The Way Back


The Way Back

Jim Sturgess wonders if there's anybody behind him. Unfortunately, nobody is.

(2011) Adventure (Newmarket) Jim Sturgess, Ed Harris, Colin Farrell, Saoise Ronan, Mark Strong, Dragos Bucur, Alexandru Potocean, Sally Edwards, Gustaf Skarsgard, Sebastian Urzendowsky, Zahary Baharov. Directed by Peter Weir

It’s not the destination, I’ve been known to opine, but the journey. Never has that been more true than in this movie.

Janusz is a Polish cavalry office in occupied Poland. Part of the country is run by the Nazis, the other by Soviet Russia. Janusz is in the latter portion. He is accused of criticizing the Stalinist regime. His wife (Edwards) is forced to testify against him and he is sent to a Siberian gulag.

Here he meets Khabarov (Strong), an actor thrown in the Gulag for portraying a Russian aristocrat too well. He claims to have an escape plan, but later turns out to be a fraud that preys on the hopes of others. However, his information sets in motion a daring escape.

Participating are Kazhik (Urzendowsky), Tomasz (Potocean) and Voss (Skarsgard), fellow Poles as well as Valka (Farrell), a Russian mobster and Mr. Smith (Harris), a taciturn American. The lot of them travels into the harsh Siberian wilderness, picking up an orphan named Irena (Ronan) along the route.

They are pushed to the limits, often without food or water as they pass into Mongolia, cross the Gobi desert into Tibet and then at last must cross the Himalayas into India to finally find freedom. It is an amazing journey that not all of them will survive.

This is inspired by a book by a Polish soldier that is reputedly a true story, although the veracity of it has been called into question recently. While some claim that the author took events that happened to other people and claimed them for his own, there is also a fairly sizable contingent who believe he made up events out of whole cloth. It is nearly certain that Slavomir Rawicz did not make the journey he depicted in the book; recent documents unearthed in Russia confirm this, including some authored by Rawicz himself.

Still, never let the truth get in the way of a good story. There is certainly an epic sweep to the story, a grandeur that populates most grand adventures, and the sort that are rarely undertaken anymore. These men (and one lady) are pushed to walk 4,000 km because they have to. Could it have happened? Yes.

Director Peter Weir has some movies on his resume that will withstand the test of time (The Year of Living Dangerously, Picnic at Hanging Rock) but this is his first movie in seven years (Master and Commandeer: The Far Side of the World was the last movie that saw him in the director’s chair) which is nothing new; he only made three movies during the ‘90s and only one in the decade that followed. He may not be prolific but the quality is usually there.

 He undertakes to make a movie that is both epic in scope and personal in nature, but only succeeds in the former aspect.  The cinematography from landscapes in Bulgaria, Morocco and India is nothing short of breathtaking thanks to cinematographer Russell Boyd. They travel through extremes of heat and cold, with issues of hunger and thirst thrown in; and even a wolf attack to boot. This isn’t a stroll through meadows.

Sturgess makes an appealing hero. His optimism and determination fuels the entire journey. He is in many ways the most human but he is also the most distant. That determination which is in him isn’t fully explained until near the end, and even then he never seems to connect emotionally to anyone. That makes it harder for the audience to connect to him.

Farrell does an impressive job as Valka, the Russian criminal with the knife he calls Wolf but who turns out to be a bit of a blowhard. Janusz is often warned that Valka is the devil and he can’t be trusted but you never get a sense that he’s untrustworthy. It’s an interesting performance that captures a very complex man.

The character that stayed with me the most is Mr. Smith, Harris’ American. He is a bit of a loner, suffering from guilt and loss. He tries to keep the world at bay but his own inner humanity keeps getting in the way. Harris is the kind of actor that brings a certain human touch to his every performance, makin his characters accessible and relatable. Smith begins to display fatherly tendencies towards both Janusz and Irena; the character really blossoms then. Ronan has such ethereal features she looks almost other-worldly. This is a difficult role but she makes it look easy – I get the sense that she is about to break into major stardom.

However, we have to keep in mind that this is essentially a movie about a long walk. There’s only so much you can do with that. Yes, they are walking through desolate places that have their own beauty in their emptiness, but after awhile even beautiful images aren’t enough. They’re supposed to be chased by the Soviets and are trying to avoid contact with the villagers because they know there’s a bounty on their heads, but you never get a sense of danger of imminent re-capture.

No, the danger is that starvation and exposure will do them in and Weir concentrates on that. The imagery is pretty stark and graphic, and not for the squeamish. The exposure to sunstroke is portrayed in a very direct manner, and some may find this unsettling. Still, without the tension of being hunted the movie is harrowing, but not exciting. It’s well made, well acted (despite having a cast of interchangeable bearded Poles) and good looking but ultimately it didn’t move me the way it should have. When you consider this is supposed to be a movie about the triumph of the human spirit, you would think I would feel uplifted but rather, I just felt like I’d endured a long, grueling walk.

REASONS TO GO: Beautifully photographed, excellent work by Sturgess, Harris and Farrell. Ronan is ethereal and looks ready to break out career-wise.

REASONS TO STAY: Movie drags and could have been shortened a good 15-20 minutes.

FAMILY VALUES: There is some violence, images of hardship and ordeal, other disturbing images of death and some nudity.

TRIVIAL PURSUIT: Ronan turned 16 during filming. 

HOME OR THEATER: The big vistas of desert, mountain and forest should be seen on a big screen.

FINAL RATING: 7/10

TOMORROW: Edge of Darkness

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New Releases for the Week of September 11, 2009


 

Peek-a-boo!!

Peek-a-boo!!

9

(Focus) Starring the voices of Elijah Wood, Jennifer Connelly, Martin Landau, Christopher Plummer, John C. Reilly, Crispin Glover. Directed by Shane Acker

Humankind is extinct, wiped out by machines of their own making. If you thought that’s the next Terminator film, you’d be wrong. That’s how this feature animation begins, which is based on an animated short that was a critical hit on the festival circuit a few years back (Da Queen and I caught it at the Florida Film Festival and can testify that it is one of the finest animated shorts we’ve ever seen, completely creative and imaginative). Nine ragdoll creations, given the breath of life by a human genius, are all that remains of Homo sapiens. They must find a way to survive against the marauding machines, bent on their destruction. Discovering a way to beat the machines is the key to the survival of civilization.

See the trailer here.

For more on the movie this is the website.

Rating: PG-13 (for violence and scary images)

My One and Only

(Freestyle) Renee Zellweger, Logan Lerman, Kevin Bacon, Chris Noth. Ann Devereaux leaves her philandering husband in search of a new mate more worthy of her, with her teenage sons in tow. However, wealthy men who are loving and loyal are in short supply in 1953 and her feminine charms have lost a bit of luster since she was last single two decades prior. As a parade of suitors come and go, the boys go through a series of increasingly less glamorous living arrangements the three come to rely on each other more than they ever thought they could and Ann provides them with a different future than they could ever have imagined.

See the trailer here.

For more on the movie this is the website.

Rating: PG-13 (for sexual content and language)

Sorority Row

(Summit) Briana Evigan, Leah Pipes, Rumer Willis, Jamie Chung. When a prank goes horribly wrong, five sorority sisters agree to keep the inadvertent death of a sister hidden. Unfortunately, an unseen, homicidal monster seems to know all their hidden secrets and is picking off the sorority girls one by bloody one. Following a recent trend, this is a remake of an Eighties horror film, The House on Sorority Row.

See the trailer here.

For more on the movie this is the website.

Rating: R (for strong bloody violence, language, some sexuality/nudity and partying)

Thirst

(Focus) Song Kang-ho, Shin Ha-kyun, Kim Ok-bi, Kim Hae-sook. From the director of Oldboy and Lady Vengeance comes this sensual, ultra-violent vampire film. When a priest receives a transfusion with tainted blood, he is forced to exist in the half-life of a vampire. When the wife of a friend comes to him begging to help her escape from her life, he enters a carnal world of desire and sensation that is at odds with his long-held faith, creating a war within himself that can only end in tragedy.

See the trailer here.

For more on the movie this is the website.

Rating: R (for graphic bloody violence, disturbing images, strong sexual content, nudity and language)

Tyler Perry’s I Can Do Bad All By Myself

(Lionsgate) Tyler Perry, Taraji P. Henson, Mary J. Blige, Adam Rodriguez. When Madea, the pistol-packing grandma from previous Tyler Perry films catches three young kids robbing her home, she packs them off to live with their only relative April, who wants nothing to do with them. She’s a self-centered nightclub singer who sponges off her married boyfriend and lives for her own immediate gratification, until a Mexican immigrant enters her life and shows her that true love may be possible, but only if she can give up her selfish ways. Can she choose love over material things?

See the trailer here.

For more on the movie this is the website.

Rating: PG-13 (for mature thematic material involving a sexual assault on a minor, violence, drug references and smoking)

Whiteout

(Warner Brothers) Kate Beckinsale, Gabriel Macht, Tom Skerritt, Columbus Short. The lone U.S. Marshall assigned to Antarctica is confronted by the first murder on the frozen continent. She is drawn into a mystery that she must solve before winter sets in and strands her in the darkness with the killer. Based on the Oni Press graphic novel.

See the trailer here.

For more on the movie this is the website.

Rating: R (for violence, grisly images, brief strong language and some nudity)