Christopher Robin


The gang’s all here.

(2018) Family (DisneyEwan McGregor, Hayley Atwell, Bronte Carmichael, Mark Gatiss, Oliver Ford Davies, Ronke Adekoluejo, Adrian Scarborough, Jim Cummings (voice), Brad Garrett (voice), Peter Capaldi (voice), Sophie Okonedo (voice), Toby Jones (voice), Roger Ashton-Griffiths, Ken Nwosu, John Dagleish, Amanda Lawrence, Orton O’Brien, Tristan Sturrock, Katy Carmichael. Directed by Marc Forster

 

Growing up is inevitable. We leave our childish things behind and become young adults, and then adults. It is the natural progression of things. It happens to us all.

It even happens to Christopher Robin (McGregor), the son of the famous author who invented Winnie the Pooh and was himself the inspiration for his namesake character. He works as an efficiency expert for a luggage firm in London (the real Christopher Robin owned a bookstore) and is miserable. He rarely sees his family anymore and wife Evelyn (Atwell) and daughter Madeline (Carmichael) have grown exasperated with their absentee husband/dad and have gone to the countryside to the house where Christopher Robin grew up. Their presence alerts Pooh (Cummings), who has discovered that his cohorts are all missing and needs Christopher Robin to come back to the Hundred Acre Wood to find them, but Christopher Robin – certain that he is cracking up under the pressure – has other fish to fry. Will he rediscover the things that are important before he loses everything?

This is very much a Disney movie and has a whole lot more in common with other Disney movies than it does with the life of the real Christopher Robin. Still, if you let the movie’s charm just envelop you, particularly if you grew up with Pooh, have a child growing up with Pooh or just like movies that are the cinematic equivalent of a grilled cheese and tomato soup, you might well find this a worthwhile investment of your time. Sure, the movie goes off the rails a bit during the climax and yes the clichés come thick and fast, but the Hundred Acre Wood is absolutely magical and the CGI creations, looking like the worn and beloved toys they once were, further that magic. This is perfect viewing for a rainy day or a summer night. Take your pick.

REASONS TO SEE: Remarkable CGI. Voice actors perfectly cast. A big warm down comforter of a movie.
REASONS TO AVOID: Standard Disney clichés. Loses oodles of steam during the final act.
FAMILY VALUES: There are some scenes of mild action.
TRIVIAL PURSUIT: Legendary composer Richard B. Sherman makes a cameo appearance during the mid-credits scene. Also, much of the movie was filmed at Ashdown Woods, the original inspiration for A.A. Milne’s Hundred Acre Woods.
BEYOND THE THEATERS: Amazon, AppleTV, Disney Plus, Fandango Now, Google Play, Movies Anywhere, Netflix, Vudu, YouTube
CRITICAL MASS: As of 12/123/19: Rotten Tomatoes: 73% positive reviews: Metacritic: 60/100.
COMPARISON SHOPPING: Hook
FINAL RATING: 7/10
NEXT:
The Aeronauts

Winnie the Pooh


Winnie the Pooh

WInnie the Pooh scurries about the Hundred Acre Wood in search of Hunny.

(2011) Animated Feature (Disney) Starring the voices of Jim Cummings, Craig Ferguson, John Cleese, Tom Kenny, Travis Oakes, Bud Luckey, Jack Boulter, Kristen Anderson-Lopez, Wyatt Dean Hall, Huell Howser. Directed by Stephen J. Anderson and Don Hall

The thing with classics is that they simply don’t bear remaking or rebooting. They were done correctly the first time out; is there a compelling reason to try to capture lightning in a bottle again?

Of course there is. Here, the essence of the Disney classic Pooh movies is recaptured, from the story that moves along like a lazy summer day to the beautifully drawn but deceptively simple animation. The story isn’t terribly complicated – Pooh is out of honey and goes to find some, leading to a series of misadventures. There is also a subplot of Eeyore’s tail being missing; sharp-eyed viewers will be able to find it but most will not. And no, I’m not giving you any hints.

John Cleese proves to be a wonderful successor to Sebastian Cabot as the movie’s narrator and like the Disney classics, the animators aren’t above reminding you that Pooh originally began life as a book. There is nothing frightening here in the least, even the dreaded Backson, which is the Heffalump of this movie.

I found myself missing the classic character voices, from Paul Winchell as Tigger (Jim Cummings here) to Sterling Holloway as Pooh (Cummings again) to John Fiedler as Piglet (Travis Oates in this version). Your kids, however might not have that issue but be warned that you might wind up comparing the modern cast with the classic one. It’s an occupational hazard for rebooting a classic.

Whether or not Disney continues to create Pooh films will probably depend on the home video sales; quite frankly the movie underperformed in a disappointing summer when put up against the last Harry Potter film and flashier kid fare that was marketed to near distraction. This movie however does at least bring viewers back to a kinder, simpler time and kinder, simpler movies. It’s a quiet alternative to the CGI-heavy pop culture icons that are mostly what we get in animated features these days, and there is certainly nothing wrong with that. I heartily recommend this for parents of younger children; it is a nice way to keep them occupied while you take a break from being a parent and get to be a kid again yourself.

WHY RENT THIS: Wonderful nostalgia factor. Lack of stunt voices and simple animation makes this a pleasure for adults.

WHY RENT SOMETHING ELSE: The story is a bit too reminiscent of past Pooh classics. Ideal entertainment for kids six and under and their parents who adored the Disney classics; not so much for those who didn’t.

FAMILY VALUES:  Extremely family friendly.

TRIVIAL PURSUIT: The familiar Winnie the Pooh theme is sung on the soundtrack by actress Zooey Deschanel and musician M. Ward, better known as She and Him. They also contributed the end credits song “So Long.”

NOTABLE DVD EXTRAS: There is a wonderful featurette on the history of Pooh from his origins in the A.A. Milne stories to the wonderful Disney classics. There’s a sing-along feature to the movie that you can activate where the lyrics will appear for each song and Christopher Robins balloon helps kids sing the lyrics in time to the movie. There are also a couple of animated shorts (one Pooh-related, the other one which played in the theaters with this movie) and an odd featurette on how to create the perfect Pooh-themed nursery for your new baby – assuming you have one. If not, there are instructions on how to go get one (just kidding).

BOX OFFICE PERFORMANCE: $33.2M on a $30M production budget; the movie was unprofitable on its theatrical run.

FINAL RATING: 6.5/10

TOMORROW: The Emperor’s Club