Top 10 of 2012

2012 Top 10

It is almost a given that any film critic worth their salt is going to do a year-end list of the best films of the year. It’s de rigueur; it’s expected; it’s standard; you don’t get to wear the film critics t-shirt unless you do one. As I’m particularly fond of mine, I guess I’d better go ahead and give it a shot.

Some critics have a kind of scientific method that they use to determine their list. Me, I’m much less formal. I look back over my ratings and choose the movies I gave 10s to at the top, ranking them basically by how I’m feeling about them now. Next comes the 9s, then the 8s if it comes to that (and this year it didn’t). I ignore the half points, so you might see a 9 ranked above a 9.5. I don’t stand on ceremony as you can see.

The story of 2012 is that there were three movies that were at the top of my charts basically the entire second half of the year – nothing that came out in the fall really challenged the top three. The thing is, none of the three really stood out head and shoulders among the others; you could say it’s a three way tie for first. I have ranked them from one to three for the purposes of this list but throughout the year I’ve generally waffled as to what order that I’ve placed them in. I’ve shuffled, re-shuffled and changed my mind a million times. Each one of them has been my favorite movie of the year at various times throughout the year.

In fact, the list (as most lists do) has a highly fluid quality to it. For the most part, I’m pretty satisfied with the ten movies on the list and I don’t think I’d change any of the movies on it, but you never know. For now, these are the top ten movies of 2012, although ask me again tomorrow and the order might change completely but I think you’d find all ten of these movies on the list.

Some of these movies remain in general release even as we speak; you can head right out to a theater and see them the way they were meant to be seen. Some are already out on DVD/Blu-Ray and you can enjoy them in the comfort of your own home – or they soon will be. Lag time between theatrical release and home video release has been shrinking of late plus many films are being released on VOD concurrently to their limited theatrical release, although none of those are on the top ten at the moment. For those whose interests are piqued about the movies from the snippets I publish here, click on the movie’s title to see my original review and if you’d like to find out more, click on the picture above the review to be taken to the film’s official website when available.

As with any list, I guarantee mine will differ with yours significantly. Although I don’t think anyone has ever taken issue (at least publically) with my list, feel free to leave a comment as to why I know nothing about movies and which movies should have been on it, or not on it. Why make a list after all if you’re not going to disagree with it?


There are a number of movies that didn’t quite make the cut of the top ten. I thought I’d add them here so you can get an idea of which ones came close, were considered and ultimately not chosen. Again, I will stress that all of these are quality films worth seeking out if you’re looking for entertainment, enlightenment or insight. I didn’t include links here but if you want to read my reviews of any of these, simply type in the title into the search field and have at it. So,  in no particular order;

Craigslist Joe, Renee, Arbitrage, Argo, Headhunters, Turn Me On Dammit, Hara-Kiri: Death of a Samurai, Bully, Thin Ice, God Bless America, Brave, Safety Not Guaranteed, Frankenweenie, The Salt of Life, Skyfall, Dr. Seuss’ The Lorax, Bernie, The Secret World of Arrietty, The Avengers, Girl Model, Moonrise Kingdom, ParaNorman, A Late Quartet, Sleepwalk With Me, Goon, Life of Pi, The Sessions, A Bag of Hammers, Paul Williams: Still Alive, Chely Wright: Wish Me Away, Seven Psychopaths, Ted, Salmon Fishing in the Yemen

The Hobbit An Unexpected Journey10. THE HOBBIT: AN UNEXPECTED JOURNEY

(New Line) Ian McKellen, Martin Freeman, Richard Armitage, Ian Holm, Elijah Wood, Cate Blanchett, Hugo Weaving, Christopher Lee and a cast of thousands. Directed by Peter Jackson

Released December 16, 2012 After years of being held up by MGM’s financial issues, the classic novel by J.R.R. Tolkien finally made it to the screen and in typical Hollywood fashion, the shortest of his novels will now be three films by itself. Still, the Lord of the Rings trilogy was a license to print money for WB so you know it was inevitable that they’d milk it for all it’s worth. We’ll be seeing another Hobbit movie every year through 2015. After that, Silmarillion anyone?
WHY IT IS HERE: An epic adventure on a grand scale. Jackson has made Middle Earth come to life, living and breathing and he does so once again here. Using high frame rate technology, the Shire never looked so beautiful or Rivendell so serene. While it didn’t impress me at the level of the first trilogy, this is still a very good movie.
HIGHLIGHT SCENE: At Rivendell, Gandalf and Galadriel communicate telepathically, both revealing hidden secrets as they discuss the dwarf mission to Erebor and the presence of the Hobbit. Two great actors do almost the entire scene with just their eyes and body language while the dialogue is read voice over. Magnificent.
BOX OFFICE RESULTS: $267.9 million domestic (as of 1/11/13), $830.7 million total.
BUDGET: Not available.
STATUS: Still in wide release.

The Dark Knight Rises9. THE DARK KNIGHT RISES

(Warner Brothers) Christian Bale, Anne Hathaway, Tom Hardy, Michael Caine, Gary Oldman, Marion Cotillard, Joseph Gordon-Levitt, Morgan Freeman. Directed by Christopher Nolan

Released July 20, 2012 We knew in advance this would be Christopher Nolan’s last foray into Gotham and probably Christian Bale’s as well. After the major success that was The Dark Knight there was a great deal of anticipation although the inevitable backlash that comes after that kind of success was certainly lurking. The box office surely didn’t disappoint although one wonders if the competition from The Avengers didn’t keep this one from going a bit higher.
WHY IT IS HERE: A fitting end to the Dark Knight trilogy, Nolan pulls out all the stops with multiple villains, new gadgets and potential nuclear holocaust. The action was as good if not better than The Avengers and we get to see Batman at his most heroic.
HIGHLIGHT SCENE: Joseph Gordon-Levitt faces down a group of cops on a bridge with the lives of a bus load of kids hanging in the balance.
BOX OFFICE RESULTS: $448.1 million domestic (as of 1/11/13), $1.1 billion total.
BUDGET: $250 million.
STATUS: Currently available on home video. Download from iTunes/Amazon/Blockbuster. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Amazon/Blockbuster.

The Intouchables8. THE INTOUCHABLES

(Weinstein) Omar Sy, Francois Cluzet, Anne Le Ny, Audrey Fleurot, Clotilde Mollet, Alba Gaia Bellugi, Cyril Mendy, Christian Ameri, Gregoire Oestermann, Josephine de Meaux, Dominique Daguier, Francois Caron, Thomas Soliveres. Directed by Olivier Nakache and Eric Toledano

Released May 25, 2012 This was a box office record setter in France, capturing the imagination of French audiences as well as critical acclaim and major awards (including a Cleo for Sy as best actor). While overly sensitive politically correct American critics took pot shots at the relationship between Driss and Phillippe (white paraplegic employer, black attendant) it was based on an inspirational true story.
WHY IT IS HERE: I dare anyone to watch this all the way through and not feel better about life and the universe we live in. Da Queen will tell you I was in a terrible mood when I went to see this; when we left the theater I was a decent human being again. This should be mandatory viewing for depressives.
HIGHLIGHT SCENE: When Driss gets to drive Philippe’s Mazerati for the first time. Priceless.
BOX OFFICE RESULTS: $10.2 million domestic (as of 1/17/13), $420.8M total.
BUDGET: Not available.
STATUS: Scheduled for home video release on March 5.

Monsieur Lazhar7. MONSIEUR LAZHAR

(Music Box) Mohamed Fellag, Sophie Nelisse, Emilien Neron, Danielle Proulx, Brigitte Poupart, Jules Philip, Daniel Gadouas, Seddik Benslimane, Marie-Eve Beauregard, Louis Champagne, Andre Robitaille, Francine Ruel, Helena Laliberte. Directed by Philippe Falardeau

Released April 13, 2012 As with the last feature on the top ten list, this was presented here in Orlando at the Florida Film Festival. It was, like the previous film, Oscar-nominated for Best Foreign Language film. The similarity stops there however; this is a much darker and dramatic film than the uplifting Intouchables.
WHY IT IS HERE: This deals with grief in several different ways, from the grief of children to the grief of adults. The snowy white Montreal backdrop gives the film a sense of insulation that is both warm and cold at once; it is no accident that the action begins in the winter and concludes in the spring. Fellag gives the kind of performance which would have attracted much more notice had he been working for a major distributor or for an American-made film. It’s a hard, hard film to watch at times but by the time it’s over chances are you’ll have learned something about yourself.
HIGHLIGHT SCENE: The courtroom scene in which Lazhar relives the tragic incident that drove him to Canada.
BOX OFFICE RESULTS: $2 million domestic (as of 1/17/13), $6.6M total..
BUDGET: Not available.
STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Amazon/Netflix/iTunes.

Cloud Atlas6. CLOUD ATLAS

(Warner Brothers) Tom Hanks, Halle Berry, Jim Broadbent, Hugo Weaving, Susan Sarandon, Hugh Grant, Jim Sturgess, Doona Bae, Ben Whishaw, James D’Arcy, Keith David, Xun Zhou, David Gyasi, Brody Nicholas Lee, Raevan Lee Hanan, Alistair Petrie. Directed by Tom Tykwer, Andy Wachowski and Lana Wachowski

Released October 26, 2012 This is based on the David Mitchell novel that was widely thought to be unfilmable. The Wachowskis engaged their close friend Tykwer with each directing half of the sequences. Despite the all-star cast, marketing this epic work turned out to be nearly impossible and the movie made almost no box office impact whatsoever here in the States.
WHY IT IS HERE: This is a movie that talks about repression and personal responsibility in ways that we’re often not used to it. It shows that the ability of one human to force another to end to their will is timeless; so is the ability of one human to stand up and say no. There is an epic scope in each of the different segments – each set in a different era in history, three in the past, one in the present and two in the future. Cerebral science fiction, when done well can be as stimulating as any genre of movie extant but sadly, it isn’t generally cost-effective. This was overlooked by a lot of critics and granted, there were some flaws but such was its ambition that one can overlook them when admiring the whole.
HIGHLIGHT SCENE: Timothy Cavendish’ s break-out from the nuthatch in the 2012 sequence.
BOX OFFICE RESULTS: $27.1 million domestic (as of 1/19/13), $71.2 million total.
BUDGET: $102 million
STATUS: Scheduled for home video release in May 2013. It may still be seen in second-run theaters.

Chasing Ice5. CHASING ICE

(Submarine Deluxe) James Balog, Svavar Jonatansson, Louie Psihoyos, Adam LeWinter, Kitty Boone, Jeff Orlowski, Tad Pfeffer, Suzanne Balog, Dennis Dimick, Emily Balog, Simone Balog, Sylvia Earle, Jason Box, Synte Peacock. Directed by Jeff Orlowski

Released November 16, 2012 The growing climate change has become an issue everywhere else in the world, but here in the United States there is oddly no dialogue, unless it is to ridicule Al Gore for his attempts to bring it to the attention of Americans. This movie was an attempt by one of the world’s most passionate and respected nature photographers to document the erosion of the world’s glaciers. It received an Oscar nomination for Best Song but oddly, not for Best Documentary Feature.
WHY IT IS HERE: This documentary shows graphically the importance of glaciers to the global eco-system, the potentially catastrophic consequences of their continued erosion and shows measurably that it is happening right now. The movie is eerily beautiful as it terrifies.
HIGHLIGHT SCENE: The scenes near the end of the film where the erosion of the glaciers is graphically shown. It’s beautiful and terrifying.
BOX OFFICE RESULTS: $970,721 domestic (as of 1/19/13), $970,721 worldwide.
BUDGET: Not available
STATUS: Scheduled for home video release in April 2013.

Lincoln4. LINCOLN

(DreamWorks) Daniel Day-Lewis, Sally Field, Tommy Lee Jones, David Strathairn, Joseph Gordon-Levitt, James Spader, Hal Holbrook, John Hawkes, Jackie Earle Haley, Bruce McGill, Tim Blake Nelson, Jared Harris, Lee Pace, Peter McRobbie, Gloria Reuben. Directed by Steven Spielberg

Released November 9, 2012 This biography of America’s 16th (and perhaps best) president had long been in gestation as Spielberg meticulously researched his life and times, recreating his office down to the wallpaper. It has been something of a surprise hit, with Day-Lewis up to his usual standards of performance, garnering an Oscar nomination and a Golden Globe win to add to his trophy collection.
WHY IT IS HERE: This really gives you a sense of the man behind the majesty, a man who has carried the weight of a bloody civil war on his broad shoulders and is beginning to buckle. This Honest Abe is not above political chicanery and is not above shouting at his subordinates to get this vote done. And the great Mr. Lincoln drove the people around him crazy with his stories, like the long-winded uncle everyone avoids at family reunions. Not that I have a long-winded uncle.
HIGHLIGHT SCENE: The vote on the floor of the House of Representatives is gripping even though most Americans who know their history know how it turns out.
BOX OFFICE RESULTS: $156.6 million domestic (as of 1/18/13), $156.6 million total.
BUDGET: $65 million.
STATUS: Still in wide release.

Cabin in the Woods3. THE CABIN IN THE WOODS

(Lionsgate) Chris Hemsworth, Kristen Connolly, Anna Hutchison, Fran Kranz, Jesse Williams, Bradley Whitford, Richard Jenkins, Sigourney Weaver, Brian White, Amy Acker, Tim De Zarn, Tom Lenk, Dan Payne, Jodelle Ferland, Dan Shea, Maya Massar, Matt Drake. Directed by Drew Goddard

Released April 13, 2012 This was a pretty good year for Joss Whedon who not only directed the biggest blockbuster of the year but produced this film as well. The movie actually had been languishing in the vaults of MGM during its bankruptcy woes and was picked up by Lionsgate who were sadly never really able to get across to the public what a great ride this movie is.
WHY IT IS HERE: Those who love Sam Raimi’s Evil Dead (which itself is being remade later this year) are going to love this. Part horror spoof, part action flick, part Lovecraftian gorefest, part conspiracy flick and all of it fun, we get a solid cast, put them in a playground and watch them get mind raped. It has been a rare thing that I’ve had this much fun at a movie and although it starts off a bit slow, when it gets going it REALLY takes off! Just keep asking yourself this: Am I on speaker phone?
HIGHLIGHT SCENE: The elevator ride down into the bowels of the complex.
BOX OFFICE RESULTS: $42.1 million domestic (as of 1/20/13), $66.5 million total.
BUDGET: $30 million.
STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Amazon/iTunes/Blockbuster.

The Lady2. THE LADY

(Cohen Media Group) Michelle Yeoh, David Thewlis, Jonathan Raggett, Jonathan Woodhouse, Susan Wooldridge, Benedict Wong, Flint Bangkok, William Hope, Victoria Sanvalli, Danny Toeng, Nay Myo Thant. Directed by Luc Besson

Released April 11, 2012 This biopic of Burmese freedom fighter Aung San Suu Kyi was my favorite film from last year’s Florida Film Festival and a very real contender for my favorite of the year period. Oddly, it got extremely disappointing reviews which I found incomprehensible – but the box office figures were far more disappointing than the reviews.
WHY IT IS HERE: This is a movie that shows how resilient the human spirit is. Suu Kyi is one of the most courageous people of our time and yet her story is largely unknown in the West. Michelle Yeoh gives a performance that in a just world would have been considered for an Oscar – it’s at least on par with favorite Jessica Chastain’s. However because of the almost non-existent theatrical release and the critical shellacking it received, most people will never get a chance to see it.
HIGHLIGHT SCENE: The scene in which Aung proudly listens to her son Alexander give the acceptance speech for her Nobel Peace Prize, the ceremony for which she was unable to attend.
BOX OFFICE RESULTS: Domestic box office figures unavailable (as of 1/23/12), $3.4 million total.
BUDGET: $29.4 million.
STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Amazon/iTunes/Blockbuster.

The Best Exotic Marigold Hotel1. THE BEST EXOTIC MARIGOLD HOTEL

(Fox Searchlight) Judi Dench, Bill Nighy, Tom Wilkinson, Maggie Smith, Penelope Wilton, Celia Imrie, Ronald Pickup, Dev Patel, Tena Desae, Lillette Dubey, Sid Makkar, Seema Azmi, Diana Hardcastle, Lucy Robinson, Paul Bhattacharjee. Directed by John Madden

Released May 4, 2012 General movie audiences notoriously find movies about the elderly to be anathema. It’s not hard to figure out why – moviegoers are mostly teens and young adults; that demographic doesn’t really care about the elderly and their issues because they simply aren’t there yet. This one, however, struck a chord with audiences of all age groups.
WHY IT IS HERE: I have to admit I wasn’t particularly interested in visiting India for most of my life. I’d heard about the noise, the smell, the crowded conditions and the heat – it didn’t sound like my particular cup of tea. That all changed after I saw this movie and saw India from a completely different viewpoint. Besides that, this is a movie about aging and living as an “old person.” You might look at aging differently when you see this.
HIGHLIGHT SCENE: Tom Wilkinson’s strolls through town were always full of joy.
BOX OFFICE RESULTS: $46.4 million domestic (as of 1/23/12), $134.4 million total.
BUDGET: $10 million.
STATUS: Currently available on home video. Download from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Amazon/iTunes.


New Releases for the Week of June 1, 2012

June 1, 2012


(Universal) Charlize Theron, Kristen Stewart, Chris Hemsworth, Sam Claflin, Ray Winstone, Ian McShane, Eddie Izzard, Bob Hoskins, Toby Jones, Eddie Marsan, Lily Cole. Directed by Rupert Sanders

The fairy tale of Snow White is re-imagined as an epic tale of magic and battle. A wicked queen, obsessed with retaining her youth and beauty, uses a magic mirror to prophesy that her reign would be eternal if only she dispatched the only woman whose beauty could potentially eclipse hers – Snow White. However, the girl has fled into the dark forest in habited by all manner of creatures. She dispatches a brave huntsman who has no fear of the woods in to kill her. Instead, they form an unlikely alliance, along with seven doughty dwarves to take on the might of the queen and her magic minions.

See the trailer, clips, promos and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Fantasy

Rating: PG-13 (for intense sequences of violence, action and destruction, and for language)

Battlefield America

(Cinedigm) Marques Houston, Mekia Cox, Christopher Jones, Zach Belandes. A young businessman takes a group of kids from the wrong side of the tracks and tries to turn them into a champion underground dance crew. They’ll have to battle the odds – and each other – to rise above the streets, the drugs and the hopelessness they came from.

See the trailer and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Urban Dance

Rating: PG-13 (for thematic elements involving some drug material, and for some language)  


(Millennium) Jack Black, Shirley MacLaine, Matthew McConaughey, Rip Torn. The true story of a beloved figure in a small Texas town who taught Sunday school, sang in the church choir and worked at the local funeral home. When he befriended a rich widow whose outlook on life was as sour as her bank account was large, nobody was surprised – everybody liked Bernie, after all. When she turned up dead and Bernie was arrested for the murder, though, that was a surprise.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: True Life Drama

Rating: PG-13 (for some violent images and brief strong language)  

Crooked Arrows

(Freestyle Releasing) Brandon Routh, Gil Birmingham, Michael Hudson, Chelsea Ricketts. A native American reluctantly takes on the lacrosse coaching duty at a reservation high school. As he helps the kids connect with a game that is largely part of their heritage, he in turn reconnects with his own native American spirituality as he leads his decidedly underdog club against an elite prep school with its own longstanding lacrosse tradition.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Sports Drama

Rating: PG-13  (for some suggestive references)

For Greater Glory

(ARC Entertainment) Andy Garcia, Eva Longoria, Peter O’Toole, Oscar Isaac. The story of General Gorostieta, a Mexican military officer who had retired from war and hoped to live his life out in peace. However when civil war came to his country fueled by the injustice and repression of a corrupt regime, he feels compelled to take up the cause and turn a ragtag group of farmers and peasants into an army.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Biographical Drama

Rating: R (for war violence and some disturbing images) 

High School

(Anchor Bay) Adrien Brody, Michael Chiklis, Colin Hanks, Mykelti Williamson. After a high school principal declares a zero tolerance for drugs and initiates mandatory drug testing for all students, the class valedictorian takes offense. In fact, he sees this as a grave injustice. So rather than risk that some of his fellow students be expelled for drug use, he decides to get the entire student body high – they can’t all get expelled, can they? This will take some doing however, but with the help of an epic stoner, he might just succeed.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: R (for pervasive drugs and language, crude and sexual content, some nudity – all involving teens) 

The Intouchables

(Weinstein) Omar Sy, Francois Cluzet, Anne Le Ny, Audrey Fleurot. A wealthy but spiritually bereft white French man who is a quadriplegic brings a black ex-con into his life as his attendant. Both men end up transformed by the experience. Saw this at the Florida Film Festival in April; you can read my review here.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: True Life Drama

Rating: R (for language and some drug use) 

Rowdy Rathore

(UTV) Akshay Kumar, Kareena Kapoor, Sonakshi Sinha, Supreeth Reddy. A conman meets and falls in love with a woman at a wedding he wasn’t invited to. Yearning to turn over a new leaf in order to keep the girl of his dreams, he runs into a six-year-old girl who inexplicably believes him to be her father. In the meantime the small town that he wants to settle down in, ruthless gangs are set to make life there a living hell…and he will need to find the inner hero to save the town, get the girl and be the father he needs to be.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR 

The Intouchables

The Intouchables

There’s no business like snow business…

(2011) True Life Drama (Weinstein) Omar Sy, Francois Cluzet, Anne Le Ny, Audrey Fleurot, Clotilde Mollet, Alba Gaia Bellugi, Cyril Mendy, Christian Ameri, Gregoire Oestermann, Josephine de Meaux, Dominique Daguier, Francois Caron, Thomas Soliveres. Directed by Olivier Nakache and Eric Toledano


This is a movie that did big time box office in France last year, winding up the second most successful film in French history in just nine weeks. It is a heartwarming, uplifting kind of film and I can see why the French have taken to it.

American critics haven’t been quite as smitten, excoriating the film for what the high and mighty consider racist views. Now let me be clear on this; you have to be hyper-sensitive to see any sort of racism here at all. Most of the offense that huffy critics are taking are in the fact that the premise of the film is that a wealthy quadriplegic French industrialist (white) hires an upbeat ex-con (black) to be his attendant and take care of his needs; the relationship between them is as an employer-employee to begin with.

Folks, I know it might be hard to believe in this day and age, but there are white employers out there who have (*gasp*) non-white employees. There are even white rich guys who have personal assistants that are of African descent. Strangely, that doesn’t make it a master-slave relationship.

Notice how we are four paragraphs in and I have yet to actually discuss the movie except in the most general terms. That’s because I’m so furious at the lambasting this film is taking from politically correct, self-righteous morons who claim to be offended by this depiction of a relationship between a white employer and a black employee in which the white man is transformed by the spirit of the black man, who has the temerity to introduce the white man to pop music (in the person of Earth Wind and Fire) while introducing him to classical. The horror of it all.

Now this is based on a true story, although the attendant was in reality from Algeria and not Senegal as in the movie (which some critics thundered was further proof of the racial insensitivity of the filmmakers – can you imagine how these same critics would have howled with the Arab in the “subservient’ position?) so there is that. However, the rest of the movie is a tribute to humanity and its ability to find hope and inspiration in seemingly unlikely places.

Philippe (Cluzet) was injured in a paragliding accident and left a quadriplegic. His wife had since passed on, leaving him with an adopted daughter Elisa (Bellugi) and nobody to take care of his daily needs, which are many. He is looking for an attendant and interviewing a lot of different men of varying degrees of suitability. Driss (Sy) is recently released from prison. He quite frankly doesn’t expect to get the job; he is merely applying to satisfy his parole, which requires Philippe’s personal assistant Magalie (Fleurot) to fill out a form for him.

Instead, Philippe, tired of all the earnest and humorless men who want to be in charge of his very existence (including bathing him, pushing his wheelchair and making sure his breathing remains regular at night), is intrigued by Driss’ sunny attitude and flirtation with Magalie. He decides to hire the man, even though he’s an ex-con (for armed robbery) and perhaps not the most reliable of men.

Forced into a situation where they have to trust one another, a gradual mutual respect grows that turns into a deep friendship. Each man helps the other grow; Philippe introduces Driss to culture and inspires him to make something more of himself than, as Philippe puts it, a wheelchair-pusher. In turn Philippe’s eyes are opened and world broadened. Driss’ sunny disposition becomes contagious; not only Philippe but also Magalie and Yvonne (Le Ny) – his dour housekeeper – are transformed by Driss, whose upbeat joy of life is infectious.

The role of Driss is much more difficult than it sounds. For the kind of liveliness to be authentic, it has to come from within which is why Sy’s performance is so special. The audience is just as swept up by Driss’ enthusiasm as Philippe is. It’s the kind of performance that makes careers happen and considering the overwhelming success of the film in France, Sy has a brilliant future ahead of him; I’m personally hoping he comes to the States and does a few films here as well because I’m positive he will captivate audiences here just as thoroughly.

This is a movie that will leave you feeling good as you leave the theater, even if your mood was bad when you entered. In these rough times, that’s worth its weight in platinum. What angers me about these charges of racial insensitivity is that it might dissuade people from seeing the movie and that would be criminal. Don’t let a critic make up your mind for you; see the movie for yourself and make up your own mind. Personally, I’m willing to bet most of you will wind up agreeing with me – any insensitivity lies within the imagination of some overly-sensitive critics.

REASONS TO GO: Deeply uplifting. Sy turns in a career-making performance and Cluzet is awfully good as well.

REASONS TO STAY: Loses its way about 2/3 of the way through the movie and the ending is a bit too Hollywood.

FAMILY VALUES: There is some bad language as well as some depictions of drug use.

TRIVIAL PURSUIT: Omar Sy beat out Jean Dujardin of The Artist for the Best Actor award at the Cesar awards last year, the first actor of African descent to win it.

CRITICAL MASS: As of 5/24/12: Rotten Tomatoes: 76% positive reviews. Metacritic: 51/100. The reviews are largely positive..


MASERATI LOVERS: Philippe’s car is a Maserati Quattroporte and Driss gets to put it through it’s paces.


NEXT: Happythankyoumoreplease

Four-Warned: May 2012

May 2012Every month I’m going to look at every movie on the release schedule and try to assign them a numerical value corresponding to how anxious I am to see it. The lower the number, the more I want to see it. A one means I would walk through hell and high water to see it; a four means there’s no interest whatsoever. The numbers are not arrived at scientifically but they aren’t arbitrary either.

The numbers aren’t a reflection of the artistic merit of any of these films, but merely a reflection of my willingness to go to a movie theater and see it. The top four scores will be gathered as a means of reflecting the movies I’m anticipating the most; you may use that as a guide or not.

Each entry is broken down as follows:

NAME OF FILM (Studio) Genre A brief description of the plot. Release plans: Wide = Everywhere, Limited = In selected markets. RATING A brief comment

Keep in mind that release dates are extremely subject to change, even at this late date.

2. MEN IN BLACK 3 (1.4)

2. POLISSE (1.3)

RATING SYSTEM: 1) Must-see, 2) Should-see, 3) Perhaps-see, 4) Don’t-see

MAY 4, 2012

A LITTLE BIT OF HEAVEN (Millennium) Genre: Romance. An irreverent young woman with health issues falls in love with her doctor. Release Strategy: Limited. RATING: 2.3 Sounds like a lot of different movies, but this one has the great Peter Dinklage in it.
THE BEST EXOTIC MARIGOLD HOTEL (Fox Searchlight) Genre: Dramedy. Seven English retirees lured to an Indian resort with the promise of posh amenities arrive to find it not quite ready for occupancy. Release Strategy: Limited. RATING: 2.2 Looks charming and fun from the trailer with a solid cast.
DEATH OF A SUPERHERO (Tribeca) Genre: Drama. A young boy with a brilliant future as a graphic novelist discovers his life is in danger from a real life enemy. Release Strategy: Seattle only. RATING: 1.5 Andy Serkis is rapidly becoming one of my favorite actors; I hope this sees a more general or at least a limited release.
FIRST POSITION (IFC) Genre: Documentary. Filmmakers follow six young ballet hopefuls through the trials and tribulations of one of America’s most prestigious ballet competitions. Release Strategy: Limited. RATING: 3.7 Kids chasing their dreams in the arts; haven’t we seen this before?
JANNAT 2 (FIP) Genre: Crime Thriller. A streetwise gun runner infiltrates a vicious gun smuggling ring to help the cops take it down but when he falls in love with a beautiful doctor everything is thrown into chaos. Release Strategy: Limited. RATING: 3.0 Trailer was a little disjointed; kinda looks cheesy.
LAST CALL AT THE OASIS (Participant/ATO) Genre: Documentary. Looks at the very real and grim possibility that in the not too distant future there may not be enough water to sustain life on this planet. Release Strategy: Limited. RATING: 1.9 Looks very grim and haunting.
LOL (Lionsgate) Genre: Dramedy. A mother reads her daughter’s diary and realizes she doesn’t know her at all. Release Strategy: Limited. RATING: 2.8 Nice cast but a little bit heavy on the teen angst.
MARVEL’S THE AVENGERS (Disney/Marvel) Genre: Superhero. The world’s most powerful heroes must take on an alien invasion led by a disgraced god. Release Strategy: Wide (Standard, 3D, IMAX 3D). RATING: 1.0 Long anticipated, finally here.
MEETING EVIL (Magnet) Genre: Thriller. A depressed unemployed family man offers to help a stranger with his car and becomes involved in a murder spree. Release Strategy: Limited. RATING: 2.4 They had me at Samuel L. Jackson.
MOTHER’S DAY (Gigapix) Genre: Horror. A sadistic mom and her bank robbing sons take control at a birthday party held at their former home, terrorizing the new residents. Release Strategy: Wide. RATING: 2.9 I don’t think this has anything to do with the 80s slasher film of the same name.
THE PERFECT FAMILY (Variance) Genre: Drama. A matriarch up for the Catholic Woman of the Year award tries to get her dysfunctional family to pull it together. Release Strategy: New York City (Opens in Los Angeles May 11). RATING: 2.2 Kathleen Turner gives what looks to be a marvelous performance.

MAY 9, 2012

PATIENCE: AFTER SEBALD (Cinema Guild) Genre: Documentary. A group of artists and writers interpret the work of W.G. Sebald, one of the 20th century’s most challenging writers. Release Strategy: New York City only. RATING: 3.8 Black and white images and music pass by while the text is being read; just shoot me now.

MAY 11, 2012

A BAG OF HAMMERS (MPI Media Group) Genre: Caper Drama. A pair of charming con artists find themselves “adopted” by a neglected young boy and consequently their world view begins to change. Release Strategy: Limited. RATING: 2.7 Looks very indie but not in a good way.
THE CUP (Myriad) Genre: True Sports Drama. A rising star in the Australian horse racing world must decide whether to participate in the prestigious Melbourne Cup race days after his brother dies in a tragic accident. Release Strategy: Los Angeles only. RATING: 2.8 Even though this put goosebumps on me, I still couldn’t help thinking “Gee, another inspirational sports story.”
DANGEROUS ISHHQ (Reliance Big Picture) Genre: Thriller. A supermodel whose wealthy industrialist boyfriend has been kidnapped must rescue him before time runs out – and the clues to his freedom lay in her past lives. Release Strategy: Limited. RATING: 3.0 Not typical Bollywood fare but definitely shows some visual flair.
DARK SHADOWS (Warner Brothers) Genre: Gothic Comedy. A vampire is inadvertently released from captivity in the 1970s after centuries of imprisonment. Release Strategy: Wide (Standard, IMAX). RATING: 1.9 The legendary 60s gothic soap opera as reinvented by Tim Burton – what’s not to love?
DRAGON EYES (After Dark Action) Genre: Action. A town ruled by gangs and corrupt police vie for the services of a newly arrived martial arts phenom, but he has another agenda in mind. Release Strategy: Limited. RATING: 2.7 While it does have the great JCVD, the trailer makes him look like more of a cameo and the film like a B movie Walking Tall clone.
EL GRINGO (After Dark Action) Genre: Action. A violent thief crosses the border into Mexico with his ill-gotten gains, intending to live out his life on a beach with the rest of it but the townspeople have other ideas. Release Strategy: Limited. RATING: 2.9 Certainly a riff on El Mariachi but why not take from the best?
GIRL IN PROGRESS (Pantelion) Genre: Coming of Age. A single mom immersed in her career and in the affections of a co-worker fails to notice her own teen daughter’s move into adulthood. Release Strategy: Limited. RATING: 2.9 The tagline “Lessons in motherhood – taught by a kid” sure doesn’t help this movie’s cause any.
GOD BLESS AMERICA (Magnet) Genre: Black Comedy. A man, tired of rudeness, crudeness and the cult of personality goes on a killing spree aided by an eager teen. Release Strategy: Limited. RATING: 2.0 Caught Bobcat Goldthwait’s latest at the Florida Film Festival – read my review here.
HICK (Phase 4) Genre: Dramedy. A small town girl with big dreams hitchhiking to Las Vegas runs into some shady characters on the way there. Release Strategy: Limited. RATING: 2.9 Sounds like a cross between Hunter S. Thompson and Neal Cassady.
I WISH (Magnolia) Genre: Drama. A young Japanese boy separated from his brother by divorce dreams of a miracle that he believes will happen when bullet trains on a new line pass each other at full speed. Release Strategy: Limited. RATING: 1.7 From acclaimed director Hirokazu Kareeda comes this look at fractured families and faith.
NESTING (Steele) Genre: Romantic Comedy. A 30-something couple, fearing the loss of their relevance, squats in their old apartment with unforeseen consequences. Release Strategy: Limited. RATING: 2.3 Kind of like John Hughes in reverse.
THE PHILLY KID (After Dark Action) Genre: Action. A former wrestling champion, fresh out of prison, takes up underground MMA fighting to help his best friend get out of debt and winds up in more trouble than he bargained for. Release Strategy: Limited. RATING: 3.9 Another *yawn* underground fighting movie.
PORTRAIT OF WALLY (Seventh Art) Genre: Documentary. Egon Schiele’s painting Portrait of Wally, the pride of the Leopold Gallery in Austria, becomes the focus of a legal battle which brings light to bear on Nazi art looting and the ramifications of private collectors vs. public museums. Release Strategy: New York City only. RATING: 2.6 A very complex case that deserves a serious examination which I hope this documentary gives it.
THE ROAD (Freestyle) Genre: Horror. When a cold case of three teenagers who disappeared on a country road is re-examined, it’s discovered that there is more to that stretch of road than meets the eye. Release Strategy: Limited. RATING: 2.2 Looks deliciously creepy and sensationally scary.
SLEEPLESS NIGHT (Tribeca) Genre: Crime Thriller. A previously honest cop steals a bag of cocaine from a vicious drug dealer who kidnaps his son and demands the drugs back in exchange. Release Strategy: Limited. RATING: 1.8 Looks like a non-stop top notch action film.
SMALL BEAUTIFULLY MOVING PARTS (Long Shot Factory) Genre: Comedy. An anxious pregnant technophile goes on a road trip to meet her technophobic mom. Release Strategy: New York City only. RATING: 2.0 The trailer has some wonderful heart; this is inspired by the syndicated web series “Sparks.”
STASH HOUSE (After Dark Action) Genre: Suspense. A family moves into a new home only to discover that a stash of heroin is stored in its walls – and the criminals want it back. Release Strategy: Limited. RATING: 2.5 Generic home/fortress action flick.
TONIGHT YOU’RE MINE (Roadside Attractions) Genre: Romantic Comedy. During a big music festival, a star performer is handcuffed to a brand new performer. Release Strategy: Limited. RATING: 2.8 Could have an excess of indie preciousness.
TRANSIT (After Dark Action) Genre: Action. A man returns home after serving out a tax evasion sentence goes on a camping trip to reunite his family, but discovers that they are being pursued by four ruthless killers after the stolen money they hid in his family’s car. Release Strategy: Limited. RATING: 2.6 Jim Caviezel is moving higher on my list after his work on “Person of Interest” this year.
UNDER AFRICAN SKIES (A&E Indie) Genre: Musical Documentary. Paul Simon in making the album Graceland defied a UN ban to work with South African artists; 25 years later he returns to South Africa and discusses the fallout of his actions. Release Strategy: Limited. RATING: 2.9 Has the potential to examine an art vs. politics question that rarely gets examined.
WHERE DO WE GO NOW? (Sony Classics) Genre: Dramedy. A group of women in a Lebanese village of Muslims and Christians try to hold on to peace when tensions threaten to bring violence back to the village. Release Strategy: New York City/Los Angeles. RATING: 2.0 Charming and heartrending at once.

MAY 16, 2012

THE DICTATOR (Paramount) Genre: Comedy. A heavy-handed dictator of an Arab nation goes to New York City to address the UN. Release Strategy: Wide. RATING: 3.0 I’ve never really been a big fan of Sacha Baron Cohen but this one looks like it could have potential.
ELENA (Zeitgeist) Genre: Thriller. A golddigging Russian wife hatches a scheme to maintain her inheritance. Release Strategy: New York City only. RATING: 2.2 Looks veritably Hitchcockian and the Philip Glass score doesn’t hurt.

MAY 18, 2012

AMERICAN ANIMAL (Screen Media) Genre: Fantasy. A young man whose roommate is moving out tries to get him to stay in one night of partying. Release Strategy: New York City only. RATING: 3.3 From the trailer, seems to promote the idea that crazy is better. Crazy is just crazy.
BATTLESHIP (Universal) Genre: Science Fiction. Naval vessels are trapped in an ocean-based alien invasion. Release Strategy: Wide. RATING: 2.8 Alien invasion films have been remarkably bad of late; this doesn’t seem to be much better based on what I’ve seen.
BEYOND THE BLACK RAINBOW (Magnet) Genre: Sci-Fi Mystery. A young woman in the 1980s undergoes experimental therapy that opens up new vistas but threatens her sanity. Release Strategy: Limited. RATING: 2.9 Looks a bit avant garde.
CROOKED ARROWS (Freestyle Releasing) Genre: Sports Drama. A coach at a primarily Native American school leads the lacrosse team to a State championship game against their prep school rivals. Release Strategy: Limited. RATING: 2.8 Meant to be an allegory on the treatment of aboriginals in South America.
DIANA VREELAND: THE EYE HAS TO TRAVEL (Goldwyn) Genre: Documentary. The story of one of fashion’s most influential figures of the 20th century. Release Strategy: Limited. RATING: 3.9 As I’ve said before, fashion is a subject that I’m absolutely not interested in.
FOLLOW ME: THE YONI NETANYAHU STORY (International Film Circuit) Genre: Documentary. The tale of the young soldier who led the Israeli commandos on the Raid on Entebbe. Release Strategy: New York City only. RATING: 2.5 Sounds kind of interesting but at the same time maybe has a bit of an agenda.
HYSTERIA (Sony Classics) Genre: Romantic Comedy. The story of the guy who invented the vibrator, a man whom many lonely housewives should bless. Release Strategy: Limited. RATING: 1.6 Looks hysterically funny (pun intended) and has a great cast.
LOVELY MOLLY (Image) Genre: Thriller. A young newlywed returns to her childhood home only to have the memories of her past abuse creep back – and maybe something else as well. Release Strategy: Limited. RATING: 2.3 The newest from The Blair Witch Project director Eduardo Sanchez – but it’s nothing like that film.
MANSOME (Paladin) Genre: Documentary. Morgan Spurlock takes a look at modern male grooming in the age of metrosexuality. Release Strategy: Limited. RATING: 2.6 The newest from the suddenly prolific Morgan Spurlock looks kind of irreverent and fun.
POLISSE (Sundance Selects) Genre: Drama. This intense Cesar-nominated film follows the daily lives of the police Child Protection Unit in Paris. Release Strategy: Limited. RATING: 1.3 Gritty, heartbreaking, intense and funny – could be one of the best films of the year judging from the trailer.
THE SAMARITAN (IFC) Genre: Action. A grifter trying to make a new life after a 25-year prison stint is ensnared by his old life. Release Strategy: Limited. RATING: 2.0 With Samuel M*****F****** L. Jackson in the house, that’s all I need to hear.
VIRGINIA (EOne) Genre: Drama. A single mom’s life gets harder when her affair with the married sheriff threatens to become exposed in an election year. Release Strategy: Limited. RATING: 2.3 Looks kinda offbeat but with Ed Harris and Jennifer Connelly in the cast, you can’t go wrong.
WHAT TO EXPECT IF YOU’RE EXPECTING (Lionsgate) Genre: Romantic Comedy. Five couples discover that their lives become much more complicated once they get pregnant. Release Strategy: Wide. RATING: 2.8 A strong ensemble cast but looks kinda weak in the humor department.

MAY 25, 2012

THE CHERNOBYL DIARIES (Warner Brothers) Genre: Horror. A group of “extreme tourists” visit Chernobyl and when their van breaks down quickly discover that the town and plant aren’t quite as deserted as they were led to believe. Release Strategy: Wide. RATING: 1.8 From the creators of the Paranormal Activity series this looks balls-out scary.
COWGIRLS ‘N ANGELS (Goldwyn) Genre: Family. A little girl searching for her absent dad (a rodeo rider) is brought into the Sweethearts of the Rodeo after displaying skills as a trick rider. Release Strategy: Limited. RATING: 3.7 A little bit – shall we say – over-sweet.
HIDE AWAY (MMC Joule) Genre: Drama. A broken once-successful businessman tries to turn his life around by refurbishing a dilapidated boat in an idyllic seaside village. Release Strategy: Limited. RATING: 2.3 Sounds kinda maudlin but SXSW doesn’t usually book maudlin.
THE INTOUCHABLES (Weinstein) Genre: Limited. A disabled French man develops an unexpected bond with his caregiver, an ex-con with an unusually upbeat attitude. Release Strategy: Limited. RATING: 1.2 A box office record-holder in France, this was a big hit at the recent Florida Film Festival.
MEN IN BLACK 3 (Columbia) Genre: Science Fiction. Agent J must go back in time and save Agent K and correct the time line or the Earth is doomed. Release Strategy: Wide (Standard, 3D, IMAX 3D). RATING: 1.4 Looks like one of the big hits of the summer.
MIGHTY FINE (Adopt) Genre: Dramedy. A man relocates his family from Brooklyn to New Orleans in the 1970s in search of a better life. Release Strategy: New York City/Los Angeles. RATING: 2.8 Why cast Chazz Palminteri as a Jewish man? Aren’t there enough Jewish actors?
MOONRISE KINGDOM (Focus) Genre: Romantic Comedy. A New England town in 1965 is turned upside down when a pair of kids run away into the woods when a big storm is brewing. Release Strategy: New York City/Los Angeles. RATING: 3.0 Doesn’t sound like a romantic comedy but with Wes Anderson in the director’s chair anything can happen.
OSLO, AUGUST 31 (Strand) Genre: Thriller. An alcoholic gets a day pass out of rehab in order to go to a job interview in Oslo but the pressures of the day and of family and friends puts his sobriety in jeopardy. Release Strategy: New York City only. RATING: 2.1 Looks like another home run from Norway.

MAY 30, 2012

5 BROKEN CAMERAS (Kino Lorber) Genre: Documentary. A documentarian and a farmer together decide to document five years in the Occupied Territories of Palestine. Release Strategy: New York City only. RATING: 1.6 The title refers to five cameras during the course of the filming of the documentary that were shot or broken by Israeli soldiers.

The Best Exotic Marigold Hotel, Marvel’s The Avengers, Dark Shadows, Where Do We Go Now?, Battleship, What To Expect When You’re Expecting, Lovely Molly, The Intouchables, Men in Black 3

The 2012 Florida Film Festival

Well, the Florida Film Festival is over for another year and this one was by all accounts a good one. With record-setting ticket sales as well as the most movies ever presented by the Festival, it’s just an indication as to the general growth in popularity of film festivals nationwide and of this one in particular. Those looking for alternatives to the wide Hollywood releases in the same multiplexes are finding themselves drawn to the film festival environment.

Although the festival is over officially, here on Cinema365 it will continue on indefinitely. I will continue to review movies screened at the festival this year, including some I saw at the festival (as I await their release date to print their full review) and each one will be accompanied by the Florida Film Festival banner as you see above. Also for those films I missed seeing at the Festival as they appear here in Orlando I will review those as well; and for those I see on DVD or stream from wherever those will also receive the FFF/Cinema365 treatment.

There were some amazing films here at the festival this year, some of which have already been reviewed. My favorites were in this order;

The Lady
Monsieur Lazhar
The Intouchables
The Salt of Life
Turn Me On, Dammit
God Bless America
Where Do We Go Now?
Girl Model
Jiro Dreams of Sushi
Lovely Molly
Eye of the Hurricane

Look for coverage of the Festival to continue throughout the year. I’m already looking for the 2013 edition, which Cinema365 will once again be covering in depth.

In the meantime, our newest special feature is coming this weekend. It’s called Offshoring and will be our own mini-film festival of all non-American films. We’ll have movies from Israel, Norway, China, France and India during six days of global cinema coverage that will serve to celebrate the diversity and quality of films from all over the planet. I hope you enjoy it as much as I did watching and reviewing these films; I intend it to be a regular post-Florida Film Festival feature annually.

Look for our new American Experience mini-festival of movies celebrating the uniqueness of American life coming around the July 4th Holiday, and at the end of this week our annual summer movie preview. It’s busy around here at Cinema365 World HQ but it’s worth it as we gear up to further bring to you our passion for films of both the summer blockbuster and independent and foreign cinematic variety. Hope you like what you read!

Florida Film Festival 2012

That time of year is upon us as the Florida Film Festival will return for its 21st year on April 13th through April 22nd. The FFF’s unique combination of exciting films, delicious food and fun make it one of the most laid-back, enjoyable film festivals anywhere. It is also one of the best-curated – two out of the last three years the movie I chose as best of the year was one I saw right here at the Florida Film Festival. That gives you an idea of the quality of the films selected year after year.

Why go to a film festival? Aren’t they for film snobs so they can get together and watch subtitled and indie films while looking down their noses at mainstream movies? Maybe at some festivals but not this one. The people who attend the Florida Film Festival are film lovers; their only criterion is that the movie have something to offer. Sure, they might turn up their noses at movies that aren’t made well or don’t have anything in particular to say but for the most part the people who are regular attendees at the FFF are people who see a lot of movies, mainstream as well as independent.

And these aren’t all movies about 20-something hipsters in complicated relationships while living in lofts in New York City; at the FFF you’ll find children’s films, horror movies, classic films, action films, hysterically funny shorts, compelling documentaries and musicals. There is literally something for every taste in movies and every kind of story imaginable. If you are a little open-minded and like to have a good time, this is the party you’re missing and trust me, it’s one you want to go to.

There are special food events where celebrity chefs show off their skills; there are movies that take special pride in our Florida home as Florida-bred filmmakers show why this area is rapidly becoming a spawning ground for great filmmakers. There are midnight movies showing the best in genre filmmaking from around the world. There are short films from around the world and around the corner, both animated and live action (and just for the record, the most recent winner of the Oscar for Animated Short Subject was screened at last year’s Florida Film Festival).

So what do they have in store for us this year? A wealth of great movies – over 170 features will be screened during this year’s Festival. Some of the ones I’m looking forward to are Renee, the locally made film covering the story of Renee Yohe, the inspiration for the charity group To Write Love On Her Arms (it is also the opening night film) and Jiro Dreams of Sushi, a documentary covering the world’s only three Michelin star-rated sushi chef. There’s also the latest horror film from Don Coscarelli (auteur of Phantasm and Bubba Ho-Tep) called John Dies in the End. There’s the Norwegian sexual coming of age film Turn Me On, Dammit! and the Canadian schoolroom drama Monsieur Lazhar (which was also nominated for a Best Foreign Film Oscar this year although it didn’t win), not to mention the Paul Simon documentary Under African Skies and the sophisticated animated feature A Cat in Paris.

Some that I’m planning to see (among most of the ones above as well) include Salt of the Earth (the sequel to Mid-August Lunch), the thriller Headhunters, Luc Besson’s biopic of Aung San Suu Kyi (the pro-democracy activist and Nobel laureate under house arrest in Myanmar) The Lady and the French box office record breaker The Intouchables. Those whose tastes lean towards classic movies will be thrilled to hear that among those classics screening this year include Marriage Italian Style, To Kill a Mockingbird, Monty Python and the Holy Grail and Liberty Heights.

Of note is the Rick Springfield documentary Affair of the Heart. Made by local documentary director Sylvia Caminer, it set a Florida Film Festival record by selling out it’s Thursday night screening in less than an hour (it doesn’t hurt that Springfield will be making an appearance at the screening). There are a few tickets left for the Saturday noon screening on April 14th if you’re still looking to see it – it’s supposed to be an amazing documentary and from the clips I’ve seen it is going to appeal to his fans and non-fans alike.

And I could go on and on – but you get the point. There are some really good movies, several of which are most likely destined for my year-end top ten. There is the good food not only at the Enzian and Eden Bar but also at events hosted by Luma of Winter Park, Whole Foods Market and of course the Opening Night Party, featuring food from some of the best restaurants in Central Florida. There are great venues including the Enzian itself, The Regal in Winter Park Village and Central Park in downtown Winter Park. You can find more ticket information for the Festival and information about all the movies and shorts being screened at their website here.

So keep an eye on Cinema365 for more information about upcoming celebrity appearances at the Festival, reviews of the movies being screened and further preview information about the Festival. This year looks to be bigger and better than ever and we wouldn’t want you to miss a thing.

Tickets for individual films run at $10 apiece (once they go on sale – see website for details) and packages start as low as $50 (and usually include goodies like posters or programs) or you can go whole hog and get yourself a pass which gets you into any and/or all screenings. Those start at $450 and go up to $1000 a pass (for the film lover who has everything – and wants more). So yeah, ten bucks a ticket isn’t all that bad and even if you just pick a single film to see, you’ll be hooked for life. There’s nothing quite like a film festival and there are none quite like the Florida Film Festival. See for yourself – you’ll be thanking me for it later.