The Irishman


I heard he paints houses.

(2019) Gangster (NetflixRobert De Niro, Al Pacino, Joe Pesci, Harvey Keitel, Ray Romano, Bobby Cannavale, Anna Paquin, Stephen Graham, Stephanie Kurtzuba, Jack Huston, Katherine Narducci, Jesse Plemons, Domenick Lombardozzi, Paul Herman, Gary Basaraba, Marin Ireland, Lucy Gallina, Jonathan Morris, Jim Norton, Aleksa Paladino. Directed by Martin Scorsese

 

Much of the American fascination with the mob can be traced to Coppola’s The Godfather saga and the films of Martin Scorsese. If you take Mean Streets, GoodFellas, Casino and The Departed as part of the same franchise, The Irishman may well be the concluding episode in the saga.

This film, which has been winning the kind of effusive praise from critics normally reserved for pictures of their grandkids, follows the story of Frank Sheeran (De Niro), who went from being a war hero during the Second World War to a refrigerated truck driver, to a thug in the Philadelphia mob run by Russell Buffalino (Pesci)  to the bodyguard and right hand man of Teamsters boss Jimmy Hoffa (Pacino). We see Sheeran transverse the glory days of the mob, covering the late 40s all the way up until the mid-70s. While there are references to watershed moments in the history of American organized crime, this isn’t really a primer on the subject; rather, it is the point of view of an insider, one whose claims as to the disappearance of Hoffa – still considered unsolved to this day – are perhaps self-aggrandizing but there is at least some evidence that says it might have happened the way it’s depicted here.

I am being purposely vague as to the plot points because this is an intensely long movie – right around three and a half hours. While as of this writing it is still in certain select theaters around the country, and in all honesty, it should be seen on a big ass screen with a big ass booming sound system, the length makes this kind of prohibitive. Those who have short attention spans won’t be able to tolerate this and those of us who have mobility issues might find it preferable to watch this at home on Netflix, where it just debuted Thanksgiving eve.

Scorsese doesn’t skimp on the cast, with De Niro and Pacino as powerful as they have ever been in the film. Pacino, in fact, may count this alongside Michael Corleone and Tony Montana as the roles that will mark the absolute apex of his distinguished and memorable career. His fans will be delighted to watch this; those who can take or leave him can watch this and understand why others consider him one of the most gifted actors of his generation.

Not that Pesci and De Niro are slouches by any means. Pesci was lured out of retirement (he hadn’t made an onscreen appearance since 2010) which is a godsend; I truly missed the man as an actor, with his charming sense of humor and occasional fits of rage. Here he is much more subdued and plays Buffalino as a more reserved and restrained Don who is smart enough to keep a low profile but ruthless enough to do whatever is necessary to keep his empire humming along. De Niro, for his part, is De Niro here – explosive and vulnerable in equal parts.

There is a fourth Oscar winner in the cast – Anna Paquin, who plays the adult version of Sheeran’s daughter who adores her Uncle Jimmy Hoffa and takes a wary dislike to Russell, whom her father feels closer to. When Hoffa disappears, she understands that her father was involved in some way and refuses to speak to him again for the rest of his life, which apparently mirrored real life. Paquin only gets a couple of lines but her venomous looks, delighted smiles and eventually sad eyes remind me why she is an Oscar winner and makes me wonder why we don’t see more of her in the movies.

Scorsese utilizes technology in a very un-Scorsese-like manner, using computers to de-age the actors for flashback scenes (all three of the leads are well into their 70s). The technology has advanced to the point where it is actually effective here; the men look truly younger, even more so than Will Smith in Gemini Man. With technology like this, it is bound to alter how movies are made. If you have a role for a 20-something that calls for the kind of emotional depth and acting experience a 20-something actor won’t have, why not cast a veteran actor and de-age them for the role? I can see a lot of drawbacks to this, not the least of which that it will be tougher for young actors to get the kind of experience that propels younger actors into becoming great ones. Still, with the dizzying amount of product out there to fill all of the streaming services and their needs, that point may end up being moot.

Some critics are waxing rhapsodic about The Irishman and proclaim it the best film of the year (it isn’t) and among the best that Scorsese has ever done (it isn’t). There is a bittersweet feel to the movie, particularly in the last 20 minutes as if this is the end of an era, which it likely is. At 77, Scorsese doesn’t show any signs of slowing down; he has already directed one other movie released on Netflix earlier this year, a Bob Dylan documentary with at least another documentary on the music of the 70s in the pipeline. Still, getting the universe to align to get this kind of cast together and to get this kind of film made for the kind of budget it took to get it made isn’t likely to happen again, plus after this I really don’t know if there is much more Scorsese can say about the mob, although I will be the first to temper that with a never say never warning; if there is a story out there to be told, Scorsese can find a way to tell it.

The big problem I have with the film is its aforementioned length. I can understand why Scorsese let it run so long – he may never have the chance to direct something like this with this cast again – but as much as I respect him as perhaps the greatest American director ever, the movie is repetitive in places and quite frankly we could have done without about an hour of it. Watching this is no spring; it’s an endurance contest and you’d best enter into watching it prepared for that. Hydrate regularly, watch from a comfortable seated position and take a few breaks to walk around and get your blood flowing. The magic of Netflix is that you are allowed to do that whenever you like.

In the end, I think this is one of Scorsese’s best movies, but not with the triumvirate that make up his absolute best films – Taxi Driver, GoodFellas and Casino. This is more along the level of Raging Bull, The Departed. Mean Streets and The Wolf of Wall Street. I think most cinephiles are going to see this anyway but if you’re on the fence, I think you should pull the trigger and see what all the fuss is about. After all, if you don’t like it, you can always turn it off and start binging The Rick and Morty Show.

REASONS TO SEE: One of the greatest casts this decade. Scorsese is still Scorsese. A plausible explanation of the disappearance of Jimmy Hoffa.
REASONS TO AVOID: Way too long.
FAMILY VALUES: There is a whole lot of profanity as well as its fair share of violence.
TRIVIAL PURSUIT: This is the longest feature film Scorsese has ever directed and the longest overall to be commercially released in more than 20 years.
BEYOND THE THEATERS: Netflix
CRITICAL MASS: As of 11/30/19: Rotten Tomatoes: 96% positive reviews: Metacritic: 94//100.
COMPARISON SHOPPING: GoodFellas
FINAL RATING: 8.5/10
NEXT:
Recorder: The Marion Stokes Project

New Releases for the Week of November 22, 2019


FROZEN II

(Disney) Starring the voices of Kristen Bell, Idina Menzel, Josh Gad, Jonathan Groff, Sterling K. Brown, Evan Rachel Wood, Alfred Molina. Directed by Chris Buck and Jennifer Lee

Elsa has magical powers, that much we know, but where did they come from? The question has become more important with her kingdom hanging on the line, Elsa, Olaf, Anna, Kristoff and Sven must undergo an adventure that even Elsa’s powers may not be able to protect them on.

See the trailer here
For more on the movie this is the website
Genre: Animated Feature
Now Playing: Wide Release
Rating: PG (for action/ peril and some thematic elements)

21 Bridges

(STX) Chadwick Boseman, Siena Miller, Keith David, J.K. Simmons. The son of a slain cop is given responsibility to track down a pair of cop killers. As his investigation deepens, he goes from being the hunter to being the hunted.

See the trailer here
For more on the movie this is the website  
Genre: Crime Drama
Now Playing: Wide Release
Rating: R (for violence and language throughout)

A Beautiful Day in the Neighborhood

(TriStar) Tom Hanks, Matthew Rhys, Susan Kelechi Watson, Chris Cooper. A jaded and broken reporter is assigned to interview Fred Rogers, and has his life transformed by the experience.

See the trailer here
For more on the movie this is the website  
Genre: Biographical Drama
Now Playing: Wide Release
Rating: PG (for some strong thematic material, a brief fight, and some mild language)

The Irishman

(Netflix) Robert De Niro, Al Pacino, Joe Pesci, Anna Paquin. A former World War II veteran who earned his living postwar as an operative for a notorious crime family, reminisces about his part in the disappearance of Jimmy Hoffa. This is the latest from legendary director Martin Scorsese and is said to be one of his best ever.

See the trailer here
For more on the movie this is the website  
Genre: Gangster
Now Playing: Enzian Theater
Rating: R (for some strong violence, and for language and brief nudity)

Waves

(A24) Kelvin Harrison Jr., Lucas Hedges, Taylor Russell, Sterling K. Brown. A suburban African-American family in South Florida led by a well-meaning but domineering father navigate the shoals of love and loss in this Oscar hopeful.
See the trailer here
For more on the movie this is the website  
Genre: Romance
Now Playing: Enzian Theater (opens Wednesday)
Rating: R (for language throughout, drug and alcohol use, some sexual content and brief violence – all involving teens)

ALSO OPENING IN ORLANDO/DAYTONA:

Adithya Varma
Age Out
The Courier
Pagalpanti

ALSO OPENING IN MIAMI/FT. LAUDERDALE/KEY WEST:

Adithya Varma
Age Out
Cunningham
Frankie
George Reddy
Pagalpanti
Synonyms

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

The Divine Move 2: The Wrathful
Edie
Pagalpanti

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Adithya Varma
George Reddy
Pagalpanti

SCHEDULED FOR REVIEW:

21 Bridges
A Beautiful Day in the Neighborhood
Synonyms
Waves

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Key West Film Festival, Key West FL
Ocean Dance International Film Festival, Miami FL

Pick of the Litter – November 2019


BLOCKBUSTER OF THE MONTH

Knives Out

(Lionsgate) Daniel Craig, Jamie Lee Curtis, Chris Evans, Toni Collette. Direct Rian Johnson delivers a delightful homage to Agatha Christie-style whodunnits with this parlor mystery about the murder of a family patriarch on the occasion of his birthday. An all-star cast highlights the festivities which look to be great fun. November 27

OTHER WIDE RELEASES TO WATCH FOR:

Terminator Dark Fate, November 1
Doctor Sleep, November 8
Ford v. Ferrari, November 15
A Beautiful Day in the Neighborhood, November 22
Frozen 2, November 22
Queen and Slim, November 27

INDEPENDENT PICKS

American Son

(Netflix) Kerry Washington, Jeremy Jordan, Steven Pasquale, Eugene Lee. A frantic mother and her estranged husband reunite at a Florida police station in an attempt to help find their missing teenage son. Based on the acclaimed stage play. November 1

Harriet

(Focus) Cynthia Erivo, Janelle Monáe, Vondie Curtis-Hall, Tim Guinee. The story of American icon Harriet Tubman, focusing on her daring escape from slavery to freedom and the iron will it forged to make her into one of the leading abolitionists of her day. November 1

The Kingmaker

(Greenwich/Showtime) Imelda Marcos, Bongbong Marcos. The story of the controversial political career of Imelda Marcos who rose to power first as the First Lady of the Philippines and then to power in her own right. Now elderly, she is plotting to get her son Bongbong elected to the vice-presidency and is rewriting her family history of corruption and exploitation to do it. November 1

Honey Boy

(Amazon) Shia LaBeouf, Lucas Hedges, Noah Jupe, Laura San Giacomo. A child actor grows to young adulthood dealing with an overbearing father. He struggles to reconcile with his dad while dealing with his own mental health issues. November 8

The Report

(Amazon) Adam Driver, Annette Bening, Corey Stoll, Jon Hamm. An American Senator sets a recent graduate to look into files that were destroyed by the CIA and what he finds turns into a national scandal. Based on actual events. November 15

Waves

(A24) Taylor Russell, Kelvin Harrison Jr, Sterling K. Brown, Clifton Collins Jr. Two young couples in South Florida, facing a devastating loss, try to navigate love and forgiveness in the darkest of days. There are a lot of folks whispering that this might just be the best movie of 2019. November 15

When Lambs Become Lions

(Oscilloscope) Jon Kasbe. A small-time poacher, with the Kenyan government cracking down on his vocation and unable to feed his family, turns in desperation to his younger cousin, a park ranger who hasn’t been paid in weeks. November 22

The Irishman

(Netflix) Robert De Niro, Al Pacino, Joe Pesci, Ray Romano. Interesting that one of the year’s most anticipated movies is coming out on Netflix (and on a brief limited theatrical run beginning November 1). Legendary director Martin Scorsese looks at one of America’s most enduring mysteries: the disappearance of Jimmy Hoffa. November 27