Summerland


A brief respite before the war.

(2020) Drama (IFC) Gemma Arterton, Gugu Mbatha-Raw, Penelope Wilton, Tom Courtenay, Lucas Bond, Dixie Egerickx, Dominic McGreevy, Amanda Root, Jessica Gunning, David Horovitch, Aoibhine Flynn, Amanda Lawrence, Casper Allpress, Toby Osmond, Joshua Riley, Sally Scott, David Ajao, Nina Beagley, Sian Phillips, Daniel Eghan, Ty Hurley, Marie Hamm. Directed by Jessica Swale

We are increasingly reminded, in these days of pandemic and political divisiveness, that there was a time when everybody was expected to Do Their Bit. People made sacrifices for the greater good. Oh, how times have changed.

Cranky author Alice Lamb (Wilton) despises children. She types away on her “academic treatises” on British and Celtic mythology in her cottage in Kent. However, the Alice of 35 years earlier (Arterton) was….still in the same cottage and still despised children and still typing away at her academic treatises. That’s when Frank (Bond) shows up at her door. He’s an evacuee from London in need of a temporary guardian while his RAF pilot father and Ministry of Defense mother are busy fighting the war, each in their own way. Alice is flummoxed; she had no idea that a kid was coming to live with her but she is gently reminded that she volunteered, even though she doesn’t remember volunteering. In fact, she wants the boy taken somewhere else at once. The authorities promise to look into finding him a place to live, but it will take about a week and she needs to suck it up until then.

Alice is obviously not fond of people in general, and perceptive Frank realizes that there is something that caused this self-imposed solitude. He is not necessarily a brilliant child, but he has a good heart and keen observational powers and soon he begins to thaw out the chilly Miss Lamb, whom is thought to be a witch by the village kids and maybe even a Nazi spy. As such, she is often the butt of childish pranks, which further makes her despise the younger set.

But Frank is so genuine and so willing to please that eventually Alice begins to care for him – so much so that she begins to open up about her past, and the relationship with Vera (Mbatha-Raw) that dare not speak its name, but which was nevertheless the love of Alice’s life. Unfortunately, Alice is terribly inexperienced at the whole parenting thing and makes a huge mistake when faced with a terrible situation and ends up making a discovery about the identity of Franks’ mother that will shock her to her very core and nearly lose her relationship with Frank in the bargain.

One of the first things you will notice about the film is the absolutely lovely cinematography of Laurie Rose – although I am of the considered opinion that it is nearly impossible to make an English village look ugly. Nearly every shot is picture perfect, from the wild seaside to the snug interiors to the waving fields of wheat. You may end up considering a vacation to Kent somewhere down the line after seeing this.

The second thing you’ll notice is the strength of the performances here. Gemma Arterton is one of those actresses who seems to always turn in a strong performance but never gets the kind of credit she deserves. She certainly has the talent of an Anne Hathaway or an Emma Stone and those are the sorts of roles and movies she should be getting. It’s a shame that she isn’t. As for veteran Tom Courtenay, I could be perfectly happy of an entire film of him reciting the collected works of William Wordsworth; he’s the kind of actor that you fall in love with each and every performance. He has a small but important role here and he makes the most of it.

The flaw here is that the twist, when it comes late in the movie, is jaw-dropping and not in a good way. It will leave veteran cinema buffs shaking their heads and muttering “Really? You went there? REALLY?!?” However, getting to that point is so enjoyable and so beautiful to watch that at least in my case, I was in a forgiving mood by the end of the film.

Although available on VOD at present, it will be playing at the Florida Film Festival on Saturday, August 8th at 5:45pm at the Enzian. Tickets may be purchased here. It is not a part of the Virtual Festival selections, so if you are planning on only attending the Festival this year by remote viewing, you’ll have to pay the additional rental fees to your streaming platform of choice. It is, however, worth it. For those outside of Florida, it is also playing at selected theaters as well.

REASONS TO SEE: Excellent performances by Arterton and Courtenay in particular. Goes to unexpected places occasionally. Lovely cinematography.
REASONS TO AVOID: The twist is somewhat preposterous.
FAMILY VALUES: There is some brief sexuality and adult themes.
TRIVIAL PURSUIT: The film has no relation to the 2003-2005 TV series of the same name that starred Lori Loughlin, Zac Efron and Ryan Kwanten.
BEYOND THE THEATERS: Amazon, AppleTV, Microsoft, Vudu
CRITICAL MASS: As of 8/2/20: Rotten Tomatoes: 77/100, Metacritic: 55/100
COMPARISON SHOPPING: The Guernsey Literary and Eel Pie Society
FINAL RATING: 8/10
NEXT:
Apollo 11

The Aeronauts


Up, up and away in my beautiful balloon…

(2019) Adventure (AmazonFelicity Jones, Eddie Redmayne, Tom Courtenay, Himesh Patel, Phoebe Fox, Lewin Lloyd, Vincent Perez, Tim McInnerny, Rebecca Front, Anne Reid, Robert Glenister, Julian Ferro, Gian Kalch, Mia Hemmerling, Kamil Lemieszewski, Thomas Arnold, Steve Saunders, John Taylor, James Daniel Wilson, Guy Samuels, Fran Targ, Zander James, Elsa Alili. Directed by Tom Harper

 

We sometimes envy the birds, soaring free above the bounds of the ground, winging their way on the currents of the atmosphere, seeing our planet from a perspective we could never really understand. We have sought to control the air, learning to fly with balloons before eventually creating the airplane and consequently shrinking our planet.

In 1862 that was far away. While balloonists regularly performed exhibitions, aeronauts (as they were referred to as back then) were not taken too seriously as much more than performers. James Glaisher (Redmayne), who believed that studying the upper atmosphere would allow us to better understand weather patterns and eventually allow us to predict the weather, wants to go up higher than any other balloonist ever has. The Royal Science Academy basically thinks he’s cracked but he does find a taker in Amy Wren (Jones).

Wren is about as unconventional as a woman could get in the Victorian era. She makes grand entrances riding on the top of carriages, stuns her onlookers by throwing her beloved Jack Russell terrier out of the balloon (don’t worry folks – the pup has a parachute) and is apt to do cartwheels on the stage. Glaisher finds all of this distasteful and distracting from the scientific endeavor he is undertaking, but he needs a pilot and Wren is, like it or not, his bird.

Once they get airborne, they realize that their task is going to be much more difficult than they first thought, particularly since they manage to soar right into a thunderstorm. They have already overcome much adversity to begin with – Amy dealing with the awful death of her husband, Glaisher with the deteriorating mental state of his father and the ridicule of his peers. If they can learn to rely on each other they might just figure out that they have the skills to survive.

This is (very) loosely based on real events – not a single ascent, but rather several ascents. However, a great deal of liberty has been taken with history, although that’s nothing new for the movies. While I love Felicity Jones as an actress, her character is extremely improbable for the times she lives in. On the way to the record-breaking ascent, she orders the carriage to stop and gets out, plopping her butt down on the curb with ankles and calves on full display – and nobody pays attention. In 1862, the sight of a woman’s calf would have been scandalous. Felicity accentuates the girl’s spunk, but she certainly doesn’t seem a product of her times which I suppose fits right in with modern narratives.

Redmayne, who the last time he was paired with Jones won an Oscar, is curiously restrained here. I realize he’s supposed to be a stuffy scientist but he’s almost inert. Given his usual on-screen charm, it’s almost shocking how leaden his performance is here. This is not the Eddie Redmayne that we usually get to see. I suppose everyone is entitled to an off-film.

The action sequences are for the most part well-staged and Jones holds her own as an action hero, just as she did in Rogue One. This is the kind of adventure movie that went out of vogue with the advent of the anti-hero 70s, and has never really come back. However, before you classic movie fans begin to celebrate, this isn’t nearly as good as some of the films you remember. However, this is a solid piece of entertainment that while it doesn’t hold a candle to such films as The African Queen, for example, it nonetheless should hold even a casual movie fan’s interest.

REASONS TO SEE: Some of the sequences are marvelously staged.
REASONS TO AVOID: Nonsensical and anachronistic.
FAMILY VALUES: There are some sequences of extreme peril as well as some disturbing images.
TRIVIAL PURSUIT: Although James Glaisher was a real person who was a pioneer in meteorology, Amelia Wren is a fictional character albeit one based on actual women. Glaisher did indeed set a record for highest ascent in a balloon in 1862 but his partner, Henry Coxwell, was decidedly male.
BEYOND THE THEATERS: Amazon
CRITICAL MASS: As of 12/24/19: Rotten Tomatoes: 72% positive reviews: Metacritic: 60/100.
COMPARISON SHOPPING: Around the World in 80 Days
FINAL RATING: 6/10
NEXT:
22-July

45 Years


Charlotte Rampling and Tom Courtenay are up next on Dancing With the Stars.

Charlotte Rampling and Tom Courtenay are up next on Dancing With the Stars.

(2015) Drama (Sundance Selects) Charlotte Rampling, Tom Courtenay, Geraldine James, Dolly Wells, David Sibley, Sam Alexander, Richard Cunningham, Hannah Chalmers, Camille Ucan, Rufus Wright, Max Rudd, Kevin Matadeen, Paul Goldsmith, Peter Dean Jackson, Martin Atkinson, Alexandra Riddleston-Barrett, Rachel Banham, Michelle Finch. Directed by Andrew Haigh

There are things in a marriage, events of one’s past that our spouse isn’t aware of. Not because we want to keep it from them, but simply because it hasn’t come up. However, there are things we keep from our husband or wife intentionally, perhaps because we’re ashamed of it or because we want to keep that part of ourselves to ourselves. However, one thing is clear; without transparency, pain beckons.

Kate (Rampling) and Geoff (Courtenay) are getting ready to celebrate their 45th wedding anniversary and they’re throwing a big party at a banquet hall in their native Norfolk. The misty grey mystery of that part of England makes for cozy cuddle weather and although the two are getting on in years, they haven’t lost the desire for one another. They don’t have any children but they do have plenty of close friends so all in all one has to say they lead a good life.

Then word comes of a discovery that directly involves Geoff’s past, before he’d even met Kate. The ripple effect is like a tsunami hitting their relationship; Kate discovers that her husband had kept things from her, things that have affected their relationship

As the days count down towards the big party, subtle changes begin to occur in their relationship. Geoff takes up smoking again, something he promised Kate he’d stopped forever. He becomes sullen, withdrawn and obsesses over the pictures he has found of an old girlfriend in the attic. She starts to snoop into his past and the hurt slowly changes her view as to how stable the relationship really is. As the party starts, Kate is beginning to wonder who the man she married truly is – and whether or not she wants to stay married to him at all.

Let me take the suspense out of this review – this movie is extraordinary and is truly a must-see for any lover of the cinematic arts. Rampling delivers a performance that is simply sensational. She does so much of her acting here with her facial expressions and her eyes and less with the dialogue. Sometimes a whole range of emotions plays over her expressive face in a matter of moments, expressing Kate’s thoughts far more effectively than dialogue. Her Oscar nomination was well deserved and while she didn’t win the statuette, she more than deserved to.

Courtenay is equally sensational. He spends much of the movie hunched over, drawn into himself and slowly he unwinds during the course of the film, becoming less hunched and more straight as if the revelation of his secret is slowly freeing his soul. In many ways, he’s reverting to a younger self in the movie with all the ridiculousness that implies. Geoff is not a bad man but he is a flawed man.

Haigh is a gifted director and really flowers here, the movie seemingly capturing a plethora of seasons during the course of the four days that the movie takes place over. He utilizes bad weather, a common occurrence in Norfolk, to great effect, the wind and the rain becoming part of the soundtrack. And speaking of the soundtrack, he peppers it with some wonderfully-chosen tunes from the 60s and 70s.

The movie, which is based on a short story by David Constantine, benefits from a beautifully written script. The dialogue is realistic; Kate and Geoff talk like a married couple that has been together for 45 years and their friends talk like real people as well. This feels like an unflinching look inside a real marriage. It’s occasionally uncomfortable – neither of the protagonists are perfect and neither one does the right thing all the time. But as the movie comes to an end, you sense a turning point has been reached and hard questions remain to be asked. What the answers will be are not necessarily the ones that either of the main characters – or those of us following them – wants to hear.

This is an amazing movie that I recommend highly for everyone. Yes, kids are not going to get the dynamics here and find the pacing slow and the grey landscape of Norfolk dreary. However those of us who love movies that give us insight into the human condition will find this to be an absolute jewel of a movie. It isn’t always pretty, but it’s real. And that makes for great cinema.

REASONS TO GO: Relationship of the leads is very realistic and natural. Emotional and raw in places. The dialogue sounds like real people talking to each other. Terrific soundtrack. Rampling and Courtenay do fantastic work, doing a lot of their acting with their faces.
REASONS TO STAY: May be too honest for some.
FAMILY VALUES: Some profanity, a scene of brief sexuality and adult themes.
TRIVIAL PURSUIT: Rampling and Courtenay last appeared together in The Mysteries of Lisbon.
CRITICAL MASS: As of 3/4/16: Rotten Tomatoes: 97% positive reviews. Metacritic: 94/100.
COMPARISON SHOPPING: Late Bloomers
FINAL RATING; 10/10
NEXT: King Georges

New Releases for the Week of March 4, 2016


ZootopiaZOOTOPIA

(Disney) Starring the voices of Jason Bateman, Ginnfer Goodwin, Idris Elba, Bonnie Hunt, J.K Simmons, Shakira, Alan Tudyk, Octavia Spencer. Directed by Byron Howard, Rich Moore and Jared Bush

In a city populated by anthropomorphic mammals, a determined bunny means to prove herself on a police force of tougher, stronger animals. Her partner, a fast-talking scam artist who wants nothing more than to fly under the radar, is not amused by her ambitions. When she takes on a high-profile case, she drags her reluctant partner into the seedier side of Zootopia.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for some thematic elements, rude humor and action)

45 Years

(Sundance Selects) Charlotte Rampling, Tom Courtenay, Geraldine James, Dolly Wells. An English couple planning a big celebration for their 45th wedding anniversary is devastated when a secret from the husband’s past resurfaces. The revelation opens up old wounds that have been festering over time and creates a new dynamic within the couple that threaten the harmony they’ve worked all their lives to build. Rampling was nominated for an Oscar for her performance here; read the review for this tomorrow.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Enzian Theater

Rating: R (for language and brief sexuality)

The Boy and the Beast

(FUNimation) Starring the voices of Eric Vale, John Swasey, Monica Rial, Bryn Apprill. A young orphan discovers an entire world of sentient beasts whose world co-exists next to ours. He is discovered by the enigmatic and somewhat eccentric Kumatetsu, who takes the young human child on as an apprentice. The unlikely pair grow to respect each other, learn from each other and eventually become friends. However when an evil threatens both worlds, the two will have to fight side by side to save both of their worlds…or die side by side.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Anime
Now Playing: AMC Disney Springs, AMC Loew’s Universal Cineplex

Rating: PG-13 (for some violence and language)

Boy and the World

(GKIDS) Starring the voices of Vinicius Garcia, Felipe Zilse, Alé Abreu, Lu Horta. A young boy in rural Brazil finds his life shattered when his father leaves for the big city. Determined to find him and reunite his family, the boy sets out into a world much bigger than the one he’s known all his life. This Brazilian film was nominated for a Best Animated Feature Oscar.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Animated Feature
Now Playing: AMC Disney Springs

Rating: PG (for thematic material and images)

London Has Fallen

(Focus) Gerard Butler, Aaron Eckhart, Morgan Freeman, Angela Bassett. In London for the funeral of the Prime Minister, the leaders of the western world are ambushed by a well-coordinated, well-financed terrorist group which aims to bring the West to its knees, particularly the United States. However, they didn’t reckon on a Secret Service agent who knows how to protect the president when the odds are against them.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: R (for strong violence and language throughout)

The Mermaid

(Sony/Momentum) Chao Deng, Jelly Lin, Show Luo, Yuqi Zhang. When a developer’s project threatens to destroy the civilization of mermaids and incidentally all marine life, one of the mermaids is dispatched to kill him. In fine Chinese film fashion, she falls in love with him instead which exposes a secret organization dedicating to destroying all mermaids. The two lovers will have to unite to save the day. The latest from Stephen Chow broke all Chinese box office records last year.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Martial Arts Fantasy
Now Playing: Regal Pointe Orlando, Regal Waterford Lakes

Rating: R (for some violence)

The Other Side of the Door

(20th Century Fox) Sarah Wayne Callies, Jeremy Sisto, Sofia Rosinsky, Javier Botet. A grief-stricken young mother mourns the loss of her son in a tragic accident on an idyllic Greek island. However, when she learns of a temple which may be a place where life and the afterlife meet, she goes there and against the warnings of others opens the door, releasing things into our world which shouldn’t be here and threatening the balance between life and death.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: R (for some bloody violence)

Whiskey Tango Foxtrot

(Paramount) Tina Fey, Margot Robbie, Martin Freeman, Alfred Molina. Kim Barker is a woman trying to make it in journalism, which remains in many ways a man’s world. So when the opportunity to go to Afghanistan to cover the war comes up, she takes it despite being advised not to. This true story shows what it’s like to be a woman in a man’s world doing a job that most men would be terrified to do.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Dramedy
Now Playing: Wide Release

Rating: R (for pervasive language, some sexual content, drug use and violent war images)

Quartet (2012)


Professor McGonagall at the Hogwart's 50th Class Reunion.

Professor McGonagall at the Hogwart’s 50th Class Reunion.

(2013) Dramedy (Weinstein) Maggie Smith, Tom Courtenay, Billy Connolly, Pauline Collins, Michael Gambon, Sheridan Smith, Andrew Sachs, Dame Gwyneth Jones, Trevor Peacock, Michael Byrne, Ronnie Fox, Patricia Loveland, Eline Powell. Directed by Dustin Hoffman

Going from the spotlight to obscurity must be an incredibly hard situation to accept, particularly when it is age that has relegated you thus. Even the most beautiful and bucolic of environments may pale when compared to the limelight.

Beecham House in the English countryside is certainly a beautiful environment. Named for the noted British conductor Sir Thomas Beecham, it is now a retirement home for professional musicians – opera singers, popular vocalists, chamber musicians and the like. Like many such institutions, it faces economic difficulties and relies on benefit concerts staged by its residents, many of whom still have names that resonate on the English music scene.

The upcoming concert marking the birthday of Giusseppe Verdi is the occasion for a kind of organized panic overseen by Cedric Livingston (Gambon) – who pronounces his first name See-dric, not Seh-dric as he reminds Wilf Bond (Connolly) regularly to his great exasperation.

Otherwise, things are pretty much as normal at Beecham House where friends and colleagues Wilf, Reggie Paget (Courtenay) and Cissy Robson (Collins) live a quiet life of looking back. Wilf though is just as concerned with chasing skirt as his libido remains in full flower even if the bloom has withered a bit on the rose. Cissy is growing increasingly forgetful but it is just a part of the indignities of old age. The somewhat courtly Reggie gives lectures to opera to schoolchildren who are more interested in rap. Everything is more or less peaceful.

But things are turned upside down on themselves and into an uproar when the pretty but harried Dr. Lucy Cogan (S. Smith) introduces the newest resident – the diva Jean Horton (M. Smith), one of the most famous and beloved opera singers of her day. However, she had a tumultuous marriage to Reginald that ended with her infidelity. They haven’t spoken in decades.

But worse still Cedric wants a reunion between Jean, Reggie, Wilf and Cissy whose quartet of Rigoletto‘s “Bella figlia dell’amore” was one of opera’s greatest moments ever and has recently been re-released on compact disc – which in itself is a bit anachronistic. Jean however wants no part of it and Reggie while understanding that the revenue such a reunion would generate might well save their home is understandably unenthusiastic for such a grouping. However, he’s game and sets out to change the mind of the diva.

Cissy for some reason seems particularly motivated to see it happen and she befriends Jean who seems somewhat lost and soon the reason for Jean’s reluctance becomes clear – she’s terrified that her voice is gone, that in doing this performance her fans will always remember her for a last debacle instead of the great career she enjoyed. And as the time draws nigh for the performance, it appears certain that there may not be a home for her to live in for much longer.

This is Hoffman’s directorial debut (technically he directed Straight Time for a few days back in 1978 but withdrew after he found it too difficult to direct and act simultaneously – he doesn’t appear hear as an actor for that reason) and he chose his material wisely. As a director he’s smart enough to keep things fairly simple; there aren’t a lot of camera tricks here, the storytelling is simple and elegant. While he doesn’t show anything extraordinary neither does he make any mistakes.

This is based on a play by screenwriter Ronald Harwood, a Hollywood veteran whose résumé includes The Dresser, The Pianist and Being Julia. Like many of his works, Quartet shows Harwood’s fascination for performers and their venues. This shows performers in the twilight of their careers which you’d almost expect from Harwood who is himself a septuagenarian.

The material here holds some interest but it is the actors who really elevate the work. Connolly, one of Scotland’s great treasures, is at his very best here – a charming Lothario who has no problem expressing his sexuality, seemingly fascinated that he still has any. Wilf claims that a stroke left him without any sort of filter so he says what’s on his mind which the others seemingly forgive him for, although the wily Scot may well be just saying that so he doesn’t have to waste time and energy prevaricating.

But Courtenay will be the one I remember here. His quiet gentility has a timeless quality to it. When I think of English gentlemen, it is Reginald Paget that will come to mind. He’s polite and gentle, but also shows fits of outrage and wounded pride from time to time. More than the others he’s accepted who he is and his place in the universe. His mind is still active and seeks to learn more about the world around him but he isn’t especially eager to seek out the world in general. He wants a “dignified senility,” he tells Wilf and you can imagine nothing but for him. Courtenay is one of those actors who has appeared onscreen only periodically over the years but every time he does you find yourself wishing he would appear more often.

Maggie Smith, who received a Golden Globe nomination for her work here, delivers a haunting performance as a diva who is terrified of a future of anonymity and decay. “I used to be someone, you know” she says and it is perfectly clear how important that status was to her, to be someone. Her harsh exterior hides that insecurity that she’ll be forgotten in the end, a fate worse than death for someone like Jean. Smith, who last year performed in Best Exotic Marigold Hotel which some have (quite erroneously I think) compared this to, shows once again her extraordinary range as an actress. There are a lot of layers to the character and she nails them all, never hitting a single false note.

Veterans Gambon and Collins also deliver in their roles. Hoffman in a showing of finesse, fills much of the cast with actual retired British musicians and in a bit of a grace note during the end credits shows the mostly elderly cast with their stage credits along with pictures of them from their glory days. Hoffman shows some promise as a director if this acting thing doesn’t work out for him.

I found myself really liking this movie early on from the absolutely magnificent gardens and spaces in Beecham House and environs to the charm of the actors. While there were a few spots which seemed to be a bit on the too-sweet side, for the most part this is a really good movie that has to do with aging gracefully which I suppose anyone could do if they had a place like Beecham House to do it in – a place filled with music in all hours and in all corners. I could certainly retire happily to a place like that.

REASONS TO GO: Connolly is a gem. Courtenay, Smith and Collins are very much underrated who make the most out of every opportunity. Gambon is marvelous. Beautifully shot.

REASONS TO STAY: Can get treacly in places.

FAMILY VALUES:  There are a few bad words here and there and some mildly sexual suggestive dialogue.

TRIVIAL PURSUIT: This is the second movie of the same title that Maggie Smith has been in; the first Quartet came out in 1981 and is completely unrelated to this one.

CRITICAL MASS: As of 3/5/13: Rotten Tomatoes: 79% positive reviews. Metacritic: 64/100; solid reviews here.

COMPARISON SHOPPING: How About You?

FINAL RATING: 8.5/10

NEXT: Intermedio

New Releases for the Week of January 25, 2013


Hansel and Gretel: Witch Hunters

HANSEL AND GRETEL: WITCH HUNTERS

(Paramount/MGM) Jeremy Renner, Gemma Arterton, Famke Janssen, Peter Stormare, Derek Mears, Thomas Mann, Rainer Bock, Thomas Scharff, Zoe Bell. Directed by Tommy Wirkola

Fifteen years after nearly being cooked alive at the hands of a naughty witch, brother and sister Hansel and Gretel have taken up the mantle of witch hunters, using ingenious weapons to battle the evil creatures. However, their success has made them a target and their past is about to catch up with them in a malevolent way. This is most certainly not your mom and dad’s fairy tale.

See the trailer and promos here.

For more on the movie this is the website.

Release formats: Standard, 3D, IMAX 3D

Genre: Fantasy Horror

Rating: R (for strong fantasy violence and gore, brief sexuality/nudity and language)

Holy Motors

(Indomina) Denis Lavant, Edith Scob, Eva Green, Kylie Minogue. A man steps into a limousine and heads out into Paris for a series of appointments. The man changes with each appointment from a captain of industry to a gypsy crone, to an assassin to the melancholy father of a teenage daughter. The movie changes to from drama to action film to science fiction to melodrama. Experimental French cinema at its finest.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: NR

Movie 43

(Universal) Halle Berry, Gerard Butler, Richard Gere, Emma Stone. An ambitious ensemble piece from some of the most deliciously twisted minds in comedy, including the Farrelly Brothers, Steven Brill and…Brett Ratner. Okay, the last was sarcastic but there really are some talented guys here. Just ask them. But don’t ask them what happened to Movies 1 through 42, okay?

See the trailer and a promo here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: R (for strong pervasive crude and sexual content including dialogue, graphic nudity, language, some violence and drug use)

Parker

(FilmDistrict) Jason Statham, Jennifer Lopez, Michael Chiklis, Nick Nolte. Parker is one of the best thieves in the world. He can afford to live by a code of ethics that he sticks to no matter what. He’s not the sort of fellow you want to cross. So when a group of fellow thieves do just that, Parker aims to get his own sort of justice. Even if he has to use Jennifer Lopez to help him get it.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Crime Action

Rating: R (for strong violence throughout)

Quartet

(Weinstein) Maggie Smith, Billy Connolly, Michael Gambon, Tom Courtenay. At a retirement home for opera singers, an annual concert commemorating Verdi’s birthday has been a major source for fundraising, which this year is particularly crucial because the home is in hot financial water. When a diva joins the home and refuses to sing in the concert even though her presence might mean the difference between the home surviving and all its residents being thrown out into the street, an uproar ensues. This is Dustin Hoffman’s directorial debut, by the way.

See the trailer and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for brief strong language and suggestive humor)

Race 2

(UTV) Saif Ali Khan, Anil Kapoor, John Abraham, Deepika Padukone. After his partner and lover dies in a car bomb explosion, Ranveer vows to bring her killer to justice. To do that he’ll have to navigate through the criminal underworld of India and through the corrupt corridors of power where betrayal is always an option.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR