The History of Future Folk


I have very much the same reaction to banjos.

I have very much the same reaction to banjos.

(2012) Sci-Fi Comedy Musical Thingie (Variance) Nils D’Aulaire, Jay Klaitz, Julie Ann Emery, April L. Hernandez, Dee Snider, Onata Aprile, Teena Byrd, Ivan Cardona, Mario D’Leon, Steve Greenstein, Callie Harlan, Dylan Powers, Eddie Privitzer, Billy Lee, Liz Logan. Directed by J. Anderson Mitchell and Jeremy Kipp Walker   

Florida Film Festival 2013

Let’s say you were the biggest badass on the planet Hondo and you were sent to prepare for an invasion of planet Earth by releasing a flesh-eating virus into the atmosphere, paving the way for the Hondonians to take over. What if you heard music for the first time ever on this puny little pipsqueak of a rock? What if the arrangements of tones were so pleasing to your ear that you suddenly realized that this world just might be a world worth saving?

Bill (D’Aulaire) – better known as General Trius on Planet Hondo – is in just such a position, coincidentally enough. He was about to release the virus when he found himself in….a big box store. Awed by the abundance of goods, he hesitated. And then he heard it – music. Well, Muzak to be precise but it was unlike anything he’d ever heard before.

And so the great General decided to spare this world and took up the banjo. He learned how to play and did some gigs around Brooklyn as General Trius, and it was at one of these that he met Holly (Emery), whom he would marry and eventually have a child, sweet Wren (Aprile) with.

But the leaders of Hondo would not be so easily put off. They sent Kevin (Klaitz), an assassin, to get the mission back on the rails. Kevin is the kind of assassin I’d want after me if someone felt the need to punch my ticket. He is good-hearted and not at all good at his profession. However, he discovers he’s a pretty fair guitar player and singer. Thus the duo of Future Folk are born.

You’d think the high muckety mucks on Hondo would have gotten the picture but NOOOOOO. They send yet another assassin after Bill and Kevin with the express directive to wipe out all life on Earth and this guy is a bit more serious about his work. In the meantime Kevin has fallen for the pretty cop Carmen (Hernandez) and the duo have gotten a regular gig at a club owned by Larry (Snider). Can they save the day and get a record deal on the side?

Of all the movies at the Florida Film Festival I saw this year, this one has the most offbeat and genuine charm. Yeah, there’s definitely a hipster element to it but the filmmakers chose not to stress the usual indie clichés that come with the hipster thing. Instead, they take elements of ’50s b-movie science fiction invasion films, 60s hootenanny films and 70s exploitation flicks. The result is kinda kooky, a little retro, sorta out there but completely fun.

Snider, the frontman for Twisted Sister and occasional Celebrity Apprentice contestant is the most well-known face here but the acting is fairly solid if unspectacular. The music is another matter; the songs are pretty damn catchy and the harmonies spot on with some deft banjo and guitar work. There’s a bluegrass-folk element with kind of B movie Sci-Fi lyrics (and yes there is a soundtrack – you can order it right now through Amazon or iTunes – go to the website by clicking on the photo above for details).

Now I love quirky as much as the next man but be warned that some who have low tolerance for that sort of thing might find the music and movie hard to take. However, the movie is so cheerful in it’s obvious love for all the genres it mashes up that I couldn’t help but feel affectionate towards it. Definitely this takes me back to a certain genre of movies that made rainy weekend afternoons tolerable.

This isn’t a movie that’s out to reinvent the wheel. While it plainly wears it’s heart on its sleeve (and a red plastic bucket on its head), the filmmakers do resist the urge to give their baby a heaping helping of kitsch and instead just let you bask in the goofiness. While a lot of film critics need a film to have some great meaning or message in order to get a favorable review, this movie seems bent only on having its audience feel good by the time the end credits roll and at that mission, this movie succeeds. Five hearty Hondos and an Excelsior to this movie!

REASONS TO GO: Long on charm. Great tunes. And of course, Hondo!

REASONS TO STAY: Some might find the offbeat humor overbearing. An occasional over-emphasis on Hondo!

FAMILY VALUES:  There is some mild violence and a few mildly bad words here and there. Hondo!

TRIVIAL PURSUIT: Future Folk are an actual band based in Brooklyn who make very similar comments in between songs as they do here; the movie was made in essence to give the band a backstory. Hondo!

CRITICAL MASS: As of 5/22/13: Rotten Tomatoes: 100% positive reviews. Metacritic: no score listed; the jury’s still out on this one which isn’t opening on its limited theatrical run until May 31. Hondo!

COMPARISON SHOPPING: Alien Trespass and Hondo!

FINAL RATING: 8/10

NEXT: Star Trek Into Darkness

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Blind Date (2007)


Blind Date

An uneasy romance.

(Variance Films) Stanley Tucci, Patricia Clarkson, Thijs Romer, Gerdy De Decker, Georgina Verbaan, Robin Holzhauer, Sarah Hyland, Peer Mascini. Directed by Stanley Tucci

A relationship is a fragile thing. It requires nurturing and growth in order to survive. Sometimes, events happen which put this fragile existence in jeopardy. In those instances, a couple has to be willing to go to extreme lengths to make things work.

Don (Tucci) owns a rundown bar (although it’s never specifically said, we assume it’s in Amsterdam) and periodically takes to the small stage to perform a desultory Vaudeville-like magic act, usually to be met with disinterest. People go to this bar to drink and maybe hook up; entertainment is not really on the minds of any of the barflies who frequent it.

He is married to Janna (Clarkson), someone he has spent much of his adult life with. The marriage is a lifeless one, it seems; they are trying to spice it up with a series of blind dates arranged through personal ads. In each date the two take on different personas, trying to find two that mesh well. However, reality intrudes on each date as their problems peek through the façade, causing each date to end badly, inevitably.

It’s a simple premise, and only two gifted actors could make this work. Tucci wrote and directed this movie based on a 1996 movie by the late Dutch director Theo van Gogh, who would be murdered by Muslim extremists in 2004 for making a film critical of Islam. Tucci has chosen to take that movie and strip it down to a bare frame, shooting on two sets over the course of seven days, utilizing many of van Gogh’s regular crew to do it.

The results are mixed. The movie at times has a stagey feel, like you’re watching the filmed version of a stage play. I get the distinct impression that Tucci as a director was deliberately going for that feel, and to be honest, I think that it makes some of the movie ring false. The powerful dialogue and plot might have been better served in a more natural setting, but that’s just me.

What makes this movie worth seeing are the performances of Tucci and Clarkson. Their characters have both been wounded deeply and are struggling to find a way to co-exist and both of them are very well aware that they may be clutching at phantoms that don’t exist. The actors have to portray people playing different roles, only accidentally allowing their true selves to peek through. This is the kind of acting that requires great discipline, much preparation and a whole lot of talent. Fortunately, these are two of the better actors working today, people who elevate every movie they’re in but very rarely get lead roles.

There is some voiceover narration from the couple’s daughter which helps to explain the goings on (and it is much needed) but other than that all the lines (other than background chatter) are spoken by Clarkson and Tucci. Fortunately, Tucci has written compelling dialogue that is not only interesting but gives a good deal of insight not only into the hell these two characters are in but also into the nature of failing relationships in general.

This is a very intimate film in the sense that it delves deeply into the deepest, most private parts of a marriage – and I’m not necessarily referring to the bedroom, although sexuality is touched upon at times. This is about the emotional sanctuary that a married couple provides each other, and what happens when that sanctuary is eroded. It’s very difficult to get it back once it’s gone.

This is not a movie for everybody. It is painful and awkward at times and the emotional places it visits can be very traumatic for those who have been in similar situations. It also requires a certain amount of focus from the viewer to pick up on the nuances, and a willingness to be in a quiet, still place. Still, if you’re willing to commit to the movie, you may find that you get a good deal out of it. What that might be is totally up to you.

WHY RENT THIS: A very powerful look at two people trying to save their marriage in an unorthodox way. Tucci and Clarkson deliver strong performances.

WHY RENT SOMETHING ELSE: This is a very emotionally complex movie without a good deal of language; less cerebral viewers may get bored.

FAMILY VALUES: There is a great deal of sexual tension and a fair amount of foul language. These, along with the very adult subject matter, should make this off-limits for kiddies.

TRIVIAL PURSUIT: The role of Don was originally offered to Tony Shalhoub but when he had to drop out due to schedule conflicts, Tucci decided to take the role himself.

NOTABLE DVD EXTRAS: None listed.

FINAL RATING: 6/10

TOMORROW: The Skeptic