Grown Ups

Grown Ups

Kevin James hangs on for dear life.

(Columbia) Adam Sandler, Kevin James, Chris Rock, David Spade, Rob Schneider, Salma Hayek Pinault, Maria Bello, Maya Rudolph, Joyce van Patten, Ebony Jo-Ann, Di Quon, Colin Quinn, Steve Buscemi, Tim Meadows. Directed by Dennis Dugan

The problem with life is that we grow up, we move on. We never have the kind of friends we had as children (I learned that as a child, but was reminded of it some years ago when I first saw Stand By Me) and even when we reconnect, we find that our childhood friends aren’t the same people they were when we were young.

The coach of a championship middles school basketball team has died. A gruff, genial sort, he had a major effect on the lives of the starting five, who gather for his funeral; Eric Lamonsoff (James), a beefy guy who is married to Sally (Bello) who still breastfeeds their four-year-old; Kurt McKenzie (Rock) who is now a somewhat whipped househusband with a dismissive wife Deanne (Rudolph) and the mother-in-law from Hell, Madea…I mean, Mama Ronzoni (Jo-Ann); Rob Hilliard (Schneider) who is on his third marriage, this time to Gloria (van Patten), a woman 30 years his senior and who along with him have embraced a New Age vegan lifestyle; Marcus Higgins (Spade), a womanizer whose women are getting younger as he gets older and finally Lenny Feder (Sandler), the star of the team who has gone on to be a super-rich Hollywood agent married to a hot (in every sense of the word) fashion designer Roxanne (Hayek Pinault).

Lenny decides to rent the same lake house the five were taken to by the coach to celebrate their championship back in 1978. All of them are bringing a good deal of baggage with them, much of it residing in their relationships with their wives and children. Maybe all it takes is a weekend recapturing the magic of youth when a summer day seemed endless, the Fourth of July was a reason to celebrate and the possibilities were unlimited.

That’s basically all you need to know about the plot. The good news is that this is a pleasant movie that really isn’t offensive, despite some of its attempts to be as in Sally’s milk-spray into Deanne’s face, or Marcus taking a header into a pile of dog poo. The bad news is that the movie tends to settle into a rut of pleasantness, taking the bite out of comics who ten years ago would have made fun of efforts like this.

The movie is somewhat uneven; there were places where I was laughing out loud and others where I was rolling my eyes. The comics seem to be going for a juvenile kind of humor where calling each other fat in some imaginative way is the height of wit. Not that I have anything against that sort of thing – that’s what guys do after all – but it runs through the whole movie.

Nearly all of the movie’s best moments come at the hands of the five leads, which makes a bit of sense – after all, that’s who people are paying to see. Unfortunately, that leaves a lot of lesser characters vying for screen time and making the movie feel a little bit crowded. One of the better moments was a speech that perennial TV guest star Joyce van Patten makes near the end of the movie during the obligatory confessional revelatory scene; it might well be the best moment in her distinguished career. Unfortunately, it feels like it should be in another movie.

If you like all these guys individually or collectively, you’re going to see this regardless of what I say. Fortunately, you won’t be disappointed. It’s not the best work of any one of them by any means, but it certainly won’t leave you feeling like you didn’t get your money’s worth. I saw this over the Fourth of July weekend which is the ideal time to see this; what can be more American than a bunch of friends getting together in a bucolic location to relive the glory days and fix what is broken in their lives?

 REASONS TO GO: Five of the best comedians of the 90s all together in the same film. Hayek and Bello are a couple of hotties. There are some pretty funny moments here.

REASONS TO STAY: The movie is wildly uneven and relies a little bit overly much on juvenile humor and pratfalls.

FAMILY VALUES: Some scatological and sexual humor as well as a few male rear ends on display; while nothing I wouldn’t flinch at, you might want to think twice about letting the younger kids see it.

TRIVIAL PURSUIT: Dugan has a cameo as the referee in the opening basketball sequence; Sandler’s real-life wife and daughters also make an appearance as the wife and daughters of Tardio, the cannoli guy. “Amoskeag Lake” doesn’t exist, incidentally; the movie was filmed at Chebacco Lake in Massachusetts; Amoskeag refers to a dam on the Merrimack River in New Hampshire near where Adam Sandler grew up; a number of businesses in Manchester were named after it.

HOME OR THEATER: This will work just as well at home as it will in a big theater; however, this is the type of comedy meant to be enjoyed with a crowd so keep that in mind.

FINAL RATING: 6/10

TOMORROW: Igor

7 thoughts on “Grown Ups

  1. The song that Adam Sandler does during the credits is a very sweet homage to his dad too….let’s not forget about that 🙂

  2. Nice and funny movie. It makes you reminisce the good old days with your chilshood friends and of course the crazy and silly stuff you did with them. Things you never do again, but you wush you did.
    I just hope they have removed some of the adult jokes, scene out, since it was rated PG13, they were kids in the theater…helloooo…..

  3. Great movie they should make more movies like this funny as all hell Adam Sandler really seems like a down to earth guy .Some movie stars fame goes to the head and become snobs.All the characters in this movie were excellent great movie. Keep them coming comedy is the best, thank-you all for a excellent job well done.

  4. You say the film relies on juvenile humour? Ah hence the name ‘Grown Ups’. It is supposed to be a light hearted movie and you’re trying to dramatize it

    • Not at all. There are certainly moments that are dramatic, particularly as the guys begin to understand what they mean to each other. I’m just saying that the movie relies on slapstick, pratfalls, toilet humor and other types of humor that tend towards the juvenile. That’s not necessarily a dig; it’s just a characterization of what audiences can expect.

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