New Releases for the Week of August 31, 2018


KIN

(Summit) Myles Truitt, Jack Raynor, Dennis Quaid, Zoë Kravitz, James Franco, Carrie Coon, Ian Matthews, Gavin Fox. Directed by Jonathan and Josh Baker

An adopted African-American teen finds an otherworldly weapon in an abandoned factory and takes it home where his brother has just returned home after a stint in jail. Soon the two are being chased by the feds, the alien soldiers whose weapon it is and a vengeful criminal who has a beef with the ex-con.

See the trailer, interviews, clips, a video featurette and B-roll footage here
For more on the movie this is the website

Release Formats: Standard, DBOX, IMAX
Genre: Science Fiction
Now Playing: Wide Release

Rating>: PG-13 (for gun violence and intense action, suggestive material, language, thematic elements and drinking)

Juliet, Naked

(Roadside Attractions) Rose Byrne, Ethan Hawke, Chris O’Dowd, Jimmy O. Yang. A museum curator in a small British seaside town has put up for years with her boyfriend’s obsession over an American indie rocker who made one album and essentially disappeared. Now that there is new material out there, she impulsively writes a nasty review on her boyfriend’s website and to her surprise, gets a response from the musician in question. To her even greater surprise, she begins to develop a romantic relationship with the faded ex-rocker.

See the trailer, clips and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: AMC Disney Springs, Enzian Theater, Regal Waterford Lakes, Rialto Spanish Springs Square

Rating: R (for language)

The Little Stranger

(Focus) Domhnall Gleeson, Ruth Wilson, Charlotte Rampling, Will Poulter. In 1948, an English country doctor visits a patient on an estate where his mother once worked. The crumbling manor disguises some terrifying events that will draw the doctor into an exploration of the history of the family that has lived there for more than two centuries – and even more disquietingly, his own.

See the trailer, clips and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon Marketplace, Regal The Loop, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for some disturbing bloody images)

Operation Finale

(MGM) Oscar Isaac, Ben Kingsley, Mélanie Laurent, Nick Kroll. This is the incredible but true story of the capture of Nazi war criminal Adolph Eichmann in a daring raid in Buenos Aires by a combined force of Mossad and Shin Bet.

See the trailer and video featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: War Drama
Now Playing: Wide Release (opened on Wednesday)

Rating: PG-13 (for disturbing thematic content and related violent images, and for some language)

Searching

(Screen Gems) John Cho, Debra Messing, Michelle La, Sara Sohn. When his sixteen-year-old daughter disappears and with time ticking away, a desperate father searches his daughter’s laptop for clues that might lead him to his baby girl, and instead gets a lot more than he bargained for.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: PG-13 (for thematic content, some drug and sexual references, and for language)

Yo Veremos

(Pantelion) Mauricio Ochmann, Fernanda Castillo, Emiliano Aramayo, Erik Hayser. A young boy preparing for sight-saving surgery puts together a bucket list of things he wants to do with both of his estranged parents.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Family
Now Playing: AMC Disney Springs, Epic Lee Vista, Regal The Loop, Touchstar Southchase

Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

An Actor Prepares
The Bookshop
Nartanasala
Reprisal
Support the Girls

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

The Bookshop
Imaiikka Nodigal
John McEnroe: In the Realm of Perfection
Madeline’s Madeline
Nartanasala
Nico, 1988
The Night is Short, Walk on Girl
Reprisal
Stree
The Wife

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Blood Fest
Boarding School
The Bookshop
Imaiikka Nodigal
Reprisal
Snow Queen 3: Fire and Ice
Stree
 

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Nartanasala
Summer 1993

SCHEDULED FOR REVIEW:

Blood Fest
Juliet, Naked
Kin
The Little Stranger
Operation Finale
Searching
Support the Girls

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War Machine (2017)


War is an all-American pastime!

(2017) Dramedy (Netflix) Brad Pitt, Ben Kingsley, Tilda Swinton, Topher Grace, Anthony Michael Hall, Scoot McNairy, Lakeith Stanfield, Alan Ruck, Will Poulter, Nicholas Jones, Meg Tilly, Josh Stewart, Tim Downey, Richard Glover, Griffin Dunne, Andrew Byron, Daniel Betts, John Magaro, RJ Cyler, Emory Cohen, Rufus Wright, Sean Power, Sian Thomas, Paul Hickey, Georgina Rylance. Directed by David Michôd

 

Netflix has been producing original movies for several years but their Adam Sandler comedies aside, their first serious attempt at a blockbuster of their own was this fictionalized Brad Pitt film based on a non-fiction book about the War in Afghanistan. It is not a promising start, although they have several films that have been released since then that are far better and far bigger.

The movie is meant to be a black comedic commentary on the nature of 21st century war as practiced by the United States. It moves at a kind of snail’s pace (at roughly two hours long, it is about a half hour too much) through a bloated script full of unfunny bits. The fault here isn’t Pitt’s although this is perhaps his most deranged work yet; his General Glen McMahon is a walking tic machine, exhorting troops that “We WILL prevail” at the same time expressing frustration with the bureaucracy he has to deal with. His square-jawed expression is the epitome of every Hollywood American military commander yet his odd gait looks like he has some sort of wound in his genitals.

Despite having a cast of some of the best actors and character actors working today, there are simply too many roles and you forget who is who after about five minutes, leading to further confusion that the screenplay hasn’t already caused itself. This has all the earmarks of moviemaking by committee.

I liked the concept and thought that given the pedigree of Michôd (Animal Kingdom) that this project had promise but it pretty much falls apart of its own weightiness. I get the sense that the filmmakers were told to make a comedy, then told to make a commentary on war, then told to make a drama by the powers that be. What they ended up making was a mish-mash that is neither one nor the other but is a tedious waste of two hours. I expected much better

REASONS TO GO: Even at his most subdued, Pitt still exudes star power.
REASONS TO STAY: The film is bloated and dreadfully unfunny.
FAMILY VALUES: There is war violence and profanity.
TRIVIAL PURSUIT: The film references actual events that took place during the command of Stanley A. McChrystal between 2009 and 2010.
BEYOND THE THEATER: Netflix
CRITICAL MASS: As of 3/28/18: Rotten Tomatoes: 50% positive reviews. Metacritic: 56/100.
COMPARISON SHOPPING: Wag the Dog
FINAL RATING: 5/10
NEXT:
Suburbicon

Maze Runner: The Death Cure


How can they be surprised at the bad reviews?

(2018) Science Fiction (20th Century Fox) Dylan O’Brien, Thomas Brodie Sangster, Ki Hong Lee, Kaya Scodelario, Dexter Darden, Will Poulter, Jacob Lofland, Rosa Salazar, Giancarlo Esposito, Aidan Gillen, Patricia Clarkson, Barry Pepper, Nathalie Emmanuel, Katherine McNamara, Walton Goggins, Dylan Smith,  Jake Curran, Greg Kriek, Liza Scholtz. Directed by Wes Ball

 

There have been a number of dystopian sci-fi trilogies in the young adult book market as of late, several of which have been converted to the silver screen. Divergent, The Hunger Games and Maze Runner all feature young heroes who shoulder the responsibility of changing their society for the better. It makes me wonder if that hasn’t rubbed off on the current generation who recently took to the streets to protest a lack of movement on gun control.

However, while one applauds the passion of the Parkland pack, it’s hard to appreciate the cinematic skills displayed on this, the finale of the Maze Runner series. It’s stupefying in its length – two hours and twenty odd minutes – and seems to be repetitive in its action. We learn the horrifying truth about WCKD – that in a latch-ditch effort to find a cure for the disease that has overtaken 80% of he population they have taken to experimenting on young people who have shown immunity to the disease which turns people into ravening homicidal maniacs – zombiesque you might say – that has essentially wiped out civilization in all but the Last City.

The original group of maze runners has shown up on a variety of sides; Teresa (Scodelario) is a researcher for WCKD and her mother (Clarkson) is the head scientist for them. Minho (Lee) has been taken by WCKD and its head security guy Janson (Gillen); Newt (Sangster) has finally come down with the disease while Thomas (O’Brien) is leading the rescue efforts to pick up Minho before they sail to a deserted island to live away from the madness in peace and tranquility.

The trend of dividing the trilogy finale into two separate movies was not adopted here, likely because the filmmakers did enough padding (for example, the opening train sequence doesn’t appear in the book) and still couldn’t fill up two movies. As usual with young adult adventure stories, kids are heroic (mostly) and adults are evil (mostly) and the adults underestimate the kids and don’t understand them – yes, it’s a bit pedantic but I suppose you have to appeal to the sensitivities of the market you’re after.

Sangster is one of my favorite young actors out there but he doesn’t get much to do here until the end. O’Brien shows tremendous potential but he hasn’t really won me over yet – the character of Thomas is just too cliché which is hardly his fault and yes, he imbues the character with nobility but Thomas is so one-note it’s difficult to assess whether O’Brien can pull off a multi-layered performance yet so the jury’s still out in my case.

There are plenty of pyrotechnics and oceans of CGI images and for the most part it’s executed well and why wouldn’t it be? With production delays incurred due to an on-set accident which put out the lead performer for almost a year, the effects houses were given plenty of time to work on the images. Still the story is so weak, the characters so been there done that and the movie way overlong that recommending this film is simply not in the cards. I am not convinced that this is the death cure but it sure is a cure for insomnia.

REASONS TO GO: The pyrotechnics and special effects were nifty in places.
REASONS TO STAY: The film is interminably long, dumb and predictable.
FAMILY VALUES: There is action and violence, some thematic concerns as well as a smattering of mild profanity.
TRIVIAL PURSUIT: O’Brien was seriously injured during the opening train scene when he fell off the top of the train; it took nearly a year for him to recover from his injuries, delaying the release of the film from 2017 to January 2018..
CRITICAL MASS: As of 3/26/18: Rotten Tomatoes: 43% positive reviews. Metacritic: 51/100.
COMPARISON SHOPPING: The Divergent Series: Insurgent
FINAL RATING: 5/10
NEXT:
The Family

New Releases for the Week of January 26, 2018


MAZE RUNNER: THE DEATH CURE

(20th Century Fox) Dylan O’Brien, Kaya Scodelario, Thomas Brodie Sangster, Will Poulter, Jacob Lofland, Giancarlo Esposito, Patricia Clarkson, Aidan Gillen, Barry Pepper. Directed by Wes Ball

The final chapter in the Maze Runner trilogy sees the young hero Thomas desperately searching the post-apocalyptic Earth for the cure to the deadly plague known as The Flare. The project was delayed after star Dylan O’Brien was injured during filming.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard, Dolby Atmos, IMAX, RPX, XD
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for intense sequences of sci-fi violence and action, language, and some thematic elements)

Hostiles

(Entertainment Studios) Christian Bale, Wes Studi, Rosamund Pike, Timothée Chalamet. A legendary army officer is tasked at the close of the 19th century to escort a dying Cheyenne war chief from a New Mexico fort where he had been incarcerated to the grasslands of Montana where his tribe has been sent. It’s a perilous journey and the captain is none to pleased about having to make it but during the trip circumstances will force him to work with his mortal enemy in order to survive.

See the trailer and interviews here.
For more on the movie this is the website

Release Formats: Standard
Genre: Western
Now Playing: Wide Release

Rating: R (for strong violence, and language)

ALSO OPENING IN ORLANDO/DAYTONA:

49 Pulses
Ang Dalawang Mrs. Reyes
Bhaagamathie
In the Fade
Padmaavat

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

The Ballad of Lefty Brown
Bhaagamathie
Humor Me
Kickboxer: Retaliation
The Neighbor
Padmaavat

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Aadu 2
Bhaagamathie
The Ballad of Lefty Brown
The Competition
The Neighbor
Padmaavat

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Ang Dalawang Mrs. Reyes
The Ballad of Lefty Brown
Bhaagamathie
The Divine Order
Padmaavat

SCHEDULED FOR REVIEW:

The Ballad of Lefty Brown
Hostiles
In the Fade
Maze Runner: The Death Cure

New Releases for the Week of August 4, 2017


THE DARK TOWER

(Columbia) Idris Elba, Matthew McConaughey, Tom Taylor, Jackie Earle Haley, Kathryn Winnick, Dennis Haysbert, Fran Kranz, Abbey Lee, Claudia Kim. Directed by Nikolaj Arcel

Stephen King’s epic Dark Tower series spans seven books and took him more than a decade to write. At one time envisioned by Ron Howard as a multi-film series with a television series filling in the time between movies, those ambitious plans were scrapped. Now we have this, based on the poem Childe Roland about the last Gunslinger in a world that is passing but inextricably linked with our own. A mysterious man in black – not Johnny Cash – seeks to destroy the Dark Tower that protects both our worlds; the Gunslinger aims to save it. Jake Chamber, a boy from our world, may be the linchpin on whether both worlds stand – or fall.

See the trailer, featurettes and a promo here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Fantasy
Now Playing: Wide Release

Rating: PG-13 (for thematic material including sequences of gun violence and action)

An Inconvenient Sequel: Truth to Power

(Paramount) Al Gore, Donald J. Trump, Barack Obama, Tom Rielly. This documentary follows up on the notorious film that made global warming a household name and became a source of controversy for climate change deniers; former Vice-President Gore catches us up on the efforts to save the Earth from man-made carbon emissions, the hope that sprang from the Paris Accords and the despair that came from then-candidate Trump who promised to withdraw from the Accords (which he did) and dismantle the EPA (which he is doing).

See the trailer, a clip and an interview here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Documentary
Now Playing: Regal Winter Park Village

Rating: PG (for thematic elements and some troubling images)

Detroit

(Annapurna) John Boyega, Will Poulter, Anthony Mackie, John Krasinski. On July 25, 1967 one of the largest race riots in U.S. history rocked Detroit. With the city under lockdown and the Nation Guard called in to patrol the streets, three young African-American men were murdered at the Algiers Hotel. What happened that night remains a mystery; Oscar-winning director Katherine Bigelow takes a stab at trying to reconstruct the incident. Longtime production company Annapurna takes on the distribution aspect with this, their first wide release.

See the trailer, clips, featurettes, interviews and a promo here.
For more on the movie this is the website

Release Formats: Standard
Genre: Historical Drama
Now Playing: Wide Release

Rating: R (for strong violence and pervasive language)

Kidnap

(Aviron) Halle Berry, Sage Correa, Chris McGinn, Lew Temple. A mother watches in horror as her son is kidnapped from right in front of her. With the police essentially helpless, she goes out on her own to get her son back and will stop at nothing to bring him home safe. This film, one of the movies that was to be distributed by Relativity during their bankruptcy, bounced around the schedule and with Relativity apparently gone for good now was picked up by this new distributor to be their first wide release.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: R (for violence and peril)

Lady Macbeth

(Roadside Attractions) Florence Pugh, Cosmo Jarvis, Paul Hilton, Naomi Ackie. A spirited woman is sent in an arranged marriage to a disinterested industrialist who forbids her to leave the house. Bored and humiliated by the constant put-downs of her father-in-law and husband, she embarks on a torrid affair with one of the stable boys and her passion becomes so enflamed that she will stop at nothing to be with her lover.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: R (for some disturbing violence, strong sexuality/nudity, and language)

Landline

(Amazon) Jenny Slate, Jay Duplass, John Turturro, Edie Falco. In 1995, the older sister of a teenage girl moves back into the house causing a bit of friction, particularly since she’s engaged to a nice young man whom she suddenly and inexplicably seems to be ignoring. However, the teen has something far more stressful to worry about; she’s discovered that her father is having an affair. Director Gillian Robspierre also helmed the comedy The Obvious Child.

See the trailer and an interview here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Dramedy
Now Playing: Enzian Theater

Rating: PG-13 (for sci-fi violence and action, suggestive material and brief language)

OPENING IN ORLANDO/DAYTONA:

Finally Found Someone
Jab Harry Met Sejal
Nakshatran
Security

ALSO OPENING IN MIAMI:

Brave New Jersey
Chronically Metropolitan
Finally Found Someone
Fun Mom Dinner
Jab Harry Met Sejal
The Midwife
Radio Dreams

ALSO OPENING IN TAMPA:

Armed Response
The Battleship Island
Chronically Metropolitan
Finally Found Someone
Jab Harry Met Sejal

ALSO OPENING IN JACKSONVILLE:

Darshakudu
Finally Found Someone
Jab Harry Met Sejal
Nakshatram

SCHEDULED FOR REVIEW:

An Inconvenient Sequel: Truth to Power
Brave New Jersey
Chronically Metropolitan
The Dark Tower
Detroit
Lady Macbeth
Landline

The Revenant (2015)


Leo in the wilderness.

Leo in the wilderness.

(2015) Western (20th Century Fox) Leonardo DiCaprio, Tom Hardy, Domhnall Gleeson, Will Poulter, Forrest Goodluck, Paul Anderson, Kristoffer Joner, Joshua Burge, Duane Howard, Melaw Nakehk’o, Fabrice Adde, Arthur RedCloud, Christopher Rosamond, Robert Moloney, Lukas Haas, Brendan Fletcher, Tyson Wood, McCaleb Burnett, Grace Dove. Directed by Alejandro González Iñárritu

Nature has a way of reducing us to our primal, primordial selves. Life becomes reduced to a single choice; survive or die. There is nothing complex about it – but nothing simple either.

Loosely based on an actual incident, the story is about Hugh Glass (DiCaprio), an explorer and trapper in the 1820s American frontier who is leading a party of trappers set upon by the Pawnee, who erroneously believe they kidnapped one of their women. The Americans, under the command of the dauntless Captain Andrew Henry (Gleeson) are forced to stash their hard-won pelts and flee, led by Glass and his compatriot John Fitzgerald (Hardy). When Glass is attacked by a bear and gravely injured and the Pawnee hard on their trail, Captain Henry is forced to leave him under the care of three men, including Fitzgerald, young Bridger (Poulter) and Glass’ son Hawk (Goodluck), who is half-Native American. Glass’ wife (Dove) had been killed by soldiers a few years earlier.

However, the cowardly Fitzgerald, thinking that Glass is a goner for sure, decides to bury him prematurely while Bridger is away. Hawk discovers him and tries to fight him off but gets stabbed to death for his trouble. Fitzgerald quickly buries Hawk and then convinces Bridger that the Pawnee are almost upon them, and throws Glass into a shallow grave, still alive. Bridger reluctantly agrees but his conscience is absolutely bothering him.

The trouble is, Glass is not quite dead yet. And having witnessed his son’s murder, he is full on with a thirst for revenge. The trouble is, he is hundreds of miles away from anything and anyone and he can barely walk. It is the middle of winter and his chances of survival are nearly nil, but never count out the human spirit – and the thirst for vengeance.

This is one of the most beautifully shot films you’re likely to see. In my admittedly inexpert opinion cinematographer Emmanuel Lubezki is far and away the Oscar favorite and this has been a superb year for cinematographers. It is bleak and cold, but there is so much beauty. The shots are carefully constructed to frame the action but at the same time look like works of art, with the trees and the sky and the snow all combining to bring the audience into the frame. I couldn’t help but shiver at times.

DiCaprio was nominated for the Golden Globe for his work here and also has been nominated for an Oscar which are a few weeks away as of this writing and while his performance isn’t my favorite of the year, it was certainly worthy of the nominations and has a good shot at winning the statuette, Eddie Redmayne notwithstanding. He doesn’t have a whole lot of dialogue here and has to communicate much of his performance through wild looks, spittle blown out of his mouth and wordless screams. As elegant as Redmayne’s also-Oscar worthy performance was, this is primal and raw, a caveman to the sophisticate of Redmayne. It is rare to see such diversity of styles in a single nominated group and I don’t envy the Academy voters their task to pick just one winner.

Ryuichi Sakamoto and Alva Noto provided the minimalist score which often was comprised of found sounds, both natural and man-made. The composers also knew when silence would be more effective; the entire bear attack scene had no music other than DiCaprio’s agonized screams and the bear’s grunts and groans. As that scene almost has to be the most effective in the movie in order for the film to work, Iñárritu made some wise choices in setting up and executing not only the action (the bear was CGI from what I understand and quite frankly I couldn’t tell) but also in how that action was framed.

Iñárritu is a bit of a mystic and some of the scenes have that sense, almost like Carlos Castaneda translated to celluloid. He captures the brutality of life on the frontier almost too well; at times the intensity and the starkness is hard to watch. More sensitive viewers may find the film too grim for their liking. While this isn’t my favorite movie in the director’s filmography, it may well be his best in many ways but for reasons that may well be personal (I was literally exhausted while I was watching it after a sleepless night the evening before) it didn’t connect to me the way his other works have. In my case, this is a film that I admire more than I love, but that doesn’t mean you won’t love it. This is certainly when all is said and done essential viewing if you intend to capture the very best of 2015.

REASONS TO GO: An amazing technical achievement. One of DiCaprio’s finest performances of his career. Realistic almost to a fault.
REASONS TO STAY: Not for everybody; grim, relentless and sometimes too intense for some.
FAMILY VALUES: Along with frontier violence and some gory images, there’s also a scene of sexual assault, brief nudity and some foul language.
TRIVIAL PURSUIT: DiCaprio, a vegetarian, at an actual raw buffalo liver in the scene that called for it.
CRITICAL MASS: As of 1/20/16: Rotten Tomatoes: 82% positive reviews. Metacritic: 76/100.
COMPARISON SHOPPING: A Man Called Horse
FINAL RATING: 8.5/10
NEXT: Road to Nowhere

New Releases for the Week of January 8, 2016


The RevenantTHE REVENANT

(20th Century Fox) Leonardo DiCaprio, Tom Hardy, Domhnall Gleeson, Will Poulter, Forrest Goodluck, Paul Anderson, Kristoffer Joner, Joshua Burge. Directed by Alejandro González Iňárritu

Hugh Glass, a legendary explorer of the American frontier, is attacked by a bear and left for dead by his own hunting party. Betrayed by his closest friend, Glass endures incredible odds to recover from his injuries, survive harsh elements and gain vengeance for unendurable grief and pain. The movie opened for an Oscar qualifying run and has garnered laudatory reviews and huge buzz. It’s definitely the movie to see this week.

See the trailer, clips, interviews and featurettes here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Western
Now Playing: Wide Release

Rating: R (for strong frontier combat and violence including gory images, a sexual assault, language and brief nudity)

Carol

(Weinstein) Cate Blanchett, Rooney Mara, Sarah Paulson, Kyle Chandler. Based on a Patricia Highsmith novel (and said to be auto-biographical), a married woman in the 1950s New York who is trapped in a loveless marriage of convenience falls for an ambitious dreamer of a store clerk. The two embark on an affair in an era when sexual relations between two women was taboo. When the husband discovers her infidelity, the wife is torn between her children and family and a life unfulfilling to her and rebelling against society’s norms to live the life she wants.

See the trailer, clips, interviews, a promo, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Altamonte Mall, Regal Winter Park Village, Regal Waterford Lakes

Rating: R (for a scene of sexuality/nudity and brief language)

The Forest

(Gramercy) Natalie Dormer, Eoin Macken, Stephanie Vogt, Noriko Sakura. An American woman journeys to Tokyo to find her twin sister who had ventured into the Aokigahara Forest at the base of Mount Fuji and disappeared. She discovers that the forest is notorious for being a place where people commit suicide and their angry and tormented souls haunt the forest. She will have to fight these spirits and the darkness within her to learn the fate of her sister – and survive her own trip into the forest.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for disturbing thematic content and images)

The Masked Saint

(Freestyle) Brett Granstaff, Lara Jean Chorostecki, Diahann Carroll, Roddy Piper. A former professional wrestler discovers a different calling and retires from the ring to become a small town pastor. However, he finds his flock gripped in the vise of poverty and crime. Donning a mask, he moonlights as a costumed vigilante while trying to evade police and criminals both while reconciling his violent alter ego with his standing as a pastor and family man. Apparently, this is based on a true story.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Faith-Based True Life Drama
Now Playing: AMC Disney Springs, Regal Oviedo Marketplace, Regal Pointe Orlando, UA Seminole Towne Center

Rating: PG-13 (for some violence and thematic elements)

Wazir

(Reliance) Amitabh Bachchan, Farhan Akhtar, Aditi Rao Hydari, John Abraham. Two unlikely friends – one a wheelchair-bound chess grandmaster, the other a fearless police officer – are brought together by mutual grief. The two decide to aid one another in a cat and mouse game against a ruthless opponent lurking in the shadows who seeks to raise the stakes to the ultimate.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Mystery
Now Playing: AMC West Oaks, Touchstar Southchase

Rating: NR