(2019) Drama (1091) Annapurna Srinam, Kevin Hoffman, Doug Drucker, Lori Bullock, Jonathan Rentler, Annie Henk, Francis Lyons, Bene Coopersmith, Aurora Flores, Sonia Mena, Enoch Tsumuraya, Kimberly Smith, Sarah Wharton, Bryan Amato, Jeremy Sevelovitz, Matt Stango, Marcus Wright, Nicole Neretin, Adam Soltis, Mary Lu Garmone, Kirsten Hess, Lassen Davis, Emma Hall-Martin. Directed by Andrew Wonder
The streets are an unforgiving place. Surviving on them is no picnic, particularly when you are homeless. You are vulnerable every minute of every day and survival isn’t guaranteed. If the hunger doesn’t get you, the violence will; if the violence doesn’t get you, the weather will.
Yazmine (Srinam) lives on the streets of Brooklyn, or more to the point, under them. She has made herself a nest in an abandoned power station off the subway line and it is there that she stores what few possessions she has. It is there she sleeps, sometimes with rats scurrying about.
When she ventures out, she looks like anyone else; clean and reasonably dressed. This is an advantage; it gets her picked up by a compassionate musician (Hoffman) who bonds with her over a slice of pizza, then takes her to his place. When she convinces him to take a shower, she empties his wallet and takes some of his precious LPs. That’s survival, baby, and it ain’t pretty.
A young mother (Wharton) confesses that she wishes her little boy would run away; Yazmine listens compassionately, only to have a meltdown when the privileged brat steals a meaningless plastic dinosaur from her purse. A middle-aged Latina woman (Flores) reminisces about her days dancing in salsa clubs, even getting Yazmine to dance with her. However, she also calls a homeless shelter to take Yazmine in – not on her terms, but on theirs – which leads to an unforgettable final scene.
The movie is a mix of styles, both narrative and documentary. Wonder occasionally interrupts his film with interviews with people who are or were homeless, including an interview with Yazmine herself. We see Yazmine getting jumped and beaten up by a group of drunken frat-boy types, and refusing help from counselors and medical professionals. We learn only near the end that her mother was deported when Yazmine was 16; her story is heartbreaking when you finally hear it. Throughout the film, Yazmine maintains a brash demeanor that can only be called “Noo Yawk.”
Srinam gives an outstanding performance. Yazmine is oftentimes her own worst enemy, but there’s a vulnerability that is just below the surface and very endearing on those occasions when she allows you to glimpse it. Yazmine often changes her look which is not something I am sure is common among homeless women, but okay; in all other ways the movie feels like an authentic glimpse of the lives they lead. The rest of the performances are a bit of a mixed bag as Wonder cast a mix of professionals and amateurs.
The cinematography is generally speaking, really good, showing both the filth of the underground and the beauty of snow-covered streets. Wonder does a lot of quick-cutting early on which I suppose is meant to set the pace for the film which is pretty fast – in New York, it has to be – but he calms down on that aspect further into the film.
The narrative structure is a little disjointed and at times you get the sense that some of Wonder’s decisions have more to do with showing his creativity more than serving the pace and story of the movie, but c’est la vie. I don’t have an issue with movies that defy the norms, only that they be true to themselves and I’m not entirely sure that’s the case here.
Still, it’s a decent effort and it does examine the homeless issue with a steady, unwavering gaze. I did like the movie – particularly Srinam – but I can’t say as I loved it.
REASONS TO SEE: Annapurna Srinam gives a memorable performance.
REASONS TO AVOID: Disjointed and occasionally a little too self-reverent.
FAMILY VALUES: There is a fair amount of profanity, some sexual situations and violence.
TRIVIAL PURSUIT: The movie is based on stories told to the director when he was working with the homeless people of New York.
BEYOND THE THEATERS: Amazon, AppleTV, Fandango Now, Google Play, Microsoft, Vudu
CRITICAL MASS: As of 6/3/20: Rotten Tomatoes: 100% positive reviews, Metacritic: No score yet
COMPARISON SHOPPING: Queen Mimi
FINAL RATING: 5.5/10
NEXT: Adrift in Soho