(2014) Science Fiction (Paramount/Insurge) Jonny Weston, Sofia Black-D’Elia, Sam Lerner, Allen Evangelista, Virginia Gardner, Amy Landecker, Gary Weeks, Macsen Lintz, Gary Grubbs, Michelle DeFraites, Curry Stone, Jamila Thompson, Katie Garfield, Hillary Harley, Courtney Bowers, Patrick Johnson, Joshua Brady, Danielle Rizzo, Onira Tares. Directed by Dean Israelite
Most scientists with any sort of background in physics will tell you that time travel is not possible, but the concept has certainly excited the imagination of cinemaphiles the world over, as well as filmmakers. It does make for some interesting “what if” discussions, no doubt about it.
Teenager David Raskin (Weston) is in his senior year in high school and has a brilliant scientific mind. He yearns to matriculate at the Massachusetts Institute of Technology but has some stiff competition and even if he’s selected to go, will need a good deal of financial help to get there. He sends the selection committee a video of a new gadget that allows him to control drones remotely without the need of a joystick but through sensors in a glove he wears. This gets him accepted to the prestigious university; unfortunately, it doesn’t get him the scholarship money that is crucial to him actually attending.
With his mother (Landecker) willing to sell the house to raise the funds for his schooling, David feels obligated to try and get scholarship money with some other project, but it needs to be fast. He goes through the papers of his late father (Weeks) in order to find something that he might be able to work off of but nothing jumps out at him. What he does find is a camcorder which recorded scenes from his seventh birthday party, which sadly was the day his father died in a car crash.
He and his sister Christina (Gardner) – who incessantly video records everything – see on the tape something they don’t expect to – the reflection of the 17-year-old David at his party ten years earlier. This should be impossible, but clearly David has traveled in time, or is about to. Grammar can take a beating in a time travel movie, particularly where tenses are concerned.
As it turns out, his daddy was working on a time travel device for the military when he died and was close to getting it to work. David decides to build this just to see if it works. As you can guess, it does. This leads to David and his nerdy science class friends Quinn Goldberg (Lerner) and Adam Le (Evangelista) hanging out and getting involved in the construction of the device. Eventually popular girl Jessie Pierce (Black-D’Elia) discovers what they’re up to and joins the Scooby Gang. As it turns out, David has always had a huge crush on Jessie but has never had the gumption to talk to her. Now, she’s talking to him.
At first they start doing things that you would expect teenagers to do; going back in time so that Quinn can ace a chemistry test he needs to pass in order to graduate. Of course, it takes more than a few attempts before he gets it right (one of the more amusing ideas in the film). They also use the winning Lotto numbers to get rich; except they write the numbers down wrong so instead of getting a huge jackpot to set them up for life, they win not quite two million bucks to split among the five of them.
It’s all fun and games until David decides to break the rules that the group agreed upon. It seems like a harmless change at first but like the Butterfly Effect, it has enormous consequences and the teens begin to notice that each time they come back from a time travel trip, something horrible is happening in the world. And then horrible things begin to happen to them.
This is a movie that is very aware of other time travel movies, ranging from Back to the Future to the Bill and Ted movies to more recent films like Looper. Israelite, who has written a number of genre films, takes the director chair out for a spin and doesn’t do too bad a job, particularly in the very difficult time travel genre which tends to get confusing and overly involved.
Israelite, who also wrote this, doesn’t go into too many specifics of how it works (other than it takes an enormous amount of power). He does allow us to see the actual transition which involves a lot of magnetism, a vortex and bodies and debris being thrown about like rag dolls. Time travel is, in Israelite’s imagination, painful.
The young mostly unknown cast neither distinguishes themselves nor disgraces themselves. They play teens adequately, which means us grown-ups will be banging our heads in frustration as what are supposed to be super intelligent kids do incredibly dumb and dangerous things, but you have to remember – teens. To a teen, dealing with those emotions that are so incredibly intense and painful at that age take precedence over things like safety and sanity.
This is a found footage film, although it has a soundtrack and uses some camera tricks like slow motion, but it is still here in all of its shaky cam splendor. Those who are sensitive to such things – as I am – should be warned that the visuals can be fairly vertigo-inducing and I was very thankful that the screening I attended was less than a five minute drive from my home. Also, I think the whole subgenre of found footage has been overdone and needs to be given a rest for awhile as it seems to be more gimmicky than anything else these days. But that’s just me.
Still this is stylishly done and should appeal to your inner high school senior. Given its history of having been delayed a year (see below) and then dropped into the doldrums of late January most of us didn’t really expect much out of this, but quite frankly considering the limitations it turns out to be a pretty good diversion for this time of year.
REASONS TO GO: Some nifty visuals. Well-paced.
REASONS TO STAY: Predictable teen idiocy. Found footage has kind of had its day.
FAMILY VALUES: There is a little bit of foul language and some light sexual content.
TRIVIAL PURSUIT: The film was originally to be released in February 2014 under the title Welcome to Yesterday but was re-titled and re-branded with MTV Films helping with marketing, and the release was delayed nearly a full year.
CRITICAL MASS: As of 2/17/15: Rotten Tomatoes: 37% positive reviews. Metacritic: 47/100.
COMPARISON SHOPPING: Chronicle
FINAL RATING: 6.5/10
NEXT: Mr. Turner