Fin


Which is the predator and which is the prey?

(2021) Nature Documentary (Discovery Plus) Eli Roth, Boris Worm, Regina Domingo, Neil Hammerschlag, Gary Stokes, Alison Kock, Chue Lam, Ocean Ramsey, Peter Hammerstadt, Guy Medan, Lashanti Jupp, Michael Muller, Alex Hofford. Directed by Eli Roth

Like millions of others, Eli Roth saw Jaws in his formative years and was scared spitless. He developed a pathological fear of sharks that haunted him whenever he went to the beach. His fears would go on to lead him to become a director of horror films that include Hostel and The Green Inferno.

But he never got over his fear of sharks – that is, until he began to realize that far from the killing machines they were portrayed as in the movies, sharks actually attack humans extremely rarely and generally when they do, they break off the attack immediately when they realize that the human isn’t food. In fact, humans are far more dangerous to sharks than vice versa, to the tune of nearly a billion sharks estimated to have been illegally fished in the last decade alone.

It is one of the largest massacres of a single species in history. There are several reasons for it. Sharks often get caught in gill nets that are meant for other species of fish (they are illegal in most countries); shark liver oil is also used extensively in skin care products, including lotions, sunscreen, lip balm, lip gloss and lipstick – despite the availability of plant-based alternatives. However, one of the largest reasons is the popularity of shark fin soup, a delicacy in parts of Asia. Sharks are often butchered just for their fins, which command a high price. Hong Kong, by itself, processes 17,000 tons of shark fins every year. Often the fins are left to dry on street curbs, sitting in discarded cigarette butts, dog poop and swarms of flies. It’s enough to put you off eating for a week.

You would think that removing sharks from the ecological equation would be a boon for the food chain (or those below sharks anyway) but it is actually not. Areas in which sharks have been all but eradicated shortly become barren of all life. That’s because sharks help maintain ecological balance, acting as marine cops – keeping certain species away from where they don’t belong.

Roth, channeling his newfound respect – and even love – for sharks, decided to make a documentary and with the aid of actor/activists Leonardo di Caprio and Nina Dobrev (acting as executive producers), he traveled the world to see the slaughter in action, partnering with organizations like OceansAsia and Sea Shepherd to find solutions for the problem. He boards a notorious illegal fishing vessel with Sea Shepherd, showing without flinching the horrifying reality of the shark slaughter. The images are pretty graphic and should be viewed with discretion.

Roth has the passion of the convert, and that enthusiasm comes through in every word he utters. At times, the director who has portrayed scenes of people being disemboweled and eaten alive exclaims “That is the worst thing I’ve ever seen” when a shark is clubbed to death in front of him. But already his film is paying dividends; one of the largest shark fishing competitions in the United States was canceled this year, likely due to pressure put on from the film, and Congress is considering legislation that would make the sale of shark fins illegal in the United States.

There are woke reviewers who are criticizing the messenger and throwing out the message because of Roth’s history as a horror director. One sniffed, “He widely condemns women who wear cosmetics which can be made with shark liver oil. These words – coming from a director who helped coin “torture porn” and whose fiction work consistently and degradingly compares makeup-caked bombshells to animals – feel disingenuous at best.” For the record, Roth condemns makeup manufacturers, not the women who wear their products. He urges them to buy shark-free products. And incidentally, his movies tend to be just as degrading to men as well.

If there are some actual knocks for the film it could be that much of the information shared here can be seen in other documentaries, notably the two Sharkwater docs from the late conservationist Rob Stewart, but the footage of the industrial fishing vessels is unforgettable, and Roth’s earnest passion make this a worthy successor to Blackfish.

REASONS TO SEE: Roth is an engaging host. Sobering and sad.
REASONS TO AVOID: May be troubling for the sensitive.
FAMILY VALUES: There is some profanity as well as disturbing images.
TRIVIAL PURSUIT: Over 100 million sharks are killed in the wild every year (estimated).
BEYOND THE THEATERS: Discovery Plus
CRITICAL MASS: As of 7/21/21: Rotten Tomatoes: 89% positive reviews; Metacritic: No score yet.
COMPARISON SHOPPING: Sharkwater Extinction
FINAL RATING: 7.5/10
NEXT:
Luca

Sharkwater Extinction


Apex predators.

(2018) Documentary (Freestyle) Rob Stewart, Will Allen, Steven Kajura, Regi Domingo, Neil Hammerschlag, Tommy Melo, Luis Guillermo Solis, Ryan Orgera, Gordon Hubbell, Deborah Mash, Brock Cahill, Randall Arauz, Rusty Hudson, Eva Meyers, Maike Heidermeyer, Stan Shay, Claire Nouvian, Rebecca Aldsworth, Ryan Walton, Juney Ward, Sarah Fowler. Directed by Rob Stewart

 

The shark is a much feared and much misunderstood creature. Peter Benchley and Steven Spielberg did the beast no favors; human fatalities as a result of shark attacks are actually pretty rare. More people die by being trampled by elephants than die from shark attacks.

Filmmaker/activist and proud Canadian Rob Stewart has had a love for sharks ever since his first encounter with one at age nine. He has become a champion for the species; his 2006 documentary Sharkwater which showed the practice of finning – the removal of shark fins for use in shark fin soup, an Asian delicacy after which the sharks are thrown back in the water where they inevitably die – has thinned the shark population to dangerously low levels. His documentary got the practice of finning banned in over 90 countries.

This sequel is more or less a status report as Stewart and his team go around the world to see if the ban is holding. Spoiler/No spoiler alert – not really. Several countries which have banned the practice effectively look the other way while fishermen continue to do it, while others (like Costa Rica, known for their progressive stance on environmental matters) have quietly weakened their laws.

Stewart also hoped to get people to see sharks in a different light, portraying them as almost cuddly and certainly not threatening, although anyone who has seen a shark movie will certainly have trouble accepting them as such. There is some gorgeous cinematography as we see these majestic predators in their element as Stewart explains their importance in the eco-system.

Tragically, this is an uncompleted film; Stewart died in January 2017 while diving off Key Largo to film the elusive Sawfish Shark. He was using a rebreather, diving equipment which converts carbon dioxide back to oxygen and allows divers to dive deeper and for longer periods. The mixture in his tank turned out to be incorrect and he died of hypoxia, after disappearing during his last dive which is shown in the film. Considering all the bad players that he pissed off, it makes one wonder if his death was an accident.

I noticed that Stewart’s narration in this film was a lot more restrained here than in his previous film. I suspect that is because he was planning on re-recording it. At times it’s hard to find the passion and enthusiasm that he clearly possessed for the subject, but it’s hard to fault the film considering the circumstances.

His loss is an incalculable one to the environmental activist community. Men like him can’t be replaced. This film will be part of his legacy. He only lived 37 years, but that’s not a bad epitaph to leave behind.

REASONS TO SEE: Beautiful shark footage.
REASONS TO AVOID: The narration’s a bit stiff.
FAMILY VALUES: There is some disturbing content.
TRIVIAL PURSUIT: Following Stewart’s death, his family hired additional directors to finish the film. However, only Stewart got official credit as director.
BEYOND THE THEATERS: Amazon, AppleTV, Fandango Now, Google Play, Hoopla, Microsoft, Vudu, YouTube
CRITICAL MASS: As of 6/12/20: Rotten Tomatoes: 85% positive reviews: Metacritic: 76/100.
COMPARISON SHOPPING: Oceans
FINAL RATING: 7.5/10
NEXT:
The Soul Collector