(2014) Action (Vertical) James Marsden, Thomas Jane, Piper Perabo, Billy Bob Thornton, Scott Glenn, Michaela McManus, Adam Beach, Sarah Desjardins, Luisa D’Oliveira, Bart the Bear, Patrick Sabongui, Kelly Curran, Seth Isaac Johnson, Sean O. Roberts, Reese Alexander, Carson Reaume, Michael Jonsson, Mariel Belanger. Directed by David Hackl
Recently, I did a review of a 1981 movie called Roar in which live actors and crew mingled with untamed wild lions and tigers which led to somewhere in the neighborhood of 70 injuries to cast and crew. This movie would be the anti-Roar.
After seven years in prison, Rowan (Marsden) returns home to a small Alaskan town (actually British Columbia) on a mysterious mission which involves a map. Treasure, maybe? When he gets into an altercation with a pimp (Jonsson) who was in the process of beating up a hooker (Curran), he is arrested – by none other than his own brother Beckett (Jane) who turned his back on him after Rowan was convicted of shooting a guy. The two brothers obviously have little love for each other and so when Rowan heads off into the wilderness, Beckett isn’t particularly sorry to see him go.
But what Rowan is really up to is a rescue mission; a friend with the unlikely name of Johnny Cadillac (Beach) is missing after having guided a pair of poachers into the woods (no singing though) and his wife (Belanger) is concerned enough to ask Rowan to go find him. The three of them, however, have met up with a rogue rampaging grizzly (Bart) who with his food supplies dwindling is turning to a human protein supplement to his diet.
Once Beckett and his boss, Sheriff Sullivan (Glenn) realize what’s happening Beckett decides to head into the woods to find the bear and tranquilize it. Sullivan would rather hire bear whisperer Douglass (Thornton) to track down the mutha and kill it, but Beckett puts up a stink so Sullivan caves. Or at least appears to; once Beckett is gone, he sends Douglass out anyway.
Beckett has another reason to head out into the woods – his deaf conservationist wife Michelle (Perabo) is out there and with a crazed killer bear stalking anything on two legs, the town medical examiner Kaley (McManus) tags along just in case someone needs medical attention or an autopsy. And of course all of them meet up and the Grizzly comes after them. Getting back to civilization is going to be no easy task, even with a pair of experienced woodsmen and crack shots in the group.
This is a throwback to deranged animal movies from the ’70s like Jaws and Day of the Animals which generally took an all-star cast of the level that you’d find on a typical episode of The Love Boat and put them squarely in the path of an animal (or animals) that had gone loco and were hungry for the taste of human flesh. This one relies on CGI a great deal as we rarely see humans in the same frame as the evil bear here and quite frankly, the CGI work is sloppy and weak. There is a sequence where the grizzly is surrounded by CGI flames that are so fake as to be almost laughable and then breaks through the ring of fire with a mighty roar and scarcely a single hair singed. There is another scene where the grizzly looks up from his lunch of a hapless human with blood on his mouth and snout that is so patently CGI (the color is bright cherry lipstick red rather than the typical crimson of actual blood) as to look more like the bear had gotten into a strumpet’s lipstick. Godawful.
The cast here is pretty decent and to their credit none of them phone it in although Perabo, who really has nothing much to do, might as well have. Jane is actually a pretty decent action hero who did some good work in Deep Blue Sea and The Punisher but is generally relegated to supporting roles these days and leads in Direct-to-VOD films like this one. Marsden is versatile, doing comedy and action equally well but he’s all business here. Thornton, who always seems to enjoy himself no matter what level of film he’s doing, from excellent (the Fargo series) to sheer paycheck (this).
The British Columbia forests, substituting for Alaska, are unutterably beautiful and while I wouldn’t say they’re a piece of cake to photograph, it’s hard to go wrong with that kind of backdrop One of the big problems with the film is that it’s completely non-credible. Bears don’t act like this, not even rogues and for the most part people don’t either. While Hackl does a good job building suspense, there are too many instances of a gigantic bear sneaking up on hapless humans which is damn near impossible; bears are not stealth creatures. They’re far too massive. At the end of the day this is a subpar potboiler with a good cast and bad CGI that might be worth a rainy day or evening’s rental on VOD if your standards aren’t particularly high.
REASONS TO GO: Beautiful setting. Good cast.
REASONS TO STAY: Unrealistic. Terrible CGI. Throwback to films that weren’t very good in the first place.
FAMILY VALUES: There are animal attack images as well as disturbing gore images, violence, some brief sexuality and a little bit of foul language
TRIVIAL PURSUIT: The original title of the film was Red Machine which is the name given the bear in the credits. This is in reference to the late Timothy Treadwell of the film Grizzly Man who said that one bear, which he had named The Big Red Machine, was the only one that actually terrified him. It is reputed that this was the bear that actually killed him and his girlfriend, although that is unconfirmed.
CRITICAL MASS: As of 7/18/15: Rotten Tomatoes: 30% positive reviews. Metacritic: 41/100.
COMPARISON SHOPPING: Grizzly
FINAL RATING: 4.5/10
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