(2016) Horror (Screen Gems) Lily James, Sam Reilly, Bella Heathcote, Ellie Bamber, Millie Brady, Suki Waterhouse, Douglas Booth, Sally Phillips, Charles Dance, Jack Huston, Lena Headey, Matt Smith, Emma Greenwell, Eva Bell, Aisling Loftus, Charlie Anson, Tom Lorcan, Robert Fyfe, Dan Cohen, Nicholas Murchie, Kate Doherty, Pippa Haywood, Bessie Cursons, Morfydd Clark. Directed by Burr Steers
Most of us have had our own encounters with Jane Austen’s masterpiece, either through high school or college lit classes, or through the multitudinous cinematic adaptations. Nothing you’ve ever seen before however will prepare you for this.
It is 1813 and the Regency period in Britain is in full flower. So is an invasion of the living dead as zombies have essentially overrun London which has a gigantic 100 foot wall and moat ringing it, with the environs between the moat and wall known as “The In-Between.” The redoubtable British army patrols the area but it is essentially deserted. Of the living, at any rate.
Elizabeth Bennet (James) and her sisters Jane (Heathcote), Lydia (Bamber), Mary (Brady) and Kitty (Waterhouse) have been raised by their father (Dance) as warriors, able defenders of the family home with sword and gun and dagger. Their mother (Phillips) still is stuck in a mindset where there are no zombies, hoping to marry off the girls to wealthy suitors. Jane already has one in the wealthy Mr. Bingley (Booth). However it is Mr. Darcy (Riley) who catches Elizabeth’s eye and not in a good way when he callously insults her at a party, then “saves” her from a zombie that accosts her outside the mansion trying to warn her about something. Elizabeth is far from grateful.
As the wealthy Darcy looks down his nose at the less fortunate Bennet family, the zombie problem is getting more acute as the London wall will soon be overrun and the one bridge over the moat will soon be dynamited. The dashing Lt. Wickham (Huston) arrives on the scene, not only to catch Elizabeth’s eye but also to map out a daring plan to make peace with the zombies. Darcy’s aunt, the Lady de Bourgh (Headey) listens to the plan with a saucy eye-patch covering her battle wound, but as Britain’s most acclaimed zombie killer and owner of the most fortified home in the land, she ultimately rejects any attempt at peace as does her nephew.
But the walls are falling and a crisis with Lydia Bennet leads Elizabeth, Darcy and Wickham into the no-man’s land to rescue her (although one has different motives) and bring her back to safety before the bridge is blown up at dawn. Can the plucky Elizabeth rescue her sister and escape the hordes?
This is based on a bestselling novel by Seth Grahame-Smith which is in turn based on the Jane Austen classic. While the title sounds more like a comedy than it really is not played for laughs; rather it is pretty much done straight with the horror elements emphasized. I think that’s the right move, quite frankly; there have been plenty of zombie spoofs and the bar is fairly high for those to begin with. However, it must be said that it also makes for an often discomfiting mash-up of styles.
The cast is solid, although unspectacular. The best-faring is James, who uses her Downton Abbey experience nicely. I’ve seen it said elsewhere but I’ll echo the sentiment; she’d make a fine Elizabeth Bennet in a straight-up production of the Austen novel. She is strong-willed and looks stunning in the dresses of the period. She also handles the physical work of the fighting gracefully.
Riley, one of the more underrated actors today, delivers a performance that is curiously flat. I suppose it might be said that Darcy is a character who doesn’t do emotion well, but even so Riley seems like he’s in a fog most of the time. There is also the odd wardrobe decision of putting the character in a leather greatcoat as if he’s some kind of Regency biker. It’s distracting to hear the leather creaking and crackling every time Riley’s onscreen.
Most of the humor here springs from Matt Smith’s portrayal of the dandified Parson Collins, who is an unwelcome suitor (and cousin to) Elizabeth. The former Doctor Who actor at times seems like he’s in a different movie than the rest of the cast, but his is in many ways more fun. As I mentioned, most of the cast plays this straight. It’s more the situation from where the humor is derived, other than through Collins and let’s face it, he’s also comic relief in the book as well.
The gore here is mainly of the CGI kind, but there is plenty of it – so much so that I was frankly surprised the movie didn’t rate an “R” but the MPAA has never shown a lot of consistency when it comes to rating films. Not all the CGI is of the top of the line variety, so expect to see a few images that will just scream computer generated. That’s never a good thing in any film.
This is solidly entertaining fare, surprisingly so considering the source. I won’t say that this is a new franchise for Screen Gems because it really doesn’t have that feel, unless the producers want to move on to other Austen novels or the Bronte sisters. However, if you don’t mind a little gruesome – okay, a lot of gruesome – in your classic literature, this might make for some interesting viewing for you.
REASONS TO GO: An interesting mash-up. James makes an excellent Elizabeth Bennet.
REASONS TO STAY: Some may be put off by the gore or the period. CGI is a little bit rough around the edges.
FAMILY VALUES: Plenty of violence and zombie gore. There’s also some brief sexual suggestion.
TRIVIAL PURSUIT: Originally Natalie Portman was cast as Elizabeth but had to drop out due to scheduling conflicts; she remained on board as a producer however.
CRITICAL MASS: As of 2/20/16: Rotten Tomatoes: 43% positive reviews. Metacritic: 45/100.
COMPARISON SHOPPING: A Scout’s Guide to the Zombie Apocalypse
FINAL RATING: 6/10