Love makes us stronger.
(2017) Biographical Drama (Roadside Attractions) Jake Gyllenhaal, Tatiana Maslany, Miranda Richardson, Richard Lane Jr., Nate Richman, Lenny Clarke, Patricia O’Neil, Clancy Brown, Katherine Fitzgerald, Danny McCarthy, Frankie Shaw, Carlos Sanz, Michelle Forziati, Sean McGuirk, Karen Scalia, Judith McIntyre, Dr. Jeffrey Kalish, Cassandra Cato Louis, Rena Maliszewski. Directed by David Gordon Green
In the aftermath of tragedy, it is perhaps the glory of humanity that we rise up and overcome. Even the most horrific of circumstances can bring out our resilience to an almost miraculous degree. It is in these situations that we as a species ten to show the most grace.
Jeff Bauman (Gyllenhaal) is a working class guy from Chelmsford who lives and breathes Boston sports, carves roast chicken at a local Costco and hangs out with his friends after work. There is the matter of a girl, Erin Hurley (Maslany) whom Jeff is absolutely crazy about but he always seems to find a way to mess it up. She justifiably complains that he never shows up; he promises that this time, he will.
This time is at the Boston Marathon in which she is running; he promises to show up, awaiting her at the finish line with a goofy sign. Well, this time he shows up and happens to be standing right next to one of the homemade bombs that went off at the 2013 Marathon. Both his legs are blown off by the blast. When he wakes up in the hospital and is informed about the extent of his injuries, he cracks a joke about being Lt. Dan from Forrest Gump.
He is unprepared for the public adulation that comes from being a survivor. An iconic photo of him being cared for by an unknown man in a cowboy hat (Sanz) has made him a celebrity. His blowzy mom (Richardson) is all about using his new-found fame to his advantage. Erin, overwhelmed by guilt, reconnects with him and becomes nurse and lover.
But Jeff is not the most mature of men to begin with and he self-medicates as the pressures of fame and the pain of physical therapy begin to become unbearable. He has become a symbol but he doesn’t want to be one; he is not interested in offering hope to the people of Boston and his old habits that tore him and Erin apart initially begin to resurface.
David Gordon Green is one of those directors who seem to have a loyal hardcore following but rarely gets the recognition he deserves. This is probably his most commercial film yet (which considering that one of his movies is The Pineapple Express is saying something) and certainly his most accessible.
He pushes all the right buttons here but admirably doesn’t make the film as cliché-ridden as it might be. He keeps things low-key and realistic. Bauman is far from heroic for most of this although by the end of the movie he seems to be accepting his role and begins to use it in a positive way.
Gyllenhaal is at the center of the film. He has become a regular contender for Oscar gold and this performance might very well put him in the mix again this year. He makes Jeff very human, very vulnerable and very flawed and yet charming enough with just enough heart o’ gold kinda stuff that we root for him even as his drunken antics and commitment phobia make us clench our collective teeth. One must also point out that the CGI that renders Gyllenhaal as legless is some of the most seamless and well done I’ve seen.
Maslany has been acclaimed for her performances in Orphan Black, shows that she has the chops to become a serious movie actress. She is much more low-key than Gyllenhaal here but she is really the heart and soul of the film. She is wracked by guilt, knowing if not for her that Jeff wouldn’t have been in harm’s way that Patriot’s Day. She recognizes that deep down Jeff has a good soul but he is also weak and this kind of burden doesn’t necessarily bode well for the future of a relationship but as long as he is trying, she knows she must hang in there for him.
The supporting cast is pretty strong as well, with particular kudos to British actress Richardson as Jeff’s overbearing mom and veteran character actor Clancy Brown as his estranged Dad. They are a bit New England Working Class typecast, but not knowing Bauman’s family at all I have to think that there is at least a germ of truth in there at least.
This isn’t always an easy film to watch. The movie doesn’t really dwell on the crime so much as the recovery and that’s a good thing – you can always watch Patriots Day if you are more interested in the hunt for the bombers. Still, the filmmakers pull no punches. We don’t get treated to endless scenes of agonizing physical therapy but more Bauman’s reaction to it. He becomes depressed and frightened of the staggering unwanted responsibilities he is forced to face. And he turns away from it, until he finally agrees – reluctantly I might add – to meet the angel of mercy who helped him on the worst day of his life.
Bauman doesn’t change overnight although it’s pretty close. There is certainly a turning point and it seems that Bauman makes a decision to live and be the kind of man he always had the potential to be. While I might question the night and day presentation of Bauman’s change of heart, there’s no doubt judged by his activities of late that there was one – a determination to become better. That’s what true strength is.
REASONS TO GO: Gyllenhaal could have an outside shot at an Oscar nomination. The CGI is absolutely perfect. The film is emotionally gritty and cathartic. The portrayal of Jeff Bauman pulls no punches.
REASONS TO STAY: The movie is occasionally guilty of being a bit manipulative.
FAMILY VALUES: There’s plenty of profanity, some disturbing images of carnage, violence, sex and nudity.
TRIVIAL PURSUIT: The release date for the film comes on co-star Tatiana Maslany’s 32nd birthday.
CRITICAL MASS: As of 9/24/17: Rotten Tomatoes: 95% positive reviews. Metacritic: 76/100.
COMPARISON SHOPPING: Marathon: The Patriot’s Day Bombing
FINAL RATING: 8/10
NEXT: TBA
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