New Releases for the Week of February 8, 2019


THE LEGO MOVIE 2: THE SECOND PART

(Warner Brothers) Starring the voices of Chris Pratt, Elizabeth Banks, Will Arnett, Tiffany Haddish, Alison Brie, Nick Offerman, Charlie Day, Maya Rudolph, Will Ferrell. Directed by Mike Mitchell

The citizens of Bricksburg are once again facing a deadly threat, this time in the form of LEGO Duplo characters from outer space. Their quest will take them to strange unexplored worlds including a galaxy where everything is a musical. Batman sings?

See the trailer, video featurettes, a clip, an interview and a short film here
For more on the movie this is the website

Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for mild action and rude humor)

Capernaum

(Sony Classics) Zain Al Rafeea, Yordanos Shiferaw, Boluwatife Treasure Bankole, Kawthar Al Haddad. A street kid who flees his negligent parents survives by his wits on the streets of Lebanon. When he sees justice meted out in a Lebanese court, he decides to sue his parents for the act of giving him life and then leaving him to rot. The actors are all non-professionals who are given the situations that the screenplay dictated and asked to speak and gesture as if the events were happening to them. Where things deviated from the script the director rewrote to adjust to her actors. This won the Grand Prize at last year’s Cannes Film Festival.

See the trailer and video featurettes here
For more on the movie this is the website

Genre: Drama
Now Playing: Regal Winter Park Village

Rating: R (for language and some drug material)

Cold Pursuit

(Summit) Liam Neeson, Laura Dern, Emmy Rossum, Tom Bateman. An upstanding citizen, the snowplow driver for a small Northern town, is shattered when his son dies mysteriously. Connecting the death to a local drug lord, he goes on a quest to get justice which turns into a quest to exact vengeance as those sorts of quests often do.

See the trailer and video featurettes here
For more on the movie this is the website

Genre: Action
Now Playing: Wide Release

Rating: R (for strong violence, drug material, and some language including sexual references)

Piercing

(Greenwich) Christopher Abbott, Mia Wasikowska, Marin Ireland, Wendell Pierce. An upstanding husband goes on a business trip where he aims to murder an innocent. The call girl he invites to his room however has an agenda of her own.

See the trailer here
For more on the movie this is the website

Genre: Thriller
Now Playing: Enzian Theater

Rating: R (for aberrant violent and sexual content, nudity, and language)

The Prodigy

(Orion) Taylor Schilling, Jackson Robert Scott, Peter Mooney, Colm Feore. A young mother discovers that her beautiful little boy has been possessed by an evil entity. She is torn between her maternal instinct to protect her son and a need to discover what is wrong with him – a journey that will blur the lines of reality.

See the trailer and video featurettes here
For more on the movie this is the website

Genre: Horror
Now Playing: Wide Release

Rating: R (for violence, disturbing and bloody images, a sexual reference and brief graphic nudity)

What Men Want

(Paramount) Taraji P. Henson, Aldis Hodge, Tracy Morgan, Richard Roundtree. A career driven sports agent has run up against the glass season at the agency where she works. When she obtains the power to hear men’s thoughts, she uses her new-found gift to help her advance her career.

See the trailer, clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website

Genre: Comedy
Now Playing: Wide Release

Rating: R (for language and sexual content throughout, and some drug material)

ALSO OPENING IN ORLANDO/DAYTONA:

The Aspern Papers
Berlin, I Love You
The Final Wish
The Man Who Killed Hitler and Then the Bigfoot
Mary, Marry Me
Peppa Pig Celebrates Chinese New Year
The Second Time Around
Yatra

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Anina
Heading Home: The Tale of Team Israel
Integrity
The Invisibles
Natasaarvabhowma
Pegasus
Peppa Pig Celebrates Chinese New Year
Untogether
The Wandering Earth
Yatra

ALSO OPENING IN TAMPA/ST. PETERSBURG:

A Violent Man
The Amityville Murders
Beneath the Leaves
Berlin, I Love You
Darkness Visible
The Man Who Killed Hitler and Then the Bigfoot
Peppa Pig Celebrates Chinese New Year
Vijay Superum Pournamiyum
Yatra

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Mary, Marry Me
Natasaarvabhowma
Yatra

SCHEDULED FOR REVIEW:

Cold Pursuit
The Final Wish
Heading Home: The Tale of Team Israel
The Lego Movie 2: The Second Part
What Men Want

The Gift (2015)


Rebecca Hall investigates.

Rebecca Hall investigates.

(2015) Thriller (STX) Jason Bateman, Rebecca Hall, Joel Edgerton, Allison Tolman, Tim Griffin, Busy Phillipps, Adam Lazarre-White, Beau Knapp, Wendell Pierce, Mirrah Foulkes, Nash Edgerton, David Denman, Kate Aselton, David Joseph Craig, Susan May Pratt, P.J. Byrne, Felicity Price, Melinda Allen, Jyothsna Venkatesh, Laura Drake Mancini, DaNae West, Stacey Bender, Beth Crudele. Directed by Joel Edgerton

The past has a way of rearing its head, ugly or not, when we least expect it. Sometimes it can be a song or a scent that brings it flooding back, or a chance meeting in a retail store. We are tied to our past as surely as we are tired to our choices.

Things are looking good for Simon (Bateman) and Robyn (Hall). They are happily married, Simon recently got a major promotion (and is closing in on another) and they’ve just purchased a beautiful home with amazing views from floor-to-ceiling glass windows. What those in thrillers fail to appreciate is that glass is two-way – you can look out of it sure, but so can others look in.

While shopping for furnishings the couple run into Gordo (Edgerton), a sad-sack sort that was a classmate of Simon’s in high school. Simon can barely remember him, and Robyn takes pity on him; he seems a nice enough guy if a bit socially awkward. She invites him to dinner.

When Gordo starts leaving little gifts; a bottle of wine, glass cleaner, Koi carp for their pond, at first it seems like a nice gesture but it begins to get a little creepy. Then there are intimations of some sort of incident in the past between Gordo and Simon that was less than savory. Robyn also has her own skeletons; a miscarriage sent her spiraling into depression and drug abuse. She has gotten better lately but Simon still worries about it.

Then again, Simon seems to have issues of his own. The more we get to know these people, the less we actually do, all of which descends to an inevitable confrontation which leads to a shocking revelation.

This is Edgerton’s first feature as a director and if this is any indication, he has a bright future ahead of him in that regard. The pacing here is damn near perfect, neither too hurried but definitely moves along at a good clip. The result is we’re constantly on the edge of our seats without feeling like we’re missing anything.

Edgerton as a writer is also amazing; all of the main characters are nicely developed and are allowed to be imperfect. The twist at the end is brilliant and shocking, a rare thing these days when we think we just can’t be shocked. This is proof that not only can we be, but we can be surprised as well. A good movie buff appreciates that more than you can imagine.

Bateman gets a rare serious role and plays it very nicely, never overplaying the dramatic aspects (which some comic actors tend to do) but not underplaying it either. He uses his nice guy persona as a bit of a tool, allowing us to settle in to a particular viewpoint of who the character is, then slowly tears down that viewpoint as the character turns out to be something different. It shows Bateman to be an actor of enormous range; I wouldn’t be surprised to see higher-profile dramatic roles coming his way because of his performance here.

Edgerton has long been someone that “everyone” knows can act, but hasn’t really ascended into the Hollywood elite yet. There’s a good chance he will now, showing himself to be a massive talent behind the camera, but a great one in front of the camera as well. Like Bateman, he uses his edgy persona to his advantage to create certain expectations for the audience and then slowly strips them away. I’ve always liked Edgerton as an actor; now I like him even more.

Hall’s character is more brittle and fragile, and in some ways more colorless. She is just beginning to get it together after essentially a breakdown but the goings on here put her back teetering on the edge. Hall doesn’t really hit it out of the park like her colleagues do, but she turns in a solid performance that is bound to get her some notice from casting agents.

The creepy factor is extra high here as we watch the events unfold. Certainly the tension through the last third of the movie is high, but this isn’t a roller coaster ride so much as a dark ride in a boat through some really terrible scenes. This movie has been pretty much universally praised and for good reason; don’t read that as being excessive however – this isn’t an essential movie, just a really well-crafted thriller that is well worth your while. And that is essential enough.

REASONS TO GO: Effectively creepy. Nice twist. Good casting.
REASONS TO STAY: The camera is a bit static. Hall’s character is a bit bland.
FAMILY VALUES: There’s a fair amount of foul language and some adult themes.
TRIVIAL PURSUIT: Because he wanted to focus on directing, Edgerton filmed all of his own scenes two weeks into shooting and had them completed in seven days.
CRITICAL MASS: As of 8/28/15: Rotten Tomatoes: 92% positive reviews. Metacritic: 77/100.
COMPARISON SHOPPING: Oldboy
FINAL RATING: 7/10
NEXT: Ricki and the Flash