Three Billboards Outside Ebbing, Missouri


Frances McDormand demands answers in this Oscar-nominated film.

(2017) Drama (Fox Searchlight) Frances McDormand, Sam Rockwell, Woody Harrelson, Abbie Cornish, Caleb Landry Jones, Zeljko Ivanek, Lucas Hedges, Kerry Condon, Darrell Britt-Gibson, Peer Dinklage, Amanda Warren, John Hawkes, Clarke Peters, Kathryn Newton, Sandy Martin, Jerry Winsett, Samara Weaving, Christopher Berry, Malaya Rivera Drew. Directed by Martin McDonagh

 

There is nothing that compares to the pain of a parent whose child has been murdered. It is the unthinkable, the unimaginable – what every parent has nightmares about. Some unlucky parents don’t have to imagine though.

Mildred (McDormand) is one of those. Nine months have passed since her daughter Angela was raped and then set on fire by some sadistic freak. No progress whatsoever has been made in finding her killer. To make things worse, the spot where her daughter spent her last tortured minutes was on the site of three dilapidated billboards near enough to Mildred’s house that she must drive past them every time she leaves the house, where she can see the burn mark where her daughter gasped her last.

Her fury has threatened to consume her. She has to do something, anything to help her little girl get justice. So she marches into the ad agency that services the billboards and plops down five thousand bucks for the first month of a year-long rental. The three billboards are painted red with copy in big black letters: RAPED AND KILLED, AND STILL NO ARRESTS? and finally HOW COME CHIEF WILLOUGHBY?

The billboards have immediate and profound effect. Deputy Dixon (Rockwell), a drunken and violent racist creep who’d much rather be arresting black folks, is the first to see the messages. He informs Chief Willoughby (Harrelson) who goes ballistic but after asking Mildred politely to remove the billboards, he confesses that he has pancreatic cancer and he doesn’t want his family to have to deal with another unpleasant thing.

It turns out Willoughby is actually a decent sort who is trying his damndest to solve the case but there simply isn’t enough evidence. Dixon, who owes a lot to the chief is much more direct; he goes after Red Welby (Jones) who runs the ad agency and gives him a terrifying beating. Things begin to escalate in the war between the cops and Mildred; her surviving son Robbie (Hedges) is caught in the crossfire. Yet all is not what it seems to be in Ebbing, Missouri.

On the surface it seems like a very cut and dried story but as the movie unspools you quickly realize you’re seeing a work of uncommon depth and complexity. While it appears that there are some villainous characters in the story, there are in fact none. Even Dixon ends up finding some sort of redemption although it is hard to justify his previous behavior.

The acting in this movie is nothing short of astonishing. Three cast members received Oscar nominations – McDormand, Rockwell and Harrelson – and there easily could have been more. While it is McDormand’s movie, it is not hers alone. Watching her tightly controlled rage which from time to time her humanity breaks through is simply a clinic. We eventually find out that Mildred’s pain isn’t just because of the incompetence of the police; her last interaction with Angela literally sent her on the road to her fatal encounter. It’s some powerful stuff and shows how a great actress can take a well-written character and create a classic performance. If the competition for Best Actress weren’t so stiff this year she might well be a shoo-in. Harrelson also plays a decent sort with rough edges who is facing the end of his life and not necessarily with the dignity he would like to. Rockwell, who won a Golden Globe, may give the best performance of all as the loutish Dixon who literally comes through the fire a changed man.

It is hard to believe this is McDonagh’s third feature and as good as In Bruges and Seven Psychopaths are, this is by far the best of the three. His background as a playwright shines through more in the writing than in the direction which is not stage-y in the least. However, the sense that the town is much smaller than it appears to be lingers throughout.

I would have liked to have seen less contrivance in some of the events; some things happen that appear to happen only because the plot requires them to. There is also a bit of a lull in the middle where it feels that the movie is hitting a plateau, but the ending is absolutely extraordinary. Making a great ending to a movie is something of a lost art but McDonagh seems to have mastered it.

Nearly all of the characters are dealing with some sort of pain, either physical or emotional. The movie is about that true but it is also about forgiveness, redemption and humanity in the face of intolerable grief. While this isn’t a perfect movie, it had the potential to be and if the second act had been a little better, this might have gotten a higher rating. Still, it stands out in a year of really great independent films as one that is going to be in our hearts and minds for a long time to come.

REASONS TO GO: The acting is Oscar-worthy throughout the cast. The characters are all riddled with pain in one way or another. The ending of the film is sublime.
REASONS TO STAY: Some of the events feel a little bit contrived. The film loses momentum in the middle third.
FAMILY VALUES: There is a goodly amount of violence, plenty of profanity and some brief sexual references.
TRIVIAL PURSUIT: This is the first feature film directed by McDonagh that didn’t feature Colin Farrell in a lead role.
CRITICAL MASS: As of 1/24/18: Rotten Tomatoes: 93% positive reviews. Metacritic: 88/100.
COMPARISON SHOPPING: Fargo
FINAL RATING: 7.5/10
NEXT:
In the Shadow of Iris

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War for the Planet of the Apes


Caesar can be a little grumpy sometimes.

(2017) Science Fiction (20th Century Fox) Andy Serkis, Woody Harrelson, Steve Zahn, Karen Konoval, Amiah Miller, Terry Notary, Ty Olsson, Michael Adamthwaite, Toby Kebbell, Gabriel Chavarria, Judy Greer, Sara Canning, Devyn Dalton, Aleks Paunovic, Alessandro Juliani, Max Lloyd-Jones, Timothy Webber, Lauro Chartrand, Shaun Omaid, Roger Cross, Mercedes de la Zerda. Directed by Matt Reeves

 

This past summer was largely disappointing when it came to quality blockbusters. Sure, there were the usual suspects; loud sci-fi action, crude comedies, big superhero epics and so on. Mostly all of the high expectations for some of these wannabe billion dollar franchises fizzled out of the gate with only a few exceptions.

War for the Planet of the Apes however was one of the best-reviewed films of the entire summer. That rarely translates to big box office bucks – it didn’t recoup its $150 million production budget at the domestic box office and it finished with under $500 million at the worldwide box office, a decent enough number but surely not to the expectations of the suits at Fox.

The movie was curiously light on action despite the title; what it turned out to be was an ape character study of Caesar (Serkis), leader of the intelligent apes and the Colonel (Harrelson), the militaristic dictator of the remnants of humankind. You see the virus that made the apes smart is making humans dumb as rocks. Few thinking, rational human beings remain. The Colonel thinks all of the apes should be wiped off the face of the Earth so that humans can survive; in his mind, Homo sapiens won’t go gently into that good night.

Serkis delivers the best performance of his diverse career. Caesar is extremely conflicted; he wants peace but there is no reasoning with a fanatic. When struck by a personal tragedy, Caesar feels despair and fury but he is still tempered by the basically decent simian that he is. Of course, he’s an inspiring leader of his tribe who look to him as their savior while to the Colonel he’s a different kind of symbol. Zahn provides comic relief (and pathos) as Bad Ape.

There is a subplot involving a mute human child that ties into the ape movies of the 60s and 70s which aficionados of those films will appreciate; I surely did. There aren’t a ton of action sequences but the ones there are Reeves pretty much nails.

The CGI is surprisingly substandard for a film of this importance; there are some sequences in which it is painfully obviously computer-generated. Good CGI is seamless and fits into “reality” like a glove. That doesn’t happen here and it takes the viewer right out of the film from time to time.

I wasn’t among the critics singing the praises of this film. To my eye, it isn’t as good as the first two films in the series. I’m not sure the studio initially had faith in it either as  the movie could easily end the franchise right here; however with a fourth film already approved by Fox and a strong overseas box office chances are the franchise will continue, hopefully with films better than this one. However it is still a better than average summer movie and despite its flaws one of the best to come out this past summer which isn’t saying much.

REASONS TO GO: Serkis does some of his best work ever here. The Nova subplot is truly captivating.
REASONS TO STAY: The film is sadly uneven and isn’t up to the high standards of the franchise. Some of the CGI looked too much like CGI.
FAMILY VALUES: There are a few disturbing images, plenty of sci-fi violence and battle scenes as well as adult themes.
TRIVIAL PURSUIT: Serkis in interviews promoting the film indicated that this won’t be the conclusion of the series which may come in the fourth or fifth film of the series; in fact, Fox has already greenlit a fourth film in the franchise.
BEYOND THE THEATERS: Amazon, Fandango Now, Google Play, iTunes, Microsoft, Vudu, YouTube
CRITICAL MASS: As of 12/16/17: Rotten Tomatoes: 93% positive reviews. Metacritic: 82/100.
COMPARISON SHOPPING: Starship Troopers
FINAL RATING: 7/10
NEXT:
Mother, I Love You

New Releases for the Week of November 24, 2017


COCO

(Disney*Pixar) Starring the voices of Anthony Gonzalez, Gael Garcia Bernal, Benjamin Bratt, Alanna Ubach, Gabriel Iglesias, Edward James Olmos. Directed by Adrian Molina and Lee Unkrich

A young Mexican boy is obsessed with music but had the bad luck to be born into a family that didn’t care much for song and frivolity. A devotee of a recently deceased troubadour, he is accidentally sent to the Land of the Dead and must work out the mystery of why his family hates music so much before he can return to the Land of the Living.

See the trailer, clips and featurettes here.
For more on the movie this is the website.

Release Formats: Standard, 3D, 4DX
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for thematic elements)

Last Flag Flying

(Amazon/Lionsgate) Bryan Cranston, Laurence Fishburne, Steve Carell, J. Quinton Johnson. Three ex-Marines who served together in Vietnam come together for one last mission; to bury the son of one of them who was killed in Iraq. This is the latest from director Richard Linklater.

See the trailer, clips and a featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: R (for strong language throughout including some sexual references)

The Man Who Invented Christmas

(Bleecker Street) Dan Stevens, Christopher Plummer, Jonathan Pryce, Simon Callow. One of the great traditions of Christmas is the beloved novel A Christmas Carol by Charles Dickens. He wrote it at a time in his life where he was surrounded by tribulations but where did these ideas – a Christmas ghost story, after all – come from? Look for the review for this tomorrow.

See the trailer, a clip and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: PG (for thematic elements and some mild language)

Novitiate

(Sony Classics) Margaret Qualley, Melissa Leo, Julianne Nicholson, Dianna Agron. A young woman in the early 1960s gets swept up by the idea of becoming a nun and so enters a convent just at a time when sweeping changes were overtaking the Catholic Church. You can check out my review for the film here.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: AMC Universal Cineplex, Regal Winter Park Village, Rialto Spanish Springs

Rating: R (for language, some sexuality and nudity)

Roman J. Israel, Esq.

(Columbia) Denzel Washington, Colin Farrell, Carmen Ejogo, Tony Plana. A former activist turned lawyer finds himself confronted with a crisis of conscience. Passed by and struggling to survive, a series of events leads him to consider extreme action.

See the trailer, clips and an interview here.
For more on the movie this is the website

Release Formats: Standard
Genre: Legal Drama
Now Playing: Wide Release

Rating: PG-13 (for language and some violence)

Three Billboards Outside Ebbing, Missouri

(Fox Searchlight) Frances McDormand, Woody Harrelson, Sam Rockwell, Caleb Landry Jones. When the police fail to discover the identity of the killer of a young woman, the victim’s mother frustrated by the lack of progress puts up three billboards near her home castigating the authorities for their inability to solve the crime. Her actions sharply divide the community in this latest darkly comic drama from Irish director Martin McDonagh.

See the trailer, clips, interviews and a video feature here.
For more on the movie this is the website

Release Formats: Standard
Genre: Dramedy
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Barnstorm Theater, Cinemark Artegon Marketplace, Regal Pointe Orlando, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for violence, language throughout, and some sexual references)

ALSO OPENING IN ORLANDO/DAYTONA:

Balakrishnudu
Mental Madhilo

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Abracadabra
The King’s Choice
Mental Madhilo

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Mental Madhilo

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Balakrishnudu
Faces Places
Hey, Pillagada
Mental Madhilo

SCHEDULED FOR REVIEW:

Coco
The Man Who Invented Christmas
Novitiate
Roman Israel, Esq.
Three Billboards Outside Ebbing, Missouri

New Releases for the Week of November 3, 2017


THOR: RAGNAROK

(Disney/Marvel) Chris Hemsworth, Tom Hiddleston, Cate Blanchett, Idris Elba, Jeff Goldblum, Tessa Thompson, Karl Urban, Mark Ruffalo, Anthony Hopkins, Benedict Cumberbatch. Directed by Taika Waititi

The God of Thunder finds himself without his mighty hammer and imprisoned on the other side of the Universe. Forced to fight former ally Hulk, he must figure out a way to survive and return to Asgard which has been taken over by Hela, the Goddess of Death who plans to wipe out the civilization of Asgard and install a new one that is centered on death and evil.

See the trailer, interviews, featurettes and a clip here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX, IMAX 3D, DBOX, Dolby Atmos
Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for intense sequences of sci-fi violence and action, and brief suggestive material)

A Bad Mom’s Christmas

(STX) Mila Kunis, Kristen Bell, Kathryn Hahn, Christine Baranski. Ah, Christmas! Memories of beautiful decorations, amazing light displays, scrumptious feasts and of course perfectly wrapped gifts. Who makes all that happen? Why, the moms of course! But some moms are rebelling against expectations as they realize that being a supermom isn’t all it’s cracked up to be. However, their plans to take things down a notch are suddenly in question when their own moms come to visit for the holidays.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for crude sexual content and language throughout, and some drug use)

LBJ

(Electric) Woody Harrelson, Jennifer Jason Leigh, Bill Pullman, C. Thomas Howell. Lyndon Johnson is most remembered for being the president who succeeded JFK after he was assassinated. However, the fiery Texan had a story of his own that is as larger than life as the man himself. Harrelson stars in the title role.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Cobb Plaza Cinema Café, Epic Theaters of Claremont, Regal Oviedo Mall, Regal Pointe Orlando, Regal Winter Park Village, Rialto Spanish Springs

Rating: R (for language)

Most Beautiful Island

(Goldwyn/Orion) Ana Asensio, Natasha Romanova, Nicholas Tucci, Larry Fessenden. An undocumented woman with a tortured past struggles to survive and find redemption while playing a dangerous game.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Thriller
Now Playing: AMC Universal Cineplex

Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

78/52: Hitchcock’s Shower Scene
Next Nuvve

ALSO OPENING IN MIAMI:

Blade of the Immortal
Fanny’s Journey
Human Flow
Jane
Wonderstruck

ALSO OPENING IN TAMPA:

Angel
Human Flow
Ittefaq
Next Nuvve
PSV Garuda Vega 126.18M
Villain

ALSO OPENING IN JACKSONVILLE:

BPM
PSV Garuda Vega 126.18M

SCHEDULED FOR REVIEW:

A Bad Mom’s Christmas
Thor: Ragnarok
Wonderstruck

New Releases for the Week of August 11, 2017


ANNABELLE: CREATION

(New Line) Stephanie Sigman, Miranda Otto, Lulu Wilson, Anthony LaPaglia, Talitha Bateman, Alicia Vela-Bailey, Kerry O’Malley, Philippa Coulthard, Joseph Bishara. Directed by David F. Sandberg

The universe of The Conjuring adds some backstory as the demonic doll of the first film gets a prequel. A group of orphans moves into a large home where a dollmaker lives with his wife. The couple are still grieving their daughter who died in a tragic accident but when they are sure she wants them to make a doll for her to put her soul into. However, it’s not their beloved daughter in the doll but something far more malevolent.

See the trailer and San Diego Comic Con panel footage here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: R (for horror violence and terror)

The Glass Castle

(Lionsgate) Brie Larson, Woody Harrelson, Naomi Watts, Ella Anderson. Based on the bestselling memoir of Jeanette Walls, reporter and former MSNBC gossip columnist, Jeanette grew up moving from place to place at the behest of her Bohemian father who firmly believed in living by his own set of rules. The effect that had on Jeanette and her family was both negative but also strangely positive.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon, Regal Oviedo, Regal The Loop, Regal Waterford Lakes, Regal Winter Park Village

Rating: PG-13 (for mature thematic content involving family dysfunction, and for some language and smoking)

The Nut Job: Nutty by Nature

(Open Road) Starring the voices of Will Arnett, Katherine Heigl, Maya Rudolph, Jackie Chan. The nut-eating denizens of the Nut House suddenly find themselves homeless but manage to land on their feet in a wonderful park. When the mayor announces plans to erect an amusement park on the site, they must band together to save their new home.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for action and some rude humor)

ALSO OPENING IN ORLANDO/DAYTONA:

Brave New Jersey
City of Ghosts
The Lie
Mune: Guardian of the Moon
Nenu Raju Nene Mantri
Toilet: Ek Prem Katha
VIP 2: Vellaiyilla Pattathari

ALSO OPENING IN MIAMI:

Amnesia
Brigsby Bear
Catastrópico
Footnotes
From the Land of the Moon
Jaya Janaki Nayaka
Mune: Guardian of the Moon
Once Upon a Time 3D
Pilgrimage
Step
Toilet: Ek Prem Katha
The Veil
The Women’s Balcony

ALSO OPENING IN TAMPA:

Jaya Janaki Nayaka
Landline
Lie
Mune: Guardian of the Moon
Nenu Raju Nene Mantri
Pilgrimage
Toilet: Ek Prem Katha
The Veil
VIP 2: Vellaiyilla Pattathari

ALSO OPENING IN JACKSONVILLE:

Endless Poetry
Jaya Janaki Nayaka
Landline
Lie
The Little Hours
Maudie
Mune: Guardian of the Moon
Nenu Raju Nene Mantri
Toilet: Ek Prem Katha
VIP 2: Vellaiyilla Pattathari

SCHEDULED FOR REVIEW:

Amnesia
Annabelle: Creation
Brave New Jersey
City of Ghosts
The Glass Castle
Landline

New Releases for the Week of July 14, 2017


WAR FOR THE PLANET OF THE APES

(20th Century Fox) Andy Serkis, Woody Harrelson, Steve Zahn, Toby Kebbell, Judy Greer, Terry Notary, Gabriel Chavarria, Karin Konoval, Amiah Miller. Directed by Matt Reeves

There can be no peace between apes and humans as Caesar, the aging leader of the Apes, goes head to head with a Colonel who sees the war as no less than a war for human survival. With Caesar seeing this as an opportunity to avenge his people and the Colonel hell-bent on wiping out the Apes if the human race is to survive, this will be an epic all-out conflict for dominance.

See the trailer, clips, interviews, featurettes and a promo here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for sequences of sci-fi action violence and action, thematic elements and some disturbing images)

Jagga Jasoos

(UTV) Katrina Kaif, Sanjay Dutt, Ranbir Kapoor, Sayani Gupta. A teen boy, aided by a girl he’s sweet on, decides to go out and find his missing father himself when the police prove inadequate. This was distributed in India by Disney.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Family
Now Playing: AMC Universal Cineplex, AMC West Oaks

Rating: NR

The Little Hours

(Gunpowder & Sky) Alison Brie, Dave Franco, Kate Micucci, Aubrey Plaza. A servant in the middle ages, fleeing from his vindictive master, hides in a convent of emotionally unstable nuns. This is loosely based on Giovanni Boccaccio’s 14th century novel The Decameron.

See the trailer and interviews here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Regal Winter Park Village

Rating: R (for graphic nudity, sexual content and language)

Maudie

(Sony Classics) Ethan Hawke, Sally Hawkins, Kari Matchett, Zachary Bennett. A woman with crippled hands wants to be independent of her overprotective family and yet yearns to create art of her own. She answers an ad for a housekeeper for a reclusive fishmonger and the two end up falling into an unlikely but passionate romantic relationship. This inspires her to create and as she becomes a renowned folk artist, it brings the two of them closer in ways they couldn’t have imagined.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Regal Winter Park Village

Rating: PG-13 (for some thematic content and brief sexuality)

Wish Upon

(Broad Green) Joey King, Ryan Philippe, Elizabeth Röhm, Sherilyn Fenn. A gift of a strange music box with a cryptic inscription to a bullied high school girl leads her to discover that the box can make any wish she imagines come true. Soon she has it all – wealthy, popularity, the boy she has a huge crush on. However there is a price to be paid for such gifts and she must soon find a way to rid herself of the box before everything she loves is taken away from her.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for violent and disturbing images, thematic elements and language)

OPENING IN ORLANDO/DAYTONA

Falsettos
Shamantakamani

ALSO OPENING IN MIAMI:
Blind
The Confessions
Falsettos
Lost in Paris
Pop Aye
Shamantakamani

ALSO OPENING IN TAMPA:

Blind
Falsettos
The Journey
Swallows and Amazons
Thondimuthalum Driksakshiyum

ALSO OPENING IN JACKSONVILLE:

All Men are the Same
Falsettos
The Magicians
Shamantakamani
Wakefield

Wilson (2017)


A dysfunctional family portrait.

(2017) Dramedy (Fox Searchlight) Woody Harrelson, Laura Dern, Isabella Amara, Judy Greer, Cheryl Hines, Margo Martindale, Brett Gelman, Mary Lynn Rajskub, James Saito, Bill McCallum, Alec George, Nate Mooney, Paul Cram, Tom Proctor, Katie Rose Law, Roxy Wood, Bruce Bohne, Greta Oglesby, Rachel Weber, Toussaint Morrison, Tonita Castro. Directed by Craig Johnson

 

We all know someone like him; a person with the social skills of a charging bull. Someone who generates awkward silences like our president generates Tweets. You know, that person who stops every conversation dead in their tracks with pronouncements that defy reason or rudeness that defies civility.

Wilson (Harrelson) is that guy. He lives in the Twin Cities of Minnesota with his dog that he adores but who pisses him off regularly. His only friend is moving about as far away as he can get and taking his shrewish wife with him. Wilson’s dad passes away from cancer soon afterward. With all this going on, Wilson decides he needs to reconnect with the world.

Doing that, he decides, means reconnecting with his ex-wife Pippi (Dern). She’s no saint either, owning what could charitably be charitably described as a checkered past including prostitution and drug abuse. When Wilson finds her, she’s trying to get her life back together working as a waitress. But that’s not all.

When Pippi originally left, she’d told Wilson that she’d gotten an abortion – but psych! It turns out that she’d put the baby up for adoption instead. Claire (Amara) has been raised by wealthy parents but has plenty of issues. Wilson is determined to reach out to the child he never knew he had and establish a connection, dragging a reluctant Pippi along in the process. It could be a good thing but as Wilson is wont to do, he messes things up instead.

This is based on the graphic novel by Daniel Clowes (who also wrote the screenplay) and it plays in a lot of ways like a Clowes book; simply drawn and not terribly sketched out. However, I have to admit I went in with low expectations based on a trailer that felt like something I’d seen plenty of times before. In all honesty I was pleasantly surprised; I thought this was going to be one of those social experiments to find out how unlikable they can make the main character and still get some critical acclaim.

Frankly, the critical response has been surprisingly low on this one; the general consensus seems to be that the film is predictable and in some ways it is – Wilson’s journey is pretty much by-the-numbers and yet I left the theater feeling a bit of catharsis. That’s not a bad thing by any stretch of the imagination.

It is definitely a movie that builds. Early on my low expectations were essentially being me and I remember leaning over and whispering to Da Queen “Oh, now I remember why Woody Harrelson is mostly playing support roles these days.” Well, more fool me – as the film progressed, Harrelson took over and while he was still playing a pretty much unlikable no-filter kind of guy, I felt myself beginning to root for Wilson. Hey, a guy that much into dogs can’t be all bad, right? In any case, I was reminded why Woody Harrelson has a filmography that a whole lot of actors in this town would envy. Okay, in Hollywood. EVERY actor in Orlando would envy Woody Harrelson’s filmography.

Yeah, there are places that the film gets a bit sentimental and yes, when Wilson hits rock bottom it’s hard not to get emotional. One thing though that differentiates this from other films of this ilk is that it has a superior cast. Laura Dern, Judy Greer, Margo Martindale (who’s essentially only in one scene) and Cheryl Hines are top actresses who take a back seat to nobody in terms of consistent performances. They add depth to the film and give Harrelson plenty of places to play off of – Dern in particular makes an excellent foil for Harrison. The young Isabella Amara does some fine work here as well; her character is certainly complicated and troubled but is basically a decent girl who hasn’t gotten a ton of love in her life.

The ending is a little schmaltzy but all in all, I did end up liking Wilson more than I expected to. I’m not a big Clowes fan by any stretch of the imagination so that’s a bit of an accomplishment but I’m now very interested in picking up a couple of the man’s graphic novels and giving them another chance. Sometimes, changing your perspective is a right place at the right time kind of thing.

REASONS TO GO: This is the kind of film that grows on you. Wilson does in fact grow throughout the film which is a bit of a shocker.
REASONS TO STAY: Way too many neuroses on display for some.
FAMILY VALUES: Lots and lots of profanity and a smidgeon of sexuality.
TRIVIAL PURSUIT: The jail scenes were filmed at the Ramsey County Correctional Facility in St. Paul, Minnesota which is a working prison.
CRITICAL MASS: As of 3/28/17: Rotten Tomatoes: 39% positive reviews. Metacritic: 50/100.
COMPARISON SHOPPING: Super
FINAL RATING: 7/10
NEXT: Barry