The Three Musketeers (2011)


The Three Musketeers

Resident Evil goes to 17th Century France

(2011) Adventure (Summit) Logan Lerman, Milla Jovovich, Matthew Macfadyen, Ray Stevenson, Luke Evans, Mads Mikkelsen, Christoph Waltz, Orlando Bloom, Juno Temple, Gabriella Wilde, Freddie Fox, James Corden, Til Schweiger, Helen George. Directed by Paul W.S. Anderson

Sometimes, when all else fails, you can rely on the classics. Even if all else around you is crap, the classics can always be relied upon to be entertaining. At least that’s the common perception.

It is the 17th century and France is in turmoil. The teenage Louis XIII (Fox) is controlled essentially by the manipulative Cardinal Richelieu (Waltz) and the King’s own Musketeers have been rendered less potent. The three greatest Musketeers – Athos (Macfadyen), Porthos (Stevenson) and Aramis (Evans) are bored and frustrated at sitting on the sideline. Athos is in a particular funk after being betrayed by his lover Milady de Winter (Jovovich) when they had stolen the plans for an airship from Leonardo Da Vinci’s vault in Venice. After retrieving the plans, she’d drugged their wine and handed the plans over to Lord Buckingham (Bloom) of England.

A year has passed since then and a young Gascoigne named D’Artagnan (Lerman), the son of a former Musketeer, has journeyed to Paris to become a Musketeer himself. Along the way he fell afoul of Rochefort (Mikkelsen), captain of the Cardinal’s guard and supposedly the best swordsman in Europe who rather than duel the hot headed youngster just shoots him. His life is spared by Milady, who is also journeying to Paris.

In Paris D’Artagnan affronts all three of the Musketeers, challenging to duels at different times which all three of them unknowingly accept. However, his first duel is interrupted by the arrival of the Cardinal’s guard who wish to arrest the four of them for dueling in the streets. However the four fight alongside, winning the day despite a vast numerical disadvantage. This is witnessed by Constance (Wilde), handmaiden to the Queen (Temple). Despite D’Artagnan’s best efforts at flirting with Constance, he is rebuffed.

The three realize that D’Artagnan is an able ally and meant to be one of them, so they bring him to their home where their manservant Planchet  (Corden) waits on them cheerfully despite the constant complaining. They wind up being summoned to the palace where the King and Queen, impressed by their victory, reward them which infuriates the Cardinal who wanted them punished.

In the meantime, the nefarious Richelieu has hatched a scheme in which love letters in Buckingham’s own hand are planted in the Queen’s boudoir. Milady also steels a diamond necklace given to her as a gift by the King. Richelieu prevails upon the King to throw a ball after the King discovers the letters, and ask the Queen to wear the gift for him. If she doesn’t have them, it will mean the Queen’s having an affair and she would have to be executed and England declared war upon.

It is up to the Musketeers to retrieve the necklace from Buckingham’s own vault and to bring the culprits to justice, but it’s a nearly impossible task. Can the Musketeers avert a catastrophic war that would drag nearly the entire continent into it?

This isn’t your mom and dad’s version of The Three Musketeers (and there have been more than forty of them). For one thing, while it’s been a long time since I read the Alexandre Dumas classic, I’m pretty sure I don’t remember airships in it. Or Gatling guns. Or Matrix-style bullet dodging.

There is much more CGI than this kind of movie really needs to have. I can understand CG attempts to make the sets look more opulent, or more like 17th century France, but Da Vinci-esque airships, hidden vaults and storage rooms? It seems kind of unnecessary to me.

Unnecessary in that this is one of the best adventure tales ever written and despite all the different versions of it, it still stands up today. The best version is the 1948 film with Gene Kelly (of all people!) as D’Artagnan, but my all-time fave is the 1973 version with Michael York as D’Artagnan. It was produced by the Salkinds who would go on to make Superman: The Movie and other classics of 70s cinema.

One of the requirements for a good Three Musketeers movie is not chocolate nougat, but a good D’Artagnan. The successful ones do; even the unsuccessful ones have at least a passable D’Artagnan. This one has the latter. Lerman, who is best known here for Percy Jackson and the Olympians: The Lightning Thief (in which I described him as bland) is a bit better here, but he still lacks the charisma D’Artagnan needs. Lerman has got the looks though and the long hair…ladies will and do swoon.

I was particularly impressed by Macfadyen who has been a career supporting actor, but he really shows some impressive screen presence here and with the right role could do some real damage as a lead actor on a franchise film. Let’s hope he gets the chance.

The movie has some nice casting touches (Waltz is terrific as Richelieu although we don’t get to see enough of him – when we do we get a good idea of his devious nature) and a few huh moments (Milla Jovovich seems to be channeling her inner Alice from the Resident Evil franchise which wouldn’t be a bad thing but it is distracting when she’s wearing petticoats). All in all the acting is solid and the CGI is seamless. I’m told the 3D effects are nice in places as well, although of late I’ve become as anti-3D as Roger Ebert.

This is a movie that I really wanted to see succeed. Anderson has proven a fine action director on the Resident Evil films and while I agree that there are always new ways to come at the Dumas source material, this way was too full of anachronisms and logical gaps to really fully capture my heart. However, it is entertaining even if it’s attempts at being grand fall a bit short.

REASONS TO GO: Nice special effects and some fine swordplay. Macfadyen makes a fine Athos.

REASONS TO STAY: Takes a lot of liberties with the story. Doesn’t have the wit of the 1973/1974 versions.

FAMILY VALUES: There is quite a bit of swordplay, a few things blowing up real good and some musket shooting. All in a day’s work for a musketeer.

TRIVIAL PURSUIT: Waltz has the same birthday (October 4) as Charlton Heston, who also played Cardinal Richelieu in the 1973/1974 versions of the Dumas classic.

HOME OR THEATER: Very much a big screen epic extravaganza.

FINAL RATING: 6/10

TOMORROW: Conviction

New Releases for the Week of October 21, 2011


THE THREE MUSKETEERS

(Summit) Logan Lerman, Milla Jovovich, Matthew Macfadyen, Ray Stevenson, Luke Evans, Mads Mikkelsen, Gabriella Wilde, Juno Temple, Orlando Bloom, Christoph Waltz. Directed by Paul W.S. Anderson

A hot-headed young man joins forces with three rogue Musketeers to take on the evil Cardinal Richelieu, the sensual assassin Milady DeWinter and Lord Buckingham, prime minister of their sworn enemies Great Britain and prevent a cataclysmic war. There have been screen versions of this Alexandre Dumas classic for decades (my favorite being the Alexander and Ilya Salkind version in the 70s) but this is the first to come out in 3D.

See the trailer, clips and featurettes here.

For more on the movie this is the website.

Release formats: Standard, 3D

Genre: Adventure

Rating: PG-13 (for sequences of adventure action violence)

Johnny English Reborn

(Universal) Rowan Atkinson, Gillian Anderson, Dominic West, Rosamund Pike. There is a plot afoot to assassinate a world leader and cause global chaos and only one man can stop it – superspy Johnny English. The trouble is that English is nowhere to be found, and once he finally is located, is woefully out of practice. That’s no matter; what Johnny English does requires no skill or practice whatsoever.

See the trailer and promos here.

For more on the movie this is the website

Release formats: Standard

Genre: Spy Spoof

Rating: PG (for mild action violence, rude humor, some language and brief sensuality)

Margin Call

(Roadside Attractions) Zachary Quinto, Kevin Spacey, Jeremy Irons, Paul Bettany. On a single day during the height of the 2008 financial meltdown, the key players at a financial firm cope with the implications of a scandal at their own company that might shutter its doors forever. They will need to wrestle with decisions both moral and ethical that will not only weigh their jobs in the balance but also their very souls.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: R (for language)

The Mighty Macs

(Freestyle Releasing) Carla Gugino, David Boreanaz, Marley Shelton, Ellen Burstyn. In 1971, a small Catholic women’s college caught the imagination of the sports world when a hard-edged head coach and a spunky nun helped mold the team into a national championship run that defied the odds. They would become a team for the ages.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: True Sports Drama

Rating: G

Paranormal Activity 3

(Paramount) Katie Featherston, Sprague Grayden, Lauren Bittner, Chloe Csengery. This is the prequel to the enormously popular found footage horror series. It depicts, in the 80s, how the supernatural forces that beset Katie and Kristi came into their lives as young girls.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Supernatural Horror

Rating: R (for some violence, language, brief sexuality and drug use)

The Way

(ARC Entertainment) Martin Sheen, Emilio Estevez, Deborah Kara Unger, Yorick van Wangingen. An American doctor travels to the Pyrenees to recover the remains of his estranged son, killed in a storm while making a pilgrimage along the Way of St. James. In tribute to his son and also as a means to understand him better, he decides to complete the journey his son wanted to make. This was directed by Estevez and filmed along the actual Camino de Santiago in France and Spain.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Spiritual Drama

Rating: NR

Four-Warned October 2011


October 2011

Every month I’m going to look at every movie on the release schedule and try to assign them a numerical value corresponding to how anxious I am to see it. The lower the number, the more I want to see it. A one means I would walk through hell and high water to see it; a four means there’s no interest whatsoever. The numbers are not arrived at scientifically but they aren’t arbitrary either.
The numbers aren’t a reflection of the artistic merit of any of these films, but merely a reflection of my willingness to go to a movie theater and see it. The top four scores will be gathered as a means of reflecting the movies I’m anticipating the most; you may use that as a guide or not.

Each entry is broken down as follows:

NAME OF FILM (Studio) Genre A brief description of the plot. Release plans: Wide = Everywhere, Limited = In selected markets. RATING A brief comment

Keep in mind that release dates are extremely subject to change, even at this late date.

FOUR TO SEE
1. THE THING (1.4)
2. THE IDES OF MARCH (1.6)
3. IN TIME (1.7)
4. PUSS IN BOOTS (1.8)
TIE. THE THREE MUSKETEERS (1.8)

FOUR TO SEEK OUT (FILMS NOT IN WIDE RELEASE)
1. HELL AND BACK AGAIN (1.3)
2. FIREFLIES IN THE GARDEN (1.4)
3. MARGIN CALL (1.6)
4. MARTHA MARCY MAY MARLENE (1.7)

RATING SYSTEM: 1) Must-see, 2) Should-see, 3) Perhaps-see, 4) Don’t-see

OCTOBER 5, 2011

HELL AND BACK AGAIN (Docurama) Genre: Documentary. An American soldier copes with civilian life after a brutal tour in Afghanistan. Release Strategy: New York City (opening in Los Angeles October 14). RATING: 1.3 If the movie is anything like the trailer, this is an amazing and affecting documentary.

OCTOBER 7, 2011

1911 (Well Go USA/Variance) Genre: Period War Drama. The citizens of China rebel against a despotic dowager empress and the 7-year-old son in whose name she rules. Release Strategy: Limited. RATING: 2.1 Jackie Chan in an epic war movie? I’m so there…
BLACKTHORN (Magnolia) Genre: Western. Butch Cassidy survives the Bolivian shoot-out to live a quiet life under an assumed name in South America but gets drawn in to one last adventure. Release Strategy: Limited. RATING: 2.8 Looks like an awesome Western with Sam Sheppard as Cassidy.
DIRTY GIRL (Weinstein) Genre: Comedy. A young girl living in Norman, Oklahoma in 1987 persuades a young overweight outcast to drive her to California to find her dad. Release Strategy: Limited. RATING: 2.8 Looks like a quirky indie comedy that’s been done to death.
EVERYDAY SUNSHINE: THE STORY OF FISHBONE (Pale Griot) Genre: Musical Documentary. One of the most innovative and exciting bands to come out of Los Angeles in the ’80s gets their due here. Release Strategy: New York City (opening in Los Angeles October 21). RATING: 3.3 Although I never fully got into the band, they definitely had their own unique sound.
THE HEIR APPARENT: LARGO WINCH (Music Box) Genre: Action Adventure. The heir to a billionaire’s fortune takes over his father’s multinational corporation with unexpected results. Release Strategy: Limited. RATING: 2.5 Has almost a video game feel to it.
THE HUMAN CENTIPEDE 2: (FULL SEQUENCE) (IFC Midnight) Genre: Horror. A sexual deviant obsessed with the previous film in the series decides to create a human centipede of his own, this time utilizing twelve people instead of three. Release Strategy: Limited. RATING: 2.4 One of the most twisted films of recent years gets an equally twisted sequel.
THE IDES OF MARCH (Columbia) Genre: Thriller. A presidential candidate’s press secretary becomes embroiled in a scandal on the eve of the primary. Release Strategy: Wide. RATING: 1.6 An all-star cast headed by Ryan Gosling and George Clooney make this quite intriguing.
INCENDIARY: THE WILLINGHAM CASE (Truly Indie) Genre: Documentary. An examination into a case of a potentially innocent man executed for a heinous crime with political overtones. Release Strategy: Limited. RATING: 2.1 Casts doubt on the death penalty as well as the presidential candidacy of Rick Perry.
REAL STEEL (DreamWorks) Genre: Science Fiction. A down on his luck ex-prizefighter tries to make a comeback in the new sport of robot boxing in order to bond with his estranged son. Release Strategy: Wide (Standard, IMAX). RATING: 1.9 Rock ’em Sock ’em Robots from the look of it.
THE SONS OF TENNESSEE WILLIAMS (First Run) Genre: Documentary. The story of the gay Mardi Gras and the earliest attempts to assert gay rights in New Orleans. Release Strategy: New York City (opening in Los Angeles October 15). RATING: 2.2 A study in courage that is inspiring to gay and straight audiences alike.
THE SWELLSEASON (SeventhArt) Genre: Musical Documentary. A look at the band The Swell Season whose principles won Oscars for Once and whose romance rose and fell through the rigors of touring. Release Strategy: Los Angeles (opening in New York City October 21). RATING: 2.4 We get to see the reality of a terrific band we thought we knew through a movie.
THE WAY (ARC Entertainment) Genre: Drama. After his son dies on a pilgrimage on the Way of St. James, his father decides to complete the journey in memory of his boy and in doing so, gains a greater understanding of who he was. Release Strategy: Limited. RATING: 2.3 Emilio Estevez directs his dad Martin Sheen on what looks to be an interesting film from the trailer.
THE WOMAN ON THE 6TH FLOOR (Strand) Genre: Comedy. A Parisian stockbroker circa 1960 has his world turned upside-down by a group of Spanish maids. Release Strategy: Limited. RATING: 2.7 A French class comedy; the trailer looks intriguing.

OCTOBER 12, 2011

AMERICA THE BEAUTIFUL II: THE THIN COMMANDMENTS (PMK*BNC) Genre: Documentary. America’s unhealthy obsession with dieting and body image gets a look under the microscope. Release Strategy: New York City/Los Angeles (expands on October 21). RATING: 3.8 The forces behind weight loss and body image turn out to be more insidious than you’d think.

OCTOBER 14, 2011

THE BIG YEAR (20th Century Fox) Genre: Comedy. Three men whose lives are in a tailspin decide to make this year their best yet particular in regards to bird watching. Release Strategy: Wide. RATING: 2.5 You’d expect a cast with Steve Martin, Jack Black and Owen Wilson would be intriguing but the trailer left me a bit flat.
BOMBAY BEACH (Boaz Yakin) Genre: Documentary. A former resort community on the Salton Sea becomes a haven for hippies and outsiders. Release Strategy: New York City only. RATING: 3.3 I’m sure that this is what a lot of people think all of California is like.
CHALET GIRL (IFC) Genre: Romantic Comedy. A young skateboarder turned burger flipper gets a chance to cater in an exclusive Alpine resort where she discovers snowboarding and possibly love. Release Strategy: Limited. RATING: 2.9 The trailer made the movie look like a mediocre rom-com with a British accent and lots of snow.
FATHER OF INVENTION (Anchor Bay) Genre: Comedy. An entrepreneur whose invention turns out to be dangerous gets a second chance at success. Release Strategy: Limited. RATING: 2.4 The trailer looked good and the part looks like a good fit for Kevin Spacey.
FIREFLIES IN THE GARDEN (FSI) Genre: Drama. A family is torn apart when the mother, the glue who held them together, dies suddenly. Release Strategy: Limited. RATING: 1.4 An amazing cast includes Julia Roberts, Ryan Reynolds and Willem Dafoe.
FOOTLOOSE (Paramount) Genre: Musical. When a small town bans dancing after a tragedy, a lone newcomer challenges the law. Release Strategy: Wide. RATING: 4.0 Why did this need to be remade? And why make it look like part of the Step Up franchise?
THE SKIN I LIVE IN (Sony Classics) Genre: Drama. A brilliant plastic surgeon tries to create an artificial skin that might have saved his wife, a victim of a horrible car accident. Release Strategy: Limited. RATING: 2.7 Director Pedro Almodovar is known for creating movies that push the boundaries.
TEXAS KILLING FIELDS (Anchor Bay) Genre: Mystery. A pair of small town detectives hunt for a sadistic serial killer who dumps his victim’s bodies in a nearby swamp. Release Strategy: Limited. RATING: 2.2 Stars Sam Worthington and Jeffrey Dean Morgan; the trailer looked intriguing.
THE THING (Universal) Genre: Sci-Fi Horror. A team of Antarctic researchers find a spacecraft in the ice…and something in it. Release Strategy: Wide. RATING: 1.4 A prequel to John Carpenter’s version of the story is the third movie of the same name based on the same material.
TRESPASS (Millennium) Genre: Thriller. A wealthy family having their house renovated are the victims of a well-thought out home invasion by a gang of vicious criminals. Release Strategy: Limited. RATING: 2.9 Despite a cast that includes Nicole Kidman and Nicolas Cage looks like a retread of movies we’ve seen before.
THE WOMAN (Bloody Disgusting Selects) Genre: Horror. A country lawyer finds a feral woman in the woods and attempts to civilize her, bringing her home to a family that grows more savage as their attempts fail. Release Strategy: Limited. RATING: 2.2 With a graphic rape, this had people walking out on the film at Sundance.

OCTOBER 19, 2011

THE CATECHISM CATACLYSM (IFC) Genre: Comedy. An eccentric pastor is suspended for telling inappropriate parables to his flock; he goes for a bonding fishing trip with his high school friend, a former metal guitarist and the two find things get really weird really fast. Release Strategy: New York City (opening in Los Angeles November 4). RATING: 3.1 Looks like it could be an acquired taste.
PAUL GOODMAN CHANGED MY LIFE (Zeitgeist) Genre: Documentary. Goodman, one of the counterculture’s most influential thinkers, is profiled as a renaissance man of his time. Release Strategy: New York City only. RATING: 3.0 Most Americans are unaware of him or his landmark novel “Growing Up Absurd” but he was a crusader for gay rights and pacifism before nearly anyone.

OCTOBER 21, 2011

BEING ELMO: A PUPPETEER’S JOURNEY (Submarine Deluxe) Genre: Documentary. Kevin Clash creates a beloved icon but starts out as a fan of Jim Henson. Release Strategy: New York City (opening in Los Angeles November 4). RATING: 3.2 A must-see for Muppet fans.
CARGO (Persona) Genre: Drama. A young Russian woman hoping for a modeling career enters the U.S. illegally, crossing paths with an Egyptian human trafficker. Release Strategy: New York City only. RATING: 2.3 A gritty look at the human toll of human trafficking.
JOHNNY ENGLISH REBORN (Universal) Genre: Spy Spoof. Rowan Atkinson stars as a British superspy brought out of retirement in order to prevent a global catastrophe. Release Strategy: Wide. RATING: 3.7 It wasn’t funny the first time.
KLITSCHKO (Corinth) Genre: Sports Documentary. The story of the Klitschko brothers who rose from the Soviet Union to dominate boxing – and Ukrainian politics. Release Strategy: New York City only. RATING: 3.1 A surprisingly interesting boxing documentary.
LE HAVRE (Janus) Genre: Dramedy. A bohemian shoe shiner in the French port city stands up for an immigrant boy about to be deported. Release Strategy: Los Angeles only. RATING: 2.9 Looks awfully heartwarming in a non-schmaltzy way.
MARGIN CALL (Roadside Attractions) Genre: Drama. Employees at a financial firm in the beginning stages of the 2008 crash grapple with financial, ethical and moral issues. Release Strategy: Limited. RATING: 1.6 Great cast and what appears to be a thrilling plotline.
MARTHA MARCY MAY MARLENE (Fox Searchlight) Genre: Thriller. A young woman who escaped from a cult has the line between reality and fantasy blurred by her paranoia. Release Strategy: New York City/Los Angeles. RATING: 1.7 A Sundance sensation that has a fantastic-looking trailer.
THE MIGHTY MACS (Freestyle Releasing) Genre: True Sports Drama. A tiny Catholic girls school becomes an NCAA women’s basketball powerhouse. Release Strategy: Limited. RATING: 2.8 Looks interesting but I’m a bit burned out on the genre.
NORMAN (AMC Independent) Genre: Drama. A high school senior whose mother recently passed away and whose father is dying starts to exhibit his father’s symptoms in order to maintain the fiction that he is dying himself. Release Strategy: Limited. RATING: 2.3 Looks very intriguing from the trailer and with the great Richard Jenkins in the cast and Andrew Bird writing the music, color me interested.
ORANGES AND SUNSHINE (Cohen Media Group) Genre: Drama. A courageous social worker in England discovers the illegal deportation of children to Australia. Release Strategy: New York City/Los Angeles. RATING: 2.7 Incredibly, this is based on a true story.
PARANORMAL ACTIVITY 3 (Paramount) Genre: Supernatural Horror. Sisters Kate and Christine have their first encounter with the evil force that plagued them in the first two movies. Release Strategy: Wide. RATING: 2.2 The first two films in the series have been as scary as the first two films in any horror franchise – maybe more so.
RETREAT (Goldwyn) Genre: Thriller. A couple recuperating from a personal tragedy on a remote island retreat find a man washed up on the shore who tells them Europe is in the grip of a plague. Release Strategy: Limited. RATING: 2.5 This looks like one of those paranoia-inducing thrillers with a biohazard edge; could be good.
THE REUNION (Goldwyn) Genre: Action. A trio of dysfunctional brothers join forces as bail bondsmen in order to cash in on a large inheritance. Release Strategy: Limited. RATING: 2.9 Another WWE film that doesn’t look particularly impressive.
REVENGE OF THE ELECTRIC CARS (WestMidWest/Area23A) Genre: Documentary. Ten years after Who Killed the Electric Cars, the status of four carmakers – including GM – seeking to set the market for electric cars is examined. Release Strategy: Limited. RATING: 2.1 The original documentary is a classic; will this one live up to it?
SNOWMEN (ARC Entertainment) Genre: Family Drama. A young boy with cancer wants to set the world record for most snowmen built in 24 hours. Release Strategy: Limited. RATING: 2.0 Saw this at the Florida Film Festival earlier this year; read the review here.
THE THREE MUSKETEERS (Summit) Genre: Adventure. D’Artagnan and the legendary three musketeers must take on wicked Cardinal Richelieu and his killers to prevent a devastating war between England and France. Release Strategy: Wide (Standard, 3D). RATING: 1.8 A little swashbuckling can be good for the soul.

OCTOBER 26, 2011

RA.ONE (Eros International) Genre: Science Fiction. A videogame villain is released into the real world, prompting the game’s creator to become a tech-enhanced superhero. Release Strategy: Limited. RATING: 2.4 Sounds a bit like TRON but the trailer looked impressive.

OCTOBER 28, 2011

13 (Anchor Bay) Genre: Action. A young handyman assumes a dead man’s identity and enters a deadly game of chance. Release Strategy: New York only. RATING: 2.2 A remake of the terrific French film 13 Tzameti with a cast that includes Mickey Rourke, Jason Statham and Ray Winstone.
AND THEY’RE OFF… (Kinobild) Genre: Mockumentary. A racehorse trainer with a perennial losing record in desperation hires an ex-girlfriend as jockey, not understanding she’s only doing it to get back together with him. Release Strategy: Limited. RATING: 3.5 Despite a decent cast, the trailer did not inspire me to want to see this.
ANONYMOUS (Columbia) Genre: Drama. The question of whether or not William Shakespeare actually authored his own work is examined and a theory presented. Release Strategy: Wide. RATING: 2.3 An intriguing idea and the first movie by director Roland Emmerich to lack an epic scope in quite awhile.
THE DOUBLE (Image) Genre: Spy Thriller. The murder of a U.S. Senator appears to be the work of a Soviet assassin, bringing a CIA operative who knew him best out of retirement to track him down. Release Strategy: Limited. RATING: 2.5 Sounds intriguing but with no trailer available as of this writing, can’t really get too excited yet.
IN TIME (20th Century Fox) Genre: Science Fiction. In the future where time is the currency and nobody ages past 25, a young man tries to right a corrupt system in which the wealthy live forever and the poor live on borrowed time. Release Strategy: Wide. RATING: 1.7 One of the most interesting concepts to come along in awhile; hopefully they’ll do the idea justice.
JANIE JONES (Tribeca) Genre: Drama. An aging rocker trying for one last comeback is forced to bring his 13 year old daughter on the road while her mom is in rehab. Release Strategy: New York City/Los Angeles. RATING: 2.6 The trailer looked authentic and the music sounded good and who knew Abigail Breslin could sing?
LIKE CRAZY (Paramount Vantage) Genre: Romance. Two college students meet and fall in love but one is forced to leave the country when she violates the terms of her student visa. Release Strategy: Limited. RATING: 2.5 Teen angst taken to the Nth degree.
MY REINCARNATION (Long Shot Factory) Genre: Documentary. The son of a Tibetan Buddhist Master rejects his status as the reincarnation of a renowned Buddhist teacher and embraces the modern world. Release Strategy: New York City/Los Angeles. RATING: 2.8 Based on a British movie of the same name.
OKA! (DADA) Genre: Adventure. An ethnomusicologist in the Central African forest studying the music of the Bayaka pygmies fights to protect their land from greedy political interests. Release Strategy: Los Angeles only. RATING: 2.8 The trailer looks promising.
PUSS IN BOOTS (DreamWorks) Genre: Animated Feature. The fabulous feline from the Shrek series gets a movie of his own. Release Strategy: Wide (Standard, 3D, IMAX 3D). RATING: 1.8 The last Shrek movie was pretty weak; hopefully the emphasis on Puss will re-energize the franchise.
THE RUM DIARY (FilmDistrict) Genre: Drama. The Hunter S. Thompson novel comes to life with Johnny Depp as a hedonistic reporter in 1950s Puerto Rico. Release Strategy: Limited. RATING: 2.3 Depp’s second HST adaptation after Fear and Loathing in Las Vegas.
SLEEPING BEAUTY (IFC) Genre: Drama. A reckless university student takes a job as a sex worker, allowing old men to have erotic experiences with her as she sleeps; her work eventually commences to bleed into her waking life. Release Strategy: Limited. RATING: 2.6 A very sensuous, intriguing trailer.

SCHEDULED TO BE REVIEWED HERE AS NEW RELEASES
The Ides of March, Real Steel, The Big Year, The Thing, Margin Call, The Three Musketeers, Anonymous, In Time, The Rum Diary