern social media obsessed culture. This would have ended up on last year’s even harder to crack top 10 if we’d had the opportunity to see it in December.
HIGHLIGHT SCENE: Theo and Samantha have a steamy bedtime conversation.
CRITICAL MASS: Rotten Tomatoes: 94% positive reviews. Metacritic: 90/100.
BOX OFFICE RESULTS: $25.6 million domestic (as of 1/20/15), $47.4 million total.
BUDGET: $23 million.
STATUS: Available on home video and on HBO. Download from Amazon/iTunes/Flixster/Vudu. Stream from iTunes. Rent DVD/Blu-Ray from Netflix.

The Double2. THE DOUBLE

(Magnolia) Jesse Eisenberg, Mia Wasikowska, Wallace Shawn, Yasmin Paige, Noah Taylor, James Fox, Cathy Moriarty, J. Mascis. Directed by Richard Ayoade

Released May 9, 2014 Simon is a mousy but hard-working office drone has an existence of invisibility; people forget that he’s worked there for seven years and the girl of his dreams won’t even give him a second glance. All that changes when James starts working in the office. James is everything that  Simon is not – self-confident, charismatic and irresistible to women. However, James is also everything that Simon is – an exact physical double. And, to Simon’s despair, he is taking over Simon’s life.
WHY IT IS HERE: Yeah, I know that the retro-futurist look is nothing new but few movies take advantage of it as well as this one, and none since Brazil in an office environment. Eisenberg delivers the kind of performance that serves notice that he’s not a nebbish-y kid anymore. This was the best narrative film from this year’s Florida Film Festival and my favorite overall.
HIGHLIGHT SCENE: Some cops talk to Simon about the chances he’ll commit suicide.
CRITICAL MASS: Rotten Tomatoes: 82% positive reviews. Metacritic: 68/100.
BOX OFFICE RESULTS: $200,406 (as of 1/21/15), $1.7 million total.
BUDGET: Not available.
STATUS: Available on home video. Download on Amazon/iTunes/Vudu/Target Ticket. Stream on Netflix/Amazon/iTunes/Vudu/Target Ticket. Rent Blu-Ray/DVD on Netflix.

Boyhood1. BOYHOOD

(IFC) Ethan Hawke, Patricia Arquette, Ellar Coltrane, Lorelei Linklater, Steven Prince, Bonnie Cross, Marco Perella, Libby Villari. Directed by Richard Linklater

Released July 11, 2014 We capture the life of a young boy growing into a young man over a 12-year period. Young Mason, his single mom, his sister Samantha and his dad cope with the vagaries of being a divorced family, through abusive stepdads, periods of acting out, attempts to find himself as he goes through high school and prepares for college. Filmed over a period of 12 years with the same cast and much of the same crew makes the aging process natural and believable.
WHY IT IS HERE: If Roger Ebert and Gene Siskel were still alive, I believe they’d both likely vote this the film of the decade or at least one of them. This is the ultimate slice of life film and Linklater deserves all the accolades he’s received for this movie. There are no mysteries, no explosions, no contrived romances – but nonetheless this movie pulls you in and affects you deeply, thanks to some wonderful performances and Coltrane’s natural abilities. Sometimes the universe lines up in such a way that everything works the way you hope it would – this is one such instance.
HIGHLIGHT SCENE: There are several but there’s a conversation between Mason and his dad at a graduation party which is priceless.
CRITICAL MASS: Rotten Tomatoes: 98% positive reviews. Metacritic: 100/100.
BOX OFFICE RESULTS: $24.6 million domestic (as of 1/21/15), $43.8M total.
BUDGET: $4 million.
STATUS: Currently available on home video. Download from Amazon/iTunes/Vudu/Flixster. Rent DVD/Blu-Ray from Netflix. Stream from Amazon/iTunes/Vudu/Flixster.

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The Imitation Game


Beauty and the Beastly

Beauty and the Beastly

(2014) Biographical Drama (Weinstein) Benedict Cumberbatch, Keira Knightley, Matthew Goode, Rory Kinnear, Allen Leech, Matthew Beard, Charles Dance, Mark Strong, James Northcote, Tom Goodman-Hill, Steven Waddington, Ilan Goodman, Jack Tarlton, Alex Lawther, Jack Bannon, Tuppence Middleton, Victoria Wicks. Directed by Morten Tyldum

During World War II, one of the crucial technological breakthroughs made by Nazi Germany was the development of Enigma, a virtually unbreakable code using an ingenious machine whose code key changed daily. The Germans did virtually all their communicating with it and were able for that day to relay orders from command to the fronts quickly and efficiently. The Allies found that breaking that code would be the key to winning the war – and the code was considered unbreakable.

British Intelligence, in the person of Commander Denniston (Dance) and the mysterious Stuart Menzies (Strong) of the nascent MI-6 are looking for the best and the brightest cryptographers to break the code. Currently their team based in Bletchley Park is led by Hugh Alexander (Goode) has had no success and at midnight each day all their work comes to naught as the Germans change the code key.

Into this mix they bring Alan Turing (Cumberbatch) , a brilliant mathematician and cryptographer. He is also arrogant and a social misfit, unable to communicate with even the barest cordiality with his team. He dreams up a machine that can calculate combinations of letters and numbers faster than even the human brain, one that can go through an infinite number of calculations without stopping in the course of a day. Unfortunately, it proves expensive and cumbersome and is yielding no results. Denniston is eager to shut the project down but Alexander surprisingly stands up for Turing with whom he has butted heads endlessly.

Turing needs more help and he gets it in a comely young woman named Joan Clarke (Knightley). Brilliant in her own right and intellectually Turing’s equal in many ways, she is held back because she’s got breasts and apparently those cumbersome things prevent her from thinking clearly and concisely because….well, I don’t get it but it has to do with hormones and…I don’t know, because men have been idiots for a very long time?

In any case the team has to weather the frustration of knowing that every day they don’t solve the code that thousands of Allied soldiers die. Denniston is completely out of patience and has given the team a hard deadline to get results. Menzies also lets Turing know that someone on his team is funneling information to the Soviets. Finally there’s the awful realization that even if they do solve the code, they have to make sure the Germans don’t guess that they’ve broken it – otherwise they’ll just improve their machine and then the Allies will be back to square one, which means they’ll have to decide which information to act on – which also means letting people die when they might possibly have saved them, which leads to tragic consequences for one member of the team.

Beyond that Alan has a secret of his own – he likes boys and not just in a fraternal way. Homosexuality is illegal in Britain and if word got out that Turing is one it will be all the ammunition Denniston needs to get rid of Turing. Actually, there is one thing Turing likes more than boys – that’s Christopher, the creation he has built to crack the code and Christopher is, in a very large part, the forerunner of modern computers.

The real Turing would be credited by no less than Winston Churchill for winning the war, but nobody knew the extent of his involvement until just 20 years ago when some wartime secrets were declassified. In fact that Enigma had been broken at all was a very closely guarded secret that Turing himself didn’t even take credit for and when asked, he would say he worked in a radio factory during the war. But far from being grateful for his service in saving millions of British lives, he was convicted of being a homosexual and disgraced, forced to take chemical castration treatments. A year after his treatments were completed, he died of cyanide poisoning, ruled a suicide although there are those who think that the poisoning may have been accidental.

This is the first English-language film for Norwegian director Tyldum (Headhunters) and it’s already netted him praise and award nominations including the DGA award. He shows a very good eye, juxtaposing scenes in the bucolic Bletchley Park campus with the spartan lab facilities filled with all sorts of electrical gear.

Tyldum is fortunate in his casting as well, with Cumberbatch turning in a performance that has already garnered major award recognition and is likely to be bringing in an Oscar nomination later this week. It is certainly one of the most outstanding performances of the year. Turing portrayed here is awkward and unlikable, honest and blunt to the point of rudeness. He is supreme in his knowledge that he is right and doesn’t like to waste time arguing the point. He knows he has a momentous task ahead of him and while outwardly at times he may seem to look at it as a game, a kind of brain teaser, there are moments when he lets slip that he is fully aware it is anything but. He is tormented and dreadfully unhappy, brilliant but alone in his brilliance. He also has a tender heart which breaks easily. The only person he can truly confide in is Joan and even in her case he can’t tell her everything.

Cumberbatch isn’t alone. Knightley turns in another sterling performance as the brilliant but repressed Joan, whose parents discourage even the hint of impropriety but she yearns to do something that makes a difference and has the intellect to do it, but is unable to exercise it because of attitudes towards women at the time. Only Turing gives her the opportunity to flower and she is extremely grateful – to the point when he asks her to marry him she says yes even though he only does it to keep her at Bletchley. Joan in Knightley’s capable hands is a thoroughly modern woman in a very snazzy wartime suit.

In fact the film manages to capture the period nicely, although this is definitely a movie with modern sensibilities. Tyldum parallels the attitude towards women hampering Joan’s career with the attitude towards homosexuality being a constant fear for Turing although one gets the sense that he felt that due to the indispensable nature of his war contributions that the government would turn a blind eye and maybe they did but that attitude certainly caught up to him.

What happened to Alan Turing was disgraceful and a waste of human potential. However, the movie made about his work does honor him and that’s very important to remember – not all film biographies are this respectful. Many who knew Turing have commented that the movie was fair in its depiction of Turing who was at turns arrogant, brilliant and sweet. One of the great performances of the year is reason enough to go see this, but there are many others as well.

REASONS TO GO:
Cumberbatch gives an award-worthy performance, and receives ample support from the rest of the cast. Does honor the memory of Turing well.
REASONS TO STAY: Could have cut down on the repetitious scenes of the cryptographers failing to solve Enigma.
FAMILY VALUES: Depictions of drug use and one scene of disturbing violence are what got this an “R” rating.
TRIVIAL PURSUIT: Cumberbatch, who is distantly related to Turing, wore dentures based on Turing’s actual dental imprints as did Lawther who played Turing as a young boy.
CRITICAL MASS: As of 1/14/15: Rotten Tomatoes: 90% positive reviews. Metacritic: 72/100.
COMPARISON SHOPPING: The Theory of Everything
FINAL RATING: 9/10
NEXT: The Gambler

New Releases for the Week of December 26, 2014


Into the WoodsINTO THE WOODS

(Disney) Meryl Streep, Emily Blunt, James Corden, Anna Kendrick, Chris Pine, Christine Baranski, Daniel Huttlestone, Lilla Crawford, Lucy Punch, Tammy Blanchard. Directed by Rob Marshall

In a kingdom of myth and legend, there lies a village on the edge of the woods where a baker and his wife live. They want nothing more than to have a child, but they have been unsuccessful so far. In rolls a witch who tells them that they’ve been cursed, but tells them in order to reverse the curse they need to gather a cow as white as milk, hair as yellow as corn, slippers that glitter like gold and a cape as red as blood. Into the woods they go to find these things and there they’ll find Cinderella, Prince Charming, Rapunzel, Jack (and his beanstalk), Red Riding Hood and assorted giants, wicked stepmothers and princes. But in the woods, nothing ever goes the way it’s supposed to and the woods are indeed a dangerous place. From the Stephen Sondheim Broadway musical and the director of Chicago.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.
Release formats: Standard (opened Wednesday)
Genre: Musical
Now Playing: Wide Release
Rating: PG (for thematic elements, fantasy action and peril, and some suggestive material)

Big Eyes

(Weinstein) Amy Adams, Christoph Waltz, Krysten Ritter, Danny Huston. Walter Keane was one of the most successful painters of the 1950s and early 60s. His figures, with oversized eyes and waif-like expressions became a cottage industry to themselves. The trouble is, that he didn’t pain any of them. Not a one. His wife Margaret did.

See the trailer, clips, a promo and premiere footage here.
For more on the movie this is the website.
Release formats: Standard (opened Wednesday)
Genre: Biographical Drama
Now Playing: Wide Release
Rating: PG-13 (for thematic elements and brief strong language)

Force Majeure

(Magnolia) Johannes Bah Kuhnke, Lisa Loven Kongsli, Clara Wettergren, Vincent Wettergren. While on a family ski vacation in the Alps, a family enjoying lunch on the terrace dining room of the resort they are staying at witness an avalanche bearing down on them. As people scatter and his wife and children panic, a family patriarch will make a decision that will shake his marriage to the core and leave him struggling to regain his role in the family as well as a man.

See the trailer here.
For more on the movie this is the website.
Release formats: Standard
Genre: Dramedy
Now Playing: Enzian Theater
Rating: R (for some language and brief nudity)

Foxcatcher

(Sony Classics) Steve Carell, Channing Tatum, Mark Ruffalo, Sienna Miller. The eccentric heir to an enormous fortune decides to spend some of his wealth on creating an Olympic training camp for wrestlers. Inviting a gold medal winner and his brother to the family estate where he has created that state-of-the-art camp, the increasing paranoia of the would-be coach and the unhealthy lifestyle that he has led his charges into leads to an incident that nobody expected. Carell is said to be a front runner for the Best Actor Oscar for his performance here.

See the trailer, clips and promos here.
For more on the movie this is the website.
Release formats: Standard
Genre: Biographical Drama
Now Playing: Regal Winter Park Village
Rating: R (for some drug use and a scene of violence)

The Gambler

(Paramount) Mark Wahlberg, John Goodman, Jessica Lange, Brie Larson. An English professor who loves to take risks and has become a high-stakes gambler on the side. Owing money to Asian and African-American gangsters and a violent loan shark who warns him of the hole he’s digging in, his budding relationship with a student may end up being more collateral than he’s willing to pay. A remake of the 1974 James Caan drama.

See the trailer and an interview here.
For more on the movie this is the website.
Release formats: Standard (opened Wednesday)
Genre: Drama
Now Playing: Wide release
Rating: R (for language throughout and for some sexuality/nudity)

The Imitation Game

(Weinstein) Benedict Cumberbatch, Keira Knightley, Mark Strong, Charles Dance. Alan Turing was one of the great mathematicians of his day. His work helped break the Enigma code which was thought to be unbreakable; it helped win World War II for the allies. However, the road to breaking that code was perilous and torturous and Turing was hiding a secret that if it came out might have derailed his work altogether.

See the trailer and clips here.
For more on the movie this is the website.
Release formats: Standard (opened Wednesday)
Genre: Biographical Drama
Now Playing: Wide release
Rating: PG-13 (for some sexual references, mature thematic material and historical smoking)

Unbroken

(Universal) Jack O’Connell, Garrett Hedlund, Domhnall Gleeson, Finn Wittrock. Louis Zamperini started out as a kid who constantly was getting into trouble with other kids and the law. However, the big brother he looked up to steered him towards track and field, enabling him to become an Olympic champion. After enlisting to fight in the Second World War, his plane was shot down in the ocean and he and a fellow airman endured 47 days adrift in the Pacific before being picked up by a Japanese warship and being sent to a brutal prisoner of war camp where he underwent intense physical and mental torture. His courage and will to survive remain as inspiring now as they were back them.

See the trailer, interviews, clips, featurettes, premiere footage and B-roll video here.
For more on the movie this is the website.
Release formats: Standard (opened Wednesday)
Genre: Biographical Drama
Now Playing: Wide Release
Rating: PG-13 (for war violence including intense sequences of brutality, and for brief language)