(2006) Comedy (Fox Searchlight) Greg Kinnear, Toni Collette, Steve Carrell, Alan Arkin, Paul Dano, Abigail Breslin, Bryan Cranston, Beth Grant, Mary Lynn Rajskub, Wallace Langham, Lauren Shiohama, Matt Winston. Directed by Jonathan Dayton and Valerie Faris.
Some families seem to live charmed lives, while others seem to live under a cloud. Thus it is with the Hoovers, a middle class family living in suburban New Mexico that on the surface seem pretty normal – a supportive mom, a self-employed dad, an irascible grandpa and two kids. However, beneath the surface, there is nothing normal about any of them.
Into this mix comes Uncle Steve (Carrell), the brother of mom Sheryl (Collette). He has just been discharged from the hospital after a suicide attempt. At the dinner table, he tries to explain why he tried to kill himself. It wasn’t because of the failed love affair with a grad student – a male grad student to the bemusement of grandpa – or the loss of his job after a meltdown, or the fact that his ex-lover has taken up with his rival, the second best Proust scholar in America. It’s just that his grant has been yanked and given instead to his ex’s new beau.
Everybody is kind of living in their own little world. Grandpa (Arkin) has been kicked out of the retirement community he loved being in because of his excessive drug use, and I’m not talking about the kind prescribed for his colon problems. Teenaged Dwayne (Dano) dreams of going to flight school and flying fighter planes for the Air Force, and has taken a vow of silence until he achieves that dream. Little Olive (Breslin) wants only to be the next Little Miss Sunshine beauty pageant winner.
Sheryl is trying to hold everything together, but it isn’t easy. Money is tight, especially since her husband Richard (Kinnear) has quit his job in an attempt to sell a self-help system he came up with called “The Nine Steps.” However, there is light at the end of the tunnel – his agent Stan Grossman (Cranston) is going to a self-help convention in Scottsdale, Arizona and is supremely confident he’ll be able to sell it to a publisher. Richard is nervously…ok, agonizingly, awaiting the phone call that the deal is done.
Things change when a different kind of phone call arrives. The little girl who won the regional pageant that Olive was runner-up in has been disqualified and Olive can now go to the finals in Redondo Beach, California. She goes absolutely nuts with joy. Flying her there is out of the question – the family can’t afford it. Sheryl can’t drive her all the way there, since they won’t all fit in Sheryl’s car and the VW microbus is a stick shift and Sheryl only drives an automatic. There is no question of leaving Steve by himself, since he is still technically on suicide watch. That means everybody goes, even though Dwayne would rather be eaten alive by army ants.
They set off into the land of the surreal; driving along the southwestern highways that lead from Albuquerque to L.A. Along the way, every disaster you can possibly think of befalls the family, from financial to mechanical to personal. As the journey continues, each member of the family will have to face their own personal crisis and eventually, all of them will have to come together to support little Olive in her dream, despite enormous obstacles.
This is quite plainly the funniest movie I saw that year by far. I was laughing out loud throughout the movie, and during the climactic scene, nearly nonstop. I was laughing so hard Da Queen was beginning to wonder what species had accompanied her to the theater; judging from the hooting sounds I was making, it sure wasn’t Homo sapiens.
Unlike a lot of modern comedies, this is a movie that doesn’t rely on one cast member to carry the jokes. In fact, it’s fair to say that nobody in the movie is overtly comedic. This is a comedy of situation and of character. Yeah, there are some good one-liners, but for the most part, this is a bunch of more-or-less ordinary people just trying to get by as their situation spirals out of control. They are riding in a microbus that sabotages them at every turn (they must push the bus to start it and then run like track stars to leap into the side door, and this bus also has the most persistent horn in the world – it emits the noise that you would expect of a wounded or dying roadrunner).
A lot of people will go to see this because Steve Carrell is in it, but he isn’t the star of the movie. This is most definitely an ensemble piece and everyone continues pretty much equally. Kinnear generally appears in roles as affable but backbone-challenged guys, and he gently spoofs his own image here, a kind of nudge-and-wink job that doesn’t get in the way of the movie but adds to it. Carrell plays it very low-key, keeping the wackiness pretty much to everyone else. He isn’t the straight man per se, but the closest thing to it in this movie. Youngster Paul Dano has the toughest row to hoe, having to be completely without dialogue most of the movie, but he does a great job at getting across teen angst without saying a word.
Still, I loved Toni Collette in this. She plays a supportive mom who has to deal with a chaotic situation nearly non-stop and she loses it in a couple of places but in a manner that is not so over-the-top and perfectly believable. I think that’s really the key as to why this movie works so well – everyone in it is so believable, even the bitchy pageant official (Grant). Nobody sinks to caricature in this. Even Breslin as Olive is not annoying in the least.
As with all good comedies, there are moments of pathos and revelation. In the end, what keeps the Hoover family going is that they are a family and they lean on each other, dysfunctional as they are. There is a tender moment during the movie where Dwayne is completely shattered, sitting in a field and utterly lost. He doesn’t want to go on anymore. Little Olive just walks out to him and puts a hand on his shoulder. A simple moment between a little sister and her big brother that doesn’t feel forced or manipulative at all; it’s a completely natural little gesture of comfort that works because that’s what brothers and sisters do.
Dayton and Faris come from a music video background; this is only their second feature and the first to really make any impact. They took a tightly written script (by Michael Arndt) and delivered it without hamstringing it with cliché. This isn’t groundbreaking stuff; it’s simply a seriously funny movie that will be the kind of movie you’ll be able to watch a lot of times without it losing its freshness, and that’s a very difficult and rare achievement for a comedy.
WHY RENT IT: Laugh-out-loud funny throughout that isn’t dominated by one chracter or actor; the actors are believable.
WHY RENT SOMETHING ELSE: Those looking for a Steve Carrell movie will be disappointed; he is as restrained as he ever has been in a movie and is simply a cog in the machine here.
FAMILY MATTERS: A little bad language, a little sex and a little drug use.
TRIVIAL PURSUITS: Abigail Breslin wore a fat suit during filming to make Olive look a little chubbier than she actually is.
NOTABLE DVD FEATURES: There is a music video by DeVotchKa as well as four different alternate endings.
BOX OFFICE PERFORMANCE: $100.5m on an $8M production budget: the movie was a blockbuster.
FINAL RATING: 8/10
TOMORROW: The Illusionist