The Boy Who Harnessed the Wind


Happy happy joy joy.

 (2019) Biographical Drama (NetflixChiwetel Ejiofor, Maxwell Simba, Felix Lemburo, Robert Agengo, Fiskan Makawa, Lily Banda, Aissa Maiga, Fredrick Lukhere, Hestingzi Phiri, Rophium Banda, Philbert Falakeza, Samson Kambalu, Raymond Ofula, Noma Dumezweni, Lemogang Tsipa, Joseph Marcell, Martin Githinji, Melvin Alusa, Amos Chimpokoser, Edwin Chonde, Hilda Phiri. Directed by Chiwetel Ejiofor

 

We Americans often romanticize Africa as a place of glorious vistas and wonderful animals. Or, we demonize it as a place of corrupt governments and tribal genocide. Both of those viewpoints are incomplete; Africa is so much more. It is modern cities, but it is also small villages of subsistence farmers that are literally like living in another century.

This true story is based on the life of William Kamkwamba (Simba), a young boy with a knack for mechanical things who lives in a rural village in Malawi in abject poverty. His father Trywell (Ejiofor) faces drought and flooding, brought on when a neighboring farm sells to a tobacco company who promptly cut down all the trees whose roots held back flooding in the village with predictable results. The family was already living on the edge; now with most of their food supply destroyed and with no income from selling what they didn’t consume, things get desperate – William’s intelligent sister (Banda) is forced to withdraw from college and face a life of marriage and child-rearing, a life her mom (Maiga) knew would be a waste of her daughter’s potential. They also can’t afford the tuition at William’s school; however, he arranges with a teacher – blackmails, more like – to get access to the school library.

But William has an idea – a windmill to draw water from the village well to irrigate their farms. William has little to work with and his father, beaten down by all the obstacles he has failed to overcome, has little confidence that William’s idea will work and is unwilling to give up the bicycle chain that is crucial to the success of the windmill. The stakes couldn’t be higher for William and his family; could his knowledge of science and engineering overcome his father’s prejudices?

This is the first feature as a writer and director for Ejiofor and it’s a pretty good one. He captures all the tribulations faced by tribal villages in Africa, from political turmoil to environmental challenges to their own superstitions and traditions. That the real William Kamkwamba was able to overcome these things as a middle school-aged boy is nothing short of miraculous (today he is in his early 30s as this is written and a college graduate who has appeared on The Daily Show as well as given TED talks). Ejiofor takes great care to develop the story, but at times is a bit too workmanlike; a good director knows the shorthand needed to keep their film from bogging down. Ejiofor will acquire this skill through practice, no doubt. There’s a lot good about the movie, and it is worth checking out if for no other reason for an educational standpoint but be aware that the film has some noticeable flaws.

REASONS TO SEE: Captures the honesty of African village life.
REASONS TO AVOID: Although the payoff is inspiring, the lead-up is frustratingly over-developed.
FAMILY VALUES: There are some thematic concerns regarding poverty and starvation, but otherwise perfectly suitable for the entire family.
TRIVIAL PURSUIT: Ejiofor filmed on location in Malawi; as he did not speak the native Chichewa language, he had to learn to speak it for his character.
BEYOND THE THEATER: Netflix
CRITICAL MASS: As of 8/7/20: Rotten Tomatoes: 86% positive reviews. Metacritic: 68/100.
COMPARISON SHOPPING: William and the Windmill
FINAL RATING: 6.5/10
NEXT:
Nose to Tail

Pool Boys


George Takei wonders how he got into this movie.

George Takei wonders how he got into this movie.

(2011) Comedy (Cinedigm) Matthew Lillard, Brett Davern, Efren Ramirez, Rachelle Lefevre, Tom Arnold, Robert Davi, Jay Thomas, Rhoda Griffis, Patricia de Leon, Sheena Lee, Simona Fusco, Darla Haun, Janine Habeck, Monica Leigh, Jennifer Walcott, Heather Marsden, Rachel Rogers, A.J. Alexander, George Takei, John Billingsley, Stephanie Honore. Directed by J.B. Rogers

College these days is an expensive proposition and an Ivy League school like Harvard is nearly impossible unless your folks happen to have a spare million or two burning a hole in their pockets. For the rest of us, even if we have the grades and test scores to get in the very prospect of paying for a Harvard education is a daunting task.

That’s what Alex Sperling (Davern) is looking forward to. Fortunately, he has a summer internship set up that will help offset the cost but when that falls through, he looks to his fast-talking cousin Roger (Lillard) for help. Roger has been bragging about his successful aqua engineering business but as it turns out, Roger is a bit of a story teller – his business turns out to be pool maintenance in Los Angeles. As you might expect, Alex isn’t just disappointed – he’s furious.

Roger doesn’t want to let his cuz down however. A chance opportunity to housesit for a wealthy Beverly Hills client gives Roger a hare-brained idea – to turn the mansion into a brothel. He could – ‘scuse the pun – clean up and give Alex more than he needs for his tuition. Roger knows he can’t lose, particularly with Hollywood star Tom Arnold (himself) on his side.

If this kind of thing sounds familiar, it was old hat 30 years ago. Lillard is one of those character actors whose face you probably know well if not the name. He can do goofy but a little of it goes a long way and he’s a bit over-the-top here. So too is Efren Ramirez as an over-sexed gardener. However, they at least have some personality – Davern shows little here.

Like any raunchy sex comedy, there’s plenty of raunch – lots of women in various states of undress, the occasional boob, and I will say that the women in this film are as good looking as any as you’ll find in a single movie of this sort. For those looking for that sort of thing, you can’t go wrong here.

Unfortunately most of the rest of us want some comedy with our sex comedies and there is little of that to be found here. Most of the jokes are tired and/or fall flat. Some of that is performer-driven but much of it is that the jokes weren’t that funny to begin with. That’s not a good sign if you’re looking to laugh.

WHY RENT THIS: Plenty of gorgeous swimsuit-clad (and nude) bodies.

WHY RENT SOMETHING ELSE: Doesn’t add anything to the raunchy sex comedy genre. Not funny enough.

FAMILY VALUES: Plenty of raunchy humor, sexual content and nudity, some bad language and a bit of drug use.

TRIVIAL PURSUIT: The Braille studs on Lillard’s cap read “1969.”

NOTABLE DVD EXTRAS: There’s a virtual lapdance sequence (I kid you not).

BOX OFFICE PERFORMANCE: $2,269 on an unreported production budget.

COMPARISON SHOPPING: Risky Business

FINAL RATING: 4/10

NEXT: Ender’s Game