Isle of Dogs


Some dogs and their boy.

(2018) Animated Feature (Fox Searchlight) Starring the voices of Bryan Cranston, Bill Murray, Jeff Goldblum, Greta Gerwig, Bob Balaban, Edward Norton, Koyu Rankin, Kunichi Nomura, Frances McDormand, Akira Takayama, Akira Ito, Scarlett Johansson, Harvey Keitel, F. Murray Abraham, Yoko Ono, Tilda Swinton, Ken Watanabe, Liev Schreiber, Mari Natsuki. Directed by Wes Anderson

 

Those who love the works of the quirky director will love this; those who are turned off by his oeuvre will not. The second stop-motion animated feature by Wes Anderson is so Wes Anderson.

In the future, the Japanese megalopolis of Megasaki has banished all dogs to an island formerly used as trash disposal. An intrepid young orphan boy (Rankin), who is also the mayor of Megasaki’s ward, flies to the island to locate his dog Spots (Schreiber). A pack of alpha dogs, including Chief (Cranston), Boss (Murray), King (Balaban), Duke (Goldblum) – a kind of four-legged TMZ – and Rex (Norton) along with the only female dog in the pack Nutmeg (Johansson) agree to help the boy find his friend. It doesn’t help that he speaks only Japanese while the Japanese dogs speak only English – or at least that’s how we perceive them. Meanwhile, back on the mainland, Tracy (Gerwig), a school reporter, discovers a terrible secret behind the cat-loving mayor’s (Nomura) proclamation.

The look of the film owes a lot to legendary Japanese animator Hayao Miyazaki and is consistently beautiful throughout, even on the industrial garbage heap that is Trash Island. The Oscar nomination it received earlier this year was no fluke even though it eventually lost out to Spider-Man: Into the Spiderverse. The dogs are exquisitely rendered and are genuinely hilarious. Anderson’s trademark deadpan sense of humor very much rules the day here; not everyone gets it or likes it. Bill Murray has made a career of it, including many of Anderson’s films but the two were made for each other.

This isn’t everybody’s cup of sake and I don’t think Anderson ever sets out to make a film that is. There are moments that are beautiful and others that are ugly, so young kids should be warned away due to the latter. There is a lot of Japanese cultural references here which will appeal to Japanophiles everywhere although SJW-types might mutter things about “cultural appropriation.” The bottom line here is the same as the top; those who love the works of the quirky director will love this; those who are turned off by his oeuvre will not.

REASONS TO SEE: The animation is brilliant. The sense of humor is droll, a welcome change.
REASONS TO AVOID: Guilty of occasionally being too quirky for its own good.
FAMILY VALUES: There are some images of violence and the thematic elements might not sit well with the very young.
TRIVIAL PURSUIT: This marked the first time in 14 years that a Wes Anderson film didn’t feature Jason Schwartzman in the cast (he did co-write the script).
BEYOND THE THEATER: Amazon, Apple TV, Fandango Now, Fios, Google Play, HBO Go,  Microsoft, Movies Anywhere, Redbox, Vudu, YouTube
CRITICAL MASS: As of 6/22/19: Rotten Tomatoes: 90% positive reviews: Metacritic: 82/100.
COMPARISON SHOPPING: The Fantastic Mr. Fox
FINAL RATING: 7.5/10
NEXT:
Killbird

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The Comedian (2017)


Robert De Niro kills it in an entirely different context.

(2017) Dramedy (Sony Classics) Robert De Niro, Leslie Mann, Harvey Keitel, Edie Falco, Danny DeVito, Patti LuPone, Charles Grodin, Cloris Leachman, Lucy DeVito, Billy Crystal, Veronica Ferres, Lois Smith, Jessica Kirson, Jim Norton, Jimmie Walker, Brett Butler, Gilbert Gottfried, Hannibal Buress, Bill Boggs, Nick Di Paolo, Freddie Roman, Greer Barnes, Sheng Wang, Aida Rodriguez  Directed by Taylor Hackford

 

The life of a stand-up comic is nothing like you might think it is. Glamour is rare for one of those worthies; while someone like a Kevin Hart might work arenas and stay in first class hotels for the most part when stand-ups tour at all they play small clubs and stay in fairly cheap hotels or worse. Sometimes they get a sitcom and things get better but what happens when the sitcom is canceled?

Jackie Burke (De Niro) is living that particular dream. Once on top of the world in the successful sitcom Eddie’s Home back in the 80s, he is back to doing club gigs in his native New York and mostly what audiences want to hear are his signature Eddie catch phrases. At this point Jackie wants to distance himself from Eddie as much as possible but when hecklers push him into a corner and it turns out those same hecklers are trying to goad him deliberately for a vlog, Jackie loses it and ends up getting charged with assault and battery.

Jackie does 30 days jail time and then is given community service at a soup kitchen. The video of his blow up has itself blown up so his long-suffering agent (Falco) can’t get him a bar mitzvah let alone a paying gig. Still, things are looking up – he meets a young woman named Harmony (Mann) who is a co-worker at the soup kitchen. The two hit it off as friends and he takes her to a comedy show where he is asked to go on stage when a comedian cancels at the last minute; his set is one of the best of his career and that starts going viral. Suddenly, things are looking up.

Being Jackie Burke however means that if things are looking up, he must find a way to sabotage himself. It doesn’t help that Harmony has a father (Keitel) who wants her to come back to Florida and work at one of the homes for the elderly that he owns; dad is a bit of a jerk to put it mildly and, well, you can guess the rest.

In fact, that’s a big problem here; you can guess the rest and often do. De Niro remains one of the great actors of his generation and I don’t think he’s ever disgraced himself in a single performance; he is solid enough here and is convincing as a stand-up performer with an anger issue. He is almost always the best part of any movie he’s in and that’s surely the case here.

Mann is herself a capable actress whose appearance in her husband Judd Apatow’s films have been stepping stones to better and more noticeable roles. Some of her dramatic range is hinted at here and I sure wouldn’t mind if we saw her in a wider variety of roles than we’ve heretofore seen her in. Considering the age difference portrayed on screen, the romance feels a bit awkward and at times unbelievable but Mann’s a pro and you can see that there is some chemistry between her and De Niro. She performs more than capably in a movie where she deserved a little better; count me as a fan.

The relationship between colleagues in the stand-up community is very much love-hate. They are competitors often for the same jobs, but at the same time they have the bonds of going into the trenches together, the shared experiences of deprivation, disrespect and dysfunction. They can all relate to one another and there’s often mutual respect but they also heckle each other mercilessly backstage. The movie captures this bond (with a number of working stand-ups playing themselves) beautifully.

The movie falls apart at the end. I won’t go into details but all the good will the movie manages to build up through the first hour plus is wasted with an ending that is equal parts ludicrous and demeaning to the audience. When the lights came up I saw more than one gape-jawed expression on an audience member’s face and I’m sure my own expression wasn’t too dissimilar. Sadly, Hackford and company ignored one of the first rules of comedy; never ever squash your own punchline.

REASONS TO GO: A really terrific cast that for once isn’t wasted drives the film. The depiction of the lives of stand-ups is convincing.
REASONS TO STAY: Some of the scenes feel a little bit awkward and overly familiar. The ending is preposterous.
FAMILY VALUES: There’s plenty of profanity including some fairly crude sexual references.
TRIVIAL PURSUIT: De Niro received stand-up comedy training from Jessica Kirson, whose signature move – talking to herself sotto voce – is one he adapted for the movie.
CRITICAL MASS: As of 3/19/17: Rotten Tomatoes: 25% positive reviews. Metacritic: 40/100.
COMPARISON SHOPPING: Punchline
FINAL RATING: 6/10
NEXT: I Am Not Your Negro

New Releases for the Week of February 3, 2017


RingsRINGS

(Paramount) Matilda Lutz, Alex Roe, Johnny Galecki, Vincent D’Onofrio, Aimee Teegarden, Bonnie Morgan, Chuck Willis, Patrick Walker. Directed by Javier F. Guttieréz

It is whispered that once there was a videotape, one in which if you watched it you would be marked and in seven days after first viewing it you would die. When a woman’s boyfriend gets caught up in the subculture surrounding the urban legend, she sacrifices herself to save him and finds out that the horror doesn’t end there – that there is a movie within the movie, one that nobody knew existed and one that will bring her face to face with Samara herself.

See the trailer and the first three minutes of the movie here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for violence/terror, thematic elements, some sexuality and brief drug material)

The Autopsy of Jane Doe

(IFC Midnight) Emile Hirsch, Brian Cox, Ophelia Lovibond, Olwen Kelly. A small town coroner and his son who assists him receive a body one dark and stormy night; the body of a woman who was found in the walls of a home where a terrible massacre took place. The two begin to perform an autopsy on the body but strange and disturbing things begin to happen…and soon it becomes apparent that this strange body might be at the center of it.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Enzian Theater

Rating: R (for bloody horror violence, unsettling grisly images, graphic nudity and language)

The Comedian

(Sony Classics) Robert De Niro, Leslie Mann, Harvey Keitel, Danny DeVito. An aging comic icon, seeking to reinvent himself in a new era of stand-up instead gets into a physical altercation with an audience member and is sentenced to community service. There he meets the daughter of a predatory real estate developer who could be the key to his future.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Epic Theaters of Clermont, Regal Oviedo Marketplace, Regal Winter Park Village, UA Seminole Towne Center

Rating: R (for crude sexual references and language throughout)

Neruda

(The Orchard) Gael Garcia Bernal, Luis Gnecco, Pablo Derqui, Alfredo Castro. In 1948 the Chilean president banned the communist party in Chile as the Cold War went into full swing. Poet and member of the Chilean Senate, Pablo Neruda decried the actions of the President and was forced to go into hiding. A dogged police inspector pursued him only to find the poet and academic was one step ahead of him at nearly every turn. This, Pablo Larrain’s latest film, was nominated for a Golden Globe for Best Foreign Language Film.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Regal Winter Park Village

Rating: R (for sexuality/nudity and some language)

The Space Between Us

(STX Entertainment) Asa Butterfield, Gary Oldman, Britt Robertson, Carla Gugino. Gardner Eliot is the first human to be born outside of planet Earth – his mother was one of the original colonists of Mars but she died giving birth to him and never revealed the identity of his father. As the boy grows up, he becomes more obsessed with finding out who his father is and in the process begins an online relationship with a girl named Tulsa in Colorado – not the girl named Denver in Oklahoma which is what he was originally after. Anyway, when Gardner gets a chance to go to Earth he takes it, hoping to experience the home planet he’s never known only to discover that his fragile physiology will kill him if he remains there too long.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Teen Romance
Now Playing: Wide Release
Rating: PG-13 (for brief sensuality and language)

Un padre no tan padre

(Pantelion) Héctor Bonilla, Zamia Fandiño, Jacqueline Bracamontes, Benny Ibarra de Llano.  When 85-year-old Don Servando Villegas is kicked out of the retirement home he lives in because of his antisocial behavior, his son is forced to take him in to the commune where he lives with his girlfriend and son. As the logline describes it, old age meets new age as the elderly gentleman discovers that the family we’re born into isn’t always the one we create for ourselves as we make our journey.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Regal The Loop

Rating: PG-13 (for drug material, some language and partial nudity)

Youth


Michael Caine conducts himself with dignity.

Michael Caine conducts himself with dignity.

(2015) Drama (Fox Searchlight) Michael Caine, Harvey Keitel, Rachel Weisz, Paul Dano, Jane Fonda, Alex Macqueen, Madalina Ghenea, Mark Kozelek, Nate Dern, Alex Beckett, Mark Gessner, Tom Lipinski, Chloe Pirrie, Luna Mijovic, Dorji Wangchuk, Ed Stoppard, Robert Seethaler, Paloma Faith, Emilia Jones, Beatrice Walker, Rebecca Calder, Veronika Dash. Directed by Paolo Sorrentino

We all age. From the moment we burst out of the womb our bodies are decaying on the way to decrepitude. And for the record, there’s no such thing as aging gracefully; there’s only the appearance of it. When we age, we do so with a distinct absence of grace. We go kicking and screaming, flailing away like an epileptic mule, into that good night.

In a remote spa resort in the Swiss Alps, retired composer/conductor Fred Ballinger is vacationing with his daughter Lena (Weisz) who is also his business assistant, and his best friend Mickey Boyle (Keitel) who is a respected Hollywood screenwriter putting the finishing touches with a team of writers on his latest script, which he considers his “moral testament,” a work that he sees as his enduring legacy.

A representative (Macqueen) of the Queen of England is there to convince Maestro Ballinger to conduct one of his most famous pieces, Simple Songs #3, for Prince Philip’s birthday at which time he would receive his knighthood, but Ballinger adamantly refuses for “personal reasons.” Try as he might to pry it out of him, the rep is stymied. However, the Queen can be mighty persistent.

Boyle is writing a hell of a part for an actress whose career he helped launch, Brenda Morel (Fonda) but her reaction to the role is startling and disappointing. Both men are realizing that their best days are behind them, and that they are slowly leaving the things of their youth behind, even as they see those who worship youth flutter around them like so many broken songbirds.

Sorrentino, who directed the Oscar-winning The Grand Beauty, is clearly influenced by the great Federico Fellini. Like Fellini, he has a fascination for women and like Fellini, he has an appreciation for the surreal dreams. As with most Fellini films, Sorrentino populates Youth with the jaded rich, those who have become so used to being able to afford anything they want that there’s nothing they want that they can afford. The shallow values of these people collide with the gorgeous Alpine scenery.

Ballinger and Boyle (which sounds like either a London barrister or a French champagne) are the exceptions. They are bemused by the couples who sit through dinner silently, the South American superstar so famous nobody need even say his name, the wealthy chasing after lost youth as if they could find it again and even if they could, that they can somehow bathe in it and become young again.

There is a great deal of depth to the movie, and it’s the kind that you have to work for. You have characters passing in and out like the actor (Dano) known for playing a robot studying for a new part – and it’s not one that you’d expect. Then there’s the lonely mountain climbing teacher (Seethaler) who approaches Lena, who herself has been cheated on and tossed aside by her husband – who happens to be Mick’s son – and is rebounding in the arms of a gentler, kinder man.

Still, it is Michael Caine who is magnificent here. An actor as versatile as there has been in the last 50 years, if anyone in Hollywood has aged gracefully, he has. He plays a man who has shut away his emotions to the point that when they do come out, it’s a shock. They are most certainly there, but deep below his calm, upper class demeanor. While he dismisses his work as simplistic, there’s no doubt that they mean something very personal to him and even his daughter, whom he has never been able to express his feelings for, knows it. Caine has some of the best moments in the film, particularly a balcony conversation with Mick near the end of the movie that takes a shocking turn. I will always remember his character conducting the cows in the Tyrolean meadows as well as the birds and the wind, making a beautiful symphony only he – and we – hear.

Fonda also has a bravura moment with Keitel, coming off as perhaps the most Fellini-esque of the characters here, with her shrill demeanor, her dangling cigarette and her laid-on-with-a-trowel makeup that make her look like a party guest in a Fellini film. That leads into another sequence reminiscent of the great Italian director in which Mick’s leading ladies all appear in a meadow, repeating robotically the lines from their films.

When Mick tells Fred in a breaking voice “You say that emotions are overrated, but…emotions are all we’ve got,” he’s speaking for Sorrentino. While there’s a lot here to occupy the mind, this is ultimately a movie of the heart and it speaks directly to that organ more so than the one above the neck.

I would be remiss if I didn’t mention the soundtrack, particularly the contributions of Mark Kozelek (vocalist of the Red House Painters and Sun Kil Moon). His voice is as calming and soothing as any you’ll ever here; he’s literally human lithium. His version of Yes’ ”Onward” (written by the late great Chris Squire and the best song he ever wrote) is used three times during the film. It’s a beautiful song about love and perfectly underscores the themes of the movie.

Fellini is very much an acquired taste and not everything here is going to appeal to everyone. Sorrentino often flashes images of people or things seemingly at random, or juxtaposes images with dialogue or songs in a way that very much recalls the late director. Not everyone is going to like it but if you like Italian cinema of the 60s, or simply very good movies that appeal to both head and heart, you’re going to find something here to love. Of course if you’re a Fellini fan, so much the better; but those who find his style too pretentious might want to give this one a miss.

REASONS TO GO: There is truly some magic here. Caine’s performance is wonderful.
REASONS TO STAY: Occasionally pretentious and confusing.
FAMILY VALUES: Graphic nudity, some sexuality and some profanity.
TRIVIAL PURSUIT: Ghenea was 26 at the time of filming, which would have tied her for the honor of the oldest Miss Universe ever were she actually the part she plays.
CRITICAL MASS: As of 12/31/15: Rotten Tomatoes: 74% positive reviews. Metacritic: 65/100.
COMPARISON SHOPPING: La Dolce Vita
FINAL RATING: 7/10
NEXT: The Hateful Eight

New Releases for the Week of December 25, 2015


ConcussionCONCUSSION

(Columbia) Will Smith, Alec Baldwin, Albert Brooks, Gugu Mbatha-Raw, David Morse, Arliss Howard, Mike O’Malley, Eddie Marsan, Luke Wilson. Directed by Peter Landesman

Dr. Bennett Omalu, a forensic Neuropathologist working in Pittsburgh, is presented with a strange situation; a favored son of the city, a former football star, dies suddenly penniless, his very personality rumored to have changed completely. As he investigates he discovers something shocking; repeated head traumas, such as those routinely suffered by football players, leads to some terrifying consequences. However in bringing his findings to the public, he finds himself in a fight with a corporation that owns a day of the week – the National Football League. However, Dr. Omalu refuses to back down and becomes maybe the greatest advocate that pro athletes have ever had.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: PG-13 (for thematic material including some disturbing images, and language)

The Big Short

(Paramount) Ryan Gosling, Christian Bale, Steve Carell, Marisa Tomei. As the economy came to the verge of collapse in 2008, a group of financial outsiders, seeing what the big banks had done to the economy knew that they would likely not get much more than a slap on the wrist. They decided on a bold scheme to get their share, taking on some of the biggest crooks in the history of mankind – and winning.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Dramedy
Now Playing: Wide Release

Rating: R (for pervasive language and some sexuality/nudity)

Daddy’s Home

(Paramount) Will Ferrell, Mark Wahlberg, Linda Cardellini, Thomas Haden Church. A white bread radio executive has married a divorced woman with two kids, and is trying to be the best dad possible to them, although frankly they don’t want anything to do with him. Still, he tries and hopes for the best – until their biological father shows up, forcing him to compete with the guy for the attention of the kids. The ante gets upped again and again until the stakes become ridiculous.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: PG-13 (for thematic elements, crude and suggestive content, and for language)

The Danish Girl

(Focus) Eddie Redmayne, Alicia Vikander, Amber Heard, Ben Whishaw. Danish painter Einar Wegener was married to a fellow painter and seemingly happy with his life. However, a request from his wife, seemingly simple and innocuous, leads him to a profound change and the realization that he is a woman trapped in a man’s body. Desperate to find a solution, he takes a risk that at the time was unthinkable – but may be his only hope for happiness and peace.

See the trailer, clips, featurettes and Q&A sessions here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Altamonte Springs, Regal Winter Park Village

Rating: R (for some sexuality and full nudity)

The Hateful Eight

(Weinstein) Kurt Russell, Samuel L. Jackson, Jennifer Jason Leigh, Bruce Dern. A bounty hunter, taking his quarry back to Red Rock, Wyoming to hang shortly after the end of the Civil War, finds himself snowed in with six other strangers in a Rocky Mountain stagecoach stop. Soon it becomes clear that not all of the men are being completely candid about who they are – and that not everyone holed up to wait out the storm is going to make it out alive. The movie will be playing in digital 70mm print approximation (few theaters across the country will have the real thing), and will be opening in wide release on January 8th in standard 35mm digital.

See the trailer, clips, interviews, a promo, a featurette, B-roll video and a Q&A session here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Western
Now Playing: AMC Disney Springs, Regal Waterford Lakes

Rating: R (for strong bloody violence, a scene of violent sexual content, language and some graphic nudity)

Joy

(20th Century Fox) Jennifer Lawrence, Bradley Cooper, Robert De Niro, Elizabeth Rohm. Coming from a working class background, nobody ever figured Joy would ever amount to much but nobody counted on her unshakable will. She goes on to found a business empire, navigating the cutthroat waters of modern business to become one of the most successful female entrepreneurs in the United States. This is the latest offering from director David O. Russell, who has become the nearest thing to a sure Oscar nominee as there’s been in the last few years.

See the trailer, clips, interviews and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: PG-13 (for brief strong language)

Point Break

(Warner Brothers) Edgar Ramirez, Luke Bracey, Ray Winstone, Teresa Palmer. A young maverick FBI Agent infiltrates a group of extreme athletes who are suspected of pulling off daring robberies utilizing skills involving some of the most dangerous activities known to humans. The deeper the agent gets, the more he gets swept into their world. Eager to prove their innocence he begins to lose sight of his job and the protection of innocent lives. Can he bring these guys to justice before people die for their thrill-seeking ways – or will he ultimately prove their innocence?

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Action
Now Playing: Wide Release

Rating: R (for violence, thematic material involving perilous activity, some sexuality, language and drug material)

Youth

(Fox Searchlight) Michael Caine, Harvey Keitel, Jane Fonda, Rachel Weisz. Two lifelong friends vacation at a resort in the Swiss Alps as they contemplate oncoming retirement. Befriended by a young actor struggling to make sense of his latest role, one – a musician – is urged by his daughter not to retire just yet while the other – a screenwriter – labors to finish what may well be his last screenplay aided by his muse, who may or may not be true inspiration.

See the trailer, clips and a featurette here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: Enzian Theater
Rating: R (for graphic nudity, some sexuality, and language)

The Ridiculous 6


The Old West was never this wild.

The Old West was never this wild.

(2015) Western Comedy (Netflix) Adam Sandler, Luke Wilson, Rob Schneider, Nick Nolte, Jorge Garcia, Terry Crews, Will Forte, Steve Zahn, Harvey Keitel, Jon Lovitz, Whitney Cummings, David Spade, Danny Trejo, Nick Swardson, Blake Shelton, Vanilla Ice, Julia Jones, Saginaw Grant, Lavell Crawford, Steve Buscemi, John Turturro, Chris Kattan, Norm McDonald, Jackie Sandler. Directed by Frank Coraci

With Westerns making a bit of a comeback lately, it’s inevitable that there would be movies that poke fun at the genre. With Adam Sandler involved, that means there are a segment of people who will tune in no matter what. Others will stay away in droves.

White Knife (Sandler) is an orphan, taken in by the Apache when his mother was murdered. The Apache chief Screaming Eagle (Grant) teaches the young white boy how to fight, and the ways of the Apache warrior, which turn out to be somewhat more Zen than Caucasian culture gave them credit for. He is engaged to Smoking Fox (Jones), the most beautiful woman in the tribe. When a would-be outlaw (Zahn) tries to make trouble with her, White Knife makes short work of him.

However, there is trouble on the horizon. White Knife’s biological father, whom he never knew, shows up at the camp. His name is Frank Stockburn (Nolte) and he wants to make get to know the son he never knew. Just then, his old outlaw gang led by the notorious Cicero (Trejo) shows up and Stockburn hides his stash with the tribe, knowing Cicero will take it. Instead, Cicero takes Frank who tries to lead the gang away from the peaceful Native Americans by saying the stash is buried by an old windmill. White Knife knows that unless Cicero gets the $50,000 that Frank had taken, the old man would be killed.

Having just met his dad, White Knife isn’t willing to let him die. He heads out after them, vowing to obtain the money one way or another to rescue dear old dad. However, it turns out Dear Old Dad was very busy. White Knife discovers he has five half-brothers of other mothers – Ramon (Schneider) the Mexican bandito with the amazing diarrhea donkey, Lil’ Pete (Lautner) who’s the village idiot for more than one village but has a curiously strong neck, Chico (Crews) a saloon pianist who doesn’t use his fingers to tickle the ivories but something a little more genitalia-like, Herm (Garcia) the nearly unintelligible moonshiner and Danny (Wilson) who was Abe Lincoln’s bodyguard at Ford’s Theater who inadvertently showed John Wilkes Booth (Kattan) the road to infamy.

All six of these men have peculiar talents. All six are eager to rescue their father. And all six are incredibly, incredibly ridiculous. The Old West will never be the same once they’ve hit town.

Sandler as I alluded to earlier seems to affect people in extreme ways; either they are utterly devoted to him, or they hate him with a passion. He seems to inspire no middle ground. I try to be as objective as I can about him but I find that when he tends to be a little more serious I actually appreciate him more; his humor tends to be a little more scatological and quite frankly, a bit more juvenile-appealing than is my own personal taste.

He has assembled an impressive cast, several of whom (Crews, Schneider, MacDonald) are all veterans of SNL or of Sandler films, as well as folks like Nolte – who does a fine job here unsurprisingly – and Lautner, who does a really good job here, surprisingly. The latter hasn’t really exhibited much in the way of comedy chops previously, having done mostly action roles in movies that weren’t all that good. However, he proves to have some timing and comic presence, neither of which are easy tasks. I found myself liking him here, which isn’t my usual reaction to his performances.

Part of the problem here is that a lot of jokes fell flat for me, and it appears to a lot of other critics as well (see scores below). The whole thing about the amazing crapping donkey is humor at the level of five-year-olds and I know Sandler is better than that. Still, one can’t argue with success and most of the movies of his that reap box office gold have been the ones that have been, to me, the most childish. I think that says a lot more about the movie-going public than it does about Sandler.

Westerns tend to lend themselves to wonderful vistas and extraordinary cinematography and this movie was no different as veteran Dean Semler gives us some pretty pictures to look at. This is one of Sandler’s most cinematic films which makes it a bit ironic that it was released directly to Netflix as part of his four-picture deal with the streaming giant. However, it wasn’t for lack of trying; the film was in development at three different theatrical studios until Netflix finally came in and got it made.

There has been some controversy about the portrayal of Native American culture and I don’t intend to ignore it. While some outlets got nearly hysterical about it to the point of knee-jerkiness, the fact is that that several Native American extras had some concerns about the jokes made at the expense of their culture and eventually walked off the set when those concerns weren’t addressed. The initial reports made it sound like there was an uprising the size of Little Big Horn; in actuality the affair involved four extras, far less than the 150 Native American extras who were employed by the film. Watching the movie, I didn’t see anything that was more than culturally insensitive but the movie seemed to be that way to nearly everyone, in particular the white culture itself. Perhaps if the movie had been better written the insults would have seemed less egregious.

REASONS TO GO: A really good cast with Nolte and Lautner actually doing some good work. Lovely cinematography.
REASONS TO STAY: Unnecessarily dumb gags and situations. Attempts at parody miss the mark.
FAMILY VALUES: Some rude humor, mild profanity and sexual innuendo.
TRIVIAL PURSUIT: A group of Native American extras walked off the set due to what they perceived as negative and inaccurate portrayals of their culture; while initially the number of extras involved was reported to be about a dozen, sources close to the film put the number at four actors.
BEYOND THE THEATER:  Netflix
CRITICAL MASS: As of 12/18/15: Rotten Tomatoes: 0% positive reviews. Metacritic: 18/100.
COMPARISON SHOPPING: A Million Ways to Die in the West
FINAL RATING: 5/10
NEXT: Angels Crest

New Releases for the Week of December 5, 2014


The PyramidTHE PYRAMID

(20th Century Fox) Denis O’Hare, Ashley Hinshaw, James Buckley, Christa-Marie Nicola, Amir K., Faycal Attougui, Philip Shelley. Directed by Gregory Levasseur

When an archaeology team discovers a previously lost pyramid in the Egyptian desert, there is much excitement and jubilation. When they explore the interior of the structure and discover it is unlike any pyramid previously known, they are puzzled. When members of their team begin to die horribly, they are terrified.

See the trailer, a clips and a featurette here.
For more on the movie this is the website.
Release formats: Standard
Genre: Horror
Now Playing: Wide release
Rating: R (for some horror violence and bloody images

By the Gun

(Millennium) Ben Barnes, Harvey Keitel, Leighton Meester, Toby Jones. A smooth-talking, fast-moving small-time criminal from the streets of Boston yearns to move up in the underworld and to walk in the circles of the criminals he has idolized since he was a young boy. Once he finally gets inside, he discovers it’s not what he thought it would be and when he gets into a conflict with a Mafiosi, survival might not be an option for him.

See the trailer here.
For more on the movie this is the website.
Release formats: Standard
Genre: Crime Thriller
Now Playing: AMC Downtown Disney
Rating: R (for strong violence, sexual content, nudity, language throughout and some drug use)

The Homesman

(Roadside Attractions) Tommy Lee Jones, Meryl Streep, Miranda Otto, Hilary Swank. When three pioneer women on the prairies of the American West lose their minds due to the harshness of their lives, it falls upon a pious and independently-minded woman to somehow transport the women to the home of a minister and his wife who have agreed to take the three women in. Getting them there, however is no easy task and she employs a drifter with a faulty moral compass to help make the journey.

See the trailer and clips here.
For more on the movie this is the website.
Release formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: R (for violence, sexual content, some disturbing behavior and nudity)

Velimoonga

(Bhavana) Nikki Galrani, Biju Menon, Siddique, Aju Varghese. A politician, content with his life and with an happy-go-lucky attitude, stumbles onto a girl half his age and ends up completely smitten. Knowing he doesn’t have a reasonable chance in the world at winning her affections, he decides to try anyway.

See the trailer here.
For more on the movie this is the website.
Release formats: Standard
Genre: Bollywood
Now Playing: Cinemark Artegon Marketplace
Rating: NR