Flypaper (2011)

Patrick Dempsey auditions for a TV cop show role.

Patrick Dempsey auditions for a TV cop show role.

(2011) Comedy (IFC) Patrick Dempsey, Ashley Judd, Tim Blake Nelson, Mekhi Phifer, Matt Ryan, Jeffrey Tambor, John Ventimiglia, Pruitt Taylor Vince, Curtis Armstrong, Rob Huebel, Adrian Martinez, Natalia Safran, Octavia Spencer, Eddie Matthews, Rob Boltin, James DuMont, Judy Durning, Joseph Nemmers, Monica Acosta, Kasey Emas. Directed by Rob Minkoff

Greed is a big motivator. It attracts us like a magpie to shiny things. We want more, we want it all. Well, that’s true for some of us anyway.

It’s closing time at a bank which is about to receive a major security software update. Once the doors are closed the bank will be locked down for the night, its security systems offline. The employees are getting ready to go home when a trio of armed bandits come in through the back. They’re well-armed and professional.

As if things weren’t bad enough, a couple more robbers come in through the front door – two bumblers named Peanut Butter (Nelson) and Jelly (Vince). They aren’t affiliated with the other gang – they’re just there to take down the ATMs. Still, you can’t have two gangs in the same bank without a gunfight and that’s precisely what happens. An innocent bystander gets shot and killed in the crossfire, further raising the stakes.

Locked in the bank now, the last customer of the bank, a compulsive man named Tripp (Dempsey) suggests that both gangs can have what they want. An uneasy truce is negotiated between PB&J and their rivals (Phifer, Ventimiglia, Ryan). Tripp and the remaining bank employees – obsequious manager Blythe (Tambor), the creepy security guard (Martinez) and tellers Kaitlin (Judd) and her sassy colleague Madge (Spencer) are herded upstairs and told to wait in a conference room.

But Tripp, the obsessive sort that he is, can’t let go of the nagging thought that there’s someone else pulling the strings. Too many coincidences. So he decides to investigate. That can be a very dangerous thing when amidst trigger-happy thugs who take their place on the FBI’s most wanted list quite seriously.

Minkoff is best-known for directing The Lion King and Stuart Little. He hasn’t done a lot of non-family films and he went after a script penned by the co-writers of The Hangover. This isn’t on par with any of those films except for maybe Stuart Little.

It’s not for lack of effort. Dempsey is one of the most engaging actors today. It’s incomprehensible that he isn’t an A-list star by this point but most of his romantic comedies have done solid but not spectacular business. Here he shows some real skill. His character is full of tics that could easily have overwhelmed the film but Dempsey wisely plays them down and let’s his character serve the story rather than the other way around.

Judd is a usually reliable actress who has been flying under the radar of late. She does a credible job here but she really doesn’t have much to work with. She does have a bit of a romantic subplot with Dempsey’s character but it really doesn’t burn up the screen nor prove to be anything more than a brief distraction.

Nelson and Vince make a good team as Peanut Butter and Jelly, with a kind of earthy bumpkin charm to the both of them. They make an ideal counterpoint to the other three who are straight men with an edge. Phifer deserves better.

There are some real funny moments but not enough of them for my taste. The twists and turns are pretty predictable to the moviegoer with even below average intelligence and the characters other than Tripp aren’t particularly well-drawn. Still, it has its own innate charm and that can’t be discounted. You can seek this out if you’d like to but I wouldn’t spend a lot of time looking for it.

WHY RENT THIS: Dempsey should be a bigger star than he is. Some funny moments.

WHY RENT SOMETHING ELSE: Not enough funny moments. The twists are pretty predictable.

FAMILY VALUES: There is some violence, a fair amount of bad language and some sexuality.

TRIVIAL PURSUIT: Tripp’s medication, Depakene, is a mood stabilizer normally prescribed for Bipolar disorder patients, implying that is what Tripp is suffering from.

NOTABLE HOME VIDEO EXTRAS: There are some one-on-one interviews with members of the cast and crew.

BOX OFFICE PERFORMANCE: $3.1M on an unreported production budget.

COMPARISON SHOPPING: Dog Day Afternoon

FINAL RATING: 5.5/10

NEXT: The Godfather

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