New Releases for the Week of November 17, 2017

THE JUSTICE LEAGUE

(Warner Brothers) Ben Affleck, Gal Gadot, Jason Momoa, Ezra Miller, Ray Fisher, Ciaran Hinds, Jesse Eisenberg, Amber Heard, Jeremy Irons, Amy Adams, Connie Nielsen. Directed by Zack Snyder

With Superman no longer in the picture, Earth is facing a threat beyond any it has surmounted up to now. Batman gathers the heroes of Earth – Wonder Woman, Aquaman, The Flash and Cyborg – to stand against the threat of Steppenwolf and his legions but they may not be enough.

See the trailer, interviews, clips, featurettes and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard, 3D, IMAX, DBOX, Dolby, RPX
Genre: Superhero
Now Playing: Wide Release
Rating: PG-13 (for sequences of sci-fi violence and action)

Lady Bird

(A24) Saoirse Ronan, Odeya Rush, Timothée Chalamet, Laurie Metcalf. A spirited and iconoclastic young woman living in Northern California with a mom who doesn’t understand her confronts the obstacles of growing up as she tries to reconcile her own burgeoning sexuality. The director is writer and actress Greta Gerwig.

See the trailer, a clip and a featurette here.
For more on the movie this is the website
Release Formats: Standard
Genre: Comedy
Now Playing: Enzian Theater
Rating: R (for language, sexual content, brief graphic nudity and teen partying)

Sidemen: Long Road to Glory

(Abramorama) Pinetop Perkins, Willie “Big Eyes” Smith, Hubert Sumlin, Marc Maron. Three musicians who helped develop the Chicago blues sound with such legends as Howlin Wolf and Muddy Waters have influenced not only the blues but popular music in general and rock and roll specifically. Late in life, they would win a Grammy on their own. This is their incredible story.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Musical Documentary
Now Playing: Enzian Theater (Monday only)
Rating: NR

The Star

(Columbia) Starring the voices of Steven Yeun, Kristin Chenoweth, Christopher Plummer, Zachary Levi. The story of the first Christmas as seen through the eyes of the animals who were present.

See the trailer here.
For more on the movie this is the website
Release Formats: Standard
Genre: Animated Feature
Now Playing: Wide Release
Rating: PG (for some thematic elements)

Wonder

(Lionsgate) Julia Roberts, Owen Wilson, Jacob Tremblay, Mandy Patinkin. A young boy with facial disfigurements attends a mainstream school for the first time. Unsure of himself and self-conscious about his face, he endures bullying but slowly begins to win everyone over in the school with his amazing perseverance and optimistic attitude.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website
Release Formats: Standard
Genre: Drama
Now Playing: Wide Release
Rating: PG (for thematic elements including bullying, and some mild language)

ALSO OPENING IN ORLANDO/DAYTONA:

Cook Off
Frank Serpico
Khakee: The Power of Police
Theeran Adhigaaram Ondru
Tumhari Sulu

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Aida’s Secrets
Khakee: The Power of Police
Last Flag Flying
Novitiate
Theeran Adhigaaram Ondru
Tragedy Girls
Tumhari Sulu

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Khakee: The Power of Police
Theeran Adhigaaram Ondru

ALSO OPENING IN JACKSONVILLE:

Ghost Bride
Khakee: The Power of Police
Theeran Adhigaaram Ondru

SCHEDULED FOR REVIEW:

Justice League
Lady Bird
Novitiate
Sidemen: Long Road to Glory
Wonder

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Sidemen: Long Road to Glory

It’s not the years; it’s the mileage.

(2017) Musical Documentary (Abramorama) Pinetop Perkins, Willie “Big Eyes” Smith, Hubert Sumlin, Marc Maron (voice), Derek Trucks, Joe Bonamassa, Eric Clapton, Joe Perry, Warren Haynes, John Landis, Brad Whitford, Kenny Wayne Shepard, Susan Tedeschi, Bob Margolin, Gary Davis, Ilene Louise Smith, Johnny Winters, Paul Nelson, Bernard “Pretty” Purdie, Bonnie Raitt. Directed by Scott D. Rosenbaum

 

Pinetop Perkins. Hubert Sumlin. Willie “Big Eyes” Smith. They are three giants in the history of the blues and huge influences on the sound of rock and roll. Sumlin was the guitar genius behind Howlin Wolf while Smith and Perkins played drums and piano for Muddy Waters. They have influenced bluesmen like the late Johnny Winters and Bonnie Raitt as well as rockers like Eric Clapton, Joe Perry and the Rolling Stones.

None of those three men have really gotten their due; even in their own genre they were overshadows by the men they backed up. They were true sidemen, and while they wore the label with pride they also felt the injustice of it – referring to the bandleaders they played for, Perkins mused “They got all the money and we got all the scraps.”

This documentary aims to remedy that. Rosenbaum – who in his debut feature film The Perfect Age of Rock and Roll posited a blues all-star band featuring these three giants and later saw life imitate art when the three men created their own band that would eventually win a Grammy – celebrates the life and art of these three sidemen. There’s a good deal of testimonial from Raitt, Winters, the late Gregg Allman, Eric Clapton, Keith Richards, Joe Perry, Warren Haynes and Joe Bonamassa. Perhaps a little too much; the movie professes a little too much adulation and while the praise is richly deserved, it gets to be a bit much as we hear over and over how great these guys were. We get it; what I really wanted to hear was their story.

When the film is concentrating on the story rather than the talking heads, it really hits its stride. All three of the men are natural storytellers and as you might imagine they have some stories to tell. Smith in particular is a delight to watch with an infectious smile and contagious laugh. If one person stands out from this documentary, it’s Smith..

We get a pretty good history from these guys, from their beginnings as the sons of sharecroppers, to their move to Chicago to find better economic opportunities to their days playing for Wolf and Waters and finally after both Wolf and Waters passed away, their days establishing themselves all over again. Some of the stories have a bit of a name-dropping element to them, as when Perkins recalls the time that Jimi Hendrix unexpectedly showed up at a concert, and others are told with gentle affection, as when Sumlin tells about how Clapton got on the notoriously curmudgeon Wolf’s good side by asking him to show them how “Little Red Rooster” was played, even though he was thoroughly familiar with the song.

There is some lovely archival footage of Wolf and Waters which is worth its weight in gold and the audio clips of the great blues songs these men were part of will absolutely send chills up your spine. There is a bit of an elegiac tone to the film however; the interviews with Winters and Allman took place before the musicians passed away. Also the three blues men in question have all since passed away – within eight months of each other, Perkins less than a month after the three won their Grammy.

Although they are gone, their legend lives on. There is a very real effort underway to get them elected to the Rock and Roll Hall of Fame, none of whom are currently inducted in and definitely should be. This is a documentary that should have been made. I would have preferred to hear more from the three gentlemen in question and less from the talking heads, but to be fair Smith, Sumlin and Perkins were interviewed during their final tour back in 2010 and little interview footage otherwise exists. That’s the true shame – the stories and memories that the three men had between them are gone with them.

REASONS TO GO: The music is amazing. Smith is absolutely delightful throughout.
REASONS TO STAY: More anecdotes and less adulation would have been welcome. The film over-relies on talking heads.
FAMILY VALUES: There are some adult themes.
TRIVIAL PURSUIT: Perkins earned his only Grammy at age 97 (along with Smith and Sumlin) for Joined at the Hip which makes him the oldest Grammy recipient ever.
CRITICAL MASS: As of 8/20/17: Rotten Tomatoes: 100% positive reviews. Metacritic: 86/100.
COMPARISON SHOPPING: Twenty Feet from Stardom
FINAL RATING: 6.5/10
NEXT: Liza, Liza, Skies of Grey