Train to Busan Presents Peninsula


More zombie goodness.

(2020) Action/Horror (Well Go USA) Dong-Won Gang, Jung-hyun Lee, Re Lee, Hae-hyo Kwon, Min-Jae Kim, Gyo-hwan Koo, Do-Yoon Kim, Ye-Won Lee, Daniel Joey Albright, Pierce Conran, Geoffrey Giulliano, Christopher Gordon, Bella Rahim, John D. Michaels, Milan-Devi LaBrey. Directed by Sang-ho Yeon

 

In an age of pandemic, a zombie plague sounds almost passé. Still, if it’s anywhere as good as the first film, Train to Busan was, this should make for some rip-roaring entertainment guaranteed to take our minds off of COVID. Is this what the doctor (or plague virologists) ordered?

After the zombie plague outbreak detailed in the first film has spiraled out of control, Jung Seok (Dong-Won), a Korean soldier, tries to get his sister and her family aboard the last ship leaving the Korean peninsula.to safety in Hong Kong. On the way to the dock, he passes a family begging for help but he puts his survival face on and eaves them behind. He gets his family on board the ship, but the plague breaks out there and claims his sister and nephew.

In Hong Kong, Seok is racked with guilt over not being able to protect his sister, whose husband Chul-Min (Do-Yoon) also blames Seok. They have been marginalized, stateless and penniless, working for a criminal gang who have a job for them – to return to Seoul and pick up a truck full of cash and gold that the gang had abandoned there when the pandemic got out of hand.

It turns out that the zombies aren’t the only dangers in Korea. Chul is captured by a squad of soldiers who had been abandoned on the Peninsula led by the maniacal and quite mad Captain Seo (Gyo-hwan) and his bloodthirsty Sgt. Hwang (Min-Jae) and Chul is made to fight zombies in a kind of Thunderdome meets The Walking Dead gladiator extravaganza. Seok is rescued by Min Jung (Jung-hyun) and her two daughters, part of the family Seok left to die on the way to the harbor. Together they must find the truck and Chul and get out alive – no easy task in the quarantined Korean peninsula.

The claustrophobic feeling of the first film is largely missing, and that’s a shame – it was one of that film’s most powerful elements. While there’s much more of an expansive canvas here – bringing to mind George Miller’s Mad Max movies as well as John Carpenter’s Escape From New York – it lacks the immediacy and character development of the first film and seems to be much more involved with scenes of swarming zombies in full-on attack mode. To be honest, the zombie sequences tend to be the best ones in the movie. It slows down to a crawl in between them, with much being made of Seok’s guilt feelings and Chul’s anger towards Seok.

The director of both Train to Busan movies, Sang-ho Yeon, is best known in the States for his animated features (among others, a Train to Busan prequel Seoul Station. It is unsurprising that the CGI has a cartoon-ish look to them, and there is an awful lot of CGI, particularly in the third act. I can’t speak for Eastern audiences, but to Western eyes the difference is really noticeable and not in a good way. Still, there are enough entertaining elements to keep this movie at a mild recommendation status.

It is one of the few new films currently playing in theaters. It is not currently available for home viewing, although if you want to wait awhile, that is certain to change. Those feeling comfortable enough to venture out into theaters and who live in places where movie theaters have reopened can give it a whirl but be aware that it isn’t playing in every multiplex available. Locally, the film can be seen at the Regal Winter Park Village, the Regal Pointe Orlando, the AMC Disney Springs and Cinemark Universal Citywalk.

REASONS TO SEE: The action sequences remain top-notch. Adds an element of gleeful sadism that is a change from the first.
REASONS TO AVOID: The movie drags between action sequences. The CGI is obviously CGI.
FAMILY VALUES: There is all kinds of violence and zombie carnage, as well as a heaping helping of gore as well as some scenes of kids in peril.
TRIVIAL PURSUIT: Although this is the second live-action film in the Train to Busan franchise, it is actually the third film overall – the animated Seoul Station is also set in the Train to Busan universe.
CRITICAL MASS: As of 8/24/20: Rotten Tomatoes: 56’% positive reviews, Metacritic: 50/100
COMPARISON SHOPPING: World War Z
FINAL RATING: 6.5/10
NEXT:
The Stand: How One Gesture Shook the World

New Releases for the Week of August 21, 2020


With the Regal and AMC chains opening their doors in most cities starting this weekend (including here in Orlando), there is reason for movie buffs to celebrate. Not all cinemaphiles feel comfortable going to theaters yet, but with the Florida Film Festival closing out their Enzian Theater run this Friday, it looks a little bit more like normal, although of course things are far from that. While most of the offerings in theaters will be classic movies, or films like Bloodshot and Trolls World Tour that never got a theatrical run or never got their full theatrical run. There are a handful of independent films making their debut as well, including the anticipated Train to Busan sequel Peninsula as well as Cut Throat City (pictured above), Words on a Bathroom Wall and Tulsa, among others.

The major studios will get back into the mix next week with the much-delayed Disney/fFox Marvel entry The New Mutants and then in ernest on Labor Day weekend, when the much-anticipated Tenet will finally get its American premiere (it will be playing in other countries around the world, including China starting next week) but it will be the first week of September that we here at Cinema365 headquarters anticipate that the weekly preview feature will resume. It will be an abbreviated version at first – covering only films opening locally here in Orlando, at least for September, and maybe longer until things get a little bit more normalized. The monthly preview feature Pick of the Litter will likely not return until October or even later depending on whether theaters are able to remain open.

Currently scheduled for September openings from a major studio standpoint in addition to Tenet are Bill and Ted Face the Music (September 1), The King’s Man (September 18) and Greenland (September 25). Disney+ will be making the big-budget live-action Mulan available for a fairly hefty upcharge next week, while Lionsgate will be making their horror film Antebellum available on premium VOD as of September 18. If theaters look like they’ll continue to remain open in October, I’ll run a brief summary of major studio releases as a means of helping theatergoers plan their month. However, considering how unpredictable this virus has been, theatrical release plans remain extremely fluid, to say the least.

You can continue to check the Coming Soon pages for information as to what is coming out that month along with trailers (when available). It is an understatement to say that it has been hectic and considerable effort to try and keep up with all the scheduling changes and I’m pretty sure that I haven’t been entirely successful. Please, if you see something that you are aware that is incorrect, please bring it to my attention either in the comments section here, or by directly e-mailing me at cinema365@live.com. Thanks for your patience throughout this crisis and I hope you continue to stay healthy and safe in these troubling times.