Warm Bodies


Love is not only blind, it doesn't have much of a sense of smell either.

Love is not only blind, it doesn’t have much of a sense of smell either.

(2013) Zombie Romance (Summit) Nicholas Hoult, Teresa Palmer, Analeigh Tipton, John Malkovich, Rob Corddry, Dave Franco, Cory Hardrict, Daniel Kindress-Kay, Vincent Leclerc, Clifford LeDuc-Vallancourt, Billie Calmeau, Adam Driscoll, Robert Reynolds, Christine Rodriguez, Debbie Wong. Directed by Jonathan Levine

Zombies are in these days with the success of The Walking Dead television show (one of the best things on television right now) and movies like Shaun of the Dead and 28 Days Later. For the most part we see those imperiled by the zombie apocalypse. But what are the zombies thinking?

A young man wanders around the airport, listlessly. He doesn’t work there; he’s been dead for some time but has been reanimated by forces unknown. He has some memory but can’t remember his name, other than that it starts with R. So R (Hoult) it is. His best friend (if you can call it that) is another shuffling undead flesh-eater whose name might have begun with M (Corddry).

R’s life kind of sucks but then it kind of doesn’t. He collects things and puts them in the jumbo jet he’s converted into his home, a kind of zombie man-cave. He listens to old LPs on a turntable (where’s the power coming from for it?) and stares at little knick-knacks he picks up around the airport. Occasionally, he goes hunting for food with M.

There are zombies and then there are Bonies who are kind of like hardcore zombies who have given up. One day they just start tearing their own flesh off. They’re superstrong, super-aggressive and super-grouchy. There are a few humans left who live in a walled-off section of town. They are led by the military-stiff Grigio (Malkovich) whose daughter Julia (Palmer) and her boyfriend Perry (Franco) are leading a party of scavengers to get medical supplies for the survivors.

That’s where R’s hunting party finds them. The attack is brutal and the outcome inevitable. Perry is a big talker but not a great shot – and as you know from your zombie 101 that zombies can’t be killed with anything other than a head shot. Perry’s shot hits R in the chest which just pisses R off and he chooses Perry to be his brain snack.

When a zombie eats the brains of a victim, they are able to access the memories of that victim. R sees Perry’s memories of Julia and decides to save her, managing to smuggle her out and to the relative safety of his airplane. After an aborted escape attempt convinces her that it is terribly unsafe to go out of the plane, she agrees to stay with this most unusual zombie.

The presence of Julia is changing R rapidly. His vocabulary improves. He begins to have tender feelings towards Julia (although are they his own or a product of Perry’s memory? an intriguing question the movie doesn’t bother to pose) and there are physiological changes as well. What’s more, M and the other zombies are beginning to change as well.

The Bonies don’t like that one little bit and want to find R and stop this “cure” before it gets too far. Julia needs to get back home but her father and his fanatical soldiers would shoot R on sight (and it’s for damn sure that they’re better shots than Perry). What’s more Julia has developed some powerful feelings for R as well. Is this love as doomed as that of Romeo and Juliet?

It’s no secret that the story here is loosely based on the Shakespeare play with several characters referencing characters from the play (R=Romeo, Julia=Juliet, M=Mercutio, Perry=Paris etc.). That no doubt suits the audience that this is intended for just fine – the preteen/teen girls who adore Twilight and their moms. In fact, I think it’s safe to say that most of the target audience is only aware somewhat of the R&J connection and have had little contact with the original play itself if any.

One of the things that works really well here is the chemistry between Hoult and Palmer. Hoult, who as a young man has become a seasoned veteran of the movies (some of you might remember him as young Marcus in About a Boy), is rapidly turning into a star. This might be the film that propels him to the next level. Palmer, whose done several genre films targeted towards young adults (I Am Number Four and The Sorcerer’s Apprentice among them), plays a plucky independent sort that the young teen girls seem to flock to these days. She and Hoult make an attractive couple (even if one of the is rotting away).

There are some pretty funny moments, particularly with R’s inner monologue. There is also a nice sweetness here that while not going to get you running out to the nearest zombie apocalypse to find yourself a boyfriend, it will at least touch the teddy bear softness of your heart. The only real complaints I have about the movie are the CGI Bonies which are unconvincing (which is a rather charitable assessment) and several plot points that kind of get little play, like Julia’s reaction to the news that R ate her ex. Not something most girls are going to get past very quickly I would think.

Still, this isn’t a bad movie at all. In fact, it’s a pretty good one – much better than I thought it would be, wondering if the filmmakers would be pandering to that target audience (they do but they don’t – Levine and cohorts seem to be of the opinion that teen and preteen girls appreciate a good movie more than a mediocre one). It’s actually a movie that I wish more Twihards had gone to see – I think those pining away over the absence of Bella, Edward and Jacob might find this right up their alley.

REASONS TO GO: Endearing and funny when it needs to be. Nice chemistry with Hoult and Palmer.

REASONS TO STAY: CGI Bonies are weak. Glossed over some important plot points.

FAMILY VALUES:  As there are zombies, there are extensive scenes of zombies eating people as well as getting shot in the head, although the gore is relatively mild (think The Walking Dead). There’s a lot more bad language though.

TRIVIAL PURSUIT: The Nora character was part-Ethiopian with brown skin in the book but was changed to a Caucasian for the movie.

CRITICAL MASS: As of 2/19/13: Rotten Tomatoes: 78% positive reviews. Metacritic: 58/100; I’d say the reviews are slightly positive.

COMPARISON SHOPPING: Fido

FINAL RATING: 7/10

NEXT: Amour

Four-Warned: February 2013


A Good Day to Die Hard

Every month I’m going to look at every movie on the release schedule and try to assign them a numerical value corresponding to how anxious I am to see it. The lower the number, the more I want to see it. A one means I would walk through hell and high water to see it; a four means there’s no interest whatsoever. The numbers are not arrived at scientifically but they aren’t arbitrary either.

The numbers aren’t a reflection of the artistic merit of any of these films, but merely a reflection of my willingness to go to a movie theater and see it. The top four scores will be gathered as a means of reflecting the movies I’m anticipating the most; you may use that as a guide or not.

Each entry is broken down as follows:

NAME OF FILM (Studio) Genre A brief description of the plot. Release plans: Wide = Everywhere, Limited = In selected markets. RATING A brief comment

Keep in mind that release dates are extremely subject to change, even at this late date.

FOUR TO SEE
1. A GOOD DAY TO DIE HARD (1.3)
2. BULLET TO THE HEAD (1.6)
3. WARM BODIES (1.7)
 TIE. SNITCH (1.7)

FOUR TO SEEK OUT (FILMS NOT IN WIDE RELEASE)
1. NO (1.0)
2. LORE (1.4)
 TIE. THE SORCRER AND THE WHITE SNAKE (1.4)
4. BLESS ME, ULTIMA (1.6)

RATING SYSTEM: 1) Must-see, 2) Should-see, 3) Perhaps-see, 4) Don’t-see

FEBRUARY 1, 2013

BULLET TO THE HEAD (Warner Brothers) Genre: Action. An assassin and a cop combine forces to take down the killers who murdered their partners. Release Strategy: Wide. RATING: 1.6 Although Stallone and director Walter Hill would have made a good fit 30 years ago, taking on a graphic novel might be a bit much for them now – but I still want to see it.
DAVID (Reliance) Genre: Drama. Three different men from three different parts of the world in three different years – but all three named David – are about to take steps that will radically change their lives. Release Strategy: Limited. RATING: 3.1 The trailer doesn’t shed any light on how the three stories are interconnected by anything other than the name.
THE GATEKEEPERS (Sony Classics) Genre: Documentary. The Shin Bet, Israel’s secret service agency, has been at the center of Israeli policy since the Seven Days War; for better or for worse, this film takes an accounting of their actions. Release Strategy: Limited. RATING: 2.2 This sounds like a fascinating subject but the trailer makes it look like a bunch of old men talking heads.
GIRLS AGAINST BOYS (Anchor Bay) Genre: Thriller. A pair of girls, sick of being victimized by men, go on a killing spree that begins to expand past their range of tormenters. Release Strategy: Limited RATING: 2.9 Gotta love a distaff revenge flick.
THE HAUNTING IN CONNECTICUT 2: GHOSTS OF GEORGIA (Lionsgate) Genre: Supernatural Horror. A family moves into a remote Georgia home to discover that the ghosts of escaped slaves and angry Rebels are still lurking there. Release Strategy: Limited. RATING: 1.9 Looks to be even better than it’s barely related predecessor.
KOCH (Zeitgeist) Genre: Documentary. Former New York City mayor Ed Koch is profiled. Release Strategy: New York City (opening in Los Angeles March 1). RATING: 2.3 Looks like it could be a fairly interesting portrait of a larger-than-life personality.
WARM BODIES (Summit) Genre: Horror Spoof. After the zombie apocalypse decimates the planet, a young woman discovers a young man turned zombie who is starting to feel emotions again – including love for her. Release Strategy: Wide. RATING: 1.7 A very different kind of zombie movie – looking forward to seeing it.

FEBRUARY 6, 2013

CAESAR MUST DIE (Adopt) Genre: Mockumentary. In a maximum-security Italian prison, a production of Shakespeare’s Julius Caesar has far-reaching consequences. Release Strategy: New York City only. RATING: 2.7 This has kinda been done to death but we’ll see how this one works out.

FEBRUARY 8, 2013

A GLIMPSE INSIDE THE MIND OF CHARLES SWAN III (A24) Genre: Dramedy. After being dumped by his girlfriend suddenly, a successful graphic designer finds his life spinning into chaos. Release Strategy: Limited. RATING: 2.5 Despite having the Charlie Sheen factor, this one looks intriguing with Roman Coppola at the helm.
IDENTITY THIEF (Universal) Genre: Comedy. A nebbish travels to Florida to confront the woman who stole his identity and get his life back. Release Strategy: Wide. RATING: 2.6 If the only laughs are on the trailer, this could be bad news – or lose your bladder control-funny if not.
LORE (Music Box) Genre: War Thriller. Five children, whose parents were imprisoned at the end of World War II as SS officers, make a perilous journey across a ruined Germany to reach their grandmother in the north. Release Strategy: Limited. RATING: 1.4 Looks beautifully filmed and wonderfully tense.
THE PLAYROOM (Freestyle) Genre: Drama. An older sister tries to distract her younger siblings with stories of fantasy while her alcoholic parents party downstairs. Release Strategy: New York City only. RATING: 1.8 Looks really intense; John Hawkes, one of my favorite actors right now, makes it a must-see but I understand newcomer Olivia Harris might be even better here.
PORFIRIO (Magic Lantern) Genre: True Life Drama. A paralyzed man in a diaper plots to highjack a plane to gain revenge over the government – and yes, it’s based on a true story (I couldn’t possibly make that up). Release Strategy: New York City only. RATING: 2.8 Looks so oddball that it might not resonate…but we’ll have to wait and see.
SIDE EFFECTS (Open Road) Genre: Thriller. A drug prescribed for anxiety has some unexpected side effects, leading to repercussions for both doctor and patient. Release Strategy: Wide. RATING: 1.9 Director Steven Soderbergh is usually a slam dunk for me.
THE SORCERER AND THE WHITE SNAKE (Magnet) Genre: Martial Arts. A sorcerer in ancient China tries to prevent a beloved herbalist from losing his soul to an evil white snake disguised as a beautiful woman. Release Strategy: Limited. RATING: 1.4 Amazing visuals and Jet Li – what more could anybody ask for?
SPIDERS 3D (Millennium) Genre: Horror. Giant spiders created by pieces of a crashed Soviet space station threaten to overrun New York City. Release Strategy: Limited. RATING: 2.9 They don’t make ’em like this anymore – possibly with good reason.
TOP GUN 3D (Paramount) Genre: Action. Maverick takes back to the skies with his wingman Goose, this time in murky 3D Release Strategy: Wide (3D). RATING: 3.9 I’ve already lost that loving feeling for 3D re-releases.

FEBRUARY 13, 2013

A GOOD DAY TO DIE HARD (20th Century Fox) Genre: Action. Supercop John McClane teams up with his son to take on a rogue Russian leader bent on world domination.. Release Strategy: Wide (Standard, IMAX). RATING: 1.3 Bruce Willis is getting a bit long in the tooth for these; maybe this will be the passing of the torch.

FEBRUARY 14, 2013

BEAUTIFUL CREATURES (Warner Brothers) Genre: Supernatural Fantasy. A young girl who is about to become a witch of unthinkable power becomes the center of a family feud. Release Strategy: Wide. RATING: 2.3 This could either go the Twilight route or become interesting eye candy; I’m sure the studio would like a combination of the two.
ESCAPE FROM PLANET EARTH (Weinstein) Genre: Animated Feature. A heroic astronaut lands on a strange planet, gets captured and must be rescued by his brainier and less brawny brother – three guesses which planet he landed on. Release Strategy: Wide. RATING: 3.6 The animation looks cheesy and the story ripped off from other mediocre animated features.
MURDER 3 (FIP) Genre: Bollywood. A renowned photographer gets involved with a mysterious woman who may have the answers to the disappearance of his girlfriend. Release Strategy: Limited. RATING: 2.7 A Bollywood take on an erotic thriller might actually be better than most of the ones that have come out of the US lately.
SAFE HAVEN (Relativity) Genre: Romance. A woman running from her past finds a small town to hide in and a widower’s arms to hold her but the past has a way of finding you. Release Strategy: Wide. RATING: 3.1 Nicholas Sparks churns out yet another film to add to his growing list of credits.

FEBRUARY 15, 2013

THE BITTER BUDDHA (Self-Released) Genre: Documentary. Follows Eddie Pepitone, a comic deified by his peers but largely unknown to the general public. Release Strategy: Limited. RATING: 2.2 I haven’t seen Eddie Pepitone live but now I want to.
LIKE SOMEONE IN LOVE (IFC) Genre: Drama. The story of the relationship between a young woman and an old man in Tokyo. Release Strategy: Limited. RATING: 2.5 The trailer is beautifully photographed and sensual.
NO (Sony Classics) Genre: True Life Drama. A referendum on Pinochet’s government in Chile in 1988 is expected to be a whitewash but the advertising exec tasked to spearhead the opposition campaign has other ideas. Release Strategy: Limited. RATING: 1.0 Surreal and funny and touching and with an underlying message – can’t wait to see this.
SAVING LINCOLN (Self-Released) Genre: Historical Drama. Lincoln’s bodyguard, famously absent the night of his assassination, is presented here using groundbreaking special effects. Release Strategy: Limited. RATING: 2.5 Purports to bring actual Civil War-era photographs to life but looks unconvincing in places; still an intriguing subject nonetheless.
WOULD YOU RATHER? (IFC Midnight) Genre: Thriller. A millionaire throws a dinner party in which desperate guests are forced to play a game of increasingly dangerous and deadly “Would You Rather.”. Release Strategy: Limited. RATING: 2.4 Cult favorite Jeffrey Combs is one of the stars so that’s a reason to see it – the trailer is pretty nifty too.

FEBRUARY 22, 2013

11 FLOWERS (First Run) Genre: Drama. During China’s Cultural Revolution, an 11-year-old boy is selected to lead gymnastics for his school, a great honor but he needs a new shirt. This shirt will entwine his fate with that of a fugitive in unexpected ways. Release Strategy: New York City only. RATING: 2.6 The latest from one of China’s most acclaimed young directors.
BLESS ME, ULTIMA (Arenas) Genre: Drama. A young boy in New Mexico during the Second World War comes to terms with his spirituality and Chicano heritage when a curendera (spiritual healer) comes to live with his family. Strategy: Limited. RATING: 1.6 Looks awfully intriguing; based on a controversial novel so that’s always good.
DARK SKIES (Dimension) Genre: Sci-Fi Horror. When a family moves into a new home, they are beset by mysterious forces they can’t understand but they soon realize that they must find a way to protect themselves from. Release Strategy: Wide. RATING: 2.0 From the producers of the Paranormal Entity series.
INESCAPABLE (IFC) Genre: Thriller. A Syrian expatriate must return home for the first time in 20 years to find his daughter amid the events of the Arab Spring. Release Strategy: New York City only. RATING: 2.1 Looks pretty good with Deep Space Nine’s Alexander Siddig in a long overdue lead role.
RED FLAG (Tribeca) Genre: Romantic Comedy. An independent filmmaker taking his movie on tour enters into a surreal world of sex, fear, drugs and birds. Release Strategy: New York City only. RATING: 3.1 I’ll go with Indie Clichés for $1000 Alex.
RUBBERNECK (Tribeca) Genre: Thriller. A researcher whose tryst with a fellow researcher has developed into an obsession loses it when she develops feelings for another man. Release Strategy: New York City only. RATING: 2.4 Looks genuinely creepy.
SNITCH (Summit) Genre: Thriller. A father makes a deal with the FBI to go undercover in a drug cartel’s organization to save his son from going to jail for a crime he didn’t commit. Release Strategy: Wide. RATING: 1.7 Based on a true story and starring The Rock – I’m there.
STAND-OFF (Ketchup Entertainment) Genre: Comedy. To pay off a gambling debt to a mobster, a man robs a fish store he’s unaware belongs to the same mobster; on the run from the cops and the mob, he is cornered in a curio store with a group of oddballs trying to find a way out of this mess. Release Strategy: Limited. RATING: 2.3 A really good cast includes Brendan Fraser and Colm Meaney.

SCHEDULED TO BE REVIEWED HERE AS NEW RELEASES
Bullet to the Head, Warm Bodies, Identity Thief, Side Effects, A Good Day to Die Hard, Safe Haven, Dark Skies, Snitch

New Releases for the Week of February 1, 2013


Warm Bodies

WARM BODIES

(Summit) Nicholas Hoult, Teresa Palmer, Rob Corddry, John Malkovich, Analeigh Tipton, Dave Franco, Cory Hardrict. Directed by Jonathan Levine

The zombie apocalypse has come and life is no picnic. Hordes of shuffling monsters rule the streets and skeletal monsters, called Bonies, are even worse. In the mix a young man named R, turned zombie, is able to develop feelings for a beautiful young girl named Juliet (yes, R and Juliet – get it?) and that love may change the world, assuming they don’t get shot or eaten or both.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romantic Horror

Rating: PG-13 (for zombie violence and some language)

Bullet to the Head

(Warner Brothers) Sylvester Stallone, Sung Kang, Christian Slater, Jason Momoa. A New Orleans hitman is force to join forces with a police officer from Washington DC when they discover that they are chasing the same person – the one responsible for murdering both of their partners. Their alliance is an uneasy one but necessary if they’re going to make it through this gauntlet alive. Based on a graphic novel.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Action

Rating: R (for strong violence, bloody images, language, some nudity and brief drug use)

Stand Up Guys

(Roadside Attractions) Al Pacino, Christopher Walken, Alan Arkin, Julianna Margulies. After serving 28 years, a retired gangster is picked up by his best friend, also a retired gangster and the two join forces with yet another retired gangster. The three go out to celebrate but one of them has a secret – they are to kill one of the others on the orders of their boss in order to make sure he doesn’t talk.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Crime Comedy

Rating: R (for language, sexual content, violence and brief drug use)