Strad Style


Danny Hauck in his home studio.

Danny Hauck in his home studio.

(2016) Documentary (1170 Productions) Daniel Hauck, Razvan Stoica, David Campbell, Stefan Avalos, Rodger Stearns, Mary Hauck, Alfredo Primavera. Directed by Stefan Avalos

Slamdance

Dreams come in all sorts of shapes and sizes and some are more realistic than others. Then again, that’s what dreams should be right – to reach for the unattainable, the unlikely, the impossible?

Daniel Hauck is a bipolar man who lives in an isolated farmhouse in Laurelville, Ohio. Since he was a young boy he has been fascinated by violins. More than fascinated, really; it would be more accurate to call it a passion or an obsession than anything else. He doesn’t really have the talent to play them so much but he develops an urge to build them.

Besides that he’s also into custom cars and car clubs but that’s really a hobby that is a bit more expensive than he can afford at present being unemployed with almost no prospects of anything coming along anytime soon. He lives a lonely existence by choice although he does have a computer in which he keeps up with social media.

It’s on Facebook that he meets Razvan Stoica, a concert violinist considered to be one of the best in the world right now, although he is not well-known in the States – yet. The two befriend one another and begin messaging each other. They talk about classic violins and Stoica mentions that he would love to play one of the most famous in the world – Guarneri del Gesu’s (a contemporary of Antonio Stradivari and a fellow resident of Cremona in Italy) Il Cannone, or the cannon, the violin made famous by Paganini. .Daniel, perhaps impetuously, offers to build him a replica of the instrument.

Daniel hasn’t built a violin of this caliber before and he has no training in doing so. Nonetheless, he goes after the project with a certain amount of joie de vivre and learns what he can from the Internet. He also gets the help and support of Rodger Stearns, a local violin maker and woodworker. While his mother Mary and cousin David Campbell give him various degrees of support, Daniel proceeds largely through trial and error using the tools he has and making homemade UV booths and other ingenious ideas to keep the process going.

In the meantime, Razvan has expressed that he wants to play the instrument during a series of concerts in June starting in Amsterdam. Can Daniel overcome the odds and produce an instrument up to the exacting standards not only of one of the greatest concert violinists of our time but also one of the all-time masters of violin making?

Hauck is an engaging subject, often self-deprecating and sometimes raging against the difficulty of his situation and of the task he has set before himself. He is in many ways a perfect documentary subject, candid and open about nearly every aspect of his life. He has a dream yes, and he is determined to fulfill it but like most dreams it isn’t an easy one and it wouldn’t have been hard to abandon it at any time.

Avalos does just about everything on the project, including running the camera, editing, directing, producing and interviewing the subject. It’s very much his show and it shows enormous promise. The cinematography is as good as any I’ve seen for a documentary in the last year or so and not only captures the clutter of Danny’s home but also the stark beauty of the Ohio landscape in winter, the gorgeous Renaissance-era architecture of Cremona, and the sensuous lines of the violin.

There’s an awful lot of instruction going on here as well as Hauck takes us through the making of his violin. He knows what to do – he’s just not always sure how to do it and not everything he does ends up in success. Still, it’s fascinating stuff watching the project go from pieces of wood to a beautiful musical instrument.

I don’t know that this is so much an inspiring story so much as a comforting one – human beings are capable of so much more than we ever think we are and this reaffirms that. I’m hoping that a distributor that knows what to do with good documentaries gets hold of this; it deserves to be seen by a large audience. The logline may sound a bit dry but this is nonetheless a documentary that leaves the audience feeling good after the end credits roll and at a time when so many documentaries are hell-bent on telling us what’s wrong with the world, it’s nice to see what’s right.

REASONS TO GO: Danny Hauck is an engaging and fascinating subject. The film is actually extremely instructive on the difficulties of making a violin.
REASONS TO STAY: Some of the editing is a bit jumpy.
FAMILY VALUES:  There is a bit of profanity.
TRIVIAL PURSUIT:  Avalos was originally doing a documentary about “new violins” versus “old violins” and met Hauck through the process of researching it. When he discovered Hauck’s story, Avalos elected to focus on that instead.
CRITICAL MASS: As of 1/24/17: Rotten Tomatoes: No score yet. Metacritic: No score yet.
COMPARISON SHOPPING: Mao’s Last Dancer
FINAL RATING: 7.5/10
NEXT: 20th Century Women

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99 Homes


These days a man's home is the bank's castle.

These days a man’s home is the bank’s castle.

(2015) Drama (Broad Green) Andrew Garfield, Michael Shannon, Laura Dern, Clancy Brown, Tim Guinee, Nicole Barré, Yvonne Landry, Noah Lomax, J.D. Eyermore, Cullen Moss, Jordyn McDempsey, Ann Mahoney, Judd Lormand, Deneen Tyler, Donna Duplantier, Wayne Pére, Cynthia Santiago, Juan Gaspard, Nadiyah Skyy Taylor. Directed by Ramin Bahrani

It wasn’t that long ago that the economy tanked in the sub-prime mortgage crisis. Homes were being foreclosed upon at rates unheard of since the Great Depression. Families were displaced, the rich got richer and in essence nothing has changed since then other than the banks are being more circumspect somewhat, but none of the regulations that had kept this from happening before have been reinstated.

Taking place in 2010, the events in 99 Homes are said to have actually happened although I’m unclear whether they took place in the Orlando locale the film is set in. Dennis Nash (Garfield) is a construction worker who discovers that the builders of the development he’s working for have run out of money and that the past two weeks he’s been working are going to go unpaid.

His childhood home, which he lives in with his mother (Dern) and grew up in is underwater and he’s several payments behind. The bank isn’t terribly interested in anything but foreclosure and his trip to court has left him reeling; the judge, overwhelmed with the number of foreclosure cases, simply rubberstamps the bank’s request and sends Dennis packing. Dennis is told he has 30 days to appeal.

A few days later realtor Rick Carver (Shannon) shows up at Dennis’ door and without so much as a fare-thee-well tosses him, his son Connor (Lomax) and his mom into the street along with all their stuff. He is forced to move them into a skeevy hotel which is mostly filled with other evictees, some of them who’ve been there two years or more. He needs to find work now more than ever but there simply isn’t any to be had, the construction business hit hard by the fact that banks aren’t making business loans so there is nothing being built.

When he discovers that some of his tools are missing, he goes back to Carver to demand their return. Carver, impressed with his moxie, puts him to work doing a particularly disagreeable job on a foreclosed home whose previous owners let their displeasure be known in a rather spectacular way. Carver, admiring Nash’s work ethic, hires him on to do odd construction jobs and then to snatch air conditioning units from foreclosed homes that the banks will pay Carver money to install “new” units, which of course Carver simply has Nash reinstall the old units. Shifty, no?

Eventually as Nash continues to help Carver do his dirty work, Carver puts him to work doing the work that Nash is most wary of – presiding over foreclosures. Nash is sympathetic to the victims but soon becomes good at it and continues to help Carver with his chicanery. He even helps Carver set up a deal that will make them both unimaginably rich.

The issue is that Nash has a conscience and it’s beginning to get pricked, particularly in the case of a particular homeowner (Guinee). And when it all comes to a head, will Nash choose money or conscience?

This is a movie that captures the Great American Nightmare circa 2015 (yes, it’s still the Great American Nightmare). It’s a story that’s all too tragically common and will hit an emotional resonance that will touch even those who haven’t had money problems in their lives.

Garfield takes a role that he’s really more suited to than the teenage costumed superhero that he has been playing most recently. He’s still not the commanding screen presence that he might be but he’s a talented actor in his own right. What shines here though is Shannon as the slimy real estate agent whose greed and cynicism are palpable. He has a speech in which he talks about America bailing out winners that sounds like something Trump would say. I daresay that the orange-haired Republican Presidential candidate would probably like this movie for all the wrong reasons.

Dern, who has become one of the best actresses that is always getting notice but never getting noticed if you catch my drift, is once again magnificent here. She is the movie’s conscience and there are few actresses who can pull it off without being maudlin but Dern accomplishes it. She probably won’t be more than an afterthought for a Best Supporting Actress nomination here but that’s more because the script goes off the rails at the end.

Yeah, the ending. Let’s talk about it. What bugs me about Hollywood endings is that you establish a character, establish their credibility and then as the movie ends suddenly they change and act a completely different way than they’ve acted throughout the film. That’s not the way real people act and audiences know that. If you’re going to be charitable through the first 85% of the movie, the audience is going to expect you to be charitable the last 15% too. You have to follow your own internal logic. This movie doesn’t do that.

Still, it’s a fine movie that for the most part covers an issue that faces all American homeowners even those who think they’re well off. Other than that 1% we’ve heard so much about, most Americans are only a single paycheck away from financial issues and once you’ve got those it can be excruciatingly difficult to climb out from under them. The game is rigged that way and nobody wants to talk about it. Thank goodness for filmmakers like Bahrani who do.

REASONS TO GO: Real life horror. Terrific performances by Shannon and Dern.
REASONS TO STAY: Inexplicably bad ending.
FAMILY VALUES: Plenty of foul language including some sexual references and a brief scene of violence.
TRIVIAL PURSUIT: This is the first time Garfield has worn facial hair in a film.
CRITICAL MASS: As of 10/15/15: Rotten Tomatoes: 90% positive reviews. Metacritic: 76/100.
COMPARISON SHOPPING: Margin Call
FINAL RATINGS: 7/10
NEXT: All This Must Pass: The Rise and Fall of Tower Records