Attack of the flying squirrels.
(2015) Action (Warner Brothers) Edgar Ramirez, Luke Bracey, Ray Winstone, Teresa Palmer, Matias Varela, Clemens Schick, Tobias Santelmann, Max Thieriot, Delroy Lindo, Nikolai Kinski, Judah Lewis, Glynis Barber, Steve Toussaint, James Le Gros, Bojesse Christopher, Ronak Patani, Eddie Santiago Jordan, Patrick Dewayne, Seumas F. Sargent, Senta Dorothea Kirschner. Directed by Ericson Core
In 1991, Keanu Reeves and the late Patrick Swayze toplined one of the most iconic action films of that decade – Point Break – and now, two decades later, a remake is in theaters. I suppose that was inevitable. In the spirit of “bigger better more,” the Ex-Presidents are now not merely surfers but extreme athletes and world class ones at that.
Johnny Utah (Bracey) is an FBI agent. He wasn’t always one. Seven years ago, he was a YouTube warrior who wanted nothing more than to film extreme motocross stunts that would get him hits on the venerable Internet video channel, but something goes wrong and a friend winds up paying the ultimate price for Johnny’s hubris. Now, he is looking at a daring diamond robbery in which the thieves escape via parachute. Later, they grab some currency from a plane, drop the bills into an impoverished Mexican village and escape via a daring sky dive into a gigantic cave. Utah, being from that world, deduces that the criminals are trying to complete the Ozaki 8, a list of extremely demanding tasks meant to test the limits of the human spirit while at the same time honoring the forces of nature.
When Johnny finds out that there are ginormous waves occurring in the Atlantic, he is certain that the thieves will be there. He is dispatched to the scene under the wing of Agent Pappas (Winstone) from the UK office. He sees a whole flotilla of ships in the region with thrillseekers attempting to surf the waves that are the size of five story buildings. Johnny was never quite as skilled a surfer as others and when he attempts to surf one of the waves, he ends up going to the bottom, only to be rescued by Bodhi (Ramirez), who takes him to a huge yacht owned by Pascal al Fariq (Kinski), one of those insanely wealthy people who have more money than they know what to do with – so they get other people to tell them what to do with it.
As Johnny gets to know Bodhi and his crew, including Grommet (Varela), Roach (Schick), Chowder (Santelmann) and the lovely Samsara (Palmer), he knows he’s found his thieves but he has to prove it. Going against orders, he infiltrates the group and goes with them to ski down insane mountain ranges and put on flysuits to jump off of mountains. Eventually he earns their trust – well, at least the trust of Bodhi and Samsara, the latter of whom he ends up in bed with – but by this time he has begun to change his mind about their motivations and perhaps sympathize with them. So when push comes to shove, which side will Johnny end up on?
This is very much a Keanu Reeves movie without the benefit of Keanu Reeves in it. As Johnny Utah, Bracey resembles Heath Ledger facially but resembles a young Reeves in line delivery and not in a good way. He’s a bit wooden and stiff in his performance. I’m not sure whether that has to do with the writing or Bracey’s ability as an actor. Hopefully it’s not the latter.
The writing is a definite problem. This is the most bro-tastic movie you’ll see, unless the threatened Bill and Ted sequel comes together. You will never hear the word “brother” used so much in a single movie that doesn’t have two males with the same mother in it. It’s definitely a film loaded with testosterone and bro-bonding and bro-mancing is the order of the day here.
I can handle that but dumb is not as easy to dismiss. The plot grows more and more preposterous as the movie goes on and one begins to see through the Bodhi character as a selfish jerk spouting off New Age aphorisms; why would anyone in their right mind follow a guy like him? He talks about giving back to the poor while murdering middle class police officers and endangering innocents all to attain his personal goal. Of course, this is a different time now and people do worship at the altar of the almighty mirror but I didn’t get that feeling from the original film.
Let’s face it; the 1991 film had something in spades that this movie has little of – fun. The original was an entertaining ride. While the stunts here are impressive – and they are impressive – there’s no soul to them. There’s nothing here that makes me feel like I’m having a good time and why on earth would you go to a movie where you weren’t having one?
REASONS TO GO: Nice stunt sequences.
REASONS TO STAY: Dumb and dumber. Too much bro-ism. Ham-fisted acting. Wastes great locations.
FAMILY VALUES: Violence and language, some stupid ideas that nobody should remotely try to imitate, a little bit of sex and a little bit of drugs.
TRIVIAL PURSUIT: This was the first film Teresa Palmer acted in after giving birth to her son, coincidentally named Bohdi.
CRITICAL MASS: As of 1/12/16: Rotten Tomatoes: 8% positive reviews. Metacritic: 34/100.
COMPARISON SHOPPING: Chasing Mavericks
FINAL RATING: 3/10
NEXT: Joy
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