(2019) Superhero (Blumhouse/Universal) James McAvoy, Bruce Willis, Samuel L. Jackson, Anya Taylor-Joy, Sarah Paulson, Spencer Treat Clark, Charlayne Woodard, Luke Kirby, Adam David Thompson, M. Night Shyamalan, Shannon Ryan, Diana Silvers, Nina Wisner, Kyli Zion, Serge Didenko, Russell Porter, Kimberly Fairbanks, Rosemary Howard, Leslie Stefanson. Directed by M. Night Shyamalan
Glass is the conclusion of a trilogy that began almost 20 years earlier with Unbreakable and then continued in a stealth sort of way in his 2016 film Split. It is director M. Night Shyamalan’s take on the superhero mythos and America’s obsession with it.
It features three characters from those first two movies; heroic David Dunn (Willis), virtually invulnerable and known in the press as the Overseer; Kevin Crumb (McAvoy), possessed of multiple personalities including a super-powered one known as the Beast, and Mr. Glass (Jackson), a criminal mastermind with impossibly brittle bones.
As Dunn chases Crumb, who has kidnapped several cheerleaders and is holding them hostage to feed to the Beast, eventually both of them are captured by the police and sent to an asylum where a psychiatrist (Paulson) tries to convince the three of them that they have no superpowers. Of course, we know that they do and it sets up a coda between the Overseer and the Beast that will lead to one of Shyamalan’s patented twist endings.
Shyamalan conspicuously avoids world-building here, preferring to set things in the real world with three extraordinary individuals. Each has someone who is a civilian counterpart; David’s son Joseph (Clark), Glass’ mom (Woodard) and Crumb’s escaped victim (Taylor-Joy). Shyamalan and cinematographer Mike Gioulakis use color-coding – purple for Glass, yellow/ocher for Crumb and green for Dunn. It gives the movie an almost comic-book feel that I found appealing.
While the soundtrack is wonderful and the performances by Jackson, Willis and particularly McAvoy marvelous, the movie is bogged down by Shyamalan’s attempts to make his film mythic but when push comes to shove, it comes off more pretentious and long-winded than what I think he intended. I had high hopes for this film, especially since Split had been one of Shyamalan’s best films, but was ultimately disappointed in that the movie was merely okay.
REASONS TO SEE: Willis, Jackson and McAvoy are all strong.
REASONS TO AVOID: Tries very hard to be mythic but doesn’t quite get there.
FAMILY VALUES: There is violence and gore, some adult thematic elements and regular profanity.
TRIVIAL PURSUIT: In order to retain creative control on the film, Shyamalan mortgaged his own house to co-finance it.
BEYOND THE THEATERS: Amazon, AMC On Demand, AppleTV, Fandango Now, Google Plus, HBO Now, Microsoft, Movies Anywhere, Redbox, Vudu, YouTube
CRITICAL MASS: As of 5/31/20: Rotten Tomatoes: 37% positive reviews, Metacritic: 43/100
COMPARISON SHOPPING: X-Men Origins: Wolverine
FINAL RATING: 6/10