(2016) Horror (BH Tilt/High Top/Orion) John Gallagher Jr., Adria Arjona, Tony Goldwyn, John C. McGinley, Melonie Diaz, Owain Yeoman, Sean Gunn, Brent Sexton, Josh Brener, David Dastmalchian, David Del Rio, Gregg Henry, Michael Rooker, Rusty Schwimmer, Gail Bean, James Earl, Abraham Benrubi, Valentine Miele, Steven Blackehart, Benjamin Byron Davis, Silvia de Dios. Directed by Greg McLean
There’s no doubt that the corporate environment in 2017 is as cutthroat as it’s ever been. Ambitious office drones plot their way to promotions that bring them out of the environment of living paycheck to paycheck and into management where they can make some real money; others plot to preserve their place in the pecking order. Either way, the office is no place for the faint of heart.
Belko Corporation is described as a non-profit that helps large companies recruit American workers to South American locations. They have a large tower located outside of Bogota, Colombia – well outside of Bogota. Mike Milch (Gallagher) is a fairly humdrum middle management type who is involved in a clandestine romance with co-worker Leandra Florez (Arjona) as that sort of thing is discouraged by Belko, who somewhat appropriately incorporate the figure of an eye into their corporate logo. It is not stretching things to say that most of the people who work in the building have no clue what they do for the company.
One unremarkable morning Mike drives into work to discover an increased security presence and that all the local Colombian workers are being turned away from work. He thinks nothing of it – until a disembodied voice comes on the PA system to announce that the 80 or so workers remaining in the building must select two among their number to murder – or else double that number would be selected at random. Everyone thinks it’s a practical joke in poor taste – until the heads of four people suddenly explode.
At first believing the carnage to be the work of a random sniper, there is panic as people try to get under cover. That’s when large blowtorch-proof metal doors and shutters encase the building in a steel cocoon. There is no leaving and as the voice informs them that they’ll need to find 20 workers to dispatch to the choir invisible or once again double that number would be random victims.
Quickly the social order begins to devolve. The company’s COO Barry Norris (Goldwyn) tries to preach calm and order until he becomes convinced that the only way to buy time is to do what the voice commands, especially when it becomes apparent that every move they make is being observed (remember the eye?) by the disembodied voice. Joining him are a number of management types who want to maintain control of the situation, including Wendell Dukes (McGinley), the kind of manager nobody ever wants to work under. Mike is trying to keep from having anyone die but his voice is not getting heard in the increasing panic. Before too long things fall completely apart and everyone starts looking out for their own ass if they are to survive the worst workday ever.
The movie was penned by current fan favorite James Gunn (Guardians of the Galaxy Vol. 2) as a bit of a passion project but it has languished on the shelf while Gunn has been shepherding the two Marvel space operas to money-printing status. He left the property however in the capable hands of Aussie director McLean (Wolf Creek) who does a yeoman job bringing the script to life.
Most of the actors are better known by face than by name and while there is a black comedy element to the proceedings it never gets to the point of silliness which often happens with horror comedies. Of course, this is as allegorical as it gets to what corporate culture has become in terms of treating employees as disposable resources in which salary and benefits are necessary evils and when the need for those workers dissipates, so do the workers.
Rooker, who has become one of Gunn’s go-to guys, excels as a building engineer as does Goldwyn as a boss who is friendly and supportive on the outside but loses any semblance of concern for his employees when the rubber hits the road. Gallagher and Arjona are okay in the lead roles but aren’t particularly memorable. James’ brother Sean is memorable as a stoner and Schwimmer as the office mother hen is strong.
There are a lot of heads exploding here (having to do with a tracking chip that American workers receive in countries where kidnappings are common) and many gruesome deaths by axe to the face or stapler to the skull. I might have wished for a little more variety to the murders – I would imagine in an office environment there would be plenty of supplies that could do some real damage. A little more imagination in this department would have been welcome. It also should be said that those sensitive to gore and carnage will likely have a rough time with The Belko Experiment.
The movie loses momentum in the second half which is basically a survivalist epic and the denouement is a bit disappointing although there are some pop culture references of the blink and you’ll miss them variety that add some richness to the last moments of the movie. I was hoping for a little bit more from the film but to be honest it is solidly entertaining and horror fans looking for something a little bit different could do a lot worse than to look in this direction.
REASONS TO GO: The film is clever, particularly in the first half. Some fine actors turn in strong performances.
REASONS TO STAY: The gore might be a little bit too extreme for some. The film loses steam in the second half.
FAMILY VALUES: Oh my, there’s plenty of gore and violence, profanity, some drug use and brief sensuality.
TRIVIAL PURSUIT: James Gunn was originally set to direct this from his own screenplay but felt that the violence was not what he needed in his life as he was going through a painful divorce, plus he was also hard at work on Guardians of the Galaxy Vol. 2.
CRITICAL MASS: As of 5/9/17: Rotten Tomatoes: 49% positive reviews. Metacritic: 44/100.
COMPARISON SHOPPING: Battle Royale
FINAL RATING: 6.5/10
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