Beyond the Law (2019)

Once a badass, always a badass.

(2019) Action (CinedigmJohnny Messner, Steven Seagal, DMX, Bill Cobbs, Zack Ward, Randy Charach, Patrick Kilpatrick, Chester Rushing, Saxon Sharbino, Kim DeLonghi, Jeff M. Hill, Sean Kanan, Yulia Klass, Ken Garito, Scotch Hopkins, Mitchell J. Johnson, Mike Ferguson, Madeleine Wade, Victoria De Mare, Cody Renee Cameron, Kansas Bowling, Brialynn Massie. Directed by James Cullen Bressack

 

Some of you may be old enough to remember the era of direct-to-VHS action films; others who are longer in the tooth may remember the action movies of such purveyors as Cannon Films, New World and AVCO Embassy. They were often characterized as schlock, but they were entertaining to say the least.

=This new flick harkens back to those eras and those types of films. Here, ex-cop Frank Wilson (Messner) finds out from Detective Munce (DMX) that his estranged son Chance (Rushing) has been brutally murdered. Chance has made a series of really terrible decisions, not the least of which was getting involved with Desmond Packard (Ward), the particularly bloodthirsty son of mobster Finn Adair (Seagal) who has a history with Frank.

=Realizing that his son won’t get any justice from the hopelessly corrupt cops on the city Frank leaves his mountain cabin to return to the place he once worked as a cop in. It hasn’t changed much, but it has changed – and not for the better. He will have to fight off Desmond’s goons, corrupt cops and at the end of the day, the father of his son’s killer if he is to get justice for Chance.

The plot sounds like something you’ve seen before and it is; revenge films are one of the core types of action movies. Some might be attracted to seeing this by the presence of Seagal but they are likely to leave disappointed; Seagal has only a supporting role in the movie and mostly sits behind a desk, puffing on a cigar and lecturing his son on all the ways he’s gone wrong in his life. Seagal appears only in one fight scene and that so briefly that if you blink you just might miss it.

This is really Messner’s movie and when last I saw him in Silencer, I thought he had a future. I still do, but this is definitely a step backwards. Perhaps it’s the proximity to Seagal (who only has one scene with him) but Messner mumbles his lines in a low gravelly voice that you kind of hope for subtitles. Seagal has always been a mumbler and with his thick Louisiana accent it can be hard sometimes to make out what the two men are saying.

This is a low budget affair and while the action sequences are competent, they are pretty sparse, so we have to rely on the ability of the actors to hold our attention. Sadly, despite having a fairly decent cast, that doesn’t happen. Most of the performances here are stiff and lack believability. Then again, given that they have a script with dialogue that doesn’t sound like it could ever possibly be uttered by an actual human being for whom English is a first language, and plot points that feel like they’ve been borrowed from dozens of B-movies from the 70s, 80s and 90s and you’ve got yourself a hot mess here.

Still, as terrible an actor as Seagal is, he has always had that indefinable something that made him a star. Strangely, he still has it but the filmmakers don’t utilize him as well. Years ago, Seagal would have been playing Frank Wilson and maybe the movie would have worked better in that instance but one gets the sense that Seagal isn’t terribly interested in re-exploring old trails. Incidentally, those hoping that this is a sequel to Seagal’s action classic Above the Law will also be disappointed; the two films have nothing in common other than the last two words of their titles.

REASONS TO SEE: Seagal still has plenty of presence.
REASONS TO AVOID: The acting is pretty stiff. The film is riddled with clichés from the script to the score.
FAMILY VALUES: There’s plenty of violence and profanity as well as some drug and sexual references.
TRIVIAL PURSUIT: Seagal and DMX previously appeared together in the 2001 film Exit Wounds.
CRITICAL MASS: As of 12/3/19: Rotten Tomatoes: No score yet: Metacritic: No score yet.
COMPARISON SHOPPING: Basically, any Steven Seagal movie
FINAL RATING: 4.5/10
NEXT:
The Report

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