(2015) Documentary (WDR Productions) Victor Contreras, Katia Morales, Eddie “Mambo King” Torres, Tito Ortos, Tamara Livolsi, Edson Vallon, Albert Torres, Billy Fajardo, Katie Marlow. Directed by Edwin Gailits
Some years ago as a rock critic, I did a cover story for the newspaper I worked for on the salsa scene locally. It was concentrated mostly in the Latin Quarter of the town but I wanted to show more than just what preconceptions of the scene might bring; I chose as the person through whose eyes my readers would enter the scene through was an affluent tech company administrator; he was third generation American, had graduated from Stanford and loved to go to the clubs on weekends and dance to the beat of the irresistible music that was played in his home the entire time he grew up. He was young, forward-thinking and often brought his non-Hispanic friends with them. Some went once and never returned but quite a few, he told me, came back almost every time he went dancing and some even on their own.
This film gives us a glimpse at why that happened to a very large extent. Salsa is a form of dance that is sensuous and requires virtually no instruction to become proficient in it. Salsa isn’t about formal moves so much as it is about passion; you either have it in you or you don’t and quite frankly, most of us do. I’ve heard it described as sex without getting naked, and that’s about as accurate a description as I’ve encountered.
An entire competitive salsa dancing scene has sprung up over the past decade or so with a world championship event being broadcast on ESPN. Victor Contreras and Katia Morales are two Canadians living in Montreal who met in a dance company and found a mutual love for salsa that brought them into a romantic relationship. The two became dance partners as well as boyfriend and girlfriend, and tried to hone their craft in a city which isn’t known for its Latin population, although there is a fair portion of Hispanics there.
With the help of teachers like Albert Torres and supporters like fellow dancers Billy Fajardo and Katie Marlow, who are semi-retired from competition and have become head judges for the World Salsa Championships, they hone their craft and eventually win the Canadian championship, earning them the right to compete at the World Championships.
The film follows the couple through their first international competition and through bitter disappointment at the 3rd Annual World Championship. Their relationship undergoes severe stress as they return home to lick their wounds and start over, ever-striving to improve until they are ready to tackle the 4th Annual World Championships in Orlando.
We see an awful lot of rehearsal, but the scenes from the competitions are the most compelling; we see the fluid movements, the almost erotic body positioning, the colorful costumes and the incredible interaction between partners; the rehearsal footage serves to put the finished routines in context as we get a sense of the work that goes in to perfecting these routines.
The trouble is that towards the end we see couple after couple at the championships and it all begins to blend together a little bit. There are a number of different divisions within the Championships and for the life of me I couldn’t figure out what the differences were between them; some seemed to be more athletic and others more romantic. I would have liked a bit more explanation as to what these different divisions were and how the dancers were judged.
Like a lot of documentaries that take place in competitive environments, the dramatic tension comes from getting to know the participants and gaining a rooting interest in their success. Contreras and Morales are both engaging young people who clearly love to dance and just as clearly love each other, although at times the road is a bit rocky, romantically speaking. While Victor is a bit more outgoing, I found myself more focused on Katia not just because of her beauty but because she has a kind of genuineness that Victor occasionally doesn’t; at times he sounds like he’s reading a promo script rather than speaking from the heart, but that isn’t a bad thing. He’s more articulate in a lot of ways than his partner when he is speaking genuinely.
This is a short documentary, just under an hour long. It is just entering the festival circuit so expect to see it at your local film festival this fall and spring. Likely it will also find it’s way onto either TV broadcast or online streaming service or both; keep an eye out for it when it does.
REASONS TO GO: Some of the dance moves are incredible. Victor and Katia are engaging subjects.
REASONS TO STAY: Towards the end the different dance routines begin to blend together. Could have used an explanation of the different divisions of competition and how the competitions work.
FAMILY VALUES: Some dance-based sensuality.
TRIVIAL PURSUIT: The filmmaker was inspired to pursue this as a documentary subject after a trip to Havana when he noticed during a walk back to his hotel after a night in the clubs how music was coming out of nearly every open doorway and he observed people dancing on their balconies and in their living rooms.
CRITICAL MASS: As of 9/27/15: Rotten Tomatoes: No score yet. Metacritic: No score yet.
COMPARISON SHOPPING: First Position
FINAL RATING: 6.5/10
NEXT: Turbo Kid