The November Man


One Bond reference too many.

One Bond reference too many.

(2014) Spy Action (Relativity) Pierce Brosnan, Luke Bracey, Olga Kurylenko, Bill Smitrovich, Amila Terzimehic, Lazar Ristovski, Mediha Musliovic, Eliza Taylor, Caterina Scorsone, Akie Kotabe, Will Patton, Patrick Kennedy, Dragan Marinkovic, Ben Willens, Milos Timotijevic, Dragan Dvojakovic, Tara Jervrosimovic, Nina Mrdja, Milutin Milosevic, Lena Milan. Directed by Roger Donaldson

In a recent interview, Liam Neeson, in describing his character from the film A Walk Among the Tombstones, declared that people need a hero who is a bit of a loner; one who has one foot on the side for justice and one foot on the side that is lawless. Our heroes can’t be completely pure, otherwise we have trouble relating to them.

Peter Devereaux (Brosnan) is an operative for the CIA, a veteran and crafty one at that. His partner and protégé is David Mason (Bracey), a brash and arrogant sort who doesn’t always listen to those with years of experience on him. When on a mission to protect an American ambassador targeted for assassination, Mason’s inability to follow orders ends up with an innocent child getting killed in the crossfire. Devereaux takes early retirement soon after that.

He is running a small bar and cafe in Lausanne, Switzerland when his old friend and handler for the CIA Ray Hanley (Smitrovich) turns up, telling him that a double agent buried deep in the employ of Arkady Federov (Ristovski), a war hero from the Chechnyan civil war and favored to become the next Russian president, has discovered something big and needs to be pulled out. However, Peter is the only agent she trusts to get her out of Russia.

So, reluctantly, Devereaux heads to Moscow to pull out the secretary Natalia Ulanova (Musliovic) and get the flash drive with her information on it. However, things go sideways quickly and Russian security is hot on their tails. A CIA higher-up, Perry Weinstein (Patton) gives the order to terminate the asset. The woman is then shot by a company sniper.

Furious, Devereaux gives chase to the assassins and takes out most of the team. When he discovers who the trigger man is, he is momentarily shocked and walks away. The man who killed the asset – David Mason.

Now, Devereaux and the CIA are in a race to find the one connection that can take down Federov – a girl named Mira Filipova (Mrdja). The girl however seems to have completely disappeared off the face of the Earth – the only link to her is Alice Fournier (Kurylenko), the director of a refugee agency. Luckily, Devereaux gets to her first. However, now the race becomes a game of cat and mouse between Devereaux and the CIA. Just who the cat is and who the mouse is in the equation is anyone’s guess.

Based on the seventh in a series of novels by Bill Granger written back in 1979 in this specific case, the movie combines the action of a Bond film, the realistic spycraft of Le Carre and even elements of the Bourne series. That kind of leaves one with a been there-done that feel pretty much throughout.

The saving grace is Brosnan who steps into the shoes of a superspy and finds them a comfortable fit. He is just as suave and sophistication as he was in his heyday as Bond nearly twenty years ago. He dominates the screen and adds a hint of sadness and weariness to the character that was absent from Bond. Brosnan has done some really good acting jobs in films like The Ghost Writer since hanging up his Walther PPK and there is a level of depth here that wasn’t really necessary in the Bond films but adds additional flavor to the role. It might be the best action hero performance of the year. Devereaux is also far more ruthless, willing to slice open the femoral artery on an innocent girl in order to get in the head of Mason.

The action itself is pretty old school with plenty of car chases and Devereaux being chased by dozens of lethal, highly trained agents but getting away with some ease. He has survived as long as he has by always being a step ahead of his quarry or his pursuers and that aspect of the character looms large throughout the film.

The movie seems anachronistic at times, with modern cutting-edge technology on the one hand, but cell phones with flip cases – which have been out of style for almost a decade now – are everywhere. I’m wondering if that is what is new and cutting edge in Belgrade, where this was mostly filmed. I think not however and no mention is ever made of the action taking place in 2005 or thereabouts which it sometimes seems to be.

There are plenty of twists and turns as you’d expect in an espionage thriller, a little too many for my taste. While I understand the need to keep your audience guessing and as off-balance as the filmmakers can make them, the movie seems overly complicated which it really doesn’t need to be. A story like this can be told without quite so many moving parts and still be quite effective.

As action and espionage thriller material goes, well, it’s what you’d expect to find in the dregs of summer. It’s not anything that is going to make you want to run right out to the theater, but it isn’t anything that will make you regret being there either. It is nice to see Brosnan in the type of role that is right in his wheelhouse and I can’t help hope that there are more roles like it in his future, although he is getting on a bit. Still, while the Devereaux series doesn’t seem to be likely to be continuing any further given the anemic box office for this film, the acclaim for Brosnan makes me think that there may be other producers perhaps ready to hand over to Brosnan the types of roles that Neeson has been getting for the past decade now.

REASONS TO GO: Brosnan is an old pro at these sorts of movies. Some fairly nifty old school action scenes.
REASONS TO STAY: Seems oddly dated. Plot unnecessarily over-complicated.
FAMILY VALUES:  There is plenty of violence, some of it brutal, as well as a sexual assault. There’s a good deal of foul language, some sexuality, brief nudity and one scene in which drugs are used.
TRIVIAL PURSUIT: When we glimpse Devereaux’s file, the birthday given for Devereaux is the same as Brosnan’s actual birth date. Also, along with Brosnan, Kurylenko also has Bond experience in Quantum of Solace.
CRITICAL MASS: As of 9/21/14: Rotten Tomatoes: 35% positive reviews. Metacritic: 38/100.
COMPARISON SHOPPING: Goldeneye
FINAL RATING: 5.5/10
NEXT: Life After Beth

New Releases for the Week of August 29, 2014


As Above, So BelowAS ABOVE SO BELOW

(Universal/Legendary) Perdita Weeks, Ben Feldman, Edwin Hodge, Francois Civil, Marion Lambert, Ali Marhyar, Cosme Castro, Hamid Djavadan. Directed by John Erick Dowdle

A group of student explorers in the catacombs of Paris are trapped by a rock fall. With no choice but to go further into the labyrinth, they find themselves lost. Soon, inexplicable things begin to happen to them and the group realizes that they have stumbled onto an ancient secret, one which may cost them their lives.

See the trailer, clips, an interview and B-roll video here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Horror

Rating: R (for bloody violence/terror, and language throughout)

50 to 1

(Ten Furlongs) Christian Kane, Skeet Ulrich, William Devane, Madelyn Deutch. A group of New Mexico cowboys who have more heart than brains are stunned when their crooked-footed horse qualifies for the Kentucky Derby. Getting the horse there though is half the battle and once they get there, they’ll only have to face the elite of horse racing in the glare of the biggest spotlight in the sport. If ever there was an impossible dream, this must be it.

See the trailer and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Sports Drama

Rating: PG-13 (for some suggestive material and a bar brawl)

The Calling

(Vertical) Susan Sarandon, Topher Grace, Gil Bellows, Donald Sutherland. A small town police detective has never had a whole lot of work thrown her way but a series of murders in the surrounding area puts her face to face with a serial killer who is answering to a higher calling.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Thriller

Rating: R (for violent content, disturbing images and some language)

Cantinflas

(Pantelion) Oscar Jaenada, Michael Imperioli, Ilse Salas, Barbara Mori. Mexico’s most beloved comedian has a story that is largely unknown outside his native land. From humble beginnings he rose to the bright lights and fame of Hollywood, co-starring in the Michael Todd Oscar-winning epic Around the World in 80 Days. This is his story.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Biography

Rating: PG (for thematic elements, language, smoking and some suggestive material)

Land Ho!

(Sony Classics) Paul Eenhoorn, Earl Lynn Nelson, Karrie Crouse, Elizabeth McKee. Two dear old friends, once married to two sisters, have drifted apart over the years. Now that one is divorced and the other is a widower, they decide (albeit one of them reluctantly) to take a vacation to Iceland where the two may find the adventure still in their hearts even if the bodies aren’t quite what they used to be.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: R (for some language, sexual references and drug use)

November Man

(Relativity) Pierce Brosnan, Luke Bracey, Olga Kurylenko, Eliza Taylor. One of the CIA’s most lethal operatives has been living in relative peace and quiet in Switzerland after retiring. However, he is lured out of the pasture for one final mission, but soon discovers that it is not what it seems to be and that he will be forced to take on his most brilliant protégé in a game that he once knew but whose rules have changed.

See the trailer, clips, interviews and B-roll video here.

For more on the movie this is the website.

Release formats: Standard (opened Wednesday)

Genre: Action

Rating: R (for strong violence including a sexual assault, language, sexuality/nudity and brief drug use)

Raja Natwarlal

(UTV) Emraan Hashmi, Humaima Malik, Kay Kay Menon, Deepak Tijori. After a small time con man is wronged by a big time gangster, the grifter seeks the help of his mentor to get his revenge on the crook.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR