Elyse

In 2020, catatonia might be viewed as a blessing.

(2020) Drama (GravitasLisa Pepper, Anthony Hopkins, Aaron Tucker, Tara Arroyave, Fran Tucker, Julieta Ortiz, Griffin Thomas Hollander, Donat Balaj, Anthony Apel, Danny Jacobs, Everett Kelsey, Connor Garelick, Natalia Tucker, Susan Papa, Brittani Ebert, Riccardo Spinotti, David M. Jackson, Daisy Barber, Annette Dugan, Diana Arroyave. Directed by Stella Hopkins

 

Some movies are just slam dunks as far as critics are concerned. They are easy reviews to write; the words just flow. Some are much harder to articulate though.

This turgid melodrama stars Pepper as the titular character, a well-coiffed, well-dressed wife of a wealthy lawyer (A. Tucker), living in a gorgeous modern house where her adorable son (Hollander) is looked after by a solicitous nanny (Ortiz). But all is not perfect in paradise. Elyse suspects her husband – baselessly, it turns out – of having an affair with the nanny’s daughter Carmen (T. Arroyave) who works at her husband’s firm. She also has a very dysfunctional relationship with her patrician mother (F. Tucker).

At a dinner party, fueled by too much drink, she has a meltdown. Her husband, concerned over her increasingly volatile behavior, wants her to see a psychiatrist, a Dr. Lewis (A. Hopkins) who had some success with one of the other lawyers in his firm. Elyse agrees and actually develops a bond with him. However, not all is what it seems and to quote David Byrne, “You may ask yourself, is this my beautiful house?”

 

This is something of a family affair, with the director being married to one of the stars, and also related to two other actors by blood (her maiden name is Arroyave). There is also a mother/son team of actors playing mother-in-law/son-in-law here. That’s all very cozy, but it feels very much like this was cast largely from people the director knew and was comfortable with, rather than getting the best actors for the roles. It shows particularly in the lead roles where, with the exception of the one Oscar winner in the cast, the performances are uniformly stiff and uninspired.

But then again, the dialogue is truly dreadful. You can’t ask an actor to say a line like “This house is an empty shell…of vanished dreams” and expect him (Aaron Tucker, in this case) to make it sound like something a real human being would say. You know a film is going to be pretentious when the opening voice-over narration quotes The Wizard of Oz and you know that the film is about mental illness. I mean, Zoinks! Home viewers may end up banging on their TV in frustration as the first half of the film is in black and white with occasional splashes of color in a ham-fisted attempt at symbolism. Even when the main crux of the plot unfolds – it’s not a spoiler to say that Elyse is actually catatonic and in a mental hospital with Dr. Lewis trying to reach her and bring her back into consciousness – there is little to surprise the viewer and a whole lot to make them want to watch something else.

Still, Anthony Hopkins – who also produced the film and scored it – is a reliable factor and worth watching even in a bad movie, and trust me gang, the rating for this would be a hell of a lot lower if the Oscar-winning actor wasn’t present. Believe it or not, I take no joy out of trashing a film; I know that nobody goes into making a movie with the intent of making a bad one, but sometimes, despite the best intentions, that is exactly what is produced. However, Hopkins fans don’t have to feel bad about his lot – in a couple of weeks, his new film The Father will be coming out and that might well be one of the best films of a year that most of us will want to forget anyway.

REASONS TO SEE: Anthony Hopkins is always a treat.
REASONS TO AVOID: The dialogue is simply awful.
FAMILY VALUES: There is profanity and some sexuality.
TRIVIAL PURSUIT: Director Stella Hopkins has been married to star Anthony Hopkins since 2003.
BEYOND THE THEATERS: Amazon, AppleTV, DirecTV, Fandango Now, Google Play, Microsoft, Redbox, Vudu, YouTube
CRITICAL MASS: As of 12/10/20: Rotten Tomatoes: 40% positive reviews; Metacritic: No score yet.
COMPARISON SHOPPING: A Woman Under the Influence
FINAL RATING: 4.5/10
NEXT:
Farewell Amor

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