Mamma Mia: Here We Go Again


They’re with the band.

(2018) Musical (UniversalLily James, Amanda Seyfried, Dominic Cooper, Andy Garcia, Pierce Brosnan, Stellan Skarsgǻrd, Colin Firth, Julie Walters, Christine Baranski, Cher, Alexa Davies, Jessica Keenan Wynn, Meryl Streep, Josh Dylan, Jeremy Irvine, Hugh Skinner, Omid Djalili, Anastasia Hille, Anna Antoniades, Maria Vacratsis, Naoko Mori. Directed by Ol Parker

 

I have to confess that I’ve always had a soft spot for the music of ABBA, the Swedish pop group that lit up the charts in the 70s and 80s. Mamma Mia, the musical that utilized the band’s extensive catalogue of hits to celebrate a young girl’s wedding as she tries to figure out which of three possibilities is her biological father. It was a major hit – in 2008. Ten years almost to the day, the sequel arrives.

In it, Sophie (Seyfried), the bride from the first film, is trying to renovate her mother’s Greek Island hotel. Her mamma Donna (Streep) has passed away and poor Sophie is trying to balance mourning for her mom, getting the hotel ready for opening night and dealing with a rocky relationship (she’s separated from husband Sky (Cooper) although she is pregnant). With nearly everyone from the first film returning, along with Cher as Donna’s estranged mom and Andy Garcia as the hotel’s manager, there is a familiarity about the terrain. There are also flashbacks showing Donna’s shenanigans leading to her coming to the Greek islands and getting involved with three different men. The luminescent Lily James plays the younger Donna and she does a terrific job, but she’s no Meryl Streep and the film feels her absence keenly. Streep does return for the most haunting scene in the film as a benevolent ghost observing her granddaughter’s christening.

The plot is essentially an excuse for the musical numbers which I suppose could be said for some classic musicals as well, but here it seems especially glaring. Part of the reason is that the bulk of ABBA’s better-known hits were used in the first film and much of the soundtrack here is made up of album tracks and B-sides so the movie loses much of the familiarity factor that made the first film charming.

Streep’s scene and Cher’s two musical numbers are both the showstoppers here; most of the other numbers are forgettable and kind of repetitive. Also, the beautiful Greek island location of the first film has been swapped out for Croatia in the second; not quite the same. I just didn’t get the same warm fuzzies I got from the first film, more’s the pity. There’s definitely a market for this and I know my wife and son thoroughly enjoyed this way more than I did; however, I found it to be only minimally entertaining at best.

REASONS TO SEE: Streep and Cher are big highlights
REASONS TO AVOID: The plot is terribly flimsy. Streep’s absence is keenly felt throughout.
FAMILY VALUES: There is some mildly sexually suggestive material.
TRIVIAL PURSUIT: Streep is distantly related to both Cher (15th cousin) who plays her mother, and James (9th cousin) who plays her younger self.
BEYOND THE THEATER: Amazon, AppleTV, Fandango Now, Google Play, HBO Go, Movies Anywhere Redbox, Vudu, YouTube
CRITICAL MASS: As of 10/16/19: Rotten Tomatoes: 80% positive reviews: Metacritic: 60/100.
COMPARISON SHOPPING: Jersey Boys
FINAL RATING: 4.5/10
NEXT:
Little Monsters

The Guernsey Literary & Potato Peel Pie Society


Wheels keep on turning.

(2018) Drama (NetflixLily James, Michael Huisman, Jessica Brown Findlay, Glen Powell, Matthew Goode, Tom Courtnay, Katherine Parkinson, Clive Merrison, Bernice Stegers, Penelope Wilton, Kit Connor, Bronagh Gallagher, Florence Keen, Andy Gathergood, Nicolo Pasetti, Marek Oravec, Jack Morris, Stephanie Schonfeld, Pippa Rathbone, Rachel Olivant, Emily Patrick. Directed by Mike Newell

 

In 1946, England was still picking itself up and dusting itself off after the war. In London, the ruin of the Blitz was still very much in evidence and while there was an attitude of starting fresh, the pain and horror of the war wasn’t far from the surface.

Author Juliet Ashton (James) is making a tidy amount off of plucky war-set stories that are popular but bring her no intellectual satisfaction. A fan letter from a book club in picturesque Guernsey, a Channel Island that had been occupied by the Nazis during the war (a fact that this ignorant American wasn’t aware of) leads her to visit the club to perform a reading. She is captivated by the beauty of the island but even more so by the people, particularly those in the club. Although she is engaged to a flashy American diplomat (Powell), she finds herself drawn to farmer Dawsey Adams (Huisman). She is also drawn to the mystery of Elizabeth McKenna (Findlay), once the heart and soul of the club but whose absence nobody seems to want to talk about.

Mike Newell is one of the UK’s most capable directors with movies such as Four Weddings and a Funeral as well as Harry Potter and the Goblet of Fire, one of the better installments in the franchise, to his credit. He does a marvelous job of evoking the post-war Era and gathering together an even more marvelous cast. James is never more attractive than she is here, and nearly all of the ensemble cast has some wonderful moments, particularly veterans Courtnay and Wilton, particularly Wilton who is much undervalued as an actress. There are sequences here where the raw emotions brought on by survivor’s guilt are communicated without theatrical hysterics. It’s a nuanced and brilliant performance that very nearly steals the show.

The romantic elements of the movie are a bit too sweet, leaving one with an unpleasant taste in the mouth – I truly wish that the plot had revolved more on the tale of Elizabeth McKenna than on the romance between Dawsey Adams and Juliet Ashton which came off like a British period soap opera only less interesting. I can’t not recommend a Mike Newell film however and the strong performances in this one make it a perfect candidate to Netflix and Chill.

REASONS TO SEE: The era is recreated beautifully.
REASONS TO AVOID: Contains more than a little bit of treacle.
FAMILY VALUES: The themes are somewhat adult; there are also some sexual references and occasional mild profanity.
TRIVIAL PURSUIT: James, Findlay, Good and Wilton also have appeared in the hit PBS series Downton Abbey; one of the filming locations for the show also doubled as exteriors for Guernsey (the Charterhouse in cases anyone is keeping score).
BEYOND THE THEATERS: Netflix
CRITICAL MASS: As of 9/24/19: Rotten Tomatoes: 81% positive reviews: Metacritic: 65/100.
COMPARISON SHOPPING: The Man Who Went Up a Hill & Came Down a Mountain
FINAL RATING: 7/10
NEXT:
Jim Allison: Breakthrough

New Releases for the Week of June 28, 2019


ANNABELLE COMES HOME

(New Line) Patrick Wilson, Vera Farmiga, McKenna Grace, Madison Iseman, Katie Sarife, Steve Coulter, Michael Cimino. Directed by Gary Dauberman

Ed and Lorraine Warren, professional demonologists, have collected some dangerous artifacts over the years but none so perilous as the doll Annabelle. When a friend of their ten-year-old daughter releases the doll from her prison, she begins to reawaken the demonic spirits slumbering in those artifacts, leading to a night of incalculable horror.

See the trailer, clips and a video featurette here
For more on the movie this is the website
Genre: Horror
Now Playing: Wide Release
Rating: R (for horror violence and terror)

Article 15

(Zee) Ayushmann Khurrana, Isha Talwar, Kumud Mishra, Manoj Pahwa. An Indian police officer, raised mostly in Europe, struggles to reconcile the traditional caste system with his own values of right and wrong. This is based on actual events.

See the trailer and clips here
For more on the movie this is the website  
Genre: Drama
Now Playing: AMC West Oaks
Rating: NR

Echo in the Canyon

(Greenwich) Jakob Dylan, David Crosby, Roger McGuinn, Brian Wilson. From 1967 to 1969, rock music and pop culture would undergo a startling metamorphosis and the epicenter for it was a small community of musicians headquartered in Laurel Canyon in North Hollywood. This Florida Film Festival favorite celebrates the music and the musicians of the era with vintage clips and a tribute concert featuring modern artists influenced by the era. This was previously reviewed in Cinema365; you can read the review by clicking on the link below under “Scheduled For Review.”

See the trailer and video featurettes here
For more on the movie this is the website  
Genre: Musical Documentary
Now Playing: Enzian Theater
Rating: PG-13 (for drug references and suggestive content)

The Last Black Man in San Francisco

(A24) Jimmie Falls, Jonathan Majors, Tichina Arnold, Danny Glover. A young man dreams of reclaiming the beautiful Victorian home his grandfather built in the heart of San Francisco, but the City isn’t what he remembered it to be.

See the trailer here
For more on the movie this is the website  
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: R (for language, brief nudity and drug use)

The Other Side of Heaven 2: Fire of Faith

(Good Deed) Christopher Gorham, Natalie Medlock, Russell Dixon, Joe Folau. A Mormon missionary returns to Tonga – this time with his family – only to face a crisis of faith when his son is born with a serious illness.

See the trailer here
For more on the movie this is the website  
Genre: Faith-Based Drama
Now Playing: Regal Pointe Orlando, Regal Winter Park Village, Rialto Spanish Springs Square
Rating: PG-13 (for some thematic material including violence)

Yesterday

(Universal) Himesh Patel, Lily James, Ed Sheeran, Kate McKinnon. A musician ready to give up on a career in music wakes up one morning after a bus accident during a mysterious global blackout to discover that nobody can remember the Beatles or their music. This leads him to an ethical dilemma as he takes the sure path to stardom.

See the trailer, clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website  
Genre: Musical Fantasy
Now Playing: Wide Release
Rating: PG-13 (for suggestive content and language)

ALSO OPENING IN ORLANDO/DAYTONA:
Being Frank
Brochevarevavura
The Command (Kursk)
Framing John DeLorean
Holy Lands
Kalki
Ophelia
Rainbow’s Sunset

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Brochevarevavura
The Fall of the American Empire
Kalki

ALSO OPENING IN TAMPA/ST. PETERSBURG:

The Fall of the American Empire
Killers Anonymous
The Last Whistle

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Brochevarevavura
Kalki

SCHEDULED FOR REVIEW:

Annabelle Comes Home
Echo in the Canyon
Yesterday

Little Woods


When you’re knocked to the floor it can be a savage affair getting back to your feet.

(2018) Drama (NEON) Tessa Thompson, Lily James, Lance Reddick, Luke Kirby, James Badge Dale, Elizabeth Maxwell, Luci Christian, Rochelle Robinson, Morgana Shaw, Joe Stevens, Brandon Potter, Alexis West, Lydia Tracy, Gary Teague, Jeremy St. James, Carolyn Hoffman, Lawrence Varnado, Jason Newman, Stan Taylor, Charlie Ray Reid, Max Hartman, Allison Moseley. Directed by Nia DaCosta

Sometimes, I wonder how on earth we ever ended up with our current President. One need look no further than this film which addresses issues that hit close to home for far too many working Americans, particularly those in rural areas – issues that the other party failed to address in 2016 and if they don’t get their act together and start talking to these same working Americans about these issues, will end up in a very similar result in 2020.

Ollie (Thompson) lives in a bleak town in North Dakota near the Canadian border. The town is booming thanks to the fracking industry and filled with plenty of rough and tumble men who work the pipeline. However, it’s a rough existence in which muscles are constantly in pain and the nagging work injuries aren’t well-served by the town clinic where the waits exceed the amount of time these men have to visit a medical facility so they rely on drug smugglers bringing Oxy from Canada at prices they can afford. This isn’t their story.

Ollie was one such smuggler who got caught. Out on probation, she is mourning her mother for whom she was caretaker during an extensive and eventually terminal illness. She remains in her mom’s house, sleeping on the floor of her mom’s room, trying to eke out a living selling coffee and sandwiches in lieu of painkillers. The house is in foreclosure and the bank isn’t particularly compassionate. Making money legitimately for a woman in this town is almost impossible; the career choices that pay enough to survive for women are essentially what Ollie got busted for and dancing on a pole (the world’s oldest profession goes unremarked upon but is likely a choice as well).

Ollie’s estranged sister Deb (James) returns at an inopportune time. Pregnant by her abusive alcoholic boyfriend (Dale) and trying to support a little boy on her own, Deb lives in a trailer illegally parked on a diner waitress paycheck that doesn’t begin to cover the cost of her pregnancy. The nearest abortion clinic (and the only one in the state) is 200 miles away and is still expensive enough that Deb can’t afford it. As Ollie puts it, your choices are only as good as your options.

The two manage to reconcile but it becomes obvious to Ollie that the only way out is to resume her previous life. She will need to make a run to Canada and get a Manitoba health care card for her sister to do it; the drug dealer (Evans) she worked for previously who is as dangerous as they come. As things spiral down from bad to worse to untenable, the two women must find an inner reservoir of strength that may not even be enough to get them through.

Although the movie addresses a lot of topics that have some serious political ramifications here in 2019, this isn’t the kind of movie that hits you in the face with its politics. DaCosta sets up a situation that is not uncommon among women in rural areas and lets the characters tell their own stories. When considering the assault on reproductive rights and Roe v. Wade that is occurring in certain states at the moment, one can appreciate the frustration and concern among women who are stuck in similar situations where money isn’t plentiful and neither are good options.

Okay, I need to stop getting political here but it can’t be denied that the issues are exceedingly timely. It also can’t be denied that Thompson, as Ollie, shows a range that puts her in very elite company and marks her as a potential Oscar contender down the road – maybe not necessarily for this film but for others that follow. She has that kind of capability. DaCosta, who has been tapped by Jordan Peele to helm the upcoming Candyman reboot, has a similar capability.

My issue is that the movie is taking too many clues from films like Frozen River and Winter’s Bone, both with powerful female leads placed in an environment of despair, drugs and bleak prospects. It gives the overall film a sense of familiarity that isn’t a good thing. The movie’s ending is also a bit disappointing and derivative. DaCosta didn’t have to reinvent the wheel but I thought her choice was a bit too safe. I also thought the score was a bit intrusive.

There is much to like about the film and despite its relatively low score I do urge most cinephiles to check it out. There is some real talent here in front of and behind the camera. There is a raw tone to the movie that might turn off some but nonetheless as mentioned before these are the people who are suffering in 21st century America and whose needs are far from being met. There is enough power here that despite the film’s flaws it is worthwhile to consider it for a look.

REASONS TO SEE: Thompson cements her reputation as an actress with big things ahead of her.
REASONS TO AVOID: Been there, seen that.
FAMILY VALUES: There are a lot of drug references and profanity.
TRIVIAL PURSUIT: The story was conceived as a modern retelling of Shakespeare’s Othello.
CRITICAL MASS: As of 5/25/19: Rotten Tomatoes: 96% positive reviews: Metacritic: 74/100.
COMPARISON SHOPPING: Frozen River
FINAL RATING: 6.5/10
NEXT:
If the Dancer Dances

New Releases for the Week of July 20, 2018


MAMMA MIA: HERE WE GO AGAIN

(Universal) Meryl Streep, Amanda Seyfried, Lily James, Pierce Brosnan, Colin Firth, Stellan Skarsgård, Dominic Cooper, Christine Baranski, Cher, Julie Walters. Directed by Ol Parker

As darling Sophie has become pregnant, she is naturally curious about her mother’s experiences with pregnancy and motherhood. Given the magic of the Greek islands and the music of ABBA, breaking into song is inevitable, which in Pierce Brosnan’s case may well be a violation of the Geneva Convention.

See the trailer, clips, interviews, a video featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, DBOX, Dolby, IMAX, RPX, XD
Genre: Musical
Now Playing: Wide Release

Rating: PG-13 (for some suggestive material)

The Equalizer 2

(Columbia) Denzel Washington, Bill Pullman, Melissa Leo, Pedro Pascal. Robert McCall makes a living driving a cab but it is his passion to help bring justice for those who deserve it but have been denied it. When one of his closest friends is murdered, it might be justice but there will be more than a hint of vengeance involved.

See the trailer and interviews here.
For more on the movie this is the website

Release Formats: Standard, DBOX, Dolby, IMAX, RPX
Genre: Action
Now Playing: Wide Release

Rating: R (for brutal violence throughout, language, and some drug content)

Maquia: When the Promised Flower Blooms

(Eleven Arts) Starring the voices of Manaka Iwami, Miyu Irino, Yuki Kaji, Hiroaki Hirata. An immortal girl befriends a mortal boy, a forbidden act among those who live forever. She will protect and nurture that friendship through the years and whatever the cost.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Animé
Now Playing: Cinemark Artegon Marketplace, Regal Pavilion Port Orange, Regal Winter Park Village

Rating: NR

Three Identical Strangers

(Neon) David Kellman, Robert Shafran, Eddy Galland, Ron Guttman. It started out as twins, separated at birth, reuniting. From there the story gets weirder. If you want to read the review, you can always check it out on the link below under Scheduled for Review but trust Cinema365 – the less you know going in, the more you’ll like the movie.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Documentary
Now Playing: AMC Disney Springs, Regal Waterford Lakes

Rating: PG-13 (for some mature thematic material)

Unfriended: Dark Web

(BH Tilt) Rebecca Rittenhouse, Betty Gabriel, Chelsea Alden, Andrew Lees. When a teen comes into the possession of a new laptop, he doesn’t realize that the previous owner has been watching him and will do anything to get the machine back. When the teen discovers some files that indicate that the laptop is connected to the Dark Web, he understands why.

See the trailer, video featurettes and a clip here.
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: R (for some disturbing violence, language and sexual references)

ALSO OPENING IN ORLANDO/DAYTONA:

Broken Star
Dhadak
I Love You, Hater

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Custody
Dhadak
Don’t Worry, He Won’t Get Far on Foot
Eating Animals
Lover
My Story

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Aatagadharaa Siva
Dhadak
My Story
Occupation
Vijetha

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Dhadak
I Love You, Hater
Lover
 

SCHEDULED FOR REVIEW:

Don’t Worry, He Won’t Get Far on Foot
Eating Animals
The Equalizer 2
Mamma Mia: Here We Go Again
Three Identical Strangers
Unfriended: Dark Web

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Mindie Film Festival, Miami FL

Darkest Hour


When you’re Winston Churchill, you can ride on the tube smoking your tube of tobacco.

(2017) True Life Drama (Focus) Gary Oldman, Kristin Scott Thomas, Ben Mendelsohn, Lily James, Ronald Pickup, Stephen Dillane, Nicholas Jones, Samuel West, David Schofield, Richard Lumsden, Malcolm Storry, Hilton McRae, Benjamin Whitrow, Joe Armstrong, Adrian Rawlings, David Strathairn (voice), David Bamber, Paul Leonard, Mary Antony, Bethany Muir. Directed by Joe Wright

 

Perhaps more than any figure of his time Winston Churchill remains in the eyes of Britain as an enduring hero, a steadfast bulldog who led England when she alone faced down the might of Hitler’s war machine in the year before the United States joined the fight.

In 1940, the war is going disastrously for Great Britain. Neville Chamberlain (Pickup), the Prime Minister who infamously declared “Peace in Our Time” after negotiations with Adolph Hitler essentially handed Poland to the Nazis, is about to be forced out of his position. Who will replace him? Lord Halifax (Dillane) suggests Winston Churchill (Oldman), a former First Lord of the Admiralty who’s Gallipoli Campaign during the First World War had been so mishandled that he left the position in disgrace.

However, he was politically astute and was one of the few candidates that the opposition would accept. Halifax suspected the notoriously blunt Churchill would fumble this position as well at which time Dillane and his faction that urged surrender to the Nazis could come in and negotiate a peace tht Britain could live with. As mind-blowing as that sounds, it actually happened.

Churchill has other ideas. Although aging and infirm as the result of lifelong smoking and drinking, he was still a firebrand who was one of the great orators of the 20th century although that was a part of his skill set that Chamberlain and Halifax didn’t reckon on. Churchill was prescient enough to realize that the Americans would eventually enter the war although that didn’t look likely at the time as conversations with President Roosevelt (Strathairn) brought Churchill to the brink of despair. With his army trapped at Dunkirk, his navy neutralized by the U-Boats of the Nazis and his RAF completely outclassed by the Luftwaffe, Churchill knew he was days away from having most of his fighting force annihilated, leaving the road open for Hitler to invade.

He was also sensible enough to know that there could be no negotiations for peace. “When will you learn,” he roars at Halifax and his allies, “That you can’t negotiate with a tiger when your head is in its mouth!” His relationship with King George VI (Mendelsohn), who detested him, was dysfunctional and only the steadfast support of his wife Clemmie (Thomas) – who also isn’t afraid to scold him from time to time – and his personal secretary Elizabeth Layton (James) was all he had to see him through. Nonetheless, his true strength came from someone unexpected – the British people themselves. This would lead to one of the defining moments in the War – and in British history as a whole.

This is very much Churchill’s story and as such it’s very much Oldman’s show and to his credit he responds with maybe the defining performance of an already lustrous career. He has been the odds on favorite to win the Best Actor Oscar since the first reviews came out in September following the movie’s debut at Toronto, and although there have been some great performances since the same sentiment prevails on the eve of the Oscar telecast this weekend. Whereas most of the previous performances of Churchill have either run perilously close to parody or focused on an aspect of the man, this is really the first onscreen performance that has captured Churchill as a complete, complex man. Blustery almost to the point of bullying (his first encounter with Layton reduces her to tears) but also possessed of an almost romantic soul, Oldman’s Churchill possesses an enormous ego but also a unique appreciation for the people of Britain that no other Prime Minister has possessed before or since. If anyone other than Oldman’s name is called on Sunday I should be very surprised.

Thomas does a game job being the yin to Churchill’s yang but she’s a lone tree against a hurricane. Nobody can stand against a performance like this and Thomas wisely doesn’t try. James also provides moments of genuine calm and compassion.

Maybe the most moving scene is one that didn’t actually happen in real life – Churchill taking a Tube from Downing Street to speak at Parliament rather than riding in his limousine. He takes the time to talk to the working people riding along with him and to his surprise they not only support him but urge him to fight for their survival, giving him all the motivation he needs. However, it should be said that while there’s no record of Churchill ever riding the subway, he was known to leave Downing Street to talk to the British people around London to find out what they were thinking and feeling. It is during this scene however that we realize that even though the movie is about Winston Churchill, it is also about the British people maybe even more so.

The movie is a bit long and takes a long time to get to the climactic speech that is the emotional payoff for the film but Oldman’s performance is just so engrossing that one doesn’t mind so much that we get to watch more of it. I will say that there are some CGI bombers and war scenes that aren’t very convincing; it might have been better to use newsreel footage rather than construct a nice but ineffective shot of a British soldier looking up to the sky through a hole in the roof of a house in Dunkirk and the camera rising to follow his gaze to Nazi bombers but because of the mediocre CGI the scene loses all of its power.

The movie is a strong one but one wonders how it would have been without Oldman in the cast; not quite so compelling I believe. Still, performances like this should be savored and encouraged. Oldman has given us a performance that comes in a very long while; you would be remiss if you are a film buff and miss this. Chances are you’ve already seen it but for those who haven’t, what on Earth are you waiting for?

REASONS TO GO: Oldman is the odds-on favorite to win the Oscar for Best Actor for good reason. This is a movie that makes as effective a use of pauses as any I’ve ever seen. The complex relationship between King and Prime Minister is highlighted.
REASONS TO STAY: The film is way too long. The CGI is poor and actually unnecessary.
FAMILY VALUES: Some of the thematic material is on the adult side.
TRIVIAL PURSUIT: John Hurt was originally cast to portray Neville Chamberlain but had become ill in the final stages of the cancer that claimed his life – which ironically Chamberlain was also stricken with during the period portrayed here. Hurt never made any readings or filmed any scenes but the movie is still dedicated to him.
BEYOND THE THEATER: Amazon, Fandango Now, Google Play, iTunes, Movies Anywhere, Vudu, YouTube
CRITICAL MASS: As of 2/28/18: Rotten Tomatoes: 86% positive reviews. Metacritic: 75/100.
COMPARISON SHOPPING: Churchill
FINAL RATING: 7.5/10
NEXT:
Oh Lucy!

New Releases for the Week of December 22, 2017


JUMANJI: WELCOME TO THE JUNGLE

(Columbia) Dwayne Johnson, Kevin Hart, Jack Black, Karen Gillan, Rhys Darby, Bobby Cannavale, Nick Jonas, Alex Wolff, Missi Pyle.  Directed by Jake Kasdan

A group of four bored teenagers discover an old video console and while fooling around with it are somehow transported into the game’s jungle setting, becoming the avatars they chose. They discover their strengths and weaknesses (don’t give Fridge any cake) and must work together if they are to survive the game and make it home. Based on the Robin Williams classic movie Jumanji.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Fantasy
Now Playing: Wide Release (opened Wednesday)

Rating: PG-13 (for adventure action, suggestive content and some language)

All the Money in the World

(Tri-Star) Michelle Williams, Christopher Plummer, Mark Wahlberg, Charlie Plummer. Sometimes, truth is stranger than fiction; in the 70s, the heir to a billion-dollar oil fortune was kidnapped and held for ransom. His grandfather, the richest man on Earth, refused to pay it despite having his grandson’s ear sliced off as proof the kidnappers meant business, leaving his mom to rescue her boy on her own. Also stranger than fiction, disgraced actor Kevin Spacey was originally cast as oil baron J. Paul Getty. After being accused of sexual misconduct and only weeks before the release date, director Ridley Scott decided to erase Spacey from the film and digitally insert Christopher Plummer instead. Like I said, stranger than fiction.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release (opens Monday)

Rating: R (for language, some violence, disturbing images and brief drug content)

Darkest Hour

(Focus) Gary Oldman, Kristin Scott Thomas, Ben Mendelsohn, Lily James. Early in World War II, the United Kingdom must replace their Prime Minister with a compromise candidate that nobody really wanted; Winston Churchill. He is given a nation to lead on the brink of complete military collapse; their army is trapped in Dunkirk and their navy and air force have taken a pounding. Somehow this unpopular Prime Minister must summon the will to lead his country through the darkest hour in their history.

See the trailer, clips and featurettes here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Universal Cineplex, Cinemark Artegon Marketplace, Regal Winter Park Village

Rating: PG-13 (for some thematic material)

Downsizing

(Paramount) Matt Damon, Christoph Waltz, Kristen Wiig, Jason Sudeikis. A middle class couple makes the decision that a new shrinking technique will make their lives better. When the wife backs out at the last moment, the husband is left to begin a new life in a new world and rediscovers wonder and purpose.

See the trailer, clips, interviews and featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Sci-Fi Comedy
Now Playing: Wide Release

Rating: R (for language including sexual references, some graphic nudity and drug use)

Father Figures

(Warner Brothers) Owen Wilson, Ed Helms, Glenn Close, J.K. Simmons. Two twin brothers discover that their father, whom they were told was dead, was in fact possibly very much alive – but their mother wasn’t sure which man out of several possibilities their actual dad is. They decide to go on a road trip to find out for certain.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for language and sexual references throughout)

The Greatest Showman

(20th Century Fox) Hugh Jackman, Michelle Williams, Zac Efron, Zendaya. The story of the legendary P.T. Barnum whose circus and museum of oddities became known as the Greatest Show on Earth is set to music from the team that gave us La La Land.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Musical
Now Playing: Wide Release (opened Wednesday)

Rating: PG (for thematic elements including a brawl)

Molly’s Game

(STX) Jessica Chastain, Idris Elba, Kevin Costner, Michael Cera. Here is the incredible but true story of former Olympic-class skier Molly Bloom who following her athletic career ran a high-stakes poker game that made her an FBI target when it turned out some very dangerous Russian Mafia types were part of her clientele. Remember the whole truth is stranger than fiction thing?

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Disney Springs, Regal Winter Park Village (opens Monday)

Rating: R (for language, drug content and some violence)

Pitch Perfect 3

(Universal) Anna Kendrick, Rebel Wilson, Brittany Snow, Anna Camp. The publicity is touting that this is the final chapter in the Glee-rip-off series. We can only pray they’re not lying.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Musical
Now Playing: Wide Release

Rating: PG-13 (for crude and sexual content, language and some action)

The Shape of Water

(Fox Searchlight) Sally Hawkins, Octavia Spencer, Michael Shannon, Richard Jenkins. In a secret laboratory in the 1960s, a mute janitor discovers that the scientists are experimenting on a strange aquatic creature they took from the Amazon. She is determined to stop their cruel experiments on the creature when she discovers that not only is the being intelligent but an emotional attachment is developing between them. This film led all movies this year in total Golden Globe nominations with seven.

See the trailer, clips, interviews and featurettes here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Fantasy
Now Playing: Enzian Theater, Wide Release

Rating: R (for sexual content, graphic nudity, violence and language)

Tiger Zinda Hai

(Yash Raj) Katrina Kaif, Salman Khan, Anupriya Goenka, Paresh Rawal. Superspies Tiger and Zoya are pressed back into service eight years later when India is threatened by a potential despot. This is the sequel to the massive Indian hit Ek the Tiger.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Spy Action
Now Playing: AMC Universal Cineplex, AMC West Oaks, Touchstar Southchase

Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

Crooked House
Hello!
Kaleidoscope
MCA – Middle Class Abbay

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Call Me by Your Name
Hello!
MCA – Middle Class Abbay
The Trace We Leave Behind

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Hello!
MCA – Middle Class Abbay
Velaikkaran

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Hello!
MCA – Middle Class Abbay

SCHEDULED FOR REVIEW:

All the Money in the World
Call Me By Your Name

Darkest Hour
Downsizing
Father Figures
The Greatest Showman
Jumanji: Welcome to the Jungle
Molly’s Game
The Shape of Water