(2017) Horror (Paramount) Matilda Lutz, Alex Roe, Jonny Galecki, Vincent D’Onofrio, Aimee Teegarden, Bonnie Morgan, Chuck Willis, Patrick Walker Zach Roerig, Laura Slade Wiggins, Lizzie Brocheré, Karen Ceesay, Dave Blamy, Michael E. Sanders, Randall Taylor, Drew Gray, Kayli Carter, Jill Jane Clements, Ricky Muse, Jeremy Harrison, Jay Pearson, Rose Bianco. Directed by F. Javier Gutiérrez
Urban legends have a tendency to take a life of their own. They also make for some pretty nifty horror movies, whether they are actual urban legends or made-up ones. One of the best of the latter was the Japanese horror film Ringu by Hideo Nakata which helped make the Japanese horror film industry a global powerhouse back in 1998. Four years later, Gore Verbinski of the Pirates of the Caribbean franchise made an American version that didn’t disgrace itself and in 2005, Nakata himself directed the American sequel.
Now in 2017 the powers-that-be at the studio felt the time was right for a third installment of the series but forewent most of the attributes that made the two films so successful and tapped Spanish director Gutiérrez to take his shot. I don’t think that the film’s problems rest primarily on the director’s shoulders necessarily.
The new installment is a sequel. In it, the videotape that brought death to whomever watched it seven days to the tick after watching it is still making the rounds. Holt (Roe) has left his high school sweetheart Julia (Lutz) behind to attend college in the Pacific Northwest. At first, all is hearts and roses as the two lovebirds Skype their sexy across the miles. Then, Holt stops answering his phone. Julia becomes worried so like any good girlfriend she treks to the school to find out what her boyfriend is up to.
It turns out that he has become part of a study of that very videotape as presided over by whacked-out Professor Gabriel (Galecki from The Big Bang Theory) who keeps his students alive by having them do the only thing that gets the video watchers off the hook – show the video to another potential victim. It turns out her man has seen the video and is 24 hours away from an up close and personal visit from Samara (Morgan), the angry spirit who crawls up out of the video screen to murder those foolish enough to give in to temptation.
When Holt’s relief watcher doesn’t show up, Julia herself takes the bullet and watches the tape – which has now been, conveniently enough, transferred to a digital file for easy streaming. It’s the 2010s after all. S’anyway, Julia wants to get to the bottom of this whole rigmarole and ends up chasing clues about the real Samara to a small village on a remote island in the Puget Sound. There she finds a blind priest (D’Onofrio) who may know more about the legend of Samara than he’s letting on.
I think most fans of the series would have welcomed an updating of the original, made in the age of VCRs and modems, into a more digital format. There are certainly a lot of ways good writers could have taken this – Hell, even the concept of a collegiate study of the phenomenon might have worked if the writers had shown some originality.
But they didn’t – not even a little bit. The dialogue is preposterous and the characters are largely too bland and personality-challenged to care about. Lutz and Roe seem to be trying but I have to say that I found their performances simply didn’t create any chemistry or energy onscreen. The producers, going for a PG-13 rating, didn’t even leave Gutiérrez graphic gore or sex to fall back on.
D’Onofrio is a smart actor, who sometimes shows up in bad movies but he never does anything less than his best. Here, his role has little depth to it but what it does have D’Onofrio gives it by the dint of his performance. None of the other actors in the film really hold up next to him although Galecki comes close.
This is a bit of a yawner as horror films go and that’s not what you want to hear when trying to make a scare flick. It has enough going for it that I can give it a very mild – VERY MILD – recommendation but this is a mediocre attempt at resurrecting a franchise that deserves better treatment. I’m quite sure both Nakata and Verbinski would be rolling in their graves if they had one.
REASONS TO GO: D’Onofrio gives it the old college try.
REASONS TO STAY: A poorly written script and not enough imaginative scares doom this franchise revival.
FAMILY VALUES: As you might imagine, there’s plenty of horrific sequences, spooky images, profanity, a bit of sexuality and a brief scene of drug use.
TRIVIAL PURSUIT: The first film in the franchise without lead actress Naomi Watts and special make-up effects master Rick Baker.
CRITICAL MASS: As of 4/4/17: Rotten Tomatoes: 6% positive reviews. Metacritic: 25/100.
COMPARISON SHOPPING: Ringu
FINAL RATING: 5/10
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