(2014) Thriller (Universal) Liam Neeson, Julianne Moore, Nate Parker, Michelle Dockery, Scoot McNairy, Lupita Nyong’o, Corey Stoll, Omar Metwally, Jason Butler Harner, Linus Roache, Shea Whigham, Anson Mount, Quinn McColgan, Corey Hawkins, Frank Deal, Bar Paly, Edoardo Costa, Jon Abrahams, Amanda Quaid. Directed by Jaume Collet-Serra
Flying is a stressful endeavor. We are crammed like sardines into a tin can and hope that the pilot is sober enough to get us from point A to point B without bringing us down in a flaming Viking funeral. We are surrounded by strangers and we hope against hope that they won’t talk the entire five hour flight, or that the kids behind us won’t kick our chair non-stop. It’s no wonder that alcohol is served aboard air flights. The wonder is that they don’t make tranquilizers available as well.
Bill Marks (Neeson) hates flying. Just to get him on the plane he has to drink half a bottle of whiskey. Once on board, he disables the smoke alarms in the lavatory to smoke a long, calming cigarette. He doesn’t really want to talk to anybody, but he’s a kindly enough sort who takes the time to help a little girl travelling all by herself across the Atlantic ocean to visit her daddy in London conquer her fears and step aboard the big intimidating airplane. Bill sure hates flying but he does a lot of it. After all, he’s a Federal Air Marshal.
It should be a routine flight from New York to London. Next to him is a pleasant if inquisitive middle aged woman named Jen (Moore) who is happy to let him sleep through most of the flight. The pilot (Roache) is an old friend as is the head stewardess Nancy (Dockery). His partner aboard, Jack Hammond (Mount) is a little by-the-book for his tastes but he knows his stuff. However, Bill doesn’t want to be there. He needs to be in New York, taking care of…well, stuff. He gets into a shouting match with his supervisor over the phone about it. The supervisor tells him that he can’t grant Bill’s request for an immediate return flight home; “I have to do what I have to do,” says the supervisor. “Oh yeah?” growls Bill, “Well I’ll do what I’ve gotta do too!” Showed him.
Of course, since this is a movie, the flight is anything but routine. Midway over the Atlantic, Bill gets a text on his secure Blackberry telling him that someone aboard the flight will die every 20 minutes unless $150 million is transferred into a Swiss bank account. Hammond pooh-poohs the threat but Bill is unnerved. When a passenger turns up dead at the specified time, Bill is vindicated. He is also the suspect as the bank account turns out to be in his name. As the body count begins to pile up, Bill begins to believe that the killer has a whole other agenda that has nothing to do with the money. The race against time is to discover what that agenda is, who’s behind it and to save the plane from the previously described Viking funeral.
There are plenty of red herrings in the thriller, some involving drug trafficking and of course the identity of the killer. Nearly everyone comes under suspicion at one point excluding Bill who is only made to look guilty but something told me early on that Neeson wasn’t going to be the killer (although that might have made for an interesting twist). There are so many that it actually becomes a little annoying.
Neeson has become quite a dependable action hero which is a far cry from his days as one of the better serious actors on the planet (Schindler’s List, Michael Collins sniff sniff). He is a large, physically intimidating man and his gruff demeanor makes him a perfect fit for these kinds of roles and again, like Kevin Costner in 3 Days to Kill is the biggest reason to plunk down your hard-earned cash to see this film.
Moore is likewise an actress who has delivered Oscar-caliber performances in the past. She makes an excellent foil for Neeson, bandying back and forth with him not necessarily in a flirtatious manner. Their chemistry is so strong I wouldn’t mind seeing them as partners in future movies.
The rest of the cast is unusually able for this type of film. Collet-Serra was very fortunate to cast actors who were on the cusp of their big break so he has an Oscar winner (Nyong’o) in an essentially throwaway role, Dockery just now breaking big for Downton Abbey and Stoll getting raves in House of Cards.
Jaume Collet-Serra, who previously teamed with Neeson in Unknown, knows what he’s doing when it comes to action films. Considering nearly all of the action takes place in a commercial airline cabin (excepting the opening and closing scenes), the action is pretty decent when it occurs. Most of the rest of the time, Collet-Serra is content to let the tension and the suspense rule the day. I would have preferred less misdirection – a little bit of that can go a long way – but that’s more of a personal preference. Your mileage may vary.
This is one of those movies that is exactly what you expect it to be – no more, no less. If you’re looking for mindless entertainment it will deliver. If you’re looking for a strong leading man, it delivers that too. If you’re looking for innovation within the genre, keep looking. But a WYSIWYG movie isn’t necessarily a bad thing – sometimes it’s exactly what you need.
REASONS TO GO: Neeson is always entertaining and this time gets a fine foil in Moore. Some fairly decent white knuckle moments.
REASONS TO STAY: Plot a bit too far up the ludicrous scale. Too many action film clichés.
FAMILY VALUES: There is some action film violence, at times fairly intense. There’s also a fair amount of foul language, a subplot involving drugs and some sensuality.
TRIVIAL PURSUIT: The character of Bill Marks, like Neeson himself, was born in Northern Ireland and later emigrated to the United States.
CRITICAL MASS: As of 3/11/14: Rotten Tomatoes: 60% positive reviews. Metacritic: 56/100.
COMPARISON SHOPPING: Passenger 47
FINAL RATING: 6/10
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