Woman in Gold


The principals of the tale.

The principals of the tale.

(2015) True Life Drama (Weinstein) Helen Mirren, Ryan Reynolds, Daniel Bruhl, Katie Holmes, Tatiana Maslany, Max Irons, Charles Dance, Elizabeth McGovern, Antje Traue, Nene Gachev, Frances Fisher, Jonathan Pryce, Tom Schilling, Moritz Bleibtreu, Anthony Howell, Allan Corduner, Henry Goodman, Asli Bayram, Jasmine Golden. Directed by Simon Curtis

When the Nazis swept through Europe, they would quickly evict wealthy Jews from their homes, taking their possessions before sending the residents to concentration camps for the eventual Final Solution. After the war was over, many works of art and personal possessions were not returned to their original owners or their descendants.

One such work was Gustav Klimt’s (Bleibtreu) masterwork Portrait of Adele Bloch-Bauer I which was eventually retitled Woman in Gold. The portrait hung proudly in Vienna’s Belvedere Museum and was considered “Austria’s Mona Lisa” for its station as the pre-eminent artwork in Austria. But at one time, it hung in the apartment of the Bloch-Bauer family.

For Maria Altmann (Mirren) however, the portrait meant something different; it was not merely an important work of art, it was a memory of her aunt (Traue) who passed away too young of meningitis in 1925, a refined and beautiful woman who was an important influence on her life. Some 15 years later, the Nazis took control of Austria and seized their home and nearly all of their things including a priceless Stradivarius (which at one time resided in Hitler’s Alpine retreat) and five Klimt paintings including the one of her aunt. While her Uncle Ferdinand (Goodman), Adele’s husband, had presence enough to relocate to Switzerland before the Nazis arrived, young Maria (Maslany), her husband Fritz (Irons) and Maria’s parents were trapped. A harrowing escape got Fritz and Maria out of Vienna but her parents were left behind where they would die.

Years later, when her sister had passed away, Maria found some letters among her effects in reference to the painting. With Austria undertaking a highly-publicized restoration of Nazi plunder back to their original owner, she was curious about what could be done to restore that which had been stolen from her family and returned to her, so she calls on Randy Schoenberg (Reynolds), son of an old friend (Fisher) of Maria’s and grandson of the famous composer Arnold Schoenberg. At first, having just taken a job at a large firm and inexperienced in this kind of law, he is reluctant to take the case but when he discovered that the painting was valued at over $100 million, his interest was piqued.

However, getting the painting back would entail going to Vienna, something Maria swore she would never do, but it was necessary to find Adele’s will which the Austrian government claimed had given the painting to them. There, aided by a sympathetic journalist (Bruhl) Randy discovers that Adele never owned the painting to begin with – her husband Ferdinand did and HE had bequeathed the works of art to Maria.

The Austrian government was reluctant to part with the painting and through every roadblock possible in Maria’s way, but Randy – who was greatly affected by a visit to the Holocaust memorial in Vienna which reminded him that members of his family were dragged out of their homes in the middle of the night and taken to places where they would die horribly – was resolved to see justice done. With Maria’s resolve flagging, could he convince the frail old woman to see the fight through to the end, though it take them to the American Supreme Court?

Mirren is one of the most delightful and versatile actresses, able to do a regal Queen, a working class dress shop owner or a droll assassin with equal aplomb. Her performance here as Maria is scintillating and certainly the focal point of the movie, but more of a surprise is Reynolds, who is generally charming beefcake but has rarely performed to this level in a dramatic role; it’s in fact his best acting performance yet in my opinion. Maslany, who has been so good in Orphan Black, also is superior as a young Adele who leaves her country and manages to get to America with nearly nothing to her name but the love of her husband to sustain her.

There are some powerful scenes here; when Adele says goodbye to her parents, I could only imagine how many similar conversations were taking place at that time in that situation where children would say goodbye to parents who knew that they would never see their offspring again.

I have to admit that when the actual case took place midway through the last decade I initially sided with the Austrian government; I thought that a work of art isn’t truly owned by an individual but by humanity. My mind has been changed on that accord.

You see, art is not just an ephemeral theoretical thing; it is real, tangible, powerful and personal. A painting of your favorite aunt isn’t just a picture; it is a representation of the soul of someone you love. That’s a powerful thing; when that representation is ripped from the family who it belongs to rightfully, it is doubly powerful. Maria Altmann and Randy Schoenberg weren’t just fighting for Maria’s rights; they were fighting for all those who had been left behind to die, a reality the film makes very clear in yet another powerful scene near the end of the movie.

While some critics have characterized the movie as boring, I didn’t find it so. Even though I knew how the case turned out I was mesmerized, mainly because the acting here is so top of the line. Yeah, this isn’t for everyone; some people point out that this is yet another Holocaust movie and there are those who are tired of hearing about the Holocaust. Has there been oversaturation of the Holocaust in movies?

No. Not even close. Some people may be uncomfortable with the discussion of the subject; perhaps then you should talk with someone who lost someone in the Holocaust. Even though generations have come and gone, there are those who can only view it through the prism of family members murdered and lives destroyed. Judging from the way we treat gay people, how religious zealots murder at will and how we continue to hate blindly because people are different than us, it is clear that we haven’t learned a goddamned thing. So I say to Hollywood, please do continue to make movies about the Holocaust. Please continue to remind us what the devastating consequences are when we say nothing when the rights and lives of others are jeopardized. We clearly need to be reminded of what silence buys us.

REASONS TO GO: Mirren is terrific as always and Reynolds delivers his best performance ever. Some very moving moments.
REASONS TO STAY: Anti-climactic.
FAMILY VALUES: There’s a few scattered bad words and some adult thematic content.
TRIVIAL PURSUIT: Veteran actress McGovern is married in real life to the director, Simon Curtis.
CRITICAL MASS: As of 4/10/15: Rotten Tomatoes: 53% positive reviews. Metacritic: 51/100.
COMPARISON SHOPPING: Adele’s Wish
FINAL RATING: 8/10
NEXT: Florida Film Festival coverage begins with Wildlike

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New Releases for the Week of April 3, 2015


Furious 7FURIOUS 7

(Universal) Vin Diesel, Paul Walker, Michelle Rodriguez, Jason Statham, Kurt Russell, Dwayne Johnson, Jordana Brewster, Tyrese Gibson, Ludacris, Lucas Black. Directed by James Wan

To use a marketing cliche, this time it’s personal. After taking down the bad guy in Fast and Furious 6, the crew are up against the big bad brother of the last bad guy and he’s already killed one of their number. He intends to hunt them down one at a time – unless they can come together as a family and stop him the only way they know how; high octane.

See the trailer, interviews, clips, promos, a featurette and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard, IMAX (opens Thursday)
Genre: Action
Now Playing: Wide Release
Rating: PG-13 (for prolonged frenetic sequences of violence, action and mayhem, suggestive content and brief strong language)

Danny Collins

(Bleecker Street) Al Pacino, Annette Bening, Christopher Plummer, Bobby Cannavale. An aging rock star on the downslope of his career hasn’t written a hit in 30 years, but after a letter surfaces written by John Lennon back when said aging rock star was a young Turk, inspires him to leave his prefabricated pop behind and go back to his roots, which means reconnecting with a son that doesn’t want him in his life, and establish new roots with the pretty manager of the hotel he’s staying at.

See the trailer, clips and a featurette here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Dramedy
Now Playing: Regal Winter Park Village
Rating: R (for language, drug use and some nudity)

Effie Gray

(Adopt) Dakota Fanning, Emma Thompson, Claudia Cardinale, Derek Jacobi. The story of one of the most notorious sexual scandals of Victorian England between noted art critic John Ruskin, his teen bride Effie Gray and painter John Everett Millais. In an era where divorce was not an option, same sex love even more so and when women were not expected to have a voice or their own ideas, Gray would shatter boundaries but at a high personal cost.

See the trailer video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: Selected Theaters
Rating: PG-13 (for thematic and sexual content, and some nudity)

Woman in Gold

(Weinstein) Helen Mirren, Ryan Reynolds, Daniel Bruhl, Katie Holmes. An elderly Jewish woman, who fled Vienna 60 years earlier to escape the Nazis, wants to reclaim family possessions seized by the Nazis to leave as a legacy for her family. One of the items is a painting called “Woman in Gold” by Gustav Klimt, one of Austria’s national treasures and hanging in their national museum. She undertakes to sue the Austrian government for its return, particularly since the subject of the painting was her Aunt to whom she held a special affection. This David and Goliath tale is based on actual events.

See the trailer, clips and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard (opened Wednesday)
Genre: True Life Drama
Now Playing: AMC Altamonte Mall, AMC Downtown Disney, Regal Winter Park Village
Rating: PG-13 (for some thematic elements and brief strong language)