High-Rise (2015)


An open house you may not want to attend.

An open house you may not want to attend.

(2015) Thriller (Magnet) Tom Hiddleston, Jeremy Irons, Sienna Miller, Luke Evans, Elisabeth Moss, James Purefoy, Keeley Hawes, Peter Ferdinando, Sienna Guillory, Reece Shearsmith, Enzo Cilenti, Augustus Prew, Dan Renton Skinner, Stacy Martin, Tony Way, Leila Mimmack, Bill Paterson, Louis Suc, Neil Maskell, Alexandra Weaver, Julia Deakin, Victoria Wicks. Directed by Ben Wheatley

Florida Film Festival 2016

It is part of human nature to divide people into class by their wealth; the upper classes – the haves – all the way down to the lower classes – the have-nots – and in between. Some places, class distinctions are much more concrete than others; the British have made an art form of it.

Set in 1975, this film based on a J.G. Ballard novel posits something that back in that time was only beginning to catch on as an idea but is more prevalent today – the lifestyle apartments. You know the kind; the ones that have shopping and sometimes even office space in the same building, allowing those that live there to need never venture beyond the walls of their high rise. This particular one sits just outside of London.

The middle class inhabit the lower floors with few amenities; the further up you go, the more amenities there are (gymnasium, swimming pool and so on) and of course the wealthier the resident. On the very top floor is Royal (Irons), the reclusive architect of the whole she-bang and his shrewish wife Ann (Hawes). Their luxury penthouse includes an outdoor garden where there is enough room for Ann to ride a horse and Royal to work on the other four towers of the five he has planned.

Into this environment comes Dr. Robert Laing (Hiddleston), a physiologist who is single and immediately catches the eye of Charlotte (Miller), the resident nymph who raises her son Toby (Suc) on her own as a single mom, who catches the good Doctor sunbathing nude. She invites him to a party where he meets Wilder (Evans), a dissatisfied television news reader who has the hots for Charlotte and a little bit too high of an opinion of himself.

The building is brand new and starkly furnished in the style of the time, but cracks begin to show in the facade. Electrical outages at first affect the lower floors before spreading and ending up in a complete blackout. The store where all groceries are bought fails to get resupplied and eventually panicked residents ransack it.

The social order breaks down quickly as the haves and have-nots arrange themselves into violent tribes. The women begin to gravitate towards men who can protect them from the violence and chaos going on in the building. The upper classes gravitate towards Royal as a leader (as he is the wealthiest) while the lower classes choose Wilder because of his fearlessness. Before long, civilization is a distant memory.

Ballard’s allegorical commentary on how thin the veneer of civilized behavior is was controversial in its time, although given recent events one can’t help but wonder if he erred on the side of caution. It also isn’t a particularly lightbulb-glowing concept, that the classes don’t like each other much. In some ways, the point was made better and earlier by Jonathan Swift in his A Modest Proposal which suggests that with overpopulation and food shortages inevitably befalling any civilized nation that the wealthy should look to eating the poor. And you thought Ballard was cynical!

Hiddleston has been coming on lately as a legitimate leading man presence. He has a bit of an edge compared to guys like, say, Matt Damon; I think of him as more of a ‘70s archetype for a leading man, which makes him perfectly cast here. Initially, he’s got a bit of a shy and reclusive nature, which might be what draws the ladies to him (including Wilder’s very pregnant wife Helen (Moss) with whom he has a dalliance late in the film) although it might be more due to the fact that he’s got crazy good looks. I know at least a few ladies who have him on their list of five (five men they get to do anytime, anywhere even if they are married). He’s also a hell of an actor and we watch his descent into obsessive insanity, although he never quite hits bottom. While Hiddleston is known for his villains at present, I would imagine leading roles in big-budget franchise films are just around the corner for him.

I was a teen in the era that is depicted here and there’s a bit of a shock in seeing how many people smoked (according to iMDB there are people smoking in 80% of the film) including pregnant woman. There was also rampant sexuality going on, including a crapload of extramarital affairs and plenty of drug use. All of which is captured here, which while I found unsurprising, still seemed jarring when given today’s mores. Still, I ended up feeling a bit grimy just watching it.

Likewise there are things that sort of rock the logic meter to its core. For instance, why don’t people just LEAVE? After all, the chaos is limited to this one building; if the situation became that out of control, wouldn’t you just walk out the door and be done with it? Also, why doesn’t the grocery store get restocked? That’s never addressed.

I think a lot of how you’re going to digest this movie is going to depend on your own social situation. People who are wealthy and/or conservative are going to identify with the upper class tribe; those who are working class and/or liberal might well identify with the lower class tribe, although the latter were guilty of some unspeakable acts which might give you a hint as to where Ballard’s own sympathies lie (or at least the filmmakers; I haven’t read the source novel yet). Quite frankly, from what I’ve read the jury is out as far as opinions regarding the book’s sympathies.

Similarly, the movie is polarizing – people either love it or hate it. I wanted to like it more than I did, but like Mick LaSalle of the San Francisco Chronicle pointed out, watching any five minutes of this film will convince you that it is brilliant but watching the whole of it will not – he called it the best disappointing film you’ll watch this year and in that he is absolutely correct.

REASONS TO GO: Class warfare for dummies. Hiddleston shows some star power.
REASONS TO STAY: Logical holes abound. Makes you feel like a full ashtray has been dumped on your head.
FAMILY VALUES: There’s some fairly disturbing stuff here; violence, rape, graphic nudity, sexual content, drug use, foul language and a partridge in a pear tree.
TRIVIAL PURSUIT: Author J.G. Ballard published the novel this is based on in 1975, the same year that ABBA’s “S.O.S.” was released (the song was covered by two different artists on the soundtrack).
CRITICAL MASS: As of 6/26/16: Rotten Tomatoes: 62% positive reviews. Metacritic: 65/100.
COMPARISON SHOPPING: Snowpiercer
FINAL RATING: 6/10
NEXT: Raiders!: The Story of the Greatest Fan Film Ever Made

New Releases for the Week of June 17, 2016


Finding DoryFINDING DORY

(Disney*Pixar) Starring the voices of Ellen DeGeneres, Diane Keaton, Albert Brooks, Ed O’Neill, Eugene Levy, Ty Burrell, Idris Elba, Bill Hader. Directed by Andrew Stanton and Angus MacLane

The sequel to Finding Nemo focuses on the fish with the memory issues, Dory. When she suddenly is able to remember that she has a family, she knows she must go on a quest to find them and her friends all volunteer to help her get there. But who are they? Where could they be in a vast ocean? And where did she learn to speak whale? Every kid you know is going to see this in the next few weeks.

See the trailer, interviews, a promo and a Mother’s Day video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for mild thematic elements)

Central Intelligence

(New Line) Dwayne Johnson, Kevin Hart, Amy Ryan, Aaron Paul. Back for a high school reunion, a former big man on campus looks back on his glory days with some wistfulness. He’s an accountant now and lives a boring, quiet life. But into his world comes the former bullied fat kid, now a ripped deadly CIA assassin, who claims to be on a major case. But is he telling the truth or is he just psychotic? Either way, the ex-BMOC wants nothing to do with him – but he finds himself sucked into a world of intrigue and action he only could have dreamed about in his youth.

See the trailer, clips and a video feature here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action Comedy
Now Playing: Wide Release

Rating: PG-13 (for crude and suggestive humor, some nudity, action violence and brief strong language)

The Dark Horse

(Broad Green) Cliff Curtis, James Rolleston, Kirk Torrance, Miriama McDowell. Genesis Potini came out of the slums of New Zealand to become a chess champion. Overcoming the odds and a certifiable genius at the game, he grew up to be an inspiration to his neighborhood and the children of his community, despite having to contend with his own demons.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Regal Winter Park Village

Rating: R (for language throughout, and some violence)

Genius

(Roadside Attractions) Colin Firth, Jude Law, Nicole Kidman, Laura Linney. It has been said (mostly by writers) that behind every successful writer is a great editor and Max Perkins was the greatest of the great. Discoverer of F. Scott Fitzgerald and Ernest Hemingway, he had a long-time friendship and professional relationship with the enigmatic Thomas Wolfe. This is the story of that often-tumultuous relationship.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Regal Winter Park Village

Rating: PG-13 (for some thematic elements and suggestive content)

High-Rise

(Magnet) Tom Hiddleston, Sienna Miller, Jeremy Irons, Luke Evans. A high rise apartment building becomes the setting for a class war as the upper class tenants of the luxury apartments on the higher floors are set against the middle class tenants on the lower floors. Increasingly frequent power outages and disturbing flaws in the design of the building begin to show up, particularly on the lower floors. Based on a novel by J.G. Ballard, this film played at the Florida Film Festival this past April.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sci-Fi Thriller
Now Playing: Enzian Theater

Rating: R (for violence, disturbing images, strong sexual content/graphic nudity, language, and some drug use)

New Releases for the Week of April 1, 2016


Meet the BlacksMEET THE BLACKS

(Freestyle Releasing) Mike Epps, Bresha Webb, George Lopez, Mike Tyson, Zulay Henao, Lavell Crawford, Perez Hilton, DeRay Davis. Directed by Deon Taylor

The Black family has moved into Beverly Hills. Considering that the Black family is actually a black family, that doesn’t go over well with the locals. And when the Purge comes (yes, this is a spoof of the Purge), you know who everyone in the neighborhood is gunning for.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror Spoof
Now Playing: Wide Release

Rating: R (for pervasive language, some sexual material, violence and drug use)

Embrace of the Serpent

(Oscilloscope Laboratories) Nilbio Torres, Jan Bijvoet, Antonio Bolivar, Brionne Davis. A shaman, the last of his tribe in the Amazonian rain forest, forges a relationship with two scientists who are trying to find a plant said to have miraculous healing powers in the jungle. Filmed in black and white, this stark and moving film was the Brazilian entry for Best Foreign Language Film at the most recent Oscars, making the final five.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Enzian Theater

Rating: NR

Eye in the Sky

(Bleecker Street) Helen Mirren, Aaron Paul, Alan Rickman, Phoebe Fox. It started out as a surveillance mission, locating and observing members of a terrorist cell in Kenya. However, it is discovered that a massive suicide bombing is about to take place and the mission turns from an observation mission to a kill mission. Then even that is complicated by the appearance of a 9-year-old girl playing in the yard. The moral implications become a metaphor for the nature of war in our time.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Most larger multiplexes throughout Central Florida

Rating: R (for violent images and language)

God is Dead 2

(Pure Flix) Melissa Joan Hart, Jesse Metcalfe, Ernie Hudson, Ray Wise. When a Christian teacher honestly answers a question about Jesus in the classroom, it causes a storm of controversy that threatens her job and may forever banish Christianity from public classrooms…oh, who am I kidding? This drivel is for viewers of Fox News only.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Christian Paranoid Fantasy
Now Playing: Wide Release

Rating: PG (for some thematic elements)

I Saw the Light

(Sony Classics)  Tom Hiddleston, Elizabeth Olsen, Cherry Jones, Bradley Whitford. This is the story of Hank Williams, one of the greatest and most influential figures in the history of country and western music. His meteoric rise to fame was only matched by the catastrophic effects of that fame on his health and personal life.

See the trailer, clips and premiere footage here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Regal Winter Park Village

Rating: R (for some language and brief sexuality/nudity)

Marguerite

(Cohen Media Group) Catherine Frot, André Marcon, Michel Fau, Christa Théret. Loosely based on the life of American Florence Foster Jenkins, this is the story of Marguerite Dumont, a wealthy matron living in the Paris of the 1920s. Fancying herself a singer, she is blissfully ignorant that she can’t sing a note. Nonetheless determined to put on a charity recital, she enlists the help of a reluctant maestro to train her for the event, not realizing that none of her friends and family have the heart to tell her the truth.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Regal Winter Park Village

Rating: R (for brief graphic nudity and sexual content, and a scene of drug use)

Crimson Peak


Exploring Allerdale Hall can be hazardous to one's health.

Exploring Allerdale Hall can be hazardous to one’s health.

(2015) Gothic Horror (Universal) Mia Wasikowska, Jessica Chastain, Tom Hiddleston, Charlie Hunnam, Jim Beaver, Burn Gorman, Leslie Hope, Doug Jones, Jonathan Hyde, Bruce Gray, Emily Coutts, Alec Stockwell, Brigitte Robinson, Gillian Ferrier, Tamara Hope, Kimberly-Sue Murray, Sofia Wells, Peter Spence, Bill Lake, Jim Watson, Joanna Douglas. Directed by Guillermo del Toro

6 Days of Darkness 2015

Some see ghosts as echoes of memories; people who left behind some of themselves when they die. Others see it as a transitory period between this life and the next. Regardless of how you see ghosts, they can be terrifying.

Edith Cushing (Wasikowska) – likely named for the veteran Hammer horror star Peter Cushing – knows all about ghosts. As a child, the specter of her recently deceased mother came to her to warn her “Beware of the crimson peak.” Clearly a message from your dead mother is one that will stay with you for your entire life.

She lives in Buffalo at the turn of the 20th century with her industrialist father (Beaver). She has aspirations to be a writer, sort of a distaff Edgar Allan Poe and she has no time for men, although ophthalmologist Dr. Alan McMichael (Hunnam) would love to catch her eye.

However, her eye is caught by Thomas Sharpe (Hiddleston), a down-on-his-luck baronet who has come to Buffalo with his sister Lucille (Chastain) to convince her father to fund the construction of his experimental mining machine which he is using to mine a rare ore that exists on his estate. Her father is suspicious and hires a detective (Gorman) to check out the siblings.

However, despite her father’s misgivings, Edith falls deeply in love with the handsome young noble and eventually marries him, leaving Buffalo for his crumbling estate in Cumberland and by crumbling we mean it; the roof has a gigantic hole, letting the weather in. Red clay seeps up through the floorboards and walls, looking uncannily like blood. Electricity works intermittently so candle power and fireplaces provide heat and light. Edith is warned not to go below the main level as it is dangerous. And to make matters worse, she almost immediately begins seeing ghosts, angry ones which reflect her relationship with Lucille which is cold at best and hostile at worst.

The ghosts that Edith is seeing aren’t even the worst thing; she begins to suspect that her new husband and sister-in-law are not whom they seem to be. Her investigations further exacerbate her doubts and she soon realizes that if she can’t unravel the secrets of Allerdale Hall, she might just become a ghost herself and I can’t think of any hell worse than spending eternity in Allerdale Hall.

Del Toro has been one of the fan favorites of horror since beginning his career with movies like Cronos, Mimic, The Devil’s Backbone and of course the Hellboy movies. This is something of a passion project for him, one that has been in gestation for years. It is a grand vista that he has painted with, one not unlike that which he created in Pan’s Labyrinth. Allerdale Hall is a magnificent set, as Gothic a look as ever brought to the silver screen. It is a place made for ghosts and ghost stories.

Del Toro has assembled a stellar cast but curiously, two of the main performances leave something to be desired. Wasikowska who can be compelling underplays her role to the point of somnolence while Chastain, one of the best young actresses in Hollywood is shrill and overplays her role in an eyebrow-arching silent film villainess portrayal that seems archaic to my 21st century sensibilities.

The story is straight out of the annals of Shelley and Poe – A.O. Scott of the New York Times correctly described it as “Henry James …filtered through the lurid sensibilities of Mario Bava –  overset with a deep melancholy that pervades every nook and cranny of Allerdale Hall, stained red with the clay that is everywhere, even coloring the snow crimson. Ghosts creep and crawl, their eyes black and empty as the night, their mouths open in tortured expressions of sorrow. A florid description yes, but the movie lends itself to such language.

Some have complained that this isn’t strictly speaking a horror film and I can see their point although I disagree with it. There are plenty of images that will haunt your nightmares but there are certainly elements of Hitchcockian suspense, particularly in the tale of the Sharpe siblings who could easily have been characters in a black and white opus of the Master in the 1930s. While this is set in an earlier period, there is definitely a tension throughout that Hitchcock would have appreciated.

Not everyone likes this movie; some have felt misled by the marketing which emphasizes the horror aspects (in fact the movie was completed in January but held back because Universal wanted it to be their tentpole Halloween release). This is definitely not like modern horror movies which emphasize murder and mayhem and depends largely on atmosphere; those who don’t appreciate old school horror had best give this one a miss. However, if you’re like me and love those brooding old haunted mansions full of things that go bump in the night, this is right up your alley.

REASONS TO GO: Gothic atmosphere. Some genuinely creepy disturbing images. Great set design.
REASONS TO STAY: Wasikowska a bit bland. Chastain a bit over-the-top.
FAMILY VALUES: Bloody violence, gruesome images, scenes of terror, some sexual content and a little bit of profanity.
TRIVIAL PURSUIT: Kingston, Ontario doubled for Buffalo in the film.
CRITICAL MASS: As of 10/23/15: Rotten Tomatoes: 69% positive reviews. Metacritic: 66/100.
COMPARISON SHOPPING: Rose Red
FINAL RATING: 7.5/10
NEXT: Six Days of Darkness concludes!

New Releases for the Week of October 16, 2015


Crimson PeakCRIMSON PEAK

(Universal) Mia Wasikowska, Jessica Chastain, Tom Hiddleston, Charlie Hunnam, Jim Beaver, Burn Gorman, Leslie Hope, Doug Jones. Directed by Guillermo del Toro

After a family tragedy, an aspiring author in Victorian England is torn between a childhood friend and a dashing mysterious stranger. Needing a fresh start in a new environment and to escape the ghosts of her past, she is transported to Allerdale Hall, a home with ghosts of its own. In fact it is a home that has a life of its own – and may want her to stay permanently. This much anticipated horror movie from del Toro is the must-see Halloween movie this year.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard, IMAX
Genre: Horror
Now Playing: Wide Release
Rating: R (for bloody violence, some sexual content and brief strong language)

Bridge of Spies

(DreamWorks) Tom Hanks, Mark Rylance, Alan Alda, Amy Ryan. A Brooklyn lawyer is called upon to defend a Soviet spy at the height of the Cold War. That task turns into a negotiation with Moscow to exchange the spy for the pilot of an American spy plane that was shot down over the Soviet Union. Director Steven Spielberg and writers Joel and Ethan Coen based this story on actual events and an actual guy who struggled to maintain his integrity and ideals in a dangerous political situation.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release
Rating: PG-13 (for some violence and brief strong language)

Freeheld

(Summit) Julianne Moore, Ellen Page, Michael Shannon, Steve Carell. When decorated police officer Laurel Hester is diagnosed with terminal lung cancer, she wants to leave her pension to her domestic partner. Simple enough for most cops, right? However, Laurel’s partner is another woman which city officials won’t allow. With her hard-nosed straight partner and a gay rights activist uniting behind her, she would turn this into a national cause and what would become a watershed moment in the fight for LGBT rights.

See the trailer, interviews, a clip and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: True Life Drama
Now Playing: Regal Winter Park Village
Rating: PG-13 (for some thematic elements, language and sexuality)

Goosebumps

(Columbia) Jack Black, Dylan Minnette, Odeya Rush, Amy Ryan. After moving into a new neighborhood, a young teen boy discovers the girl next door is super hot. However, her father happens to be none other than the prolific author R.L. Stine. Stine has a terrifying secret; the monsters in his books are real and he protects the world by keeping them locked up in his manuscripts. However when they are accidentally released by the new kid on the block, he’ll have to team up with Stine, his daughter and a plucky friend to protect the town and return the monsters for safe-keeping.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Family Horror Comedy
Now Playing: Wide Release
Rating: PG (for scary and intense creature action and images, and for some rude humor)

Heart Like a Hand Grenade

(Abramorama) Billy Joe Armstrong, Tre Cool, Mike Dirnt, Jason White. The recording of Green Day’s classic American Idiot album is revisited with archival footage, contemporary interviews and more. Fans of America’s favorite pop punk band won’t want to miss this!

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Documentary
Now Playing: Enzian Theater (Tuesday only)
Rating: NR

Thao’s Library

(ARC Entertainment) Thanh Thao Huynh, Elizabeth van Meter, Stephen Katz, Vicki van Meter. In Vietnam, a woman severely deformed by the effects of Agent Orange puts together a makeshift library in her fertilizer shed. In New York, a woman grieving over the death of her famous sister struggles to cope. Both women are brought together by a single photograph, a simple request and a shared compassion, which leads them to help heal one another.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Documentary
Now Playing: AMC Disney Springs
Rating: NR

Woodlawn

(Pure Flix) Sean Astin, Caleb Castille,  Sherri Shepherd, Jon Voight. In the racially divided environment of Birmingham, Alabama in 1973, a high school football team undergoes a spiritual awakening from the water boy up to the head coach. In a school torn by racial hatreds, the team unites and serves as an example for the entire student body. The team goes on to play the largest football game ever played in that city and produce one of the biggest African-American stars of his time in the game.

See the trailer, interviews and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Faith-Based Sports Drama
Now Playing: Wide Release
Rating: PG (for thematic elements including some racial tension/violence)

New Releases for the Week of May 16, 2014


Godzilla

GODZILLA

(Warner Brothers/Legendary) Aaron Taylor-Johnson, Ken Watanabe, Elizabeth Olsen, Juliette Binoche, Sally Hawkins, David Strathairn, Bryan Cranston. Directed by Gareth Edwards

The king of all monsters returns to wreak havoc with coastal cities as well as to face malevolent creatures of human creation that now threaten our very existence. Judging on the reaction to the most recent trailers, this is one of the most anticipated films of the summer.

See the trailer, clips, interviews and B-Roll video here.

For more on the movie this is the website.

Release formats: Standard, 3D, IMAX 3D (opens Thursday)

Genre: Sci-Fi Action

Rating: PG-13 (for intense sequences of destruction, mayhem and creature violence)

Dom Hemingway

(Fox Searchlight) Jude Law, Richard E. Grant, Demian Bichir, Emilia Clarke. After being released from serving twelve years in prison, a safecracker with a larger-than-life personality sets out to make up for lost time. Setting out to reclaim an old debt, a brush with death leads him to try to re-connect with his estranged daughter but in his own inimitable fashion. This played at the recent Florida Film Festival and it’s single screening was completely sold out.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Dramedy

Rating: R (for sexual content, nudity, pervasive language, some violence and drug use)

Locke

(A24) Tom Hardy, Ruth Wilson, Andrew Scott, Bill Milner. Like every working day, Ivan Locke left the office  for the drive home. Blessed with the perfect family, his dream job and a successful career, he should be at the high point of life. However in a 90 minute drive, it all comes apart and a single phone call will force him to put everything on the line.

See the trailer, interviews, a featurette and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: R (for language throughout)

Million Dollar Arm

(Disney) Jon Hamm, Bill Paxton, Lake Bell, Aasif Mandvi. When a sports agent loses his biggest client to a rival agency, he knows that his business is in serious trouble. A chance viewing of a cricket match from India leads to the brilliant idea of staging a nationally televised competition of finding the first major league players in India. Two finalists are at last selected and as they are brought to America to learn the game, the odds are against them as cultural differences and an unfamiliarity with the game may prevent them from achieving their goal.

See the trailer, clips, interviews and B-Roll video here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: True Sports Drama

Rating: PG (for mild peril and some suggestive language)

Only Lovers Left Alive

(Sony Classics) Tom Hiddleston, Tilda Swinton, Mia Wasikowska, John Hurt. An underground musician, dissolute and discouraged over the deteriorating state of humanity, reunites with his enigmatic and more optimistic lover. Their romantic idyll is interrupted by the arrival of his wild and out of control little sister. Oh, and did I mention they’re all vampires? The latest from acclaimed director Jim Jarmusch.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror

Rating: R (for language and brief nudity)

Thor: The Dark World


Quoth the raven, nevermore will there be barbers and razors in Asgard.

Quoth the raven, nevermore will there be barbers and razors in Asgard.

(2013) Superhero (Disney/Marvel) Chris Hemsworth, Natalie Portman, Tom Hiddleston, Anthony Hopkins, Stellan Skarsgard, Idris Elba, Kat Dennings, Christopher Eccleston, Adewale Akinnuoye-Agbaje, Ray Stevenson, Zachary Levi, Jaimie Alexander, Tadanobu Asano, Rene Russo, Alice Krige, Clive Russell, Jonathan Howard, Chris O’Dowd, Talulah Riley. Directed by Alan Taylor

It is hard to achieve success when it comes to the movies, but it is harder still to maintain it. The Marvel superhero films have been on a long winning streak but has the moviegoing public tired of their celluloid adventures yet? Not according to the box office.

Thor (Hemsworth) pines away on Asgard, having had to clean up the mess that his half-brother Loki (Hiddleston) – who rots in an Asgardian prison – wrought with his invasion of Earth in The Avengers. Two years have passed since New York was trashed and Thor has been busy mopping up the results of those events, leaving Jane Foster (Portman) – his earth-born ladylove – petulant and sulky, wondering if her God-like boyfriend has dumped her.

Something called the Convergence is approaching – an event when all nine realms which include Asgard and Earth – are perfectly aligned. As it approaches the boundaries between the realms get a bit thin, causing some temporal and spacial anomalies. While Jane is investigating one of these (leaving a date with the hapless Richard (O’Dowd) to do so) she is infected by something called the Aether.

That’s a bad thing. Apparently this is the stuff that the Dark Elves planned to use at the last Convergence to bring about a return of the universe to complete darkness, something that the Dark Elves and their leader Malekith (Eccleston) are very eager to do. The Asgardians had gone to war with the Dark Elves to prevent this and only through the efforts of Thor’s grandfather had the forces of light prevailed. Malekith and his major-domo Kurse (Akinnuoye-Agbaje) skedaddled into a spaceship where they would remain in stasis until the Aether called them back, which when Jane is touched by the stuff is precisely what happens.

Cue Thor to fetch Jane to Asgard to see if the medicine of the Gods can help her. Cue Odin (Hopkins) to be grouchy and a bit frumpy. Cue Thor’s mom Frigga (Russo) to be far more understanding than her husband. Cue Thor’s pals Fandral (Levi), Vostagg (Stevenson), Sif (Alexander) and Hogun (Asano) to be understanding. Cue Jane’s ex-boss Dr. Erik Selvig (Skarsgard) to lose his marbles and walk around Stonehenge stark naked and muttering crazy talk about the Convergence. Cue Jane’s intern Darcy (Dennings) to be snarky and get an intern of her own (Howard). And after Thor desperately seeks his help, cue Loki to make some plans of his own.

Taking over from Kenneth Branagh in the director’s chair is Alan Taylor who cut his teeth on the Game of Thrones HBO series as well as other fine TV shows but it is the adaptation of the George R.R. Martin fantasy that prepared Taylor for this big screen debut. He certainly doesn’t have any problem with the scale needed for a cinematic franchise like this. Asgard is properly awe-inspiring, the battle sequences (of which there are several) are properly epic and the heroes properly heroic.

While some critics have groused about Hemsworth as Thor, I don’t agree with their assessment. His character has a bit of an inflated ego (hey, he’s a Norse God after all and the son of the King for all that) and a bit of a maturity issue and he is well aware that his strength doesn’t lie in his intellect. He is the kind of guy who charges in to lay a beat-down on his enemies first and asks questions later. However Thor isn’t just a caricature thanks to Hemsworth who makes his personality work and be relatable to his audience. That’s nowhere near as easy as it sounds.

Hiddleston however is the star of this show in many ways. He is deliciously evil as Loki with a snarky attitude to boot. He revels in his badness but shows some depth that makes his character perhaps the most interesting one in the film. He has some of the best comic relief in the movie and also conversely some of the most poignant moments. Hiddleston is a star in the making and perhaps with this performance arrives in that sense.

The drawbacks here is that the movie drags a bit particularly in the middle and for a movie of this nature that can be a killer. Also early on some of the events are a bit confusing and are never properly explained or given context.

Fortunately the movies plusses outweigh those fairly significant minuses, making this solid entertainment that will please the superhero junkie in your family, although I predict that the fanboys will probably pick it apart and as we head into the next Marvel film will in all likelihood trash it and moan about how it has killed the Marvel franchise. They’ve done the same with Iron Man 3 which is no better or no worse than this.

REASONS TO GO: Wonderful eye candy. Hiddleston raises the bar on super-villains. Hemsworth is a terrific Thor.

REASONS TO STAY: Confusing in places. Lumbers a bit.

FAMILY VALUES:  There’s a good deal of sci-fi/comic book violence, a few bad words and some suggestive dialogue.

TRIVIAL PURSUIT: This the last film to be written by Don Payne (who also wrote Thor). He died of bone cancer shortly before the movie was released.

CRITICAL MASS: As of 11/25/13: Rotten Tomatoes: 65% positive reviews. Metacritic: 54/100.

COMPARISON SHOPPING: The Seeker: The Dark is Rising

FINAL RATING: 7/10

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