Teen Spirit (2018)


Who said pop stardom isn’t easy?

(2018) Musical (Bleecker Street/LD Entertainment) Elle Fanning, Zlatko Buric, Rebecca Hall, Agnieszka Grochowska, Archie Madekwe, Millie Brady, Vivian Oparah, Marius de Vries, Elizabeth Berrington, Olive Gray, Andrew Ellis, Ruairi O’Connor, Jordan Stephens, Tamara Luz Ronchese, Clara Rugaard, Daisy Lowe, Ursula Holliday. Directed by Max Minghella

 

I think it’s fair to say (and I think that most teens and millennials would agree) that the world is constructed to kill dreams. Those that want to be creative, expressive or otherwise different are discouraged; laboring at some soul-killing task over and over again is what’s expected. Nobody in their right mind wants to do that for the rest of their lives; some really don’t have much of a choice. Those that have talent though, we seem to spend an inordinate amount of time discouraging it.

Violet (Fanning) lives on the bucolic Isle of Wight off the coast of England, a place forever immortalized by the Beatles in ”When I’m Sixty-Four” thusly: “Every summer we could rent a cottage on the Isle of Wight (if it’s not too dear)” as well as a famous pop festival that took place there. Musically, that’s pretty much it for the Isle of Wight. It does possess a large Polish population of which Violet and her mother (Grochowska) are members of. Violet goes to school (she’s 17 years old), takes care of the horse that she rides whenever she can, works as a waitress in a pub after school and occasionally sings in a different pub; it is the last of these that mum disapproves of as being impractical so Violet has to do it on the sly. However, she does meet an alcoholic ex-opera singer who offers to be her manager so there’s that.

The family is in pretty dire financial straits; the horse gets repossessed because they can’t afford to pay for it any longer. Violet’s life is going exactly nowhere and she is frustrated as anyone would be. Then, a bit of excitement; the American Idol-like pop music competition show Teen Spirit is holding auditions in her town for the very first time and nearly everyone in school is trying out. Shy Violet decides to try out and to nobody’s surprise, she is selected for the local competition. To nobody else’s surprise, she ends up going to the finals in London which are televised. However, she needs a parent or guardian to sign off on her participation which her mother will never do so Violet remembers Vlad (Buric), the alcoholic ex-opera singer and puts him to work as her manager/instant guardian.

The rest of the movie you can pretty much figure out for yourself. There are a couple of swerves that aren’t particularly hard to see coming as well as some predictable moments of fame going to Violet’s head and a few heart-warming moments in between all the gaudily shot music videos of her performances, all bathed in pink and blue neon and looking like a New York art installation from the early 90s. That’s not bad in and of itself but it does kind of scream “LOOK AT ME! LOOK AT ME!”  in an unnecessarily loud cinematic voice.

Fanning is a talented performer as an actress and not a half-bad singer to boot but her character, who is supposed to be terribly shy and innocent (except when she’s not) is so passive and bland that it’s hard to figure out why she would want to stand up in front of a television audience and pour her heart out onstage. We never get a sense as to why Violet is motivated to become a singer other than she likes doing it.

The songs that Violet and her competition perform are mainly covers of iconic pop songs over the last 20 years, many of which have to do with female empowerment which is part of the ostensible thrust of the film, although one has to consider the fact that Violet and her mother struggle mightily on their own but once a man comes in to the picture for guidance success is theirs. It seems quite at odds with the musical message the film seems hell-bent on sending.

But even though Violet is more vanilla, the relationship between her and Vlad is at least genuine and comprises the heart and soul of the film. Even though Vlad is a polar opposite to Violet, his gruff exterior masks a teddy bear interior that genuinely cares for Violet and wants her to succeed not for his own aggrandizement but for hers.

The performance footage is mainly over-produced; it’s telling that the most genuine and affecting performance is when Violet dances and sings No Doubt’s “Just a Girl” in the privacy of her own bedroom; it’s raw and feels more authentic. That seems to be one of the few moments when we get a glimpse of who Violet truly is. We could have used more of them.

At the end of the day, this movie comes down to whether or not you like American Idol. If fresh-faced young people performing covers of familiar songs for the right to become a pop star in their own right is something that thrills you, chances are you’re going to love this film. If you find American Idol to be a cynical means of keeping potential pop stars as disposable product rather than genuine artists, you probably won’t care much for this film. Me, I tend to lean towards the latter but that doesn’t mean you won’t find something in the film to like.

REASONS TO SEE: The relationship between Violet and Vlad is believable and at the center of the film.
REASONS TO AVOID: The story needs more fleshing out.
FAMILY VALUES: There is some sexually suggestive content as well as depictions of teen drinking and smoking.
TRIVIAL PURSUIT: There are parallels to the film Flashdance and the theme from that film is even used in this one.
CRITICAL MASS: As of 4/22/19: Rotten Tomatoes: 70% positive reviews: Metacritic: 57/100.
COMPARISON SHOPPING: American Dreamz
FINAL RATING: 5/10
NEXT:
Marching Forward

New Releases for the Week of December 28, 2018


VICE

(Annapurna) Christian Bale, Amy Adams, Steve Carell, Sam Rockwell, Allison Pill, Eddie Marsan, Jesse Plemons, LisaGay Hamilton, Shea Whigham. Directed by Adam McKay

Here’s the story of Dick Cheney, an unassuming Washington insider and bureaucrat who ended up as one of the most powerful and important Vice-Presidents in the history of America. Vice came out of nowhere to garner more Golden Globe nominations than any film this year and is a strong contender for a number of Oscar nominations.

See the trailer, video featurettes and a clip here
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release (Opened on Tuesday)

Rating: R (for language and some violent images)

Holmes and Watson

(Columbia) Will Ferrell, John C. Reilly, Ralph Fiennes, Rebecca Hall. An allegedly humorous take on Arthur Conan Doyle’s legendary detective, this film has been getting absolutely savaged by critics thus far.

See the trailer, clips and a video featurette here
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release (Opened on Tuesday)

Rating: PG-13 (for crude sexual material, some violence and drug references)

Simmba

(Reliance) Ranveer Singh, Sara Ali Khan, Sonu Sood, Siddharth Jadhav. An orphan from the streets grows up to be a corrupt police officer and enjoys the high life and many perks of such a life. However he soon finds himself faced with choices that may transform him and send him down a more righteous path.

See the trailer here
For more on the movie this is the website
Release Formats: Standard
Genre: Bollywood Action
Now Playing: AMC West Oaks, Cinemark Universal Citywalk
Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

Fantastica

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

The Charmer
The House That Jack Built
If Beale Street Could Talk
Kill Mobile
Natacha

ALSO OPENING IN TAMPA/ST. PETERSBURG:

None

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Fantastica

SCHEDULED FOR REVIEW:

Holmes and Watson
Vice

New Releases for the Week of December 7, 2018


THE FAVOURITE

(Fox Searchlight) Olivia Colman, Rachel Weisz, Emma Stone, Mark Gatiss, Nicholas Hoult, John Locke, James Smith, Carolyn Saint-Pé. Directed by Yorgos Lanthimos

During the reign of Queen Anne, two courtiers vie for the position of companion to the frail but mercurial queen; one woman seeking to attain power and return to the aristocracy she was born in, the other trying to retain power. Lanthimos has become a favorite among film cognoscenti with such titles as The Lobster and The Killing of a Sacred Deer to his credit.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Enzian Theater

Rating: R (for strong sexual content, nudity and language)

At Eternity’s Gate

(CBS) Willem Dafoe, Rupert Friend, Oscar Isaac, Mads Mikkelsen. The life and times of renowned painter Vincent van Gogh, as taken from his letters, contemporary accounts, gossip and just plain fiction, from director Julien Schnabel who wowed audiences a few years ago with The Diving Bell and the Butterfly.

See the trailer and a clip here
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Regal Winter Park Village

Rating: PG-13 (for some thematic content)

Mirai

(GKIDS) Starring the voices of John Cho, Rebecca Hall, Daniel Dae Kim, Victoria Grace. A four year old boy, jealous of the attention his baby sister Mirai is receiving from his parents, storms off into the garden only to meet people from the past, present and future who tell him the incredible story of his family.

See the trailer here
For more on the movie this is the website
Release Formats: Standard
Genre: Animated Feature
Now Playing: Wide Release (Saturday only)
Rating: PG (for thematic elements including some scary images)

ALSO OPENING IN ORLANDO/DAYTONA:

The Appearance
Back Roads
Bennie the Dolphin
Kedarnath
Subramanypuram
Swimming with Men
Three Words to Forever
Weightless

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Asher
Lila’s Book
Narcissister Organ Player
Revival!
Subramanypuram
Three Words to Forever
Twiceland

ALSO OPENING IN TAMPA/ST. PETERSBURG:

All the Devil’s Men
Bernie the Dolphin
Kedarnath
Subramanypuram

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Kedarnath
Subramanypuram
Three Words to Forever
Wildlife

SCHEDULED FOR REVIEW:

The Favourite
Swimming with Men

Permission


New York is a magical place for lovers.

(2017) Dramedy (Good Deed) Rebecca Hall, Dan Stevens, Jason Sudeikis, Gina Gershon, Francois Arnaud, Raul Castillo, David Joseph Craig, Axel Crano, Bridget Everett, Michelle Hurst, Marc Iserlis, Morgan Spector, Sarah Steele, Lindsey Elizabeth, Mariola Figueroa. Directed by Brian Crano

 

It’s no secret that part of any romantic relationship is sex. Some relationships require monogamy; others allow a more open sexual relationship. One size really doesn’t fit all when it comes to making a romance work.

Will (Stevens) and Anna (Hall) have been dating for more than a decade, since both were essentially old enough to date. They live in a nice loft in Brooklyn and are getting ready to move in to a house that Will is fixing up for them. Will owns a handmade furniture business along with Reece (Spector) who is the husband of Hale (Craig) who is Anna’s brother.

At Anna’s birthday celebration, Reece points out to the birthday girl and her beau that the two have never been with anyone else sexually other than each other and that there was no way for either one to know if they were actually right for each other until they had. Although Reece was drunk at the time, the idea sticks in their craws until Anna brings it up and forces Will to talk about it with her. They come to a mutual agreement (albeit reluctantly on Will’s part) that the two should see other people for sex while remaining together as a couple.

Anna wastes no time, getting into the bed of a sensitive musician type named Dane (Arnaud) who as time goes by starts to show signs he’s falling in love with Anna. In the meantime, Will becomes involved with an aggressive older lady (Gershon) who introduces him to the joys of psychotropics and bathtub sex. She gives him permission to do anything he wants – so he does.

In the meantime, Hale very much wants to bring a baby into his life although Reece isn’t enthusiastic about the idea. Hale’s baby fever is exacerbated by Glenn (Sudeikis), a new father who hangs out in the park that Hale frequents.

Both couples are on the crux of something. Can Reece and Hale add another life into their family without jeopardizing the relationship they have? And speaking of relationships, will that of Will and Anna be able to withstand the infidelity even as permitted as it might be?

In many ways there is plenty of familiar territory being explored here. There have been several movies about couples that decide to allow their partners to indulge in sexual flings and in general it doesn’t end well for those couples who choose to go through with it. I don’t know if that’s an American perspective or not – European films seem to be much less uptight about sexual fidelity in relationships than American ones are.

I like the way there relationship between Reece and Hale is depicted. Too often the gay couple is either comic relief or too good to be true. Hale and Reece have problems, the type of problems that many straight couples have to deal with. The fact that they are gay is almost incidental and that’s true to life. The thing is, gay couples are just couples. They have their ups and downs, they have to deal with the same issues straight couples deal with and they are not always lovey dovey to one another. The fact that the writer/director is gay probably has a lot to do with it but it is nice to see a gay couple presented as just a normal couple struggling to stay together just as a straight couple would be. We need more of that.

Hall and Stevens, both Brits incidentally, have a nominal chemistry between them but nothing that jumps off the screen at you. In many ways that’s what you might expect for a long-term couple who are at a crossroads; it’s getting to the point where their relationship needs to grow into the next level and neither one appears to be enthusiastic about doing so. While the sex thing is a catalyst, one suspects that Will and Anna would be having a crisis even if they hadn’t introduced this permission to cheat into the mix.

The movie does have an abundance of indie clichés – the hipster Brooklyn environment, the somewhat twee score (which becomes a little overbearing at times) and the apparent living beyond their means of the couple in question. This seems to me to have been better off set in Queens than in Brooklyn which is a little too hipster and cliché for the story Crano wants to tell.

I also didn’t care for the ending which was inevitable and a bit telegraphed. I don’t need a happy ending to be happy about a movie but the emotional fallout of the events of the film doesn’t ring true in all cases. Relationships are messy and the ending is a little bit too pat for my taste and therefore a little less authentic. However the filmmaker did make an effort to create a thoughtful movie on a subject that concerns all couples and he gets points for that. I just wish he could have ended it better.

REASONS TO GO: It’s nice to see a gay couple treated as a couple that happens to be gay.
REASONS TO STAY: The ending felt inauthentic and really took me out of the film in not a good way.
FAMILY VALUES: There is plenty of profanity, sexuality and some brief nudity.
TRIVIAL PURSUIT: Hall and Spector are married to each other and Brian Crano and David Joseph Craig are also married to each other.
BEYOND THE THEATERS: Amazon, Fandango Now, Google Play,  Vudu
CRITICAL MASS: As of 2/10/17: Rotten Tomatoes: 72% positive reviews. Metacritic: 61/100.
COMPARISON SHOPPING: Hall Pass
FINAL RATING: 6.5/10
NEXT:
The Ritual

New Releases for the Week of October 13, 2017


THE FOREIGNER

(STX) Jackie Chan, Pierce Brosnan, Katie Leung, Rufus Jones, Charlie Murphy, Michael McElhatton, Lia Williams, Pippa Bennett-Warner, Stephen Hogan. Directed by Martin Campbell

A Chinese businessman living in London is horrified to see his daughter killed in a terrorist bomb blast. Grieving and obsessed with seeing justice for his daughter’s murder, he crosses swords with a government official with a past who may have clues as to the identity of the terrorist. What the official doesn’t realize that the businessman also has a past – one that may very well cause all sorts of mayhem before all is said and done.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: R (for violence, language, and some sexual material)

American Satan

(Miramax) Denise Richards, Booboo Stewart, Malcolm McDowell, Mark Boone Junior. In a moment of weakness, a young rock band makes a deal with the devil. Fame and fortune seem to be coming their way but they soon realize the cost is way too high. Can they figure out a way to get out of their deal before it’s too late?

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: AMC Universal Cineplex

Rating: R (for strong sexual content, nudity, drug use throughout, pervasive language and some violence)

The Florida Project

(A24) Brooklynn Prince, Willem Dafoe, Valeria Cotto, Caleb Landry Jones. In a decrepit hotel near Walt Disney World, a precocious and fearless 6-year-old girl gets into mischief with her friends while her rebellious mother barely scrapes together enough for the two of them to get by. Over the course of one magical summer, the young girl will take magic wherever she can find it under the watchful eye of the grumpy manager with a heart of gold. A festival favorite, this one has been getting Best Picture Oscar buzz and was shot right here in Orlando.

See the trailer and a clip here.
For more on the movie this is the website

Release Formats: Standard
Genre: Dramedy
Now Playing: Enzian Theater

Rating: R (for language throughout, disturbing behavior, sexual references and some drug material)

Happy Death Day

(Blumhouse/Universal) Jessica Rothe, Israel Broussard, Ruby Modine, Rachel Matthews. In the grand tradition of Groundhog Day, a high school senior relives the same day over and over again. It’s her birthday, normally a good thing – but it’s also the day she is murdered. She must find out the identity of her killer and survive until the next day – or be doomed to be killed over and over and over and over and over…

See the trailer, clips and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for violence/terror, crude sexual content, language, some drug material and partial nudity)

Marshall

(Open Road) Chadwick Boseman, Josh Gad, Kate Hudson, Sterling K. Brown. A cocky young African-American lawyer takes on a controversial case that has wider ramifications in the fight for civil rights. The lawyer will have to battle the prejudices of an entire nation in order to triumph but triumph is what Thurgood Marshall’s whole career would be about – as the first African-American to be appointed to the Supreme Court.

See the trailer, interviews and a clip here.
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: PG-13 (for mature thematic content, sexuality, violence and some strong language)

Professor Marston and the Wonder Women

(Annapurna) Luke Evans, Rebecca Hall, Bella Heathcote, Connie Britton. Psychologist William Marston is best known today for creating the Wonder Woman comic in 1941. Incorporating the feminist ideals of his wife and their lover, the comic was controversial from the beginning but Marston stood up for his creation, making her the most popular female superhero in the world.

See the trailer, featurettes, clips and an interview here
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: R (for strong sexual content including brief graphic images, and language)

The Secret Scripture

(Vertical) Rooney Mara, Vanessa Redgrave, Eric Bana, Theo James. A woman who has been placed in a psychiatric care facility begins to receive visits from a young psychologist. His interest in her diary begins to trigger flashbacks to her youth which was filled with romance, obsession, intrigue, turmoil and ultimately the mental breakdown that got her committed.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Thriller
Now Playing: AMC West Oaks

Rating: PG-13 (for disturbing thematic content, some sexuality and lanuage)

ALSO OPENING IN ORLANDO/DAYTONA:

Blood Money
Raju Gari Gadhi 2
RWBY Volume 5: Premiere

ALSO OPENING IN MIAMI:

Brawl in Cell Block 99
Mark Felt: The Man Who Brought Down the White House
The Meyerowitz Stories (New and Selected)
Raju Gari Gadhi 2
Rumble: The Indians Who Rocked the World

ALSO OPENING IN TAMPA:

6 Below: Miracle on the Mountain
Jane
Manolo: The Boy Who Made Shoes for Lizards
Marjorie Prime
MFA
Raju Gari Gadhi 2
Udaharanam Sujatha

ALSO OPENING IN JACKSONVILLE:

Lucky
Raju Gari Gadhi 2

SCHEDULED FOR REVIEW:

Brawl in Cell Block 99
The Florida Project
The Foreigner
Happy Death Day
Lucky
Marjorie Prime
Marshall
The Meyerowitz Stories (New and Selected)
Professor Marston and the Wonder Women
Rumble: The Indians Who Rocked the World

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Miami Film Festival GEMS (Miami, October 12-15)

The Dinner


Dinner is served.

(2017) Drama (The Orchard) Richard Gere, Laura Linney, Steve Coogan, Rebecca Hall, Chloë Sevigny, Charlie Plummer, Adepero Oduye, Michael Chernus, Taylor Rae Almonte, Joel Bissonnette, Onika Day, Miles J. Harvey, George Aloi, Stephen Lang (voice), Robert McKay, Patrick Kevin Clark, Seamus Davey-Patrick, George Shepherd, Emma R. Mudd, Laura Hajek. Directed by Oren Moverman

 

There’s nothing like a lovely, relaxing dinner with friends or family, particularly in a fine dining establishment. Great food, pleasant conversation, maybe a couple of glasses of a really nice wine…all the ingredients for a truly memorable evening. What could go wrong?

Paul Lohman (Coogan) is pretty sure not only that something could go wrong but that it inevitably will. A former history teacher, he’s working on a book on the Battle of Gettysburg, a historical event that carries much resonance for him. He’s always lived in the shadow of his older brother Stan (Gere), the golden boy who became a golden man. A United States Congressman, he’s mounting a campaign for governor with some considerable success. Stan is also working the phones to get a Mental Health bill through Congress.

Paul and his wife Claire (Linney), a lung cancer survivor, is gathering with Stan and his trophy wife Katelyn (Hall), Stan’s second wife, at one of those hoity toity restaurants where food is made to look like art and an obsequious waiter (Chernus) announces what’s in the dish beforehand. The conversation is pleasant enough if not congenial; there is clearly tension between Paul and Stan. But even with the constant interruptions of Stan’s assistant Kamryn (Almonte) there is business between them.

It has to do with Paul’s son Michael (Plummer) and Stan’s son Rick (Davey-Fitzpatrick). The two are, unlike their dads, the best of friends and one recent night the two got drunk and stranded at a party. They went looking for an ATM to get cab fare and instead found a homeless woman (Day). What happened next would be shocking and horrible and could not only ruin the lives of these young boys but that of their parents as well and as the meal goes on and secrets get revealed, we discover the fragility of Paul’s mental state and Claire’s health and the truth behind Stan’s first wife Barbara (Sevigny).

The film is based on a 2009 bestseller by Dutch author Herman Koch, only transplanted from Amsterdam to an unnamed American city in the north. Koch was apparently extremely disappointed in this version of his novel (it is the third film based on it) and walked out of the premiere and declined to attend the afterparty. I can’t say as I blame him.

I have to admit that I was disappointed with this film. It had everything it needed to be an artistic success; a compelling story, a terrific cast and a respected director, among other things. Unfortunately, Moverman chose to overload the film with flashbacks which disrupt the flow of the story and frankly become irritating – as an audience member, I wanted to see more of the dinner itself. However the extremely volatile situation leads to much storming away from the table in a fit of pique. This is the most childish set of adults (with the exception of Stan) that you’re likely to meet. In fact, one of the things I disliked about the film is that none of the main characters has anything resembling redeeming qualities. They are all so unlikable that I don’t think you could get through a meal with any one of them, let alone all four.

It’s a shame because it wastes four strong performances.  Linney in particular does some stellar work as the self-delusional wife who refuses to believe, despite all evidence to the contrary, that her little angel is a sociopath. Coogan, better known for comedic roles such as The Trip makes for a fine dramatic actor here and rather than playing a mentally ill man for laughs, he makes the role less rote. There is pathos yes and an element of humor but it is a realistic portrayal of a man whose demons are slowly winning the war inside him. Gere and Hall distinguish themselves as well.

The movie feels pretentious at times. There’s an extended sequence where Paul and Stan visit the Gettysburg Battlefield. It is a good looking sequence, shot through filters and utilizing collages and Stephen Lang narration of the various stops on the driving tour but at the end it feels almost like an addendum, not really part of the movie and certainly not needing that length. I get that Paul feels that Gettysburg is an analogy for his own life but it seems to be hitting us over the head with a hammer.

This is a movie I would have loved to at least like but ended up not even able to admire. Moverman would have been better off spending more time at the dinner table than away from it; certainly some context was needed and I’m sure he wanted to stay away from making the movie feel stagey but at the end of the day it ended up shredding the movie like it had been through a cheese grater. This is a bit of a hot mess that can well take a back seat to other movies on your must-see list.

REASONS TO GO: The film is organized by course which is nifty. Good performances by the four leads.
REASONS TO STAY: None of the characters have much in the way of redeeming qualities. The overall tone is pretentious and elitist.
FAMILY VALUES: There is some disturbing content of violence and cruelty, adult themes and a fair amount of profanity.
TRIVIAL PURSUIT: This is the third onscreen collaboration between Gere and Linney; Primal Fear and The Mothman Prophecies are the other two.
CRITICAL MASS: As of 5/5/17: Rotten Tomatoes: 48% positive reviews. Metacritic: 59/100.
COMPARISON SHOPPING: Carnage
FINAL RATING: 5/10
NEXT: Colossal

New Releases for the Week of May 5, 2017


GUARDIANS OF THE GALAXY VOL. 2

(Disney/Marvel) Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel (voice), Bradley Cooper (voice), Kurt Russell, Karen Gillan, Michael Rooker. Directed by James Gunn

The summer blockbuster season is here and it kicks off with a bang as the ragtag bunch of outsiders who saved the galaxy in 2014 return to save it again and boy, does it need saving!  As the Guardians try to fathom the mystery of who Peter Quill’s father is, a new threat looms that will challenge this somewhat argumentative team and lead into next summer’s Avengers: Infinity War. Stay after the closing credits roll for no less than five post-credits scenes.

See the trailer, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for sequences of sci-fi action and violence, language and brief suggestive content)

Colossal

(Neon) Anne Hathaway, Jason Sudeikis, Austin Stowell, Tim Blake-Nelson. Gloria has to pick her life up and start all over again after her boyfriend, tiring of her constant partying and her alcohol issues, throws her out. She heads to her old hometown to live in the house her mom left her when she passed away. Gloria runs into an old school chum who gives her a job at his bar, but the two watch in horror as a giant monster terrorizes Seoul, South Korea. When it turns out Gloria has a strange connection with the creature, things get really weird. This Florida Film Festival favorite is the first movie to play the Enzian post-festival.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Enzian Theater

Rating: PG-13 (for crude humor, sexual references and gestures, and for brief nudity)

The Dinner

(The Orchard) Richard Gere, Laura Linney, Steve Coogan, Rebecca Hall. Two brothers – one a popular congressman running for governor, the younger a troubled man estranged from his golden boy older brother since childhood, get together for dinner at one of the most fashionable restaurants in town. Their teenage boys, despite the hostility between their dads, are the closest of friends – and together have committed a horrible crime. While their guilt hasn’t been discovered and may never be, their parents have to face their consciences and decide how far they are willing to go to protect the ones they love.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Disney Springs, AMC Loew’s Universal Cineplex, Regal Oviedo Mall, Regal Pointe Orlando, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for disturbing violent content, and language throughout)

Norman

(Sony Classics) Richard Gere, Dan Stevens, Steve Buscemi, Michael Sheen. Norman, a man living on the fringes of New York City’s powerful manages to give an Israeli politician a gift of expensive shoes when the latter is visiting the Big Apple at a low point in his career. Cut to several years later when that politician is now Prime Minister and Norman uses the cache of his legitimate connection to put together a complex financial deal that threatens to blow apart and cause an international scandal. Norman, finally where he wants to be, could lose everything if he doesn’t make things right.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Dramedy
Now Playing: Regal Winter Park Village

Rating: R (for some language)