New Releases for the Week of July 28, 2017

ATOMIC BLONDE

(Focus) Charlize Theron, James McAvoy, Eddie Marsan, John Goodman, Toby Jones, Sofia Boutella, Til Schweiger, Barbara Sukowa, James Faulkner. Directed by David Leitch

The most lethal assassin in MI6 is sent on assignment to Berlin to smuggle a dossier out of the city which has been destabilized by opposing forces. In a simmering cauldron of betrayal and murder, she is allied with the embedded station chief to navigate the back alleys and halls of power to get what Her Majesty’s government requires of her. She soon realizes that she has been betrayed from within and you know what they say hell hath no fury like. This is based on the Oni Press graphic novel The Coldest City.

See the trailer, clips, interviews, B-roll video and premiere footage here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Action
Now Playing: Wide Release
Rating: R (for sequences of strong violence, language throughout and some sexuality/nudity)

A Ghost Story

(A24) Casey Affleck, Rooney Mara, Kesha Sebert, Will Oldham. Recently deceased, a ghost – complete with white sheet – haunts his beloved home while silently observing his grief-stricken wife. He is also able to see other inhabitants of the house both past and present. The latest film from director David Lowery has gotten much acclaim on the festival circuit.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Fantasy
Now Playing: AMC Disney Springs, Cinemark Artegon Marketplace, Regal Winter Park Village
Rating: R (for brief language and a disturbing image)

The Emoji Movie

(Columbia) Starring the voices of T.J. Miller, James Corden, Anna Faris, Patrick Stewart. Deep in the heart of your smart phone lies a place called Textopolis where all your favorite emojis live. Each one of them has but one facial expression – except for poor Gene who has many. Wanting to be normal, he and his friends Hi-Five and Jailbreak search the phone and all its apps to find the code that will fix Gene. When unwittingly they discover a greater danger threatening the entire phone, the resourceful emojis will have to use all their skills to keep the emojis from being deleted for good.

See the trailer, a featurette and premiere footage here.
For more on the movie this is the website
Release Formats: Standard, 3D
Genre: Animated Feature
Now Playing: Wide Release
Rating: PG (for rude humor)

The Exception

(A24) Christopher Plummer, Jai Courtney, Lily James, Janet McTeer. As the Second World War looms, Kaiser Wilhelm II lives in exile in the Netherlands. A German soldier is assigned to determine whether the Dutch resistance has a spy or spies in the former ruler’s household. In the course of his investigation he falls for a Dutch Jewish girl who may or may not be the droid he’s looking for.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Historical Drama
Now Playing: Enzian Theater
Rating: R (for sexuality, graphic nudity, language and brief violence)

OPENING IN ORLANDO/DAYTONA:

Manifesto
Mubarakan
Vikram Vedha

ALSO OPENING IN MIAMI:

13 Minutes
A Family Man
Imperfections
Lady Macbeth
Landline
Mubarakan
My Father’s Land
My Journey Through French Cinema
Vikram Vedha
Wolf Warrior 2

ALSO OPENING IN TAMPA:

A Family Man
The Black Prince
Imperfections
The Last Face
Maurizio Cattelan: Be Right Back
Mubarakan

ALSO OPENING IN JACKSONVILLE:

I, Daniel Blake
Mubarakan
Vikram Vedha

SCHEDULED FOR REVIEW:

A Ghost Story
Atomic Blonde
The Emoji Movie
The Exception
Lady Macbeth
Landline

 

Advertisement

Wendy and Lucy

Lucy patiently awaits the return of Wendy.

 

(Oscilloscope) Michelle Williams, Will Patton, Larry Fessenden, Will Oldham, Walter Dalton, John Robinson, Marilyn Hickey, John Breen. Directed by Kelly Reichardt 

The world is not always an easy place to live in, but it’s particularly hard on those who have nothing. Sometimes even making a move from one place to another to find work can be an undertaking requiring the bravery of a soldier running into battle. 

Wendy (Williams) is down on her luck, having dwindling funds and no job. She is driving from Indiana to Alaska to (hopefully) find work in a cannery, although nothing is certain. She is alone save for her only friend in the world, Lucy (a golden retriever) whom she hangs onto like a life raft. The only love Wendy experiences in life comes from Lucy. 

Unfortunately, as often happens to those who can least afford it, disaster sets in. Her car breaks down in Portland, Oregon. Unnerved, she goes to a grocery store to get some dog food for Lucy, and winds up being arrested for shoplifting. By the time the mess is sorted out, Lucy is gone. The rest of the movie is taken up by Wendy’s search for her only friend in a place she doesn’t know. 

The plot is deceptively simple but undeniably effective. Most of us have, at one time or another, lived on the ragged edge, one paycheck away from utter disaster. We can all relate to having nothing, or being left with nobody. Director Reichardt brings a sense of realism to the movie that is palpable; there is little background music and nothing forced about the plot. 

There are a number of background characters who flit in and out, most notably Dalton as a security guard who is the only oasis of human kindness in the movie. Most of the other characters in the movie treat Wendy with indifference or contempt, which is how the homeless are generally regarded by most of us, as if they chose homelessness over a life of productivity. While some may have, every last one of them has feelings just like the rest of us and this film reminds us of that. 

Williams does a courageous job as Wendy, her face expressing so much of the internal dialogue, reflecting Wendy’s hope, terror and concern when need be. She has to carry the movie to a real extent and she does so with a good deal of dignity. This isn’t a glamorous role – far from it – but it’s a role that can make directors and producers sit up and take notice and hopefully Williams will get a few juicy roles out of this. 

This is the first movie I’ve seen by Reichardt although she’s done several, and I must say she’s quite a talent. She keeps the tone low (perhaps too low for those who prefer their movies more challenging) and quiet; this isn’t a movie that gets up in your face but rather, it sticks with you. She co-wrote the script along with original short story author Jonathan Raymond (the two also collaborated on Old Joy) and while this isn’t a strident call to arms, the spirit of Tom Joad is alive and well and living in this movie. That is quite the legacy as far as I’m concerned. 

WHY RENT THIS: A decent indie film about poverty and the bonds of love that are unshakable. Williams gives an impressive performance. 

WHY RENT SOMETHING ELSE: It’s gut-wrenching at times. The overall tone is a bit slow. 

FAMILY VALUES: The language can be a bit rough, and the subject matter is a little on the mature side; even though there’s a dog involved, this is probably more for the more mature members of the family than the kids. 

TRIVIAL PURSUIT: In order to get into character, Williams did not bathe for the two weeks of shooting, wore no make-up and did not shave her legs or cut her fingernails. After shooting was completed, her friend actress Busy Philipps treated her to a manicure and pedicure. 

NOTABLE DVD EXTRAS: Reichardt also acts as a visiting professor of film and electronic arts at Bard College; she has thoughtfully included five short films by four of her colleagues made from 1979 through 2004. 

BOX OFFICE PERFORMANCE: $1.1M on an unreported production budget; the movie probably broke even or might have made a slight profit. 

FINAL RATING: 6/10 

TOMORROW: Zoom