Take Me Home Tonight


Take Me Home Tonight

Topher Grace is disconcerted that Teresa Palmer has never heard of "That 70s Show."

(2011) Comedy (Rogue) Topher Grace, Teresa Palmer, Dan Fogler, Anna Faris, Chris Pratt, Michelle Trachtenberg, Lucy Punch, Michael Ian Black, Demitri Martin, Michael Biehn, Bob Odenkirk, Angie Everhart, Jay Jablonski, Edwin Hodge. Directed by Michael Dowse 

Honesty is the best policy; it has been said time and time again but few of us really regard it as true. Most of us will lie about how successful we are, how old we are, what we did during the day – even who we are – to impress someone else. In an age where lies are commonplace and Internet identities are meaningless, we sometimes forget we used to have to tell our lies face-to-face.

In a sense, Matt Franklin has been lying to himself. He is an MIT grad who doesn’t really want to be an engineer, but kinda does. He’s not sure. He’s really not sure about anything. So he lives at home with his policeman dad (Biehn) and housewife mom and twin sister Wendy (Faris) and works at Suncoast Video (are there any of those left?) in the local Mall. Oh, did I mention its 1988?

Into his mall walks Tori Frederking (Palmer), the high school crush he never had the guts to ask out because he never had an “in” and about whom he was just coincidentally talking about with his best friend Barry Nathan (Fogler), a Mercedes salesman who’s about to get fired, although he doesn’t really know it (but he kinda does). Matt nervously strikes up a conversation with his unrequited love, trying to act nonchalant but getting flustered when she mentions her successes – graduation (with honors) from Duke, a job at a high-end investment banking firm.

That’s why Matt blurts out that he’s working at Goldman Sachs, which is a bit weird because apparently they don’t have an L.A. office (which is really weird because of course they do – even in the 80s, all of the big financial firms had L.A. offices). She asks if he’s going to a party that evening, and even though he wasn’t planning to; it’s at the home of Kyle Masterson (Pratt), the smarmy preppy boyfriend of Wendy who doesn’t even know that she applied to Cambridge (which I suppose is supposed to be Oxford but who am I kidding?) or that she would move to England if she was accepted.  The letter detailing whether she got in or not sits unopened in her purse.

So yes, this is one of those “life changing party” movies that had their genesis in the ‘80s and there are plenty of nods here to the era from a decidedly John Hughes-like tone to the big hair to the cocaine use. As someone who lived in Los Angeles in the 80s, I can tell you that they did get the mall culture right, and if the movie is a bit smug in its nod to the wealthy – both of the parties depicted here are in the homes of rich people, even if Matt and Wendy live in the burbs as the children of a cop who put most of his retirement money into Matt’s education, only to see him take a job at the mall. Money well spent, eh dad?

There are a few laughs here although not nearly as many as in the similarly-themed Hot Tub Time Machine which was a much better movie than this one. Then again it’s something of a miracle we’re seeing this movie at all; it was actually filmed four years ago, but Universal, which then owned the distribution rights through their Rogue imprint didn’t feel confident about releasing it and it sat on the shelf until the Starz-owned Overture distributors bought Rogue. Overture was in turn purchased by new distributors Relativity who then added it to the release schedule.

Grace can be truly charming (as he showed in “That 70s Show”) but he looks a bit lost here. His character is so wishy-washy that it’s difficult to get behind him fully and it gets frustrating to watch him flounder, which he does for much of the movie. Fogler, who hasn’t always been impressive in his film roles, does actually manage some of his best work here – a scene where he is lured into a threesome (of sorts) in a Beverly Hills bathroom with a Cougar who turns out to be “Law & Order” hottie Angie Everhart (shockingly unrecognizable here) is one of the movie’s highlights.

Unfortunately much of the movie relies on unfunny gags and uninspired bits. The movie relies far too much on the ‘80s gimmick and poking fun at a decade which is too much like shooting fish in a barrel. I liked the Goldman Sachs reference until I realized that it was inserted in well before the financial meltdown that Goldman Sachs had such a hand in so the reference was kind of accidental.

This is one of those movies that has enough good moments so that it’s not an utter waste of time, but is frustrating because it does waste its potential. I liked the tone of the movie; it just could have used a few more laughs to keep the pace moving along.

REASONS TO GO: There are a few funny moments, particularly between Grace and Fogler. Palmer is awfully pretty and Faris has a role that is completely out of her comfort zone but she still nails it anyway.

REASONS TO STAY: Not enough laughs to sustain the movie. There is a little bit of heart and warmth and while the film nails the “look” of the era, doesn’t really capture its essence, preferring to focus on the excesses of the time.

FAMILY VALUES: A whole lot of bad words, lots of drug use, plenty of sex and nudity but hey, it’s the 80s!

TRIVIAL PURSUIT: It took four years for the movie to see the light of day, mainly over studio reluctance to show all the drug use; during the down time the title changed from “Young Americans” to “Kids in America” to the present one, taken from an Eddie Money song that while played in the trailer never appears in the film.

HOME OR THEATER: Chances are this will be gone from theaters before you can get out to see it anyway, so I’d make this a rental.

FINAL RATING: 5/10

TOMORROW: Looking for Eric

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New Releases for the Week of March 4, 2011


March 4, 2011
To be…or not to be…

RANGO

(Paramount) Starring the voices of Johnny Depp, Isla Fisher, Abagail Breslin, Ray Winstone, Bill Nighy, Stephen Root, Beth Grant, Ned Beatty, Harry Dean Stanton, Alfred Molina. Directed by Gore Verbinski

A chameleon with ambitions of becoming an Errol Flynn-like swashbuckling hero moseys into a dusty Western town that is beset by outlaws and other scumbags. He’ll have to become the hero he always dreamed of being in order to save the town and it’s good citizens from lawless animals…literally.

See the trailer, promos, interviews, featurettes and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Animated Feature

Rating: PG (for rude humor, language, action and smoking)

The Adjustment Bureau 

(Universal) Matt Damon, Emily Blunt, Anthony Mackie, Terrence Stamp. An ambitious politician running for U.S. Senate meets a beautiful girl who turns his world upside down. There’s just one problem – he’s not supposed to be with her. His fate lies along another pathway – and there are agents of Fate who mean to insure that he takes that pathway, no matter what. He must find a way to do something most men fail to do – evade his own fate – in order to be with the woman he loves.

See the trailer, clips, interviews, featurettes and a promo here.

For more on the movie this is the website.

Release formats: Standard

Genre: Science Fiction

Rating: PG-13 (for brief strong language, some sexuality and a violent image)

Beastly

(CBS) Alex Pettyfer, Vanessa Hudgens, Mary-Kate Olsen, Neil Patrick Harris. In this Digital Age retelling of the timeless classic Beauty and the Beast, an arrogant prick of a high school senior gets by on his good looks and wealth until he pisses off the wrong woman – a mystical witch. She curses him with ugliness until he can find someone to fall in love with him as he is – or else stay in this state of hideousness for the rest of his life.

See the trailer, interviews, promos, clips and featurettes here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romantic Fantasy

Rating: PG-13 (for language including some crude comments, drug references and brief violence)

Cedar Rapids

(Fox Searchlight) Ed Helms, John C. Reilly, Sigourney Weaver, Anne Heche. A mild-mannered, naïve insurance agent from a small town ventures to a convention in the titular city, only to be steered into the wild ways of the conventioneer by veterans of the circuit. As his life spins merrily out of control, he begins to discover that perhaps expanding one’s horizons isn’t so bad after all…assuming he survives it. One of the funniest trailers I’ve seen in a long time, by the way – it’s super awesome!

See the trailer, clips and interviews here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: R (for crude and sexual content, language and drug use)

Marwencol

(The Cinema Guild) Mark Hogancamp, Jeff Malmberg. A brutal beating left ex-navy veteran and carpenter Hogancamp unable to speak, walk or eat and most of his memories of his former life gone. While occupational and physical therapy brought him part of the way back, his insurance was cut off, forcing him to rely on alternate means. He builds a World War Two-era Belgian town called Marwencol in his backyard (at 1/6 size) and populates it with G.I. Joes and Barbie dolls, acting out his fantasies and his messages. As the world begins to find the art that Hogancamp creates, he finds it the encroaching fame perhaps the most difficult thing to handle of all.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Documentary

Rating: NR

Take Me Home Tonight

(Relativity) Topher Grace, Anna Farris, Dan Fogler, Teresa Palmer. A graduate of the MIT class of 1988 drifts aimlessly in Southern California, choosing to work as a clerk in a video store rather than taking a job at some Fortune 500 company to begin that upward path to success. When he is invited to a party by the girl that he had a crush on throughout high school, he means to go and impress her – with nothing really in his arsenal to impress her with. It’s one last chance at redemption, all set to the throbbing New Wave and Hip Hop beat of timeless classics…yes, I’m talking about you, Eddie Money.

See the trailer, interviews, clips and a music video here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: R (for language, sexual content and drug use)