The November Man


One Bond reference too many.

One Bond reference too many.

(2014) Spy Action (Relativity) Pierce Brosnan, Luke Bracey, Olga Kurylenko, Bill Smitrovich, Amila Terzimehic, Lazar Ristovski, Mediha Musliovic, Eliza Taylor, Caterina Scorsone, Akie Kotabe, Will Patton, Patrick Kennedy, Dragan Marinkovic, Ben Willens, Milos Timotijevic, Dragan Dvojakovic, Tara Jervrosimovic, Nina Mrdja, Milutin Milosevic, Lena Milan. Directed by Roger Donaldson

In a recent interview, Liam Neeson, in describing his character from the film A Walk Among the Tombstones, declared that people need a hero who is a bit of a loner; one who has one foot on the side for justice and one foot on the side that is lawless. Our heroes can’t be completely pure, otherwise we have trouble relating to them.

Peter Devereaux (Brosnan) is an operative for the CIA, a veteran and crafty one at that. His partner and protégé is David Mason (Bracey), a brash and arrogant sort who doesn’t always listen to those with years of experience on him. When on a mission to protect an American ambassador targeted for assassination, Mason’s inability to follow orders ends up with an innocent child getting killed in the crossfire. Devereaux takes early retirement soon after that.

He is running a small bar and cafe in Lausanne, Switzerland when his old friend and handler for the CIA Ray Hanley (Smitrovich) turns up, telling him that a double agent buried deep in the employ of Arkady Federov (Ristovski), a war hero from the Chechnyan civil war and favored to become the next Russian president, has discovered something big and needs to be pulled out. However, Peter is the only agent she trusts to get her out of Russia.

So, reluctantly, Devereaux heads to Moscow to pull out the secretary Natalia Ulanova (Musliovic) and get the flash drive with her information on it. However, things go sideways quickly and Russian security is hot on their tails. A CIA higher-up, Perry Weinstein (Patton) gives the order to terminate the asset. The woman is then shot by a company sniper.

Furious, Devereaux gives chase to the assassins and takes out most of the team. When he discovers who the trigger man is, he is momentarily shocked and walks away. The man who killed the asset – David Mason.

Now, Devereaux and the CIA are in a race to find the one connection that can take down Federov – a girl named Mira Filipova (Mrdja). The girl however seems to have completely disappeared off the face of the Earth – the only link to her is Alice Fournier (Kurylenko), the director of a refugee agency. Luckily, Devereaux gets to her first. However, now the race becomes a game of cat and mouse between Devereaux and the CIA. Just who the cat is and who the mouse is in the equation is anyone’s guess.

Based on the seventh in a series of novels by Bill Granger written back in 1979 in this specific case, the movie combines the action of a Bond film, the realistic spycraft of Le Carre and even elements of the Bourne series. That kind of leaves one with a been there-done that feel pretty much throughout.

The saving grace is Brosnan who steps into the shoes of a superspy and finds them a comfortable fit. He is just as suave and sophistication as he was in his heyday as Bond nearly twenty years ago. He dominates the screen and adds a hint of sadness and weariness to the character that was absent from Bond. Brosnan has done some really good acting jobs in films like The Ghost Writer since hanging up his Walther PPK and there is a level of depth here that wasn’t really necessary in the Bond films but adds additional flavor to the role. It might be the best action hero performance of the year. Devereaux is also far more ruthless, willing to slice open the femoral artery on an innocent girl in order to get in the head of Mason.

The action itself is pretty old school with plenty of car chases and Devereaux being chased by dozens of lethal, highly trained agents but getting away with some ease. He has survived as long as he has by always being a step ahead of his quarry or his pursuers and that aspect of the character looms large throughout the film.

The movie seems anachronistic at times, with modern cutting-edge technology on the one hand, but cell phones with flip cases – which have been out of style for almost a decade now – are everywhere. I’m wondering if that is what is new and cutting edge in Belgrade, where this was mostly filmed. I think not however and no mention is ever made of the action taking place in 2005 or thereabouts which it sometimes seems to be.

There are plenty of twists and turns as you’d expect in an espionage thriller, a little too many for my taste. While I understand the need to keep your audience guessing and as off-balance as the filmmakers can make them, the movie seems overly complicated which it really doesn’t need to be. A story like this can be told without quite so many moving parts and still be quite effective.

As action and espionage thriller material goes, well, it’s what you’d expect to find in the dregs of summer. It’s not anything that is going to make you want to run right out to the theater, but it isn’t anything that will make you regret being there either. It is nice to see Brosnan in the type of role that is right in his wheelhouse and I can’t help hope that there are more roles like it in his future, although he is getting on a bit. Still, while the Devereaux series doesn’t seem to be likely to be continuing any further given the anemic box office for this film, the acclaim for Brosnan makes me think that there may be other producers perhaps ready to hand over to Brosnan the types of roles that Neeson has been getting for the past decade now.

REASONS TO GO: Brosnan is an old pro at these sorts of movies. Some fairly nifty old school action scenes.
REASONS TO STAY: Seems oddly dated. Plot unnecessarily over-complicated.
FAMILY VALUES:  There is plenty of violence, some of it brutal, as well as a sexual assault. There’s a good deal of foul language, some sexuality, brief nudity and one scene in which drugs are used.
TRIVIAL PURSUIT: When we glimpse Devereaux’s file, the birthday given for Devereaux is the same as Brosnan’s actual birth date. Also, along with Brosnan, Kurylenko also has Bond experience in Quantum of Solace.
CRITICAL MASS: As of 9/21/14: Rotten Tomatoes: 35% positive reviews. Metacritic: 38/100.
COMPARISON SHOPPING: Goldeneye
FINAL RATING: 5.5/10
NEXT: Life After Beth

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Speed Racer


Speed Racer

Apparently Speed Racer is out-running the Aurora Borealis.

(2008) Science Fiction Action (Warner Brothers) Emile Hirsch, Christina Ricci, John Goodman, Susan Sarandon, Matthew Fox, Hiroyuki Sanada, Richard Roundtree, Ji Hoon Jung, Benno Furmann, Roger Allam, Kick Gurry, Paulie Litt, Christian Oliver, Art La Fleur. Directed by Andy and Larry Wachowski

 

When I was growing up (a preface my father used to make to what would turn out to be a long-winded lecture about why his generation was superior to my generation which sucked rocks), part of my afternoon routine after getting home from school involved turning on the television and watching an anime double feature (although I didn’t know they were called anime at the time) of “Kimba, the White Lion” and “Speed Racer.” I had no conception that what they were doing were anything like groundbreaking – having seen some of those episodes again recently I can tell you with great confidence that they were anything but from an animation standpoint – but I knew they were in color, they were fun and even if they weren’t animated as well as my favorite shows like “Scooby Doo” and “Wacky Racers,” they at least had storylines that I found to be a little bit better than the very light stuff that were common for the time.

The Wachowskis (then still known as brothers) were evidently of the same mindset as I growing up. Fresh off of their world-beating success that was the Matrix trilogy, they basically could do whatever they chose and a live-action remake of the beloved Japanese cartoon series was what they chose. In hindsight it may seem a trifle…ill-advised.

Speed Racer (Hirsch) is a talented young racer in the World Racing League. He is haunted by demons – the death of his brother Rex in a gruesome crash during an unsanctioned race – and yearns to break the records his brother set. Unlike most of the racers in the League, Speed is an independent without corporate sponsorship; his father Pops (Goodman) builds the cars, Sparky (Gurry) maintains them, Mom (Sarandon) makes pancakes and his little brother Spritle (Litt) gets into mischief. Usually around is Speed’s girlfriend Trixie (Ricci) who spends so much time with Speed’s family you wonder if she has a family of her own.

Into their lives blows Arnold Royalton (Allam), chairman of Royalton Industries, one of the leaders in WRL sponsorship. He is impressed by Speed’s record-breaking pace and wants to take him to the next level – the championship of the WRL. He is urbane and charming and loves pancakes. However, Spritle snoops around and discovers that there is a dark side to Royalton and eventually Speed declines the offer. Royalton turns petty and vindictive and vows to destroy the Racer family and does everything within his power to do just that.

Then there’s the mysterious Racer X (Fox) who turns out to be working undercover for Inspector Detector (Furmann) of Interpol who enlists Speed to help find out who’s responsible for the illegal race fixing that has plagued the WRL and caused economic chaos. In order to do that he’s going to have to conquer the unsanctioned race that was responsible for his brother’s death and is the most grueling, dangerous race on the planet – the Crucible.

The Wachowskis have an amazing visual sense and this might be their most brilliant movie from a visual sense ever. The movie uses a palette of bright neon-infused colors, like someone had thrown Slurpees across the screen and then black lighted them. The world of Speed Racer is more brilliant than the cartoon it sprang from, with supercharged cars hurling at you at breathtaking speeds. Much of the movie was filmed against a green screen (a la Sky Captain and the World of Tomorrow) and much of the world of the WRL is computer generated.

However, as good looking as the movie is it lacks a few things. Like, for instance, a plot that doesn’t disintegrate upon any sort of inspection. I can forgive that to a certain degree – all that technology is fine and dandy but it would have made for a better movie with a bit more attention to detail when it came to the writing. However, there are a few things that just dropped the movie from being a game changer.

The length, for one. Two hours of visual assault begins to numb the senses; there were too many car races and not enough plot development for this type of time commitment. You can only see so many cars racing around a highly stylized track before you begin to yawn unless you’re a dedicated Formula 1 or NASCAR maniac.

And for another, the presence of Spritle and Chim-Chim. Yes, I know they were integral parts of the original cartoon and they were meant to be the avatars for the kids the cartoon was aimed at but I think they outstayed their welcome. They were too much at the forefront of the film and quite frankly, the characters are annoying and they dumb down the movie way too much to be comfortable. Nothing against Litt, the young actor who plays Spritle – he didn’t write the part after all – but I’m to the point that when I see his character onscreen while watching the DVD I hit the Fast Forward button.

Hirsch was cast in this movie after an acclaimed Oscar-nominated turn in Into the Wild and it seemed his career was on the rise. Unfortunately I never got a sense that Hirsch was motivated to do much more than read his lines. This is an unfortunately flat and lifeless performance that harkens back to the emotionless voice acting that characterized the original cartoon and to be fair that might well be a deliberate decision on either the filmmakers or Hirsch’s part; it’s just a bad decision and if it is the case, is another reason why remakes should never try to import things that don’t work from the original just for nostalgia’s sake.

Allam makes for a fine villain and for some quirky reason channels Tim Curry who is also one of the fine villains of recent years. Here he’s both venomous and urbane; always  a lethal but delicious combination when it comes to movie villains. Fox, who was heavily in the public eye for his work in the cultish TV show “Lost,” shows off a different kind of heroism and is one of the best things about the movie. Certainly my attention perks up whenever he’s on the screen.

This is definitely the case of a movie that is innovative and lovely to look at, but falls apart upon too close an inspection. The cure for that? Don’t inspect too closely. Look at it for what it is – an eye candy sugar rush that is going to put you in a happy coma after two hours of non-stop bliss. This is entertainment, pure and simple – imperfect to be sure but entertainment nonetheless.

WHY RENT THIS: Brilliant visuals. Allam is an over-the-top villain and Fox shows off his heroic chops as Racer X.

WHY RENT SOMETHING ELSE: About a good half-hour too long. Spritle and Chim-Chim are far, far too annoying.  Hirsch a little bit flat as Speed.

FAMILY VALUES:  There’s a little bit of violence. Some of the car crash scenes are a little bit gruesome. There are a few bad words here and there.

TRIVIAL PURSUIT: Peter Fernandez and Corinne Orr, the English voices of Speed and Trixie in the original cartoon series, voice race announcers in the feature film.

NOTABLE HOME VIDEO EXTRAS: The Blu-Ray edition contains a game and a couple of extra features not found on the DVD edition which itself is nothing to write home about.

BOX OFFICE PERFORMANCE: $94.0M on a $120M production budget; the movie was a major box office disappointment.

COMPARISON SHOPPING: Grand Prix

FINAL RATING: 7/10

NEXT: The Amazing Spider-Man