Back to the Future Part II


Michael J. Fox and Christopher Lloyd can't believe what's in the script.

Michael J. Fox and Christopher Lloyd can’t believe what’s in the script.

(1989) Science Fiction (Universal) Michael J. Fox, Christopher Lloyd, Lea Thompson, Thomas F. Wilson, Elisabeth Shue, Marc McClure, Wendie Jo Sperber, James Tolkan, Jeffrey Weissman, Casey Siemaszko, Billy Zane, J.J. Cohen, Charles Fleischer, Ricky Dean Logan, Darlene Vogel, Jason Scott Lee, Elijah Wood, John Thornton, Flea, Buck Flower, Joe Flaherty, Tracy D’Aldia. Directed by Robert Zemeckis

Back to the Future was one of the biggest successes of the 1980s for Hollywood, and has stood to this day as a cultural linchpin. Could Robert Zemeckis capture lightning in a bottle yet again?

Marty McFly (Fox) has just returned home from his trip to 1955 when Doc Brown (Lloyd) returns, having gone to see what 2015 was like. It turns out that the future’s not all it’s cracked up to be. Something has to be done about his kids.

It turns out Marty Jr. (Fox again), a nebbish nothing like his dad, is about to take part in a robbery gone bad which will get him sent to jail. His sister Marlene (also Fox) will attempt to break him out of jail and get caught and jailed herself. The plan is for the 1985 Marty to meet up with Griff Tannen (Wilson) and tell him that he won’t take part in the robbery. Griff, who’s got bionic implants that are a bit fried, blows a fuse and with his gang of thugs chases Marty on hoverboards until Griff loses control and crashes into City Hall, going to jail himself and returning the future into something more palatable.

Doc catches Marty purchasing a sports almanac that would give Marty all the results of every sporting event for decades. Marty is thinking he can make some cash off of the deal but Doc refuses to allow it and throws the almanac out. They then go to find Jennifer, who after being knocked out by Doc (who doesn’t want her to see too much of her future) had been picked up by the cops and taken to her future home, not knowing that Griff’s grandpa Biff (also Wilson) overheard them and quickly figured out a plan.

That plan was to steal the Delorean, return to 1955 and give himself the book. He manages to do so and narrowly returns back to 2015 before anyone’s the wiser. When Marty and Doc return back to 1985, they find it a very different place than where they left it – a place in which Biff has amassed an incredible fortune, turning Hill Valley into a rat hole and marrying Marty’s mom Lorraine (Thompson) after her husband and Marty’s father George (Weissman) was murdered.

Doc realizes what has happened and the two must return to 1955 and prevent Biff from getting the almanac so that the timeline can be returned to normal. However, they’ll need to avoid the original Marty so that he can take care of business or risk further contaminating the timeline.

Sequels rarely live up to the originals and this one doesn’t at the end of the day when it comes to heart but it does make up for it in innovation and imagination. The 2015 sequences are visually striking while the alternate 1985 sequences are wrenching. The real payoff here however is the 1955 sequences which preserve the integrity of the original movie while telling its own story – which isn’t easy when time travel and the consequences thereof play such an important role.

Fox by this time was one of the biggest stars in Hollywood, in no small part thanks to the first movie. Despite a nearly five year gap between films he steps back into the Marty McFly role without missing a beat (although he had to learn how to skateboard all over again). One of Fox’s strengths as an actor is his ability to interact seamlessly with other cast members and create chemistry with everyone, no matter how small the role. He is always in the moment which is a lot more difficult than it sounds.

Zemeckis who had filmed Who Framed Roger Rabbit in between the Back to the Future films (the third one was filmed back to back with this one) made it easy for Fox to step back in so perfectly – you know this because every other actor did the same thing which we don’t always see in sequels. Watching the three movies in order you never get a sense that there was any kind of gap between them, the characters are so perfectly matched between films. That’s a tribute to both director and cast.

However for all the technical excellence and the fine performances all around, the movie lacks some of the elements that made the first movie great – the portrayal of parents as people who have been through many of the same issues as their kids, the 50s nostalgia, the feeling of coming home at the end. The latter element can’t really be helped – the movie is meant to lead directly in to the third film in the franchise and so the film ends on a cliffhanger note which is understandable but one leaves the theater feeling like they haven’t seen a complete movie. Of course, these days you just pop in your disc for the third film into the Blu-Ray player and continue on but even so the movie feels more like a transition and less than a stand-alone story which of course it isn’t.

The middle film of the Back to the Future trilogy isn’t as good as the film that preceded it nor as good as the film that succeeded it but even so it is solid entertainment and an innovative piece of cinema that stands the test of time.

WHY RENT THIS: Fox delivers a star turn. Innovative and imaginative. 1955 sequence is right on the money.

WHY RENT SOMETHING ELSE: 2015 sequence doesn’t work as well. Lacks some of the elements that made the first film great.

FAMILY VALUES:  There is a little bit of violence and some mild bad language.

TRIVIAL PURSUIT: While most of the cast of the first movie returns for the sequel, two notable cast members did not; Claudia Wells, who played Marty’s girlfriend Jennifer (played by Elisabeth Shue here) was caring for her mother who had cancer and had given up acting for the time being, and Crispin Glover who played Marty’s father George made exorbitant salary and script control demands and was essentially written out of the script; his future self was played by Jeffrey Weissman and was mostly see from the back, at odd angles, upside down or with dark sunglasses.

NOTABLE HOME VIDEO EXTRAS: There are outtakes and a Q&A session with film students at the University of Southern California and producer Bob Gale and director Robert Zemeckis. There’s also a music video of Huey Lewis and the News’ “Power of Love” from the first film. The movie is available on Blu-Ray currently only as part of a boxed set including the entire trilogy which IMHO is worth owning as a complete set.

BOX OFFICE PERFORMANCE: $332.0M on a $40M production budget; once again this was a big blockbuster.

COMPARISON SHOPPING: The Butterfly Effect

FINAL RATING: 7.5/10

NEXT; The East

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Back to the Future


Michael J. Fox is going back in time.

Michael J. Fox is going back in time.

(1985) Science Fiction (Universal) Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover, Thomas F. Wilson, Claudia Wells, Marc McClure, Wendie Jo Sperber, George diCenzo, Frances Lee McCain, James Tolkan, Jeffrey Jay Cohen, Casey Siemaszko, Billy Zane, Harry Waters Jr., Donald Fulilove, Lisa Freeman, Courtney Gains, Jason Hervey, Maia Brewton. Directed by Robert Zemeckis

Most people my age and slightly younger have a real soft spot for Back to the Future. One of the biggest box office successes of 1985, the movie has become a treasured icon of its age, a movie very much associated with the decade despite its time-travelling motif. Younger generations are well-versed with the film mostly from frequent cable and broadcast TV appearances as well as from their parents VHS and DVD collections. Either way, there are few movies of the last 30 years that have resonated the way this one did.

Marty McFly (Fox) is a frustrated high school senior. He lives in a kind of middle class hell, his mom Lorraine (Thompson) a somewhat prudish, somewhat bitter woman who knows the best days of her life are behind her. His father George (Glover) is a picked-on milquetoast who allows his boss, Biff Tannen (Wilson) to abuse him mercilessly, taking credit for work that George does. Marty yearns for something better, whether it be through rock and roll or through his girlfriend Jennifer (Wells). Even the town he lives in, Hill Valley, is in a state of decrepitude; its clock tower that was once the crown jewel of the town square hasn’t worked for decades since a chance lightning strike left it inoperable.

He is also friends with Dr. Emmett “Doc” Brown (Lloyd), considered to be a crackpot by most (and it’s kind of understandable) but he’s been doing some research into time travel and thinks he’s found a way to make it work. Through a series of accidents, Marty gets into the time machine (which is in, appropriately enough, a Delorean) and is sent back to the year 1955. Through a further series of mishaps, Marty manages to prevent his parents from meeting and instead takes his father’s place convalescing in the home of his mom, who instead of falling in love with his dad falls in love with Marty himself.

Without plutonium for the reaction, Marty is stuck in 1955 but he may not be for long – if he can’t get his parents to meet and kiss on the dance floor of the Enchantment Under the Sea dance, he’ll never have been born. And even if he does get them together, how is he going to get back home to 1985?

Zemeckis and Gale were at the top of their game here and for Fox it is the role that he is most associated with, maybe even more so than Alex Keaton from Family Ties. The movie was kind of a perfect storm of elements coming together in just the right way. It was a movie that fit the time, but it was also much more than just a sci-fi adventure flick with lots of thrills and great characters, although it is that as well. The movie was supposedly inspired by writer/producer Bob Gale finding one of his father’s high school yearbooks and wondering if he had known his dad back then would they have hung out together, an intriguing concept.

We rarely think of our parents as people, but they were all young once; they all had the bloom of youth in their cheeks, all had hopes and dreams, all loved and lost, all got into trouble with their own parents and all did exactly the same kinds of things you did yourself. We can’t really put them in that perspective however; we need our parents to be parents. It’s hard to see them as young kids who didn’t have all the answers and weren’t always right. We can’t see them as ourselves.

This movie kind of forces you to look at them that way and realize what a crap shoot it is that you even exist; one missed connection and you’d never have been born. But at the same time, it’s a fun ride (so fun that it became a ride at Universal Studios theme parks although they have since replaced it with Simpsons -themed rides) that never lets up and is huge fun from minute one to closing credits. Movies like that are few and far between. From the Huey Lewis and the News songs to the eccentricities of Doc Brown to the awkward humor of having Marty being hit on by his mom (which offended some critics at the time), the movie remains an icon of the 80s and if it is a bit anachronistic with its Delorean time machine, Walkman cassette player and Libyan terrorists, it is no more so than most movies which are all without exception a product of their times. This is a classic that should be an essential part of any collection.

WHY RENT THIS: An absolute classic, one of the best movies to come out of the 80s. One of the most beloved films of all time.

WHY RENT SOMETHING ELSE: Some may find this a little dated.

FAMILY VALUES:  There is some sensuality and mild violence.

TRIVIAL PURSUIT: Fox was still starring in Family Ties when he signed to do this film. Because of his television commitment, he filmed most of his scenes from 6pm until 3am, getting about five hours of sleep a night. Scenes set in daylight were filmed on weekends. He managed to film the entire movie without missing a single shot of his television show.

NOTABLE HOME VIDEO EXTRAS: There are outtakes and a Q&A session with film students at the University of Southern California and producer Bob Gale and director Robert Zemeckis. There’s also an extended conversation with Fox. The 2-Disc Collector’s Edition also includes a TV special, Back to the Future Night made to promote the sequel hosted by the late Leslie Nielsen, the footage from both the lobby and the ride of Back to the Future: The Ride which once was a big attraction at Universal Studios but no longer exists. There is also an independent retrospective, Looking Back to the Future which was originally feature-length and has been considerably cut here. The movie is available on Blu-Ray currently only as part of a boxed set including the entire trilogy which IMHO is worth owning as a complete set.

BOX OFFICE PERFORMANCE: $381.1M on a $19M production budget; this was one of the biggest blockbusters of the 80s.

COMPARISON SHOPPING: Blast From the Past

FINAL RATING: 10/10

TOMORROW: In My Sleep