The Discovery


Robert Redford’s let his hair go.

(2017) Sci-Fi Drama (Netflix) Robert Redford, Jason Segel, Rooney Mara, Riley Keough, Jesse Plemmons, Mary Steenburgen, Ron Canada, Brian McCarthy, Connor Ratliff, MJ Karmi, Kimleigh Smith, Willie Carpenter, Wendy Makkena, Adam Morrison Khaykin, Paul Bellefeuille, Richard O’Rourke, Rosemary Howard, Lindsay Schnebly, Sigrid Lium, Ally Looney. Directed by Charlie McDowell

 

What lies beyond death has been a central mystery in human existence. Religions have been formed around what happens to our consciousness after our bodies die. It is something that both fascinates and terrifies us. Is there an afterlife? Or do we just stop existing, our consciousness switched off like a light bulb that’s burned out?

Dr. Thomas Harbor (Redford) has discovered the answer to that question – there is an afterlife. He’s proven it beyond a shadow of a doubt. Today, he’s granting his first interview since the discovery that has changed mankind profoundly. The interviewer (Steenburgen) has a difficult task on her hands; what do you ask someone who has essentially thrown the entire outlook on existence into disarray? Well, as it turns out, not much.

After the shocking turn of events that took place during that interview, Dr. Harbor has retreated to a remote island in New England where he is continuing his research, as well as taking in a sort of cult of people who have attempted suicide and loved ones of those who have successfully killed themselves. You see, in the wake of the discovery, the suicide rate has jumped dramatically; millions of people have taken their own lives and one would imagine Dr. Harbor feels some responsibility in this.

In the meantime, two people ride a deserted ferry headed for the island. One is Will (Segel), the neurologist son of Dr. Harbor who has been estranged from his father. The other is a platinum blonde named Isla (Mara). The two exchange acerbic japes and Isla seems to delight in taking Will down a peg or three. They get off the ferry, expecting never to see each other again. Of course, we all know that’s not going to happen.

It turns out that Dr. Harbor has invented a machine that will allow us to go to the other side and then return – with video, no less. But what is the nature of the afterlife? Is it reincarnation, or a more Judeo-Christian version of heaven? Or is it something totally different? Whatever it is, the machine may hold the key to a lot of questions that are plaguing Will about Isla, whom he has fallen deeply in love with.

The premise is fascinating; what would happen to society if we knew that there was life after the body died. The filmmakers could have focused on how society reacts; would there be mass suicides? Would people be eager to move on to the next life, being dissatisfied with this one? Would society become more kindly if people realized their actions in this life affected their standing in the next? There are all sorts of ways this movie could have gone.

Instead, the filmmakers decided to look at a specific family – coincidentally that of the person who discovered the irrefutable evidence of life after death – and turn the movie into something of a romantic thriller. I can understand why the filmmakers would want to leave the nature of the afterlife vague but we’re left to explore Will’s daddy issues and Isla’s guilt rather than explore the bigger picture. In short, a great premise is used as a springboard into a fairly pedestrian thriller.

That doesn’t mean those in front of the camera are to blame. Redford remains one of the most magnetic screen personalities in the history of film. Even at his age, he owns the screen whenever he’s on it. This is a little different than the roles he’s played; Dr. Harbor is a bit vain, brilliant and arrogant but also possessed somewhat of tunnel vision regarding his discovery. Although he doesn’t admit to responsibility for the suicides, he certainly feels somewhat responsible for them.

Mara, an actress who is always interesting, shines in a role that plays to her strengths. The acid-tongued Isla is maybe the most fascinating character in the movie and one of the better-developed. The sad thing is that her chemistry with Segel, who has shown himself to be adept with dramatic roles, is virtually zero. Segel’s Will is so white bread and homogenous that it might lead you to want to munch on a ghost pepper just to get some taste.

I know that the filmmakers are going for a thinking person’s genre film and there have been a lot of good ones lately. Sadly, this doesn’t quite reach the heights it aspires to, sabotaging itself by taking safe roads when they would have benefited from riskier choices. The movie could have been an interesting jumping off point for discussion on the afterlife and philosophy, but loses momentum after the first five minutes which, to be fair, are about the best first five minutes of a movie I’ve seen in a long time.

REASONS TO GO: Redford remains a magnetic screen presence even now. Isla’s acerbic demeanor is perfect for Mara.
REASONS TO STAY: A very interesting concept is squandered.
FAMILY VALUES: There is profanity, some disturbing images, violence and adult themes.
TRIVIAL PURSUIT: Sharp-eyed viewers might recognize the chateau-style mansion that is used as Dr. Harbor’s compound as the same house that was used for the exteriors of Collinwood, the mansion in the seminal horror soap opera Dark Shadows back in the 60s.
BEYOND THE THEATERS: Netflix
CRITICAL MASS: As of 6/13/17: Rotten Tomatoes: 43% positive reviews. Metacritic: 55/100.
COMPARISON SHOPPING: Brainstorm
FINAL RATING: 6/10
NEXT: Hare Krishna!

New Releases for the Week of March 24, 2017


POWER RANGERS

(Saban/Lionsgate) Dacre Montgomery, Naomi Scott, RJ Cyler, Ludi Lin, Becky G, Elizabeth Banks, Bryan Cranston, Bill Hader (voice), David Denman. Directed by Dean Israelite

Five ordinary high school kids from a small town suddenly become humanity’s last hope. They discover a buried spacecraft and they are each given extraordinary powers. However, a threat from a different alien race threatens the Earth and the teens, with some guidance, must learn to work as a unit if they are going to save the day and become Power Rangers.

See the trailer, a clip and B-Roll video here.
For more on the movie this is the website.

Release Formats: Standard, IMAX
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for sequences of sci-fi violence, action and destruction, language, and for some crude humor)

American Anarchist

(Gravitas) William Powell. One of the most notorious books of the counterculture of the 60s and 70s was The Anarchist’s Cookbook which among other things gave detailed instructions on how to build homemade bombs. The book has since been used by terrorists as something of a Bible. The original author, William Powell, was also deeply affected by the book which he wrote at age 19. Now 65 years old, his perspective has changed a great deal. This film documents his journey from angry young man to where he is now.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Documentary
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

Bokeh

(Screen Media) Maika Monroe, Matt O’Leary, Arnar Jónsson, Gunnar Helgason. A young American couple on a romantic vacation in Iceland wakes up one morning to find that every other person on Earth has disappeared. At first reveling in their freedom, the reality of their situation starts to sink in. If they get hurt or sick, there are no doctors. There are no pilots or ship captains to take them back home to America – they’re stuck in Iceland. There are no farmers to grow crops, no ranchers to raise cattle, no technicians to fix broken devices. They are truly, frighteningly, on their own.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Science Fiction
Now Playing: Premiere Fashion Square Cinema

Rating: NR

CHiPS

(Warner Brothers) Dax Shepard, Michael Peña, Jessica McNamee, Adam Brody. Allegations of corruption in the California Highway Patrol have led the F.B.I. to plant a mole in the Patrol. That mole is paired up with a battered veteran of the Patrol who is just trying to get his life and marriage back on track. However, that’s easier said than done considering there’s a multimillion dollar heist whose mastermind just might be a CHiP.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for crude sexual content, graphic nudity, pervasive language, some violence and drug use)

Life

(Columbia) Ryan Reynolds, Jake Gyllenhaal, Rebecca Ferguson, Hiroyuki Sanada. The crew of the International Space Station retrieves a satellite launched from Mars bringing samples to Earth. Once the satellite is opened, a discovery that could change our entire concept of life and the universe is made – but it’s a discovery that could very well also be the death knell of humanity.

See the trailer, clips, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Science Fiction
Now Playing: Wide Release

Rating: R (for language throughout, some sci-fi violence and terror)

Slamma Jamma

(RiverRain) Chris Staples, Michael Irvin, Jose Canseco, Ray Gunnarson. A former basketball star with a bright future is released from prison for a crime he didn’t commit. Determined to get back what was lost, he enters a national slam dunk competition in order to win redemption for himself and to regain the respect of his family and friends.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sports Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Loew’s Universal Cineplex, AMC West Oaks, Regal The Loop, Regal Oviedo Marketplace, Regal Waterford Lakes

Rating: PG (for thematic elements, some violence and language)

Song to Song

(Broad Green) Ryan Gosling, Rooney Mara, Michael Fassbender, Natalie Portman. Two couples involved with the Austin, Texas music scene become entangled in both their musical careers as well as their personal careers. Chasing success is not always an easy thing in the cutthroat music industry.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: Regal Winter Park Village

Rating: R (for some sexuality, nudity, drug use and language)

Wilson

(Fox Searchlight) Woody Harrelson, Laura Dern, Judy Greer, Cheryl Hines. A middle-aged misfit named Wilson who has absolutely no filter and is as neurotic as a cat in a house of mirrors discovers that his ex-wife put a baby up for adoption after they divorced. Overjoyed that he’s a father, he drags his estranged ex to meet their daughter and connect with them as a hopelessly warped family. This is based on the Daniel Clowes graphic novel.

See the trailer, clips, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Dramedy
Now Playing: AMC Disney Springs, Enzian Theater

Rating: R (for language throughout and some sexuality)

Lion


Dev Patel contemplates the blue screen of death.

Dev Patel contemplates the blue screen of death.

(2016) Biographical Drama (Weinstein) Dev Patel, Rooney Mara, Nicole Kidman, David Wenham, Sunny Pawar, Abhishek Bharate, Priyanka Bose, Divian Ladwa, Tanishtha Chatterjee, Nawazuddin Siddiqui, Deepti Naval, Keshav Jadhav, Rohini Kargalya, Saroo Brierley, Sue Brierley, John Brierley, Menik Gooneratne, Madhukar Narlwade, Emilie Cocquerel. Directed by Garth Davis

 

We know who we are largely because we know where we came from. We know who raised us, who gave us life. For those who don’t know the latter, there are always questions – they are almost forced to wonder who they really are or where they came from.

Young Saroo (Pawar) lives in a small village in Hindi India with his mother (Bose) and his older brother Guddu (Bharate). They live in extreme poverty with Guddu and Saroo finding means of stealing coal and reselling it so that they can help put food on the table, particularly the delectable treats that Saroo craves. At night, Guddu goes to the train yard without Saroo who at five years old is too young although Saroo himself doesn’t think that’s true. He wheedles and he whines until Guddu finally reluctantly agrees to take him.

They get to the station and Guddu leaves Saroo on the platform while he investigates possibilities to where the two of them can find some coal. While he’s gone, Saroo gets sleepy – it’s way past his bedtime – and in a bit of a fog wanders onto a train where he can sleep more comfortably. When he wakes up, the train is moving – and the station by his home is long behind him. There is nobody else on board and nobody to hear his cries for help; the train is being relocated to Kolkata (what used to be called Calcutta). Once he gets there, he is as lost as a human being can be; he doesn’t speak Bengali, the language that is spoken there. He narrowly avoids being kidnapped by a child slave labor gang and eventually gets picked up by the authorities after days on the street.

Returning him to his home soon proves impossible; he doesn’t know the name of his village, or even the name of his mother (what five year old knows beyond “Mommy”?) and he is eventually put up for adoption. He gets lucky; a kind-hearted Australian couple – John (Wenham) and Sue (Kidman) Brierley take him into their Tasmanian home and raise him as their own, along with a second Indian orphan named Mantosh (Jadhav).

Years pass. Saroo (Patel) and Mantosh (Ladwa) have grown up; Saroo is attending university in Melbourne majoring in hotel management, while Mantosh has had a much more difficult time adjusting, becoming a drug addict and is often confrontational with his parents and adopted brother. Saroo considers John and Sue his parents and loves them with all his heart but at a party one night at the apartment of a student of Indian descent takes him back to his childhood and leads him on a quest to find his original home and family. That quest becomes something of an obsession, threatening his relationship with his girlfriend Lucy (Mara) who is supportive, and his standing at the school. He hasn’t told his adoptive parents about his mission; he fears it will break his mother’s heart. Using the then-new Google Earth on his laptop, he embarks on the seemingly hopeless task of finding his way back, but there’s no guarantee his family will even be there in the unlikely event that he does find his village – and considering how large India is and how the vast the train system, it will take years to find the right station with the right water tower if he finds it at all.

This true story, based on a book by the real Saroo Brierley (who appears at the end of the movie in footage detailing the end of his search along with his parents), is absolutely compelling and heart-warming. The first part of the movie, showing the five-year-old Saroo’s journey, has little dialogue and beautiful images – the very first scene in the film depicts young Saroo surrounded by butterflies. The countryside of rural India is juxtaposed with the urban squalor of Kolkata and makes for essential cinema. Part of the reason for this is Sunny Pawar who provides a sensational performance. He acts with his face, with his eyes – something you really can’t teach – unlike a lot of child actors who try too hard to act and ultimately come off as inauthentic. Pawar is nothing but authentic.

Patel is similarly sensational, having garnered a Golden Globe nomination for Best Supporting Actor and is likely to receive serious Oscar consideration. This is nothing short of a star-making performance; the young actor has given notice that he can ascend to the next level and is in fact likely to. Saroo isn’t always pleasant in the movie; like many obsessed people, he sacrifices current relationships and dreams to scratch that itch. Basically though he is a character we root for even when he’s shutting his supporting girlfriend out.

Kidman, who chooses to play the part of Sue without glamour, is also likely to receive Supporting Actress consideration for the upcoming Oscars. It’s the kind of performance that makes you wish she was getting more screen time – there’s a scene where she confesses her fears to Saroo that is absolutely mesmerizing. She’s gone from being one of the most beautiful women in the world to a talented actress who has compiled an enviable record of mind-blowing performances. She’s become an actress whose movies I look forward to no matter what the subject.

The movie succeeds on nearly every level even though it does kind of lose its way in the middle a little bit. The ending, even though you can predict what’s coming, will absolutely floor you and to be honest there’s a component of the ending that will bring tears to your eyes in an absolute gangbuster of an emotional payoff. I can’t recommend this movie enough.

REASONS TO GO: The story packs an emotional wallop and the payoff at the end is considerable. Patel, Kidman and Ladwa give terrific performances. Sunny Pawar gives a surprisingly powerful performance amid some wonderful cinematography.
REASONS TO STAY: The film drags a little bit in the middle third.
FAMILY VALUES: Some of the events may be a little rough for sensitive children to watch; there’s also a bit of sensuality.
TRIVIAL PURSUIT: The Lucy character played by Rooney Mara is not based on a specific person but is rather an amalgam of Saroo’s real life girlfriends during the period covered by the movie.
CRITICAL MASS: As of 1/20/17: Rotten Tomatoes: 87% positive reviews. Metacritic: 69/100.
COMPARISON SHOPPING: Warchild
FINAL RATING: 8.5/10
NEXT: Assassin’s Creed

New Releases for the Week of December 23, 2016


SingSING

(Universal/Illumination) Starring the voices of Matthew McConaughey, Reese Witherspoon, Seth MacFarlane, Scarlett Johansson, John C. Reilly, Taron Egerton. Directed by Garth Jennings

A once-grand theater is dying and the owner, one Buster Moon, has an idea to save it; hold a massive American Idol-like singing contest. True to his predictions, the contest captures the imagination of the whole town as ordinary people with extraordinary dreams compete for fame, fortune and opportunity.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Animated Feature
Now Playing: Wide Release (Opened Wednesday)

Rating: PG (for some rude humor and mild peril)

Assassin’s Creed

(20th Century Fox) Michael Fassbender, Marion Cotillard, Jeremy Irons, Brendan Gleeson. Based on the hit videogame, a convicted criminal is executed…and brought back to life for the sole purpose of utilizing his genetic memories. Sent back as part of the Assassin’s Guild (to which his family has belonged for generations), he and the Assassin’s fight the mysterious and malevolent Templars in both the past and present.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Action/Adventure
Now Playing: Wide Release (opened Wednesday)

Rating: PG-13 (for intense sequences of violence and action, thematic elements and brief strong language)

Dangal

(UTV) Aamir Khan, Sakshi Tanwar, Fatima Sana Shaikh, Sanya Malhotra. The true story of wrestler Mahavir Singh Phogat, a champion Indian wrestler. He was unable to win a gold medal at the Commonwealth Games and vowed that since he failed, his son would do what he could not. The universe having a perverse sense of humor delivers four children to Mahavir – all daughters. At first devastated, he observes that two of them have the tools to become champions themselves – and he swallows his pride and trains them.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sports Biography
Now Playing: AMC Loew’s Universal Cineplex, AMC West Oaks, Touchstar Southchase

Rating: NR

Fences

(Paramount) Denzel Washington, Viola Davis, Jovan Adepo, Mykelti Williamson. Directed by Washington and based on the play by Pulitzer Prize-winning playwright August Wilson who also penned the screenplay, this is the story of a proud African-American man trying to raise his family in the 1950s. Bitterly disappointed by life, he turns his back on his son who wants nothing more than to please him while the father seethes, knowing that his son could go much farther in life than he ever did.

See the trailer, clips and interviews here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release (opens on Sunday)

Rating: PG-13 (for thematic elements, language and some suggestive material)

Lion

(Weinstein) Dev Patel, Rooney Mara, David Wenham, Nicole Kidman. A young boy found wandering in the streets of Kolkata is adopted by a kindly Australian couple. Years later as a grown man he begins to experience some childhood memories and knows he must return to India to find his mother and siblings. However, all he knows is that he somehow was mistakenly put on a train and left on it for two days; his home and family could be nearly anywhere in the country. Undeterred, he sets out to find his past so he can help define his future.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Disney Springs, Cinemark Artegon Marketplace, Regal Waterford Lakes, Regal Winter Park Village

Rating: PG-13 (for thematic material and some sensuality)

Passengers

(Columbia) Jennifer Lawrence, Chris Pratt, Laurence Fishburne, Michael Sheen. On a spaceship headed on a 120-year voyage to colonize a planet outside the solar system, the colonists are in pods that keep them asleep for most of the journey. When a man and a woman find themselves awake 90 years too early with no way to get back to sleep, they are devastated at first but soon they discover that their early wake-up call was the beginning of even more catastrophic malfunctions aboard the ship.

See the trailer, clips and premiere footage here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Science Fiction
Now Playing: Wide Release (Opened on Wednesday)

Rating: PG-13 (for sexuality, nudity and action/peril)

Why Him?

(20th Century Fox) Bryan Cranston, James Franco, Zoey Deutch, Megan Mulally.  Stephanie is a great young woman and the apple of her daddy’s eye. Her new boyfriend could be the one, but when mom and dad meet him, it turns out that he’s a Silicon Valley tech billionaire. Quite the catch, no? No. He’s socially awkward but tech-savvy in ways dear old dad could never be. The two enter a one-upmanship contest – advantage, boyfriend – and soon Dad realizes that he could lose his daughter forever…to someone who has no filter whatsoever.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release (Opened on Wednesday)

Rating: R (for strong language and sexual material throughout)

Kubo and the Two Strings


Beetle, Kubo and Monkey on a quest for armor or at least an audience.

Beetle, Kubo and Monkey on a quest for armor or at least an audience.

(2016) Animated Feature (Laika/Focus) Starring the voices of Charlize Theron, Art Parkinson, Ralph Fiennes, Matthew McConaughey, George Takei, Cary-Hiroyuki Tagawa, Brenda Vaccaro, Rooney Mara, Meyrick Murphy, Minae Noji, Alpha Takahashi, Laura Miro, Ken Takemoto, Luke Donaldson, Thomas Isao Morinaka, Zach Rice, Rachel Morihiro, Mariel Sheets. Directed by Travis Knight

 

We spend much of our time as adults trying to live up to what our parents wanted us to be, which is a harder trick than it sounds – particularly if your parents were taken from you at a young age. Indeed, we spend much of our lives trying to live up to our parents period. Some of us choose to divorce ourselves from those expectations but deep down, the desire is there.

Kubo (Parkinson), a one-eyed child, lives in a seaside town in Japan, a village that gave him and his mother Kameyo (Vaccaro) refuge when they floated in on a boat when Kubo was just a child. These days Kameyo is ill and Kubo supports them by telling stories, accompanied by his magic shamisen, a three-stringed Japanese musical instrument which causes pieces of paper in Kubo’s pack to be transformed into magical, living origami. He is beloved of the townspeople but there is an air of melancholy about Kubo – he misses the father he never knew, a great samurai warrior who had feuded with his mother’s two evil sisters (both voiced by Mara) and their father, the despotic Moon King (Fiennes).

When Kubo accidentally conjures up a demon and his mother disappears, he must go on a quest to recover his father’s armor, said to make the wearer invincible, and his sword which cannot be broken. He is accompanied by a monkey (Theron) who is more than what she seems, and a samurai that his been transformed into a Beetle (McConaughey) who is more brave than he is brilliant.

Together these three must face down terrifying monsters, insurmountable odds and a seemingly impossible quest. Their faith in each other is all that can get them through even as Kubo despairs of having a family ever again.

Laika, which has produced such gems as The Boxtrolls and Coraline, return for their fourth feature and as you might expect with that kind of pedigree it’s an impressive visual achievement. Melding CGI and the stop-motion animation for which Laika is justifiably famous for, the ancient Japan with all the mystery and magic the wizards at Laika can muster comes to vivid life. There will be lots of oohs and ahs when you get a load of this either on the big screen or at home.

Parkinson, who plays Rickon Stark on Game of Thrones, does some impressive work here, giving us a complete character who, unlikely other orphans in animated films, isn’t one-dimensional. Yes, there is grief for his parents but there is also a solid steel core of honor in him, inherited from his dad. He wants to do right and knows that he has inside him a special power that could well make everything right. However, he is fallible and sometimes does childish things, although never in an annoying way. Parkinson definitely makes the reading emotional without letting the emotions control the reading. It’s a good performance and bodes well for his future as an actor.

McConaughey has never done an animated feature before but his customary Texas drawl is absent here; you almost have to close your eyes and listen really carefully to know it’s him. Theron and McConaughey’s characters have some nice interplay and both do well with Parkinson. The voice work isn’t the issue here at all, and Takei lets fly a delicious “Oh, myyyyyy” early on in the film as an extra bonus attraction.

I do think the movie is a bit long; it drags somewhat during the middle and the epic fight sequences could have been trimmed a bit, although the one with the giant skeleton – c’est magnifique. And I like that while this resembles anime in construction, it’s an American take on the art form and quite frankly, it holds up nicely although it certainly won’t compare to classics like Akira, Grave of the Fireflies and most of Studio Ghibli’s work.

In a year of strong animated features in a summer where virtually everything else was disappointing, this stands out nicely as one of the best family films of the summer. I think it’s one of Laika’s most ambitious ideas in terms of story and visuals, but falls a little short of their best movies. For all that though, I think it’s clear that Laika is one of the top animated studios in the world, right up there with the aforementioned Ghibli, Pixar and maybe Illumination. It’s a good time to be a cartoon fan.

REASONS TO GO: The visuals are incredible. A story that is simple yet mesmerizing.
REASONS TO STAY: The film could have used a little more editing.
FAMILY VALUES:  Some of the images here are scary, and there are scenes of peril and action.
TRIVIAL PURSUIT:  This is the directing debut of Laika CEO Travis Knight.
CRITICAL MASS: As of 9/26/16: Rotten Tomatoes: 97% positive reviews. Metacritic: 84/100.
COMPARISON SHOPPING: The Forbidden Kingdom
FINAL RATING: 7.5/10
NEXT: The Light Between Oceans

Carol


A different type of Christmas Carol.

A different type of Christmas Carol.

(2015) Drama (Weinstein) Cate Blanchett, Rooney Mara, Kyle Chandler, Sarah Paulson, Jake Lacy, John Magaro, Cory Michael Smith, Kevin Crowley, Nik Pajic, Carrie Brownstein, Trent Rowland, Sadie Heim, Kk Heim, Amy Warner, Michael Haney, Wendy Lardin, Pamela Evans Haynes, Greg Violand, Michael Ward, Kay Geiger, Christine Dye. Directed by Todd Haynes

We sometimes look back at the 1950s as a kind of idyllic era, a time when America was the pre-eminent world power (although I’m sure the Soviet Union had a thing or two to say about that), when life was simple and the American way of life was at its peak. However, for all the affection we have for that time period, there were some undercurrents that were much more ugly than our collective memories would credit.

Carol is set in 1952 as America’s post-war paradise was in full flower. Based on the Patricia Highsmith novel The Price of Salt, it can be said that the movie is about the relationship between shopgirl Therese (pronounced as if it rhymes with “caress”) Belivet (Mara) and well-to-do housewife Carol Aird (Blanchett). While Christmas shopping for her daughter, the elfin Therese catches the patrician Carol’s eye and things evolve from there. Unfortunately, the kind of relationship the two women have in mind is frowned upon in that era.

To make things more complicated, Carol is in the midst of a contentious divorce with her husband Harge (Chandler) who has already endured a Sapphic affair by his wife with her friend Abby (Paulson) although that, we learn, actually took place before he married her. The thought that his wife has been intimate with another woman apparently drives him a little bit batty, but he loves his wife and wants her to stay, but his problems with alcohol and rage make that impossible. Carol is trying to keep things low-key between her and Therese but left alone and needing to get out of town, the two women hop in a car and head vaguely West, not really with any specific destination in mind although once they get to Chicago they stay at the swanky Drake Hotel. However, the repercussions of Carol’s actions will force her to choose between her needs and her daughter.

This is exquisitely acted, with likely Oscar nominations coming to both Blanchett and Mara. While this is clearly not about Carol as much as it is about Therese, film title notwithstanding, Blanchett gives Carol an icy upper class veneer with a warm center when it comes to other women. She is graceful and a bit brassy; after a loud fight with her husband witnessed by (and to a large extent caused by) Therese, Carol in an exasperated tone exclaims  “Just when you think it can’t get any worse, you run out of cigarettes!” It’s the type of line that would have been uttered by a Joan Crawford or a Rosalind Russell, but not nearly as well as Blanchett delivers it.

Mara’s naturally gamine features have gotten her comparisons to Audrey Hepburn, although she is somewhat more sophisticated an actress than Hepburn. She does have Hepburn’s charming youthful inexperience, but beneath that is a sexuality that lights up the screen, particularly later in the film when the relationship between the two women begins to get physical. Mara is very much desired by a good deal of men in the story, not the least of which is her boyfriend Richard Semco (Lacy) who very much wants her to be his wife a little further down the line. His earnest delivery is perfect for a character who is completely puzzled that his girl simply isn’t behaving the way she’s supposed to.

One of the characteristics of the era was its elegance and from the exquisite fashions to the furniture and settings, the movie gets it down pat. They capture the speech patterns of Manhattan sophisticates, which was more genteel than we’re used to hearing. I don’t think I’ve ever seen an evocation of 1950s New York that captured as well as this one for a film not made in that era. I think that an Oscar nomination is very likely for costume designer Sandy Powell, whose fashions here are beautiful, simple, stylish and perfect for the time period.

And yet for all the praise I’m heaping on the movie, you’ll notice the rating doesn’t seem to match and here’s why. The movie takes a very long time to go a very short distance. The addendum at the end of the movie is nearly pointless, as by that time we’ve emotionally checked out of the film. Haynes has a definite case of the on-too-longs and the film would have benefitted from some judicious editing.

But let’s be clear about this – I’m very much in the minority when it comes to the critical opinion of the movie, which you can tell from the scores below, so do take my remarks with a grain of salt but the thing that really makes me wonder about the universal critical acclaim is this question; would the movie have received the same kind of praise if the couple at the center been heterosexual? I have a very disturbing feeling that it would not.

This is a beautifully shot movie with superb acting performances, and on that basis alone you should likely go see it. Certainly if you’re an Oscar buff, you’ll want to catch the lead performances which are likely to both be nominated. However, be aware that you may find some of the movie a bit tedious and mannered, which while it fits in with the era it’s set in, may indeed not necessarily fit in with modern moviegoing audiences.

REASONS TO GO: Blanchett and Mara deliver award-worthy performances.
REASONS TO STAY: The movie is much too long.
FAMILY VALUES: There’s some sexuality, brief nudity and a little bit of foul language.
TRIVIAL PURSUIT: Highsmith said she was inspired to write the novel after a chance encounter with a blonde woman wearing a fur coat in a department store in 1948.
CRITICAL MASS: As of 1/13/16: Rotten Tomatoes: 94% positive reviews. Metacritic: 95/100.
COMPARISON SHOPPING: Far From Heaven
FINAL RATING: 6.5/10
NEXT: Tomboy

New Releases for the Week of January 8, 2016


The RevenantTHE REVENANT

(20th Century Fox) Leonardo DiCaprio, Tom Hardy, Domhnall Gleeson, Will Poulter, Forrest Goodluck, Paul Anderson, Kristoffer Joner, Joshua Burge. Directed by Alejandro González Iňárritu

Hugh Glass, a legendary explorer of the American frontier, is attacked by a bear and left for dead by his own hunting party. Betrayed by his closest friend, Glass endures incredible odds to recover from his injuries, survive harsh elements and gain vengeance for unendurable grief and pain. The movie opened for an Oscar qualifying run and has garnered laudatory reviews and huge buzz. It’s definitely the movie to see this week.

See the trailer, clips, interviews and featurettes here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Western
Now Playing: Wide Release

Rating: R (for strong frontier combat and violence including gory images, a sexual assault, language and brief nudity)

Carol

(Weinstein) Cate Blanchett, Rooney Mara, Sarah Paulson, Kyle Chandler. Based on a Patricia Highsmith novel (and said to be auto-biographical), a married woman in the 1950s New York who is trapped in a loveless marriage of convenience falls for an ambitious dreamer of a store clerk. The two embark on an affair in an era when sexual relations between two women was taboo. When the husband discovers her infidelity, the wife is torn between her children and family and a life unfulfilling to her and rebelling against society’s norms to live the life she wants.

See the trailer, clips, interviews, a promo, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Altamonte Mall, Regal Winter Park Village, Regal Waterford Lakes

Rating: R (for a scene of sexuality/nudity and brief language)

The Forest

(Gramercy) Natalie Dormer, Eoin Macken, Stephanie Vogt, Noriko Sakura. An American woman journeys to Tokyo to find her twin sister who had ventured into the Aokigahara Forest at the base of Mount Fuji and disappeared. She discovers that the forest is notorious for being a place where people commit suicide and their angry and tormented souls haunt the forest. She will have to fight these spirits and the darkness within her to learn the fate of her sister – and survive her own trip into the forest.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for disturbing thematic content and images)

The Masked Saint

(Freestyle) Brett Granstaff, Lara Jean Chorostecki, Diahann Carroll, Roddy Piper. A former professional wrestler discovers a different calling and retires from the ring to become a small town pastor. However, he finds his flock gripped in the vise of poverty and crime. Donning a mask, he moonlights as a costumed vigilante while trying to evade police and criminals both while reconciling his violent alter ego with his standing as a pastor and family man. Apparently, this is based on a true story.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Faith-Based True Life Drama
Now Playing: AMC Disney Springs, Regal Oviedo Marketplace, Regal Pointe Orlando, UA Seminole Towne Center

Rating: PG-13 (for some violence and thematic elements)

Wazir

(Reliance) Amitabh Bachchan, Farhan Akhtar, Aditi Rao Hydari, John Abraham. Two unlikely friends – one a wheelchair-bound chess grandmaster, the other a fearless police officer – are brought together by mutual grief. The two decide to aid one another in a cat and mouse game against a ruthless opponent lurking in the shadows who seeks to raise the stakes to the ultimate.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Mystery
Now Playing: AMC West Oaks, Touchstar Southchase

Rating: NR