New Releases for the Week of November 8, 2019


DOCTOR SLEEP

(Warner Brothers) Ewan McGregor, Rebecca Ferguson, Kyleigh Curran, Carl Lumbly, Zahn McClamon, Emily Alyn Lind, Bruce Greenwood. Directed by Mike Flanagan

Forty years after the events of The Shining, Danny Torrence is a middle-aged man on the run from his nightmares. He is drawn to a small New England town where he meets a young girl even more powerful than he; she needs his help against a group of psychic vampires who feed off of those with psychic powers. Their battle will lead them to where it all began for Danny; the Overlook Hotel.

See the trailer here
For more on the movie this is the website
Genre: Horror
Now Playing: Wide Release
Rating: R (for disturbing and violent content, some bloody images, language, nudity and drug use)

Jojo Rabbit

(Fox Searchlight) Roman Griffin Davis, Taika Waititi, Scarlett Johansson, Sam Rockwell. A young boy living in Nazi Germany is shocked to discover his mother hiding a young Jewish girl in their attic. He will be forced to confront his blind nationalism while fending off his idiotic imaginary friend: Adolph Hitler.

See the trailer here
For more on the movie this is the website  
Genre: Comedy
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Barnstorm Theater, Cinemark Orlando, Regal Winter Park Village
Rating: PG-13 (for mature thematic content, some disturbing images, violence, and language)

Last Christmas

(Universal) Emilia Clark, Henry Golding, Emma Thompson, Michelle Yeoh. One of the most cynical women you’ll ever meet has the job of being an elf in a year-round Christmas store – talk about a bad fit. When she meets a man too good to be true, she at first resists him but his persistence and the oncoming holiday season help melt her heart.

See the trailer here
For more on the movie this is the website  
Genre: Romance
Now Playing: Wide Release
Rating: PG-13 (for language and sexual content)

Midway

(Lionsgate) Ed Skrein, Patrick Wilson, Aaron Eckhart, Luke Evans. The story of the battle that proved to be the turning point in the Pacific Theater of World War II – a battle that was almost never fought.

See the trailer here
For more on the movie this is the website  
Genre: War
Now Playing: Wide Release
Rating: PG-13 (for sequences of war violence and related images, language and smoking)

Playing with Fire

(Paramount) John Cena, Judy Greer, Keegan-Michael Key, Brianna Hildebrand. A group of tough, no-nonsense firefighters have their lives turned upside down when they rescue three kids from a wildfire who are forced to bunk at their station with them.

See the trailer here
For more on the movie this is the website  
Genre: Family
Now Playing: Wide Release
Rating: PG (for rude humor, some suggestive material and mild peril)

ALSO OPENING IN ORLANDO/DAYTONA:

Acceleration
Bala
For Sama
Primal
Shapludu
Thiparaa Meesam

ALSO OPENING IN MIAMI/FT. LAUDERDALE/KEY WEST:

Bala
By the Grace of God
Love is Blind
My Dear Liar
Santa Sangre
Thiparaa Meesam

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

Bala
No Safe Spaces
Thiparaa Meesam

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Bala
Becoming Nobody
Thiparaa Meesam

SCHEDULED FOR REVIEW:

Doctor Sleep
Jojo Rabbit
Last Christmas
Midway
Playing with Fire

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Central Florida Jewish Film Festival, Maitland FL
Cinema Venezuela, Miami FL
Florida Surf Film Festival, New Smyrna Beach FL
Fort Lauderdale International Film Festival, Fort Lauderdale FL

Isle of Dogs


Some dogs and their boy.

(2018) Animated Feature (Fox Searchlight) Starring the voices of Bryan Cranston, Bill Murray, Jeff Goldblum, Greta Gerwig, Bob Balaban, Edward Norton, Koyu Rankin, Kunichi Nomura, Frances McDormand, Akira Takayama, Akira Ito, Scarlett Johansson, Harvey Keitel, F. Murray Abraham, Yoko Ono, Tilda Swinton, Ken Watanabe, Liev Schreiber, Mari Natsuki. Directed by Wes Anderson

 

Those who love the works of the quirky director will love this; those who are turned off by his oeuvre will not. The second stop-motion animated feature by Wes Anderson is so Wes Anderson.

In the future, the Japanese megalopolis of Megasaki has banished all dogs to an island formerly used as trash disposal. An intrepid young orphan boy (Rankin), who is also the mayor of Megasaki’s ward, flies to the island to locate his dog Spots (Schreiber). A pack of alpha dogs, including Chief (Cranston), Boss (Murray), King (Balaban), Duke (Goldblum) – a kind of four-legged TMZ – and Rex (Norton) along with the only female dog in the pack Nutmeg (Johansson) agree to help the boy find his friend. It doesn’t help that he speaks only Japanese while the Japanese dogs speak only English – or at least that’s how we perceive them. Meanwhile, back on the mainland, Tracy (Gerwig), a school reporter, discovers a terrible secret behind the cat-loving mayor’s (Nomura) proclamation.

The look of the film owes a lot to legendary Japanese animator Hayao Miyazaki and is consistently beautiful throughout, even on the industrial garbage heap that is Trash Island. The Oscar nomination it received earlier this year was no fluke even though it eventually lost out to Spider-Man: Into the Spiderverse. The dogs are exquisitely rendered and are genuinely hilarious. Anderson’s trademark deadpan sense of humor very much rules the day here; not everyone gets it or likes it. Bill Murray has made a career of it, including many of Anderson’s films but the two were made for each other.

This isn’t everybody’s cup of sake and I don’t think Anderson ever sets out to make a film that is. There are moments that are beautiful and others that are ugly, so young kids should be warned away due to the latter. There is a lot of Japanese cultural references here which will appeal to Japanophiles everywhere although SJW-types might mutter things about “cultural appropriation.” The bottom line here is the same as the top; those who love the works of the quirky director will love this; those who are turned off by his oeuvre will not.

REASONS TO SEE: The animation is brilliant. The sense of humor is droll, a welcome change.
REASONS TO AVOID: Guilty of occasionally being too quirky for its own good.
FAMILY VALUES: There are some images of violence and the thematic elements might not sit well with the very young.
TRIVIAL PURSUIT: This marked the first time in 14 years that a Wes Anderson film didn’t feature Jason Schwartzman in the cast (he did co-write the script).
BEYOND THE THEATER: Amazon, Apple TV, Fandango Now, Fios, Google Play, HBO Go,  Microsoft, Movies Anywhere, Redbox, Vudu, YouTube
CRITICAL MASS: As of 6/22/19: Rotten Tomatoes: 90% positive reviews: Metacritic: 82/100.
COMPARISON SHOPPING: The Fantastic Mr. Fox
FINAL RATING: 7.5/10
NEXT:
Killbird

New Releases for the Week of April 26, 2019


AVENGERS: ENDGAME

(Disney/Marvel) Robert Downey Jr., Chris Evans, Chris Hemsworth, Samuel L. Jackson, Brie Larson, Scarlett Johansson, Jeremy Renner, Mark Ruffalo. Directed by Anthony and Joe Russo

This is it! The Marvel Cinematic Universe as we know it comes to an end as the survivors of Avengers: Infinity War unite for one last stand to try to stop Thanos and his mad scheme to wipe out half the Universe. But how can they hope to prevail against the awesome power of the Infinity Gauntlet?

See the trailer, clips, interviews, promos and video featurettes here
For more on the movie this is the website
Genre: Superhero
Now Playing: Wide Release
Rating: PG-13 (for sequences of sci-fi violence and action, and some language)

Amazing Grace

(NEON) Aretha Franklin, C.L. Franklin, Reverend James Cleveland, Mick Jagger. Back in 1972 the Queen of Soul Aretha Franklin performed a gospel concert at the New Bethel Baptist Church in Los Angeles. The concert was filmed by the great director Sydney Pollack and promptly the footage disappeared. Rediscovered and remastered, the footage shows one of the all-time greatest singers at the very top of her game.

See the trailer here
For more on the movie this is the website  
Genre: Musical Documentary
Now Playing: Enzian Theater
Rating: G

ALSO OPENING IN ORLANDO/DAYTONA:

Body at Brighton Rock
I Trapped the Devil
Oru Yamandan Premakadha

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Oru Yamandan Premakadha
Stockholm
Sunset
Wild Nights with Emily

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Demon Eye
J.T. LeRoy
Stockholm

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Stockholm

SCHEDULED FOR REVIEW:

Avengers: Endgame

Avengers: Infinity War


The latest Avengers movie, starring…everyone. Heck, you’re probably in it too!

(2018) Superhero (Disney/Marvel) Robert Downey Jr., Chris Pratt, Chris Evans, Chris Hemsworth, Zoe Saldana, Chadwick Boseman, Scarlett Johansson, Mark Ruffalo, Josh Brolin, Karen Gillan, Tom Hiddleston, Tom Holland, Don Cheadle, Benedict Cumberbatch, Paul Bettany, Elizabeth Olsen, Idris Elba, Danai Gurira, Anthony Mackie, Sebastian Stan, Peter Dinklage, Benedict Wong, Pom Klementieff and a cast of thousands. Directed by Anthony and Joe Russo

 

This is to date the biggest and most epic Marvel movie ever – until the next untitled Avengers movie, filmed concurrently with this one and scheduled for release in May 2019.

The mad Titan Thanos, seeing that the Universe is dreadfully out of balance, believes that he has a solution that will restore balance: to kill half of the entire population of the universe at random. There’s no practical way to do that so he has to do something that has never been done – he must retrieve all six of the Infinity Stones, gems created by the Big Bang and each with control of a different aspect of the universe – space, time, the mind, the soul, and so on.

Of course, the superheroes all oppose this plan and they come from all over – nearly every Marvel movie preceding this one is represented here from the spacefaring Guardians of the Galaxy to the high tech Black Panther and of course the various and sundry Avengers films. It’s a colossal undertaking and quite frankly I didn’t expect them to pull it off. There are an awful lot of characters here and a lot of them really don’t get much screen time.

Thanos (Brolin) gets a ton of screen time and it’s no joke the best portrayal of a comic book villain since Heath Ledger won an Oscar for playing one. Thanos is truly the Big Bad of the Marvel Universe and while the heroes valiantly take him on, things don’t look too good. It’s an epic tale that is taking two movies to tell.

The action is as you’d expect spectacular and the effects seamless. There are even some poignant moments, most of them occurring in the last twenty minutes of the film. Who knew that Marvel knows pathos? In any case, this is an emotional rollercoaster that every Marvel fan is going to be overjoyed to take – even the usually hard-to-impress fanboys have been singing the praises of this one.

Yes, I realize you’ve probably already seen it and if you haven’t you likely aren’t going to and frankly you’re probably not reading this review in that case. So you’ve seen it. Maybe you’ve already purchased a digital copy (the Blu-Ray and DVD editions were just released) and likely you’ll be getting one of those. This isn’t the best Marvel movie yet but it’s damn close.

REASONS TO GO: Brolin gives a game-changing performance as Thanos. The action is non-stop and without peer. There are some very poignant moments.
REASONS TO STAY: There are too many characters to keep track of.
FAMILY VALUES: There is nearly non-stop sci-fi/superhero action and violence, some crude references and some scenes with disturbing content.
TRIVIAL PURSUIT: At the beginning of the film, the distress call from the Asgardian ship is the voice of Kenneth Branagh, the director of the first Thor film.
BEYOND THE THEATERS: Amazon, Fandango Now, Google Play, iTunes, Microsoft, Movies Anywhere, Vudu, YouTube
CRITICAL MASS: As of 8/15/18: Rotten Tomatoes: 83% positive reviews. Metacritic: 68/100.
COMPARISON SHOPPING: Captain America: Civil War
FINAL RATING: 8.5/10
NEXT:
Songwriter

New Releases for the Week of June 16, 2017


CARS 3

(Disney*Pixar) Starring the voices of Owen Wilson, Kerry Washington, Larry the Cable Guy, Bonnie Hunt, Armie Hammer, Chris Cooper, Nathan Fillion. Directed by Brian Fee

After a dominating run in the world of motorsports, Lightning McQueen is suddenly put out to pasture after suffering a terrible crash at the hands of a cocky young racer named Jackson Storm. Unable to compete with a new generation of lightweight, technologically advanced racecars, Lightning goes back to Radiator Springs, unable to believe he has been forced out of the sport he loves. With the help of an ambitious young technician, Lightning may still get back into the game – with the help of a few oldtimers who know what racing is truly all about.

See the trailer, interviews, promos and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Animated Feature
Now Playing: Wide Release

Rating: G

47 Meters Down

(Dimension) Mandy Moore, Claire Holt, Matthew Modine, Yani Gellman. Two young women vacationing in Mexico decide to go diving in a shark cage in waters infested by Great Whites. When the cable connecting the cage to the boat snaps the girls plummet to the bottom of the seabed 47 meters down. With their oxygen supply running low and the waters filled with hungry sharks, the women will have to rely on their courage to survive their shark encounter.

See the trailer, clips and video features here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: PG-13 (for sequences of intense peril, bloody images, and brief strong language)

All Eyez on Me

(Codeblack/Summit) Demetrius Shipp Jr., Danai Gurira, Kat Graham, Lauren Cohan. The story of Tupac Shakur, one of the most distinct and revolutionary voices to come out of rap. Although he died far too young, his legacy remains one of the most honored and respected in music.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Musical Biography
Now Playing: Wide Release

Rating: R (for language and drug use throughout, violence, some nudity and sexuality)

The Book of Henry

(Focus) Naomi Watts, Jaeden Lieberher, Jacob Tremblay, Sarah Silverman. A precocious young boy takes care of his family including his mother, a hard-working waitress who lacks confidence. When a classmate who lives next door lets Henry in on a terrible secret, he resolves to help her. Utilizing his imagination and intellect, he concocts a plan that surprises his mom – who finds herself at the center of his machinations.

See the trailer, clips and interviews here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release

Rating: PG-13 (for thematic elements and brief strong language)

Chasing Trane: The John Coltrane Documentary

(Abramorama) Denzel Washington (voice), John Coltrane, Common, Carlos Santana. One of the most gifted, innovative and inspiring performers in the history of jazz was John Coltrane. This documentary about the man and his music is coming to the Enzian as part of their monthly Music Monday series; it was previously reviewed here on Cinema365 and that review can be found here.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Musical Documentary
Now Playing: Enzian Theater (Monday only)

Rating: NR

Dean

(CBS) Demetri Martin, Kevin Kline, Gillian Jacobs, Mary Steenburgen. A young cartoonist is working on his follow-up book but can’t seem to find inspiration. It doesn’t help that his mother, his biggest supporter, recently passed away and his dad and he are drifting further apart, particularly when the news comes that dad is selling their childhood home. Frustrated and needing a change of scenery, he takes off on a trip to California that might just give him a lot more than he bargained for. This was one of the Florida Film Festival’s standout spotlight films this past April.

See the trailer, clips and a featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Regal Winter Park Village

Rating: PG-13 (for language and some suggestive material)

Kill Switch

(Saban/Lionsgate) Dan Stevens, Bérénice Marlohe, Mike Reus, Bas Keljzer. At first it was an experiment to create a limitless energy source, something our planet sorely needs. When things go horribly wrong, a pilot fights to save his family – and indeed, the whole planet – from the effects of the experiment gone awry.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sci-Fi Action
Now Playing: AMC West Oaks

Rating: R (for language and some violence)

Rough Night

(Columbia) Scarlett Johansson, Jillian Bell, Zoë Kravitz, Kate McKinnon. Five best friends from college reunited for a weekend in Miami to celebrate one of their numbers impending nuptials. However, this badass bachelorette party turns a bit too wild and things get pretty real pretty fast. The girls elect to cover up the accident but that turns out to be a lot more difficult than they envisioned.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for crude sexual content, language throughout, drug use and brief bloody images)

ALSO OPENING IN ORLANDO/DAYTONA

Slack Bay

ALSO OPENING IN MIAMI:

Beatriz at Dinner
The Happiest Day in the Life of Olli Maki
Past Life
The Recall
You’re Killing Me Susanna

ALSO OPENING IN TAMPA:

Ami Tumi
Jeremiah Tower: The Last Magnificent
Once Upon a Time in Venice
The Recall

ALSO OPENING IN JACKSONVILLE:

Kedi
The Lure
Tomorrow Ever After

Ghost in the Shell (2017)


Scarlett Johansson in her skinsuit; adolescent boys of the world, you’re welcome.

(2017) Science Fiction (DreamWorks/Paramount) Scarlett Johansson, Pilou Ashbæk, Juliette Binoche, “Beat” Takeshi Kitano, Michael Carmen Pitt, Chin Han, Danusia Samal, Lasarus Ratuere, Yutaka Izumihara, Tawanda Manyimo, Peter Ferdinando, Anamaria Marinca, Daniel Henshall, Mana Davis, Erroll Anderson, Kai Fung Rieck, Andrew Stehlin, Matthias Luafutu, Kaori Momoi. Directed by Rupert Sanders

 

Technology is a part of our everyday lives. For the most part, it makes our lives easier although in many cases it complicates things. Biomedical advances have allowed people who would ordinarily have been disabled or worse to live full productive lives. As technology integrates itself more and more into our lives and even into our own bodies, at some point we must re-examine what it means to be human.

Mira Killian (Johansson) wakes up in the hospital with little memory of how she got there. Her physician, Dr. Ouelet (Binoche) informs her that she was the victim of a terrorist attack; her body was so torn up that her mind, spirit and personality have all been transferred into the body of an android. She will be stronger, faster, more powerful – and able to fight terrorists the way most humans could not.

A year later she is better known as Major (for her rank) and she and her partner Batou (Ashbæk) work for Section 9, a shadowy elite government strike force that takes on terrorists. A specific terrorist known as Kuze (Pitt) has been targeting scientists and executives of the Hanka Robotics Corporation, the conglomerate who happens to employ Dr. Ouelet and who were responsible for saving Major’s life.

Kuze seems to know more about Major’s past than the Major herself and the deeper Major looks into the CEO of Hanka, a smarmy man named Cutter (Ferdinando) to whom the head of Section 9, the honorable and imperturbable Aramaki (Kitano) seems to report, the more suspicious she gets of his motives. She begins to realize that she is in a nightmare from which there is no waking – and she might just be fighting for the wrong side.

Based on a 1995 anime (which was in turn based on a popular Japanese manga), Sanders has done a fine job in bringing that anime to the live action scene. Often the shots are literally perfect reproductions of the anime. The cityscape is absolutely breath-taking and while the overhead flyover shots get a little dizzying after awhile, the CGI background never lets the audience down.

Neither does Johansson. Already a fan favorite due to her work in the Marvel Cinematic Universe, she has become one of the biggest stars in the world and this role is really perfect for her abilities. She exudes both grace and strength as well as intelligence and sensuality; it’s no wonder that a lot of fanboy types consider Johansson the most desirable woman in Hollywood. In some ways Major is one of the most complex roles she’s taken on; there is a machine-like coldness to her but at the same time she is tormented by tantalizing glimpses of her past. She is relentless looking in directions her employers don’t want her to explore, and when push comes to shove is willing to risk anything to find out the truth about herself and about Hanka.

Kitano, one of the most revered action stars in Japan who while little known to the general public in the United States is nonetheless held in high regard by those buffs of Asian action movies, shows us why he is the source of such affection. I am always a little leery of using the adjective “inscrutable” in connection with Asian actors but that word best defines his performance here. Partially paralyzed in the face due to a scooter accident 20 years ago, his expression is generally unreadable and when he explodes into action during a glorious sequence there is little warning. It is one of the most satisfying sequences in the movie.

There are a few problems here though. The plot is pretty convoluted and following it isn’t always easy. I get the sense that Sanders and the writing team were trying to make a film that was visually overwhelming (which it is), chock full of exciting action sequences (which it is for the most part) and also thought-provoking (which it is in places). While it is possible to be all of those things at once, it is a very difficult balancing act and Ghost in the Shell doesn’t quite achieve it and as I recall, neither did the original anime although it came closer than this.

Brilliant in some stretches, flawed in others, the film lacks consistency which makes it hard to appreciate those sequences that do work well – and there are more than a few of them. The sensory overload of the cityscape may be troubling to those who are easily overwhelmed but to those who appreciate the detail in the crafting of the futuristic landscape it will be an absolute dream come true. The detail in those backgrounds is truly astonishing but they’ll disappear in the wink of an eye. Never has a movie that looked like it belonged on a theater screen ever needed the benefit of a remote control so that viewers could pause the film just to take in the details. If only there could have been a little been more conciseness in the screenplay; this could have been the first peg in a tentpole franchise but sadly, the box office numbers don’t really support one.

REASONS TO GO: The special effects and action sequences are dazzling. Johansson is a natural action heroine.
REASONS TO STAY: The plot is a bit muddled. The film tries too hard to be all things to all people.
FAMILY VALUES: There is frequent violence, some disturbing images and a few moments of sensuality.
TRIVIAL PURSUIT: The city depicted in the film, although not mentioned by name, is based on Hong Kong although with heavy digital additions.
CRITICAL MASS: As of 5/22/17: Rotten Tomatoes: 45% positive reviews. Metacritic: 52/100.
COMPARISON SHOPPING: I, Robot
FINAL RATING: 6/10
NEXT: David Brent: Life on the Road

New Releases for the Week of March 31, 2017


GHOST IN THE SHELL

(DreamWorks/Paramount) Scarlett Johansson, Pilou Ashbæk, Juliette Binoche, Michael Carmen Pitt, Chin Han, Takeshi Kitano, Danusia Samal. Directed by Rupert Sanders

Based on the legendary manga of the same name, the movie follows the exploits of the Major, a unique cyborg/human hybrid who leads an elite task force that takes on the world’s most dangerous criminals and terrorists. Faced with an enemy that is out to wipe out a large corporation whose advancements in robotics and bio-technology made the Major possible, she begins to uncover disturbing information that calls into question everything she believes.

See the trailer, clips, interviews, a promo and B-Roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for intense sequences of sci-fi violence, suggestive content and some disturbing images)

The Boss Baby

(DreamWorks Animation/Fox) Starring the voices of Alec Baldwin, Steve Buscemi, Jimmy Kimmel, Lisa Kudrow. There’s nothing quite like the arrival of a new baby into the family – unless that baby wears a suit and tie and carries a briefcase. The seven-year-old apple of his parent’s eye is none too thrilled to get a baby brother slash competition for his parents’ attention. He is less thrilled when he discovers that his new kid brother is actually part of a sinister agenda to get rid of all the world’s puppies.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for some mild rude humor)

T2: Trainspotting

(TriStar) Ewan McGregor, Robert Carlyle, Jonny Lee Miller, Shirley Henderson. The sequel to Danny Boyle’s seminal film which made Iggy Pop’s “Lust for Life” a smash hit and changed English cinema for the better. Mark Renton returns to Scotland after two decades abroad and finds his old mates much the same – and completely changed.

See the trailer, clips, interviews and featurettes here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: R (for drug use, language throughout, strong sexual content, graphic nudity and some violence)

The Zookeeper’s Wife

(Focus) Jessica Chastain, Daniel Brühl, Johan Heldenbergh, Efrat Dor. This is the story of a husband and wife who run a zoo in Warsaw during the Nazi occupation. Horrified at what’s happening to their country and particularly to the Jews, they arrange to hide hundreds of Jews while reporting to the Nazi’s chief zoologist. Putting themselves and their family at tremendous risk, they turn from ordinary people to national heroes.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: PG-13 (for thematic elements, disturbing images, violence, brief sexuality, nudity and smoking)

Sing


Ta-da!

Ta-da!

(2016) Animated Feature (Universal/Illumination) Starring the voices of Matthew McConaughey, Reese Witherspoon, Seth MacFarlane, Scarlett Johansson, Taron Egerton, John C. Reilly, Tori Kelly, Jennifer Saunders, Jennifer Hudson, Garth Jennings, Nick Kroll, Peter Serafinowicz, Beck Bennett, Jay Pharoah, Nick Offerman, Leslie Jones, Rhea Perlman, Laraine Newman. Directed by Garth Jennings

 

It is said by some, not without justification, that this is the golden age of animation. Studios like Pixar, Ghibli and Laika consistently turn out features that enchant, illuminate, entertain and excite. They don’t dumb down their movies to basic levels because these studios have more respect for kids than that; they create stories that address things that matter, create unforgettable characters and transport us to worlds that elicit wonder.

And then there’s Illumination. The studio, which has a long term deal with Universal, hit their first pitch out of the park with Despicable Me but their output since then has left a lot to be desired. Their world building has been haphazard and their stories basic, utilizing cliché over imagination and marketing opportunities over characters. It is, in every sense of the word, corporate animation.

Sing is meant to appeal to those who find American Idol and America’s Got Talent to be supreme entertainment. It sends a message that anyone, no matter how large or small, can achieve their dreams if only…if only…well, if only someone markets a singing contest, which Buster Moon (McConaughey), a koala with a somewhat slippery moral compass, organizes in order to save his theater which is overrun by creditors and about to be seized by the bank. However, his ditzy assistant accidentally ups the amount of the prize from $1,000 to $100,000. Oops.

And so all sorts of animals inhabiting Anthropomorphic San Diego come crawling out of the woodwork to audition, including put-upon piggy mom Rosita (Witherspoon) who is in a perpetual state of exhaustion from taking care of 25 piglets and a seemingly uncaring husband (Kroll) who takes her for granted like a boss; Mike (MacFarlane), an arrogant mouse who cons his way through life and croons like one of the rat pack. Then there’s Ash (Johansson), a punk rock porcupine determined to emerge from the shadow of her boyfriend, and Meena (Kelly) an elephant with a case of stage fright as big as…an elephant. Finally there’s Johnny (Egerton – who has the best voice in the movie) who is the scion of a gorilla criminal and has the leather jacket to prove it, although just because this is a kid’s movie, Johnny has absolutely no criminal intent whatsoever. Get that kids? Crime doesn’t pay!

There are something like 85 songs (mostly snippets) that have at least some vague familiarity and are mostly from the last five years or so. In fairness, most of them are sung well or at least competently but it points out another depressing flaw in modern culture; we have become all about the singer and give absolutely no thought about the song. Apparently dreams should be about becoming stars, not becoming artists. Make money, not a lasting contribution to our culture is the message here.

Egerton is an amazing singer and McConaughey’s voice is virtually unrecognizable but it is still a fine vocal performance. To be fair the movie picks up steam in the second half and the finale is pretty nice, if predictable. While most of the animation is fairly rote it is at least entertaining to the undiscerning and some of the images are cute.

And it is this last adjective that really drives the movie; they’re not going for great, they’re going for cute. They want to see these characters on action figures, video games, fast food meals and whatever cross-promotional activity they can think up. You’ll walk out of the theater remembering none of the characters who were in it, nor will you be affected by the story in any way. What you will remember are the songs and if that’s all you’re after, that’s fine but what this amounts to is a 90 minute karaoke contest that really isn’t going to inspire repeated viewings unless you are six years old or the parent of one. Unless you have a child who absolutely insists on seeing this, there is far better movies that deserve your attention.

REASONS TO GO: Some of the animation is engaging and some of the performances are cute.
REASONS TO STAY: This is more of a marketing opportunity than a complete movie, with little thought given to characters other than how they’ll do as toys and absolutely no thought to story.
FAMILY VALUES: There is some rude humor but nothing most parents would be offended by.
TRIVIAL PURSUIT: This marks the first occasion that Illumination has released two films in the same year. It is also the longest movie to date that Illumination has produced.
CRITICAL MASS: As of 1/13/17: Rotten Tomatoes: 70% positive reviews. Metacritic: 59/100.
COMPARISON SHOPPING: American Idol
FINAL RATING: 5/10
NEXT: La La Land

New Releases for the Week of December 23, 2016


SingSING

(Universal/Illumination) Starring the voices of Matthew McConaughey, Reese Witherspoon, Seth MacFarlane, Scarlett Johansson, John C. Reilly, Taron Egerton. Directed by Garth Jennings

A once-grand theater is dying and the owner, one Buster Moon, has an idea to save it; hold a massive American Idol-like singing contest. True to his predictions, the contest captures the imagination of the whole town as ordinary people with extraordinary dreams compete for fame, fortune and opportunity.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Animated Feature
Now Playing: Wide Release (Opened Wednesday)

Rating: PG (for some rude humor and mild peril)

Assassin’s Creed

(20th Century Fox) Michael Fassbender, Marion Cotillard, Jeremy Irons, Brendan Gleeson. Based on the hit videogame, a convicted criminal is executed…and brought back to life for the sole purpose of utilizing his genetic memories. Sent back as part of the Assassin’s Guild (to which his family has belonged for generations), he and the Assassin’s fight the mysterious and malevolent Templars in both the past and present.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Action/Adventure
Now Playing: Wide Release (opened Wednesday)

Rating: PG-13 (for intense sequences of violence and action, thematic elements and brief strong language)

Dangal

(UTV) Aamir Khan, Sakshi Tanwar, Fatima Sana Shaikh, Sanya Malhotra. The true story of wrestler Mahavir Singh Phogat, a champion Indian wrestler. He was unable to win a gold medal at the Commonwealth Games and vowed that since he failed, his son would do what he could not. The universe having a perverse sense of humor delivers four children to Mahavir – all daughters. At first devastated, he observes that two of them have the tools to become champions themselves – and he swallows his pride and trains them.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sports Biography
Now Playing: AMC Loew’s Universal Cineplex, AMC West Oaks, Touchstar Southchase

Rating: NR

Fences

(Paramount) Denzel Washington, Viola Davis, Jovan Adepo, Mykelti Williamson. Directed by Washington and based on the play by Pulitzer Prize-winning playwright August Wilson who also penned the screenplay, this is the story of a proud African-American man trying to raise his family in the 1950s. Bitterly disappointed by life, he turns his back on his son who wants nothing more than to please him while the father seethes, knowing that his son could go much farther in life than he ever did.

See the trailer, clips and interviews here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release (opens on Sunday)

Rating: PG-13 (for thematic elements, language and some suggestive material)

Lion

(Weinstein) Dev Patel, Rooney Mara, David Wenham, Nicole Kidman. A young boy found wandering in the streets of Kolkata is adopted by a kindly Australian couple. Years later as a grown man he begins to experience some childhood memories and knows he must return to India to find his mother and siblings. However, all he knows is that he somehow was mistakenly put on a train and left on it for two days; his home and family could be nearly anywhere in the country. Undeterred, he sets out to find his past so he can help define his future.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Disney Springs, Cinemark Artegon Marketplace, Regal Waterford Lakes, Regal Winter Park Village

Rating: PG-13 (for thematic material and some sensuality)

Passengers

(Columbia) Jennifer Lawrence, Chris Pratt, Laurence Fishburne, Michael Sheen. On a spaceship headed on a 120-year voyage to colonize a planet outside the solar system, the colonists are in pods that keep them asleep for most of the journey. When a man and a woman find themselves awake 90 years too early with no way to get back to sleep, they are devastated at first but soon they discover that their early wake-up call was the beginning of even more catastrophic malfunctions aboard the ship.

See the trailer, clips and premiere footage here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Science Fiction
Now Playing: Wide Release (Opened on Wednesday)

Rating: PG-13 (for sexuality, nudity and action/peril)

Why Him?

(20th Century Fox) Bryan Cranston, James Franco, Zoey Deutch, Megan Mulally.  Stephanie is a great young woman and the apple of her daddy’s eye. Her new boyfriend could be the one, but when mom and dad meet him, it turns out that he’s a Silicon Valley tech billionaire. Quite the catch, no? No. He’s socially awkward but tech-savvy in ways dear old dad could never be. The two enter a one-upmanship contest – advantage, boyfriend – and soon Dad realizes that he could lose his daughter forever…to someone who has no filter whatsoever.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release (Opened on Wednesday)

Rating: R (for strong language and sexual material throughout)

Captain America: Civil War


Captain America in an All-American studio apartment.

Captain America in an All-American studio apartment.

(2016) Superhero (Disney/Marvel) Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Paul Rudd, Emily VanCamp, Tom Holland, Daniel Brűhl, Frank Grillo, William Hurt, Martin Freeman, Marisa Tomei, John Kani, John Slattery, Hope Davis, Alfre Woodard. Directed by Anthony and Joe Russo

 

In this post-911 world, we often have to consider the importance of security versus freedom. How much power do we allow our government to have? Is it worth giving up our freedom to be protected? And when does it stop being worth it?

Following the events of The Avengers: Age of Ultron the Avengers have continued to operate without the guidance of Tony Stark (Downey) a.k.a. Iron Man but they still continue to clean out the remnants of Hydra and travel the globe to stop threats of terrorism and barbarity. They are on one such mission to stop Crossbones (Grillo) from obtaining a biological weapon. They do stop the former SHIELD agent turned supervillain but at a staggering cost.

The nations of the world can no longer stand idly by while their citizens are reduced to collateral damage. They sign a treaty known as the Sokovia Accords (named for the fictional country that was decimated by the Avengers battle with Ultron) to put the Avengers under United Nations control, only sent on missions approved by the Security Council.

Stark has put his pen to paper and signed already and expects his good friend Steve Rogers (Evans) a.k.a. Captain America to do the same but to Stark’s shock, Rogers refuses. He feels that the Avengers will not only function less effectively as the tools of bureaucrats and politicians, but that without self-autonomy, more lives will be lost than saved.

It’s not an easy question and not everyone falls on the same side. The Avengers eventually become two different teams, at war with one another. Things get worse when Bucky Barnes (Stan) – a.k.a. the Winter Soldier and Cap’s friend from pre-World War II Brooklyn has had the mind control that was implanted into him by Hydra used to send him on a rampage that ends up with a high-profile murder. T’challa (Boseman) a.k.a. The Black Panther, ruler of the fictional African nation of Wakanda, rich in minerals (including the rare vibranium that is what Cap’s shield is constructed out of) and technology, vows to take down Barnes and execute him. Cap can’t let that happen as it, strictly speaking, isn’t Bucky’s fault.

So it is friends against friends, the U.S. government against the Avengers, Iron Man against Captain America. No matter what, this won’t end well and the Marvel Cinematic Universe will be changed permanently as a result.

This is in some ways the most complicated and thought-provoking film in Marvel’s history. It does tackle a subject that has real world ramifications and comes up with no easy answers – it also doesn’t cop out either, which is to the filmmaker’s credit. When those who ask why the Marvel films are so much more popular than the DC films (at least currently), the simple answer is that Marvel is making better movies. With the exception of some of the Batman films (by Messrs. Burton and Nolan) Marvel’s movies are more interesting, have more character development, and quite frankly are more fun to watch.

Civil War is a little bit darker in hue than the majority of Marvel’s films, but that doesn’t mean it’s set in Gotham. There are no real villains in it for one thing – yes, there is a character named Zemo (Brűhl) who shares a last name with old Marvel villain Baron Zemo who was a Nazi mad scientist and a Hydra operative, but this Zemo is actually in a lot of ways a sympathetic character who has reasons for his madness. And the conflict between Cap and Shellhead are between two heroes doing what they believe is right.

Downey in fact steals the film from Captain America; he is tortured by the damage he has done as a superhero and as a man. His relationship is tanking and he believes that the world would be a better place if the Avengers accepted some oversight and accountability. His anguish not only at what he has caused to occur but in the conflict with his friend Cap is palpable. Downey is an Oscar-nominated actor and this is by far his best performance as Iron Man yet.

The action sequences have to be at the core of any superhero film and they are spectacular here. There’s a fight at a German airport that may go down as one of the best in Marvel history and it utilizes the talents of many of the supporting characters and a couple of new ones, including the previously mentioned Black Panther but also the brand new Spider-Man (Holland). Holland may be the best Spider-Man yet (sorry Tobey Maguire and Andrew Garfield) and acquits himself well both as Spider-Man and as Peter Parker. Based on the snippet of him and Aunt May (Tomei) in this film, I am much more interested in seeing Spider-Man Homecoming next year than I already was.

All of the characters here other than a few who have little more than cameos are shown to be quite human and as humans are, imperfect. This makes the superheroes more relatable to everyone. Who hasn’t had relationship troubles, or felt like they didn’t belong, or chafed at having their autonomy taken from them, or mistrusted authority, or agonized over inventing a self-aware robot that nearly wiped out the human race? Okay, maybe not the last one.

The plot here is dense and for those not really immersed in the Marvel Universe, it may all be too much. In many ways, this is the first Marvel film I felt that it would be actually advantageous to have seen all of the ones preceding it in order to understand it better. It can still stand on its own, but I have to admit that the more you know about the MCU, the easier this will go down. There are also a whole lot of characters here and their relationships and motivations may not be clear to everyone. I suppose that’s just a byproduct of having so many films in the MCU now.

The Russos have shown themselves very capable directors. While I don’t think this film quite measures up to Captain America: The Winter Soldier in terms of quality, it’s damn close. The brothers have been handed the reins to the next to Avengers films and this one shows that the franchise is in safe hands.

REASONS TO GO: Great battle sequences. Excellent debate starter (security vs. freedom). Portrays the heroes as fallible and human.
REASONS TO STAY: A little too much plot and character. Occasionally confusing, particularly to casual viewers.
FAMILY VALUES: All sorts of superhero violence, action and mayhem, more than you can shake a stick at.
TRIVIAL PURSUIT: At 2 hours and 27 minutes long, this is the longest Marvel movie to date.
CRITICAL MASS: As of 6/16/16: Rotten Tomatoes: 90% positive reviews. Metacritic: 75/100.
COMPARISON SHOPPING: Marvel’s The Avengers
FINAL RATING: 7.5/10
NEXT: My Love, Don’t Cross That River