New Releases for the Week of February 28, 2014


Non-StopNON-STOP

(Universal) Liam Neeson, Julianne Moore, Nate Parker, Scoot McNairy, Michelle Dockery, Lupita Nyong’o, Omar Metwally, Linus Roache, Shea Whigham, Anson Mount. Directed by Jaume Collet-Serra

A Federal Air Marshal on a transatlantic flight receives a message that someone on the plane will die every 20 minutes unless a ransom demand is met. When it turns out the message is deadly serious, he has to discover who’s sending those messages – only to find out that there is something far more devious going on than a mere hostage situation.

See the trailer, clips, an interview,  a promo and footage from the premiere here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Thriller

Rating: PG-13 (for intense sequences of action and violence, some language, sensuality and drug references)

Odd Thomas

(RLJ/Image) Anton Yelchin, Willem Dafoe, Patton Oswalt, Addison Timlin. A nondescript fry cook in a nondescript small town has a special gift – he can see dead people. When a mysterious stranger brings in an entourage of truly nasty demonic sorts, Thomas realizes that a disaster of apocalyptic proportions is upon them. From writer Dean Koontz and director Stephen Sommers who has The Mummy on his resume.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror

Rating: NR

Raze

(IFC Midnight) Zoe Bell, Doug Jones, Sherilyn Fenn, Tracie Thoms. After being abducted, a woman wakes up in a concrete bunker and is forced to fight in a tournament of 50 women. If she loses or refuses to fight, her loved ones will be murdered.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Action Horror

Rating: NR

Repentance

(CODEBLACK) Forest Whitaker, Anthony Mackie, Mike Epps, Sanaa Lathan. A life coach with a dark past takes on a man fixated on his mother’s recent passing mainly to get some cash to bail out his brother who is deeply in debt to the wrong people. However, it turns out his new client is far more than he seems to be and his issues run far deeper.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Thriller

Rating: R (for violence including torture and language)

Shaadi Ke Side Effects

(Bataji) Farhan Akhtar, Vidya Balan, Vir Das, Ram Kapoor. A young married couple who had a very difficult time getting their wedding pulled off finds that the most difficulty comes after the wedding.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

Son of God

(20th Century Fox) Diogo Morgado, Roma Downey, Nonso Anozie, Amber Rose Revah. From the producers of the hit cable series The Bible comes this focus on Jesus of Nazareth.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Faith

Rating: PG-13 (for for intense and bloody depiction of The Crucifixion and for some sequences of violence)

Stalingrad

(Sony Classics) Thomas Kretschmann, Pyotr Fyodorov, Sergey Bondarchuk, Maria Smolnikova. An epic retelling of the crucial battle that broke the Nazi stranglehold on Europe and eventually turned the tide of the war. Shown from a post-Soviet Russian point of view.

See the trailer here.

For more on the movie this is the website.

Release formats: IMAX 3D

Genre: Historical War Drama

Rating: PG-13 (for mature thematic material and brief strong language)

The Wind Rises

(Touchstone/Studio Ghibli) Starring the voices of Joseph Gordon-Levitt, Emily Blunt, John Krasinski, Martin Short. A young Japanese dreamer sees the breathtaking work of early aviation pioneer Caproni and dreams of flying aircraft. His extreme nearsightedness prevents him from becoming a pilot but he determines to design the planes that will bring Japan into the air age. Acclaimed director Hayao Miyazaki says this will be his final film and it may well be one of his best; it has been nominated for a Best Animated Feature Oscar for this Sunday’s ceremony.

See the trailer, a video and interviews here.

For more on the movie this is the website.

Release formats: Standard

Genre: Anime

Rating: NR

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Looper


Looper

Bruce Willis and Joseph Gordon-Levitt engage in a staring contest to determine who picks up the check.

(2012) Science Fiction (Tri-Star) Joseph Gordon-Levitt, Bruce Willis, Emily Blunt, Paul Dano, Jeff Daniels, Noah Segan, Piper Perabo, Pierce Gagnon, Summer Qing, Tracie Thoms, Frank Brennan, Garret Dillahunt, Nick Gomez, Marcus Hester. Directed by Rian Johnson

 

They say time travel is impossible, that because of the nature of paradoxes travelling into the past would so change the future that you might cease to exist (at least in the way you did before you left the future) and because there are so many variables travelling into the future is likewise impossible. But if there were a way around it, human nature is such that we’d find a way to make it sordid and awful.

And that’s just what we do. In 2044, time travel hasn’t been invented yet but in 2074 it has – and has been outlawed. When something is outlawed, only outlaws then do it and that’s exactly the way it works. Because it is nearly impossible to get rid of bodies due to advances in tracking technology, crime syndicates who want to make someone disappear send them back to 2044 where there is an assassin waiting. These men are called Loopers; they put a shotgun blast into the chest of their assignments, then collect their payment in silver which has been draped over the back of the body. The corpse is incinerated and the Loopers have themselves a nice little party.

Considering that by 2044 the U.S. economy has pretty much tanked being a Looper is a pretty lucrative profession. Joe (Gordon-Levitt) is one and he’s a lot smarter than most. He hoards most of his silver, hiding it in a hidden compartment in his apartment. He spends time with Suzie (Perabo), a stripper who has a kid and a fairly practical attitude, while Joe wishes for something else.

What he gets is his best friend and fellow Looper Seth (Dano), terrified because he had botched his last hit. His target had turned out to be his future self from 30 years hence. All Loopers know that inevitably their last target will be themselves. It’s called “closing the loop” and is part of their contract. However, a lot of loops have been getting closed of late. It seems there’s a new boss in town in the future; he’s known only as the Rainmaker and his identity is a closely guarded secret. This much future Seth (Brennan) communicates to his younger self.

Joe reluctantly agrees to hide Seth and the big boss, Abe (Daniels) summons him to his office – at the point of a Gat (a powerful handgun that is useless in close range but a fearsome weapon farther away), wielded by Kid Blue (Segan), a young and unstable wanna-be gangsta. Abe himself is from the future and has used the Gats, as his Gat-wielding thugs are called, to take over the crime in the city. Abe convinces Joe to give up Seth, which he reluctantly does leaving both Seths to a gruesome fate.

This is all well and good until Joe gets a client to kill who turns out to be his own future self (Willis). Old Joe is wily and manages to use young Joe’s payment to protect himself from the shotgun blast and overpowers his younger self to get away.

Old Joe isn’t just motivated by self-preservation; the woman he married (Qing) in the future was accidentally murdered by the Rainmaker’s flunkies when they came to collect Old Joe. The wily old ex-Looper has discovered some information about when the Rainmaker was born and has figured out that he was born not far from the city in Kansas where Young Joe was based; and he has an idea of how to find him but he must go pretty far off the reservation beyond where his moral compass will send him.

In the meantime Young Joe is being stalked by Abe’s crew who are none too pleased that he failed to carry out his contract. Young Joe, having been injured in a gunfight takes refuge at the farm of Sara (Blunt), a comely young woman who is raising up the precocious young lad Cid (Gagnon) by herself. Still, the forces that are after Young Joe are implacable and there really isn’t a safe haven. He knows that he must find Old Joe before Old Joe finds him – and in the process stay out of the way of trigger-happy Kid Blue and all of Abe’s gang.

This is one of the smartest movies I’ve seen in quite awhile. Johnson wrote the film with Gordon-Levitt in mind and that’s a smart move in and of itself. Gordon-Levitt is the real deal; he’s a star in the making and he holds his own with Willis, who looks nothing like him in reality; Gordon-Levitt studied films of the young Bruce Willis and adopted his mannerisms and vocal patterns, not to mention wearing make-up prosthetics to make him appear a lot more like his co-star (there is one montage where we see the progression of Joe’s aging in which Gordon-Levitt and Willis have the same haircut and the resemblance is a little spooky).

Willis has always been a solid movie star, He’s always good in terms of being kind of a rumpled action hero. He doesn’t always play smart but he does play clever and that’s what he does here. Joe is more cunning than brilliant, more pragmatic than ruthless. He’s a character who is basically within the understanding of most of us – bad enough to do what he wants, good enough not to be a total jerk.

Blunt affects a fine Midwestern accent and is less the English rose that she usually is. Sara’s seen some hard times and has become hardened herself, but again, not so much that she’s a block of ice. She has some compassion and Joe helps her discover that – and, of course being a mom has a lot to do with it too.

The visuals are a mix of dilapidated 2012 and futuristic 2044 (some of the film was shot in Shanghai which looks like it’s been 2044 there for ten years) which makes it again relatable to the viewing audience. Yeah, there are cell phones in the movie that make it look like the iPhone 27.0 is worth camping out for but most of the vehicles and weapons are strictly early 21st century. There is an economic meltdown collapse going on, after all. Still, they do have hover-cycles so it’s not all bad. There is some gee-whiz stuff here.

Time travel flicks are generally among the hardest to make work simply because by their own nature they have complicated strictures. Rian Johnson, whose first film was the much-praised Brick has written a movie that succeeds both as a taut thriller and a sci-fi action film and does both while retaining a level of intelligence that is rare in American films.

REASONS TO GO: Intelligently written. Taut, well-made thriller and visually stunning.

REASONS TO STAY: Cid is a little too creepy in places.

FAMILY VALUES: There is a good deal of violence, a bit of sexuality and some drug use. Of course, there is a fair amount of foul language as well.

TRIVIAL PURSUIT: A set for the diner, built outside of Thibodaux, Louisiana was so realistic that locals were enquiring when the diner would be opening. The set withstood Hurricane Isaac which went through the area after production wrapped and is reportedly still there.

CRITICAL MASS: As of 10/13/12: Rotten Tomatoes: 93% positive reviews. Metacritic: 84/100. I think it’s safe to say the movie has been a ratings hit with the critics.

COMPARISON SHOPPING: Timecop

SHANGHAI LOVERS: Some of the movie’s financing came from China so scenes that were initially written for Paris were moved to Shanghai not just because of cost-effectiveness but because Shanghai’s Pudong district already looks futuristic and relatively little CGI was required to add additional buildings and vehicles to make it look like 2074.

FINAL RATING: 7/10

NEXT: Butter

Safe House


Safe House

Denzel Washington is having a Morgan Freeman moment.

(2012) Action (Universal) Denzel Washington, Ryan Reynolds, Vera Farmiga, Brendan Gleeson, Sam Shepard, Robert Patrick, Fares Fares, Liam Cunningham, Nora Arnezeder, Joel Kinnaman, Ruben Blades, Jenna Dover, Stephen Rider, Tracie Thoms, Sara Arrington. Directed by Daniel Espinosa

 

Some people are just naturally badasses. Take Chuck Norris for example. He’d kick you in the tush just as soon as look at you. Or how about Jet Li. Not only can he out-fight you, he can out-think you as well.

Tobin Frost (Washington) is a lot like that. He’s a legend in the CIA – a master manipulator, a world-class assassin and one of the guys you’re thankful is on our side. Except he isn’t on our side anymore. He left the Company and has spent the past 15 years selling our secrets to anyone who’ll buy them.

Matt Weston (Reynolds) wants to go places in the CIA but he’s stuck staring at four walls all day as the housekeeper for a CIA safe house in Cape Town. He spends most of his days making love to his girlfriend (Arnezeder) and lying to her about what he really does for a living, and nagging his handler David Barlow (Gleeson) about getting a field position which is what he really wants to do.

So when a team led by the gravelly Daniel Kiefer (Patrick) comes in bearing Frost, one of the most wanted men in the world, Weston is understandably surprised. He is even more surprised when a well-armed hit team led by the ruthless Vargas (Fares) blows in their doors and proceeds to execute everyone in the House – with the exception of Weston and Frost who have fled.

On the run with nowhere safe to go, Weston calls his superiors back at the CIA. Barlow knows that Weston is above reproach but Analyst Catherine Linklater (Farmiga) has her suspicions. Deputy Chief Harlan Whitford (Shepard) isn’t sure who to trust but seems to be giving Weston the benefit of the doubt.

Alone with one of the most dangerous men on Earth, chased by unknown assassins who want him dead and unable to trust the CIA since there had to be a leak that gave the Safe House away, Weston must figure out what’s going on, what secrets Frost is carrying with him that so many people want him dead and how to get out of this cluster fu…um, mess alive.

Frost is a part tailor-made for Denzel. He’s smart, he’s super-cool as well as super-bad, and enigmatic. He’s not the most likable guy you’ll ever meet but he is also disillusioned by some of the horrible things he has to do. To my mind, this is his best work since American Gangster – and not coincidentally, the most fleshed-out part he’s had since then.

Reynolds, known for being a touch on the light side, actually holds his own here which is a bit of surprise. This is really his first all-dramatic role (even his action hero roles have a comedic element to them) and he holds his own with one of the best actors of his generation. That’s a pretty impressive feat and watching this movie I really am re-assessing my opinion of Reynolds’ range and consequently the potential longevity of his career. This is not a star-making role for him so much as a star-potential declaration role. He is one role away from becoming one of Hollywood’s biggest stars.

Espinosa, despite his Latin name, is actually Swedish and he has been one of those directors that is much better-known by studio people than by the American moviegoing public (although he is well-acclaimed in Sweden where he has a couple of highly regarded action films under his belt). He pulls off the action sequences very nicely, particularly a thrilling car chase through Cape Town and a rooftop chase through one of the ghettos of Cape Town.

With all this going for it, this should have been a big summer blockbuster but the reason that it’s sitting here in February is simply because the story isn’t anything to write home about. It’s all about deception and lies in the CIA with double and triple-crosses galore, every one of them telegraphed a mile off. It doesn’t keep you on your toes with its twists and turns so much as keep you on a familiar mountain road.

This isn’t a bad movie, don’t get me wrong – it’s just fairly predictable. It does what it does nicely without really taxing too much of your grey matter and there are some visceral thrills not to mention the opportunity to see one of the very best doing what he does best. For the record, I think this is an enjoyable way to kill a couple of hours at the movies – which may sound damned by faint praise but to my mind is a pretty decent compliment.

REASONS TO GO: Washington is at the top of his game and Reynolds surprisingly keeps up. Some nicely done action sequences.

REASONS TO STAY: The script is pretty rote and doesn’t really offer anything new to the genre.

FAMILY VALUES: There is a whole lot of violence and a whole lot of bad language.

TRIVIAL PURSUIT: The script was originally set in Rio de Janeiro but was switched to South Africa for security concerns.

CRITICAL MASS: As of 2/23/12: Rotten Tomatoes: 54% positive reviews. Metacritic: 52/100. The reviews are as bad as they get.

COMPARISON SHOPPING: The Bourne Identity

CHAMELEON DENZEL LOVERS: The actor adopts a Spike Lee look for some of the film and a clean-shaven look harkening back to “St. Elsewhere” for other parts of the movie, and even a bit of American Gangster thrown in.

FINAL RATING: 6/10

TOMORROW: The Green Mile