(2020) Drama (Goldwyn) Steve Zahn, Jillian Bell, Sasha Knight, Ann Dowd, Gary Farmer, Chris Coy, John Reynolds, Bob Stephenson, AJ Slaght, John Beasley, Seth Breding, Angela Marshall, Steve Dodd, Armando Garcia, Heather LaPointe, Jared Broxterman, Emily Moran, Matt Mhoon, Mari LaPlante, Sawyer Pule, Travis W. Bruyer, Michaela Dixon, Kasey Kurit, Lori Wubben. Directed by Anna Kerrigan
Montana has always been a beautiful place where rugged individualism has been admired, and where values are conservative and based on Judeo-Christian beliefs. It is an environment that, from time to time, has been unforgiving of those outside the norm.
At first blush, it appears that Troy (Zahn) and Joe (Knight) are on a father-son camping trip in the beautiful wilds of Montana. When Troy’s truck breaks down, the two end up staying the night at the home of Robert Spottedbird (Farmer), a friend who lends the two his horse. But it becomes clear that there is something not quite right with the scenario. We soon find out that Joe’s mother and Troy’s estranged wife Sally (Bell) has frantically discovered that Joe is missing from his bedroom and calls the police, putting dogged detective Faith (Dowd) on the case.
We are told the backstory to all this in flashbacks, how Joe was born a girl but is convinced that she was born in the wrong body. While Troy is willing to accept this, the more devout Sally is not. Sally, ever-pragmatic, also realizes that this kind of revelation is likely to get Joe bullied at best, and maybe something worse.
As the search for the two goes on, we find that Troy is not nearly a perfect father; he’s bi-polar, and while he’s pretty affable so long as he stays on his meds, he’s prone to fits of rage, one of which in the defense of his son lands him in jail and leads to Sally separating from him. However, the more time Joe spends with Sally, the more he realizes that his mother will never let him be who he is meant to be, couching her denial in terms of “God’s plan.” It is a refrain many transgender folk have heard all too often.
Sally knows that Troy is unreliable, and the longer she is separated from Joe, the more she realizes her own role in his being gone. She also realizes that the longer this goes on, the less likely it is that Troy will come out of this unharmed. As Troy and Joe navigate the wilderness, Joe’s love for cowboys and the cowboy mythology begins to crumble as he realizes that his father, who once seemed to be his only option, might not be competent enough to get them both to Canada – and that Troy has absolutely no plan whatsoever once the two arrive there.
This is a timely movie, inasmuch as it was released a couple of weeks before the House of Representatives passed the Equality Act, a sweeping reform that would insure the rights of transgenders and other LGBTQ citizens (it faces an uphill battle to pass in the Senate where it will need 60 votes). Kerrigan makes the most of the beautiful Big Sky scenery captured by cinematographer John Wakayama Carey, giving us breathtaking vistas and moments of exquisite natural beauty. There are also moments of ugliness, as townspeople come down on Joe and his desire to be male.
The four major roles of Troy, Joe, Sally and Faith are all perfectly cast and Kerrigan gets some outstanding performances from all of them. Bell and Zahn are generally noted for their comedic roles, but both handle the drama here with aplomb, with Zahn giving an absolutely outstanding performance that is sure to bring him some meatier parts in the future. Knight, as Joe, conveys a bittersweet melancholy and world-weary wisdom that belies his character’s years; one can imagine that it would be awful to have to deal with two damaged parents as well as his own issues of sexual identity. Knight’s performance should provide a role model for kids in that situation everywhere.
This is not a movie with easy answers; there are no white hats here (nor are there black hats either). Both Sally and Troy are flawed human beings doing the best that they can and the love they have for Joe is absolutely palpable. There is no doubt that this is, already, one of the year’s best films and should give families undergoing similar issues a starting place for necessary conversations.
REASONS TO SEE: Beautiful scenery. Zahn is as good as he’s ever been and Knight is a revelation. Some moments of heart-rending pathos.
REASONS TO AVOID: A bit on the predictable side.
FAMILY VALUES: There is some profanity and adult themes.
TRIVIAL PURSUIT: Kerrigan insisted that the role of Joe be filled by a trans/gender-fluid actor, which Sasha Knight is.
BEYOND THE THEATERS: Amazon, AppleTV, DirecTV, Fandango Now, Google Play, Microsoft, Redbox, Vimeo, Vudu, YouTube
CRITICAL MASS: As of 2/26/21: Rotten Tomatoes: 91% positive reviews. Metacritic: 74/100
COMPARISON SHOPPING: A Kid Like Jake
FINAL RATING: 8.5/10